Create bold headlines and elegant designs with a versatile QSansPro font family. Excellent for large type as well as logos, quotes, advertisements and more. QSansPro is a strong and sophisticated sans serif, yet classic and you'll keep coming back to it again. Each font in this family is full of character and can stand on its own.

What is a brutalist typeface? The exact definition is anyone’s guess. Regardless, the Nomos superfamily is our take on the genre. Like the eponymous architectural style, Nomos is raw, direct, and honest. Its unrefined aesthetics reveal an orderly construction that is as firmly rooted in classic modernism as in the internet age—with simple, functional letterforms and the blunt convergence of diagonal and vertical stems. The low-contrast Nomos Slab subfamily has 18 styles and a set of 1000+ characters. Its tense curves let it shine in contemporary applications such as UI/UX design, AR/VR apps, and multimedia branding everywhere from banking to beverages. Pairs gracefully with Nomos Sans.

Sneakers was a typeface that I originally drew all the way back in 2005, with a release in 2006. Its most recent iteration, Sneakers Pro was released in 2009. Since then, the idea of reworking the design has lingered in the back of my head, but I wanted to add additional flexibility and value to anything offered beyond the originals. Sneakers Max does just that and I am happy to see it released and available to everyone. Sneakers Max raises the bar in terms of functionality… incorporating all of the options found in Sneakers Pro (e.g. Small Caps and a biform/unicase located now in Titling Alternates), but it expands the character offering, improves on letter designs (everything was redrawn) and explores more flexible settings by providing 5 distinct counter widths to keep more uniform multi-line settings with mixed letter heights. Special thanks to Potch Auacherdkul for his additions to the original character set and for his engineering skills.

Hand-hewn along the banks of the mighty River Raisin in Southeast Michigan, this heavy block typeface is the perfect addition to any design project in need of a stout, yet fun typographical treatment. Before this font made its journey into the outside world, it began its life as a 4B pencil sketch on cheap inkjet printer paper, as many of my projects do. This typeface, not unlike me, doesn't waste its time with finesse, or convention, and truly doesn't mind being a little bit on the thick side. There is a time for refinement and propriety, but this ain't it.

Thymesans was one of Chank’s earliest fonts, created way back in 1994 for CAKE Magazine. Sometimes it's got serifs, sometimes it doesn't. “What a weird and fickle futuristic font!” says Chank. Emancipate your designs with this decidedly modern font. Good for funk or country album covers.

Masoud Nejabati has drawn upon his capable calligraphic skills to create this typeface. Persia represents his first latin-based design. This gentle and finely rendered script reveals Nejabati's extensive background in Islamic calligraphic art. The slight back slant further enhances the appearance of hand-scribed pen calligraphy.

The 1913 sheet music for "You’ll Be Welcome When You Get Back Home" had its title hand lettered in a simple, yet attractive Art Nouveau sans serif design which has been preserved as digital type. Basic Nouveau JNL is available in both regular and oblique versions.

Introducing Wondar Quason Classic Serif Typeface. Wondar Quason Classic Serif Typeface is a handmade Modern Victorian handlettering, which is combining modern and classic typography with some awesome alternates. Yes we back to early 1800s, bring classic touch on this decade. Thanks for use this font. MaulanaCreative.

MB NEGATIVESPACE was inspired on a trip to Birmingham with my wife, seeing a billboard with the main text and parts of it missing. The idea is to use it sparingly; use a good amount of tracking to fill in the blanks and it works even better. Great for headlines, displays logotypes and short texts.

Rachert is a retro bold font that will bring you back to the 70s. Fall in love with its unique character and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, and much more! Rachert is PUA encoded which means you can access all glyphs and swashes with ease!

When I created my first website, I loved using vintage sewing pattern illustrations in my designs. Thinking back on it, I wanted to create a dingbat inspired by those images and Sewing Patterns is the result. The font features ladies-fashions in silhouette form for uppercase and lowercase letters and childrens- styles for the numbers.

Grota is back in its new Sans and Rounded versions. The complete family consists of 40 fonts, 10 different weights, cursives and an alt version. Grota Sans Rounded, designed by Eli Hernández and Daniel Hernández, is a grotesque font with Latin spirit. This type accompanies Grota Sans and Grota Unicase. It’s ideal for logos, brands, books, headlines, etc.

A revival from the past this animated letter will fit right into todays market. With its subtle flair and Latin feeling it will surely give a feeling of pure fun. This style was very popular in the 40s and 50s then it was reborn in the 60s and 70s once again it is coming back and becoming popular again.

The font is done with a minimalist touch of gothic and blackletter, inspired by several music and bands that I was currently enjoying and often listened to throughout the day, where the music depicts a little visually in the form of font characters like this Mordova font, feels loud, vibrant , dark but simple and easy to read.

Grota is back in its new Sans and Rounded versions. The complete family consists of 40 fonts, 10 different weights, cursives and an alt version. Grota Sans Rounded, designed by Eli Hernández and Daniel Hernández, is a grotesque font with Latin spirit. This type accompanies Grota Sans and Grota Unicase. It’s ideal for logos, brands, books, headlines, etc.

The 1900 specimen book of the Leipzig foundry Schelter & Giesecke featured this curious hybrid of blackletter and Art Nouveau, under the name Petrarka. Its narrow footprint and large x-height make it an ideal choice for headlines which harken both forward and back. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Rundstein is the round twin of Waffelstein. Rundstein includes extended Latin language support, but also Cyrillic and Greek. Designed with opentype features like glyph alternates and ligatures, Rundstein is perfectly suited for graphic design and any display use. It could easily work for army, bands, breweries, cinema, gamers, metalheads, militaries, movies, posters, pubs, quotes, t-shirts and many more.

This family started as a graduation project back in 2009, coming from calligraphic studies and sketches with a broad nib pen, based on humanist proportions and inclination. From its ink and paper origins it has come a long way until the current form, being digitalized and made into fonts through the course of the last 8 years.

Céline was inspired by a recent trip to a vineyard in the South of France. A vintage stencil numeral set was etched onto the wine fermentation tanks. Céline is a one weight stencil display typeface with plans to expand the family with multiple weights and non stencil versions. Céline includes some language support, standard and discretionary ligatures. I hope you enjoy it as much as I did making it.

Scruff was designed by Timothy Donaldson in 1995. This cheerful, laid-back font is made out of a variety of different fragments - stripes, dots, zigzags and more, giving each character its own identity. When brought together into words and sentences, the figures create a playful chaos like that of a patchwork quilt. To bring out its individual details, Scruff is best used in headlines in larger point sizes or as initials.

Decima Mono – condensed geometric monospaced Sans Serif typeface, released back in 2009 and quite successful ever since (MyFonts Rising Star, February 2009). This new edition is an upgraded version of Decima Mono and Decima Mono X, combining both into one edition. New version supports more Latin languages with an extension to glyph amounts. Also, six more alternate styles have been added to the original six styles.

Although less prevalent today, a cover charge was added to better class night clubs of the 1930s and 1940s to discourage patronage by people of questionable social graces. The general idea was that the lower strata of society (meaning the "average Joe" or "hoi polloi") would balk at paying an extra fee just for entrance to a place of good entertainment and fine dining.

NuevoLitho is my first successful font design. It was designed for use in the heads and subheads of my first book, “Printing in a Digital World” back in 1994. It’s a very loosened play on Lithos, Carol Twombly’s fashionable font of the period. However, I added a complete lowercase set, several special characters, and all the other fun stuff I do with my fonts.

Lichtspielhaus is an ultra condensed Lichtspiele spin-Off with 8 weights. It still transports you back to a time where neon lights and marquee letters decorated cinema facades. There are 8 styles: Hairline, Thin, Light, Regular, Medium, Bold, Black and Heavy. "Lichtspielhaus" is the first part of a new Type Noir Quadrilogy.

For the angular, blocky look, the future is Ferrocarbon! Designed primarily as a title font, I created it way back in 2013 and promptly forgot about, so I'm releasing it to the world now. it's meant to be used for your tech and sci-fi uses, but don't let us stop you there!

Spiggie is a sans-serif, whose name came to me on a Shetland beach. The beach traces a tight curve between the shoreline and the sea paralleled in the fonts controlled yet smooth character. The design language reaches back to the art deco period and the 1920s, yet retains a distinct modern flavor.

Vendor JNL is Jeff Levine's take on the popular ribbon font of the Victorian Era, but using a vertical type (Trade Journal JNL) rather than skewed letters. End caps for the ribbon can be found on the left and right parenthesis, and a blank panel is on the hyphen key. Limited character set.

Phoenician/Canaanite The Phoenician alphabet developed from the Proto-Canaanite alphabet, during the 15th century BC. Before then the Phoenicians wrote with a cuneiform script. The earliest known inscriptions in the Phoenician alphabet come from Byblos and date back to 1000 BC. The Phoenician alphabet was perhaps the first alphabetic script to be widely-used - the Phoenicians traded around the Mediterraean and beyond, and set up cities and colonies in parts of southern Europe and North Africa - and the origins of most alphabetic writing systems can be traced back to the Phoenician alphabet, including Greek, Etruscan, Latin, Arabic and Hebrew, as well as the scripts of India and East Asia. Notable features Type of writing system: abjad / consonant alphabet with no vowel indication Writing direction: right to left in hortizontal lines. Sometimes boustrophedon. Script family: Proto-Sinaitic, Phoenician Number of letters: 22 - there was considerable variation in their forms in different regions and at different times. The names of the letters are acrophonic, and their names and shapes can be ultimately traced back to Egyptian Hieroglyphs. For example, the name of the first letter, 'aleph, means ox and developed from a picture of an ox's head. Some of the letter names were changed by the Phoenicians, including gimel, which meant camel in Phoenician, but was originally a picture of a throwing stick (giml).

Kickers is a mix of vintage look and serif styles. The combination of beautiful letter and vintage style serif makes Kickers a versatile that can be used in many different themes of design projects. Available in two styles regular and outline are suitable and ready to be used together for your next design! Kickers is well-suited for advertising, magazine, branding, logotypes, packaging, titles, headlines and editorial design. It was definitely fun putting together these laid back vintage vibes.

Now here's a font that is named Like Butterflies, but has got nothing to do with butterflies! What? Why? Well, I recently heard the song "Even flow" by Pearl Jam and took a trip down memory lane - back to my early twenties. I remember how the lyrics affected me, and had an impact on how my life changed the years to follow. Maybe the style of the font does not reflect the inner meaning of the song, but it does reflect a look back in time for me - and the change that took place. Nevertheless, I hope you enjoy the somewhat simple, handmade style of Like Butterflies and the 4 versions that works very well together! Please notice that each letter has got 5 slightly different versions to choose from!

Mystical Woods is a script and caps font duo. I went back to the basics for this one -- ink and a brush on paper. I cleaned up the letters enough so that there are no jagged edges, but left enough of the character to keep that inky look -- those are the Rough fonts. Then I went back through again and cleaned the heck out of them, making every line and curve smooth for our cut-crafting friends -- those are the Smooth fonts. Since these two fonts were written together with the same tools and style, you can also mix the script letters in with the caps letters! Each font comes with a full set of standard characters and punctuation, as well as over 300 extended Latin characters for language support. And the script fonts also have 45 double-letter ligatures!

E-Lie is based on the logo for the Portland band E-Lie. Jon Lincicum designed the logo, and then the basic shapes of the principal letters and numbers. He then gave these designs to Shaun Kennedy, who expanded the design, adding punctuation, accented letters, and math symbols. Shaun then compiled the designs into an OpenType font, adding kerning and ligature information. The design is a distinctive, stylistic font excellent for use when you need to grab someone's attention.

Obliterate is a self destructing sans-serif typeface created from old rub off typography sheets brought back from the brink of becoming landfill fodder. It contains four sets of capitals and one alternate set of numerals for a randomized look. Here’s what’s included with Obliterate: 633 glyphs - including Capitals, Alternate Capitals (in lowercase slots), Numerals, Punctuation, two additional alternate Capitals sets and an extensive character set that covers multilingual support of latin based languages. (see the last graphic for a preview of the characters included) Ligatures Feature that auto-switches between Capitals & three other alternate Capitals glyphsets, as well as Numerals and Alternate Numerals for visual randomness. The ligatures feature will be automatically enabled for most with opentype compatibility, otherwise you can access the alternate glyphs via a Glyphs panel. (try typing below to watch it alternate between sets) Four Sets of Distressed Capitals each come complete with international accented characters for each version. Here’s why Obliterate is for you: You're into legible but distressed typestyles that imitate a random looking distress to it You're a fan of the band Inner Circle, whom the font was originally a tribute to You're a fan of old Letraset/Transfertype rub off lettering You're designing a modern horror movie poster and want a typeface with some tooth to it You just like to collect quality fonts to add to your design arsenal

Lanvier is an all capital display face, inspired by the thirties streamline era look. The family is offered in four style, Regular, Oblique, Double Oblique and Reverse Oblique, as well as two weights, Regular and bold. Bring the thirties back to life in all their chromium plated, streamlined and fast moving glory with the Lanvier family.

The Quitador™ Sans family is a fresh and distinctive design with roots that go back to the original Quitador typeface. Like its slab serif relative, the Quitador Sans suite of typefaces is large with several weights of roman and italic designs, making it an excellent choice for a wide variety of print and on-screen projects.