Petrol Stencil is a new creation of Naghi Naghashian. Petrol Stencil is designed for technical use. it is the first Arabic Stencil typeface known until today for stamping on packing crate, sacks and vehicles. This typeface offers a fine balance between calligraphic tradition and the sans serif aesthetic common in Latin typography. Petrol Stencil supports Arabic, Persian, and Urdu.

This font is inspired and based on many indigenous geometric shapes (Mapuche and Diaguitas from South America). A collection of more than 50 glyphs that you may combine in different and creative ways, alternating the position of the modules is possible to produced a wide variety of linear strips or closed figures, frames, modular grids, textures, etc.

Frederic W. Goudy (1865-1947) created over 100 typefaces during his lifetime. Like most type designers, he is known principally to most people only through his eponymously titled faces such as Goudy Modern, Goudy Old Style etc. This set includes one of Goudy's rarest Arts & Crafts styled faces, a font known as Aries. The font was originally created by Goudy for a private press in Eden, New York in 1926. Also included in this set are two decorative fonts: one font of 52 decorative Ornaments & one font that contains 52 Ampersands.

Sharka is heavy sharp condensed system of 7 display typefaces widths, plus 7 italics and 7 alternative version on each family member, inspired on dangerous personality and aggressive reputation of the great white shark, it was thought to create the feel of high impact, high risk action on extreme situations, polemic public scandals, financial advertisement alert, the italic version specially creates the feel of velocity, powerful mechanical energy and related similar topics. Recommended to use in big headlines, magazine covers, advertisements, robust public visual calls, but also, if it applied with good taste and good typographical skills, could be a good choice not only for prints but also for web and digital media devices.

Distinctively Art Nouveau with a touch of Arts & Crafts, Quaint Gothic is a typographic gem from the late nineteenth century. Also known as Desdemona, this undulating and organic typeface is a versatile and refreshing alternative to many of the font designs on the market today. Quaint Gothic comes complete with an alternate set of caps and a new set of lowercase characters. And for your convenience, a nifty set of small caps and small figures are included in this version. You may also want to access the word-on-a-wave logotypes like “to” and “and” located in the special character slots. They’re great for constructing provocative headlines and titles. Quaint Gothic is also available as an OpenType font. It contains lining and oldstyle figures, prebuilt fractions, stylistic alternates, a wide variety of discretionary ligatures and word ornaments. These advanced features currently work in Adobe Creative Suite InDesign and Illustrator. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Based on a revival of one of the popular Textura fonts of the early 20th century; suitable for display, or text.

Based on a revival of one of the popular wooden type fonts of the 19th century, suitable for display, or text.

The Ihre-Götlin Runic inscription is one of the other runic inscriptions in America. I couldn't find much data on it.

Based on a revival of one of the popular wooden type fonts of the 19th century, suitable for display, or text.

Based on a revival of one of the popular type fonts of the 19th century, suitable for display, or text, bold.

Vaudeville JNL started out as the re-drawing of an angular Art Deco font hand-lettered on some old publications for sale online. After completing the basic alphabet, it was realized that it just didn't look good -- so a more traditional letter form was adapted to represent the style and times.

Introducing Brightland - Condensed Sans Serif Font Brightland is a condensed sans serif font that comes in four distinct styles - solid, solid italic, line, and line italic. This versatile font is perfect for use in a wide range of design projects, including branding, advertising, and packaging. Its clean, modern aesthetic makes it suitable for use in a variety of settings, and its four different styles allow you to create a wide range of looks. The solid style of Brightland is straightforward and uncomplicated, making it perfect for use in headlines and titles. The solid italic style adds a touch of flair, while the line style is light and airy. And the line italic style is perfect for creating a more playful, imaginative look. FEATURES - All Caps - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation - Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word Hope you Like it. Thanks.

Jonze & Jonzing from KC Fonts is an all uppercase based font that resembles a rubber stamp; Jonze being more on the saturated side and Jonzing on the rather dry. Both fonts each have four glyphs for each letter & two per number, which are accessed by uppercase, lowercase & Contextual Alternates. The Jonze family takes the grungy look that you love one step further by creating a handmade look for you by randomly cycling through Contextual Alternates & Double Letter Ligatures for a unique and authentic look to your creative. When not using the Contextual Alternates feature, you can still alternate between uppercase and lowercase letters to change it up or by accessing the Stylistic Alternates feature. The Jonze family has an extended character set for multilingual support.

As glamorous as its name would suggest, Vow Neue is the new fashion model on the typeface scene. Vow Neue loves excess without losing style, containing itself in strict forms that belie a boundless desire. Sharp edges lead into enticing curves in all the right places, making this a font that draws the eye and keeps up interest.

The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Based on Placard typeface (Hermes Grotesk) of the Lange type foundry (St.-Petersburg), an adaptation of Hermes Grotesk, of the Woellmer type foundry (Berlin, middle of the 19th century). This sans serif with its old-fashion stability looks well in advertising and display typography.

Open Range is a new font design based on an old classics sans serif font from the 1800s. Some may say that this font looks like a western version of the more modern Benguiat but samples of lettering from the 1800s show a similar design to Benguiat and may have been the inspiration for that font.

Introducing NewModern: Sawdust's inaugural typeface release, now making a comeback from our exclusive archives through the esteemed MyFonts foundry. Originally crafted for the renowned 'HypeForType' type foundry, this font represents a seamless blend of tradition and innovation. With a fresh perspective on the classic Didone genre, often referred to as 'Modern,' NewModern encapsulates the essence of contemporary design.

HOLBORN Aptly named after ‘High Holborn’, a high-street in London where the Central School of Art & Design was based. A font, just in capitals, based on the original design and the earlier sketches (1976) by André Toet. The strong optical illusion in this alphabet makes it an outstanding typeface. Concept/Art Direction/Design: André Toet © 2017

Claude Sans is the work of British designer Alan Meeks. The conservative roman weight is complemented by a more extravagant italic. The proportions are based on those of the original Garamond typeface of Claude Garamond, from whom this type gets its name. Claude Sans can be used alone or combined with Claude Sans italic and bold weights.

French Fries is a three-weight decorative font family.  It was created and produced by Steve Jackaman (ITF) in 2017. French Fries has a casual, lighthearted, playful, hand-lettered look, and is food for the eyes at any size.  The family is surprisingly versatile, and might be right at home on menus, packaging, and early education materials.

CoreDodam is a geometric shaped title font with unique structure. The shape of each character is very simple and modern. Depending on shape, some characters have different heights. It makes the line of text rhythmically. Supported codepages are MS Windows 1252 Latin1 and MS Windows 949 Korean consisting of 11,172 Korean letters and Symbols except Chinese. We recommend to use for the title or short sentence on posters and especially useful for design works.

According to the market demand, fonts tend to be unique fonts, so I decided to make a unique display serif font that is in your view. The Brays font is a font with many ligatures that is very unique and sought after, comes with a stylish style to become a market favorite. We keep this font looking elegant, classy, ​​easy to read, stylish, attractive and easy to use. Brays Font is a great choice for beauty brands, magazines, travel, newspapers, books, brand names, branding, branding, quotes, album covers, and other projects. The Brays font is here to take the quality of your designs to a higher level. Brays Font is my Twenty ninth Font created in 2022 The Brays font style will make you love designing and taking advantage of the cool design results for this font. Continue to follow us for updates on making further fonts :) Font Features: • All capital letters • Stylistic ligatures • Stylistic alternate • Multilingual Support • Numeral and punctuation

Karaoke JNL is one of the many alphabets created by the late Alf R. Becker that was showcased in Signs of the Times magazine from the 1930s through the 1950s. Thanks to Tod Swormstedt of ST Media (and who is the curator of the American Sign Museum in Cincinnati, Ohio) for providing Jeff Levine the research material from which this font design was modeled.

Tall, thin and elegant, Marian Churchland’s fonts are very much like her.. and now available from those awfully nice chaps at Comicraft to allow you to pretend that you are too! Marian Churchland was born in Canada in 1982, and was raised on a strict diet of fine literature and epic fantasy video games. She has a BA in Interdisciplinary Studies (English Literature and Visual Arts) from the University of British Columbia, and has been doing professional illustration work, including book covers and magazine articles, since she was 17. Last year, she became the first woman to solo-illustrate a CONAN story, and this year she’s illustrating three issues of ELEPHANTMEN for Image Comics. See the families related to Marian Churchland: Marian Churchland Journal.

Bubblewrap is based on a 10 x 14 dot matrix grid and is perfect for projects where a little care and attention is the order of the day.

Blang Yellow is a fun bold script font perfect for posters, logos, magazines, book covers, banners, and many more! Get this amazing freebie, and use it to create lovely designs!

Blang Haloc is a fun bold script font perfect for posters, logos, magazines, book covers, banners, and many more! Get this amazing freebie, and use it to create lovely designs!

Relatha Patricia is a stunning handwritten font. Its flexibility and neat style will brighten up each of your designs. Have fun with this cool font and explore its endless variations.

Amelyan is a sweet and friendly calligraphy font. Fresh and neat, this font is ideal for writing wedding invitations, cards, or any other design that might need a fun touch!

PiS VinoZupa is based on a logo found on an old Serbian bottle of brandy. The vintage 1971 plum fuel burns down your throat and blinds your eyes, the serifs you draw grow bigger and bigger with every sip you take. A Western-style slab serif font, coming from the finest distilleries in an Eastern European village. Features heavy caps with a few alternating glyphs in the lowercase letters and all the nice diacritics you need for super-drunk Serbian babble.

Linotype Venezia Initiale is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. Designed by German artist Robert Kolben, the font is based on the classic forms of Roman writing in the 1st and 2nd centuries found chiseled on countless buildings and monuments. Linotype Venezia Initiale is a timeless, elegant font particularly well-suited to headlines or as initials in combination with other fonts, working especiall well with sans serif alphabets.

Bring the scariness with this Graveyard Dingbats Font! It consists of various "horror" theme icons, to make your designs more fun! Great for t-shirt design, cards, invitations, logo, signage, flyers, scrapbooks, stickers, book cover, kids stuffs, pillow or wallpaper designs!

Maeva is a non-joining wide formal 60s script, directly designed and carefully finished by hand on screen, trying to keep the script alive – preventing it from looking mechanical – by drawing each letter from scratch.

Alius is something else. Experimental shapes combined with traditional ones result in an extremely legible typeface that—because of its economically spaced characters—works extraordinarily well for copy texts as well as big striking headings. Alius has been created with great attention to detail which is particularly noticeable in smaller sizes where proportions and shapes remain intact. The Typeface includes stylistic alternates that provide the designer with endless possibilities for combinations and variations. Alius contains PS-Hinting and is therefore as legible on screen as it is on paper. The typeface comes with powerful OpenType features that will satisfy even the most demanding of designers. With more than 680 Glyphs and a coverage of over 130 languages, Alius is as versatile as it is beautiful. The development of the typeface started in the summer and concluded in the fall of 2021.

Introducing a vintage label font named Seaman. All available characters you can see at the screenshots. This font has two variations, Clean and Grunge, and for each included three styles - Clean, Shadow and Shadow Wave. This font will look good on any retro design like a poster, T-shirt, label, logo, etc.

Positronic Toaster is a modern interpretation of the French upright scripts of the nineteenth century. It started off as an attempt to make a stylized script that didn't feel like it belonged on a 1950s chrome appliance. Later on, however, the design grew to embrace the qualities of that style of lettering. The result is something playful and elegant, that is not tied to any particular time period. The distinctive angular loops on the ascenders will join together in words like 'bulb' or 'wallflower' using OpenType contextual alternates. It is suitable for cards, wedding invitations, or any project requiring a fashionable, upscale look.

The bold round point pen lettering on the cover of the 1934 sheet music for “New England in the Rain” was the model and inspiration for Poster Pen JNL, which is available in both regular and oblique versions.

A face designed specifically to complement celtic decorated capitals and based on text from the book.

Ornaments 6 are based on designs for the Curwen Press by Edward Bawden and Percy Smith.