Hallo flower is a modern calligraphy design, including Regular. This font is casual and beautiful with swash. Can be used for various purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes, and more. Hallo flower is coded with PUA Unicode, which allows full access to all additional characters without having to design special software. Mac users can use the Font Book, and Windows users can use Character Map to view and copy one of the additional characters to insert into your favorite text editor / application If you need help or have questions, please let me know. I am happy to help :) Thank you & Congratulations on Designing!

Gandia is a true form of elegance and refinement. Curved corners give a soft yet bold impression. Inspired by the fast-growing vintage culture, this typeface can easily blend with modern retro design needs. With low contrast including the Cyrillic alphabet, it is very flexible to pair with other fonts. Gandia is perfect for various design needs such as magazines, posters, branding, clothes, quotes, web ui, social media posts, cover designs, Logo and many more. Comes with 8 Weights: Thin, Extralight, Light, Regular, Medium, Semibold, Bold, Extrabold. Equipped with attractive Opentype features Smallcaps, Discretionary Ligature vertical on Uppercase and Ss01, Ss02, Ligature on Lowercase and each font has more than 1300 glyph.

Grotbox is an interesting, if not startling, distressed punk font. There are two varieties: one with upright characters; the other with the characters rotated out of whack for extra informality. Legibility is maintained, despite the wild industrial feel of the typeface, and it's designed to grab the attention. The zip package contains both OTF and TTF versions - install either OTF or TTF, not both versions of a font on the same machine.

“When you push the stage props of the life aside, there will remain the truth ...” Ambient is a deconstructed sans-serif font, which captures the essence of basic Roman letterforms... with a few twists. Gabor Kothay was born July 19th, 1962. He works as a graphic designer and teaches second-form art students. Typeface design was a hobby for many years but it has become an everyday routine with Fontmunkasok and Fontana Type Foundry. He lives with his wife and two daughters in a suburb of Szeged, a sunny southern Hungary town that lies on the banks of the Tisza river.

PTT typeface has very rounded outlines. They are extremely overlapping each other like packed potatoes. The face will be very strong and give your design extraordinary spice! Basically, main characters are consist of two different shapes, one is initial form which is only used at the beginning of a word, the other is medial form which is used for the rest. To use this function, I highly recommend to use appropriate layout application (e.g. Adobe illustrator, InDesign, QuarkXpress).

Suitable for headlines, subheads and short copy blocks, this decidedly Deco number is based on Willard T. Sniffin’s Hollywood, designed for American Type Founders in 1932. A few of the fussier details have been modified from the original to render a clean, streamlined and sophisticated face. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Proudly present Wonderglast - Stylist Sans, created by ikiiko. Wonderglast is a chic sans serif typeface with a seductively avant-garde vibe. This typeface effortlessly captures the spirit of elegance and sophistication thanks to its simple lines and contemporary design. Its modern, minimalist design lends an air of refinement to any project, making fashion-related projects the ideal fit for it. Wonderglast's letters have a sense of fluidity that makes them flow across the page and produce a pleasing visual effect. Its lack of serifs gives it a modern appearance, and its carefully constructed curves and proportionate design add to its allure. This typeface is perfect for an elegant logo, branding, fashion brand, luxury brand, layout magazine, beauty product, packaging product, quotes, or simply as a stylish text overlay to any background image. What's Included? Uppercase & Lowercase Numbers & Punctuation Ligature & Alternates Multilingual Support Works on PC & Mac

Cal Fraktur Brush is one more font from the PKG “Cal” (Calligraphic) group. This time, we used a wide brush instead of the calligraphic pen for the sketches. This font is widely used in the typographic creation of shorter text forms such as headlines, tattoo and graffiti quotes, book covers, t-shirt designs, logos, posters, movie spots, banners, labels... Enjoy!

Divina is a Latinized digitization of one of German calligraphy master Rudolph Koch's typefaces. The original typeface, Kurrent, was designed in 1927 and cut in 1935. Its shapes are a variant of the German script to be used as a model for writing in schools at the time. This is the first time Koch's rendition of this particular blackletter calligraphy was ever digitized.

Hand drawn serif typeface designed for one of our books. It has upper and lowercase characters with up to three alternate glyphs. Build in OpenType Contextual Alternates feature will automatically set alternate glyphs depending on frequency of appearance of the same character (even in web font but only in HTML5 browsers). The script doesn’t throw random glyphs. For example in the word “HIPPOPOTAMUS” you will automatically get three different “P” glyphs and two “O” glyphs. It really works great but of course you can always fine tune it by hand. Mrs Ant has an older brother. Mr Anteater was designed for headers for the same book.

Two years ago I went on a camping holiday in England with my wife and (then two) small children. The first stop was a nature campsite near the village of Bodiam in East Sussex. My son wanted to see a real castle, so I figured Bodiam Castle was the 'realest' of them all! He loved it, as the castle had a moat, crenellated walls, a bunch of towers and a guy dressed up as a knight. Bodiam font is a rough didone-ish affair. It is all caps, but you can freely mix upper and lower case. It would be ideal for book covers, posters and maybe even for castles. Comes with a treasure chest of diacritics.

Introducing Gradable, a mesmerizing script font that seamlessly blends elegance with boldness. This unique typeface is characterized by its graceful, connected letters that flow effortlessly from one to the next. With a low-contrast design, this font exudes a sense of stability, What sets Gradable apart is its distinctive swinging endings on select letters, adding a touch of playful sophistication to your text. These stylish flourishes give your words an air of dynamic movement, making your message stand out with a touch of charm. Gradable fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Endure is a new hand-painted brush font created to add a high detail and realistic feel to any project. Every glyph in Endure was painted by hand on actual paper and scanned in manually - A lengthy process, but worth the fine detail!

Searching for the Exceptional Designing Tapir was driven by the search for a display typeface which is doing something different than the rounded and bouncy fun faces – the letterforms should stand out with a slight touch of weirdness, creating attention and recognizabilty. A big character set, optimized spacing & kerning and lots of features make Tapir a good choice for professional usage between games, toys and skateboards.

Aphrodite Slim Pro is not just a lighter version of its sister Aphrodite Pro. Aphrodite Slim Pro has duplicated the quantity of characters of its partner, and that means more than 500 new glyphs, reaching a total of more than 1000. More delicate and meticulous, Aphrodite Slim Pro is once more a new typography with deep calligraphic ideals: We immersed ourselves into the world of each calligraphy ductus and each calligraphy masters by studying from decoration to lettering books. This was the key for the logic of Aphrodite Slim’s behavior. The new concept of Aphrodite Slim Pro was to join diverse styles of calligraphy in one in order to achieve an autonomous expressiveness, in fact, this is what calligraphy aims to, and we agreed to bring those ideals to the world of typography: It is justifiable to be inspired in hundred-year-old calligraphies, but it is even better if the results you obtain have a plus. A personal plus. During the creation process we were wondering whether it was possible to mix certain strokes of such rigid styles as uncial, (Li·n’s favourite style), with strokes of the copperplate, (Sav’s favourite style), and also to take and mix cualities of cancelleresca cursiva, formata and moderna; finally giving our creation a roman-transition italic look. So Aphrodite Slim takes ideals and aspects from those formal styles, following its own logic though, and emphasizing the fact of being a decorative typography. Calligraphy masters of our past are who we are in debt with. They are the cause we have lovely letters now. They have been spontaneous at the moment of creation, what differs from the type-designers of nowadays, whose spontaneity is more limited. Digital faces that we are used to see these days are a result of long hours of optical adjustments, grids, macros and inspirations of other existing typography, but without personal contributions. Aphrodite Slim wants to refute this. Its mission is to rescue de spontaneity of the artesanal lettering in order to obtain unique words; those which only calligraphy masters of our past or lettering artists of our present could give us. We have worked hard to achieve this, making Aphrodite the most universal font we could: It was necessary to study the most common words, focalizing more in the ones referring to “sensitivity”, of four of the most spoken languages in the world. Aphrodite Slim has an enormous quantity of decorative characters and special ligatures for phrases and words in English, French, Spanish and German. (See English, Français, Español, Deutsch PDF in the gallery section). We promise there is no existing type that decorates/ligates glyphs and words like Aphrodite Slim does: It is the first time a font like this really considers its purpose. -The way glyphs are ligated is insane- : Aphrodite Slim rescues some ideals of persons like Jan van den Velde (Italian cancilleresca writing of XVI Century) who understands ascenders and descenders as possibilities to beautify the lines of writing with curved strokes that seem to be dancing above and below of the words. This master also creates ascenders and descenders even where they are not necessary, on letters that do not actually need them: Aphrodite Slim takes this ideal. The font counts with a wide range of glyphs that seem not to be satisfied with its more primitive form and prefer to extreme their parts to be decorative. It also existed masters of calligraphy like José de Casanova of XVII Century, who, with a magnificant skill and a really personal mark, had the particularity of ligating words that were actually separated with spaces. This is another innovative feature in Aphrodite Slim. An investigation of the most common beginnings and endings words of the English language was done. Having that feature activated (discretionary ligatures), common words will start to ligate or to be decorated even when they are separated by spaces. Impossible to forget Francesco Periccioli of XVII Century and our experience us designers to face with works of him: His letters, that today are included in the group of cancellerescas modernas, have been a direct inspiration to the oldstyle figures and historical forms variables in Aphrodite Slim. Giovanni Antonio Tagliente (XVI Century) and his particular way of making tails and diagonals longer than usual, qualities that our creation reflects too. Finally, our adventures in Biblioteca Nacional and Barrio San Telmo, Buenos Aires, were essential for us to make Aphrodite Slim more complete and interesting: Sav did an excellent work when studying how the decorative miscellanea and swirls of early XX century were. She also investigated what particularities made those roman titling characters look antique so she could rescue some ideals for the oldstyle figures and historical forms variables. This also leaded her to create the ornaments variable in Aphrodite Slim. We are really proud of presenting Aphrodite Slim Pro, a typography that was the result of days and nights of working hard, because we do love what we do; and we are glad we are living in a present that gives us the possibility to spread this kind of art, because that is the way we consider our job: Aphrodite Slim Pro is Art. Hope you can appreciate the enormous work this type has. Features. Aphrodite Slim Pro is the most complete variable. It includes more than 1000 glyphs. Thanks to the Open-Type programming, it counts with a easy way to change/alternate glyphs if the application in which the font is used supports this. The variables contained in Aphrodite Slim Pro are also offered separately. Aphrodite Slim Text: It is the variable for lines and paragraphs. Thus it is the least ornamental and the most accurate to achieve a satisfying legibility. It has the Standard Ligatures feature in order to improve the possible conflicts some glyphs could have by others. Aphrodite Slim Contextual: It is the one that makes emphasis in decorating. It has the particularity of ligating/decorating words of common use in English, French, Spanish and German. It also has the quality of ligating common beginnings and endings of the common words in English. Aphrodite Slim Stylistic: With similar features of Slim Contextual. It includes a set of decorative numbers for a display use. Aphrodite Slim Swash: This one has special beginnings and endings to decorate words. Aphrodite Slim Endings: It makes words look as a signature. Aphrodite Slim Historical: It adds an antique look to the written word. It also has the special historical ligature function. Aphrodite Slim Titling: This one is the most decorative. Its copperplate inspired ornaments give words a special color, in order to handle the quantity of decoration, it comes with the standard ligature feature, which has the most common ligatures plus others that make decorative swirls not to be conflictive. Aphrodite Slim Ornaments: A set of 52 ornaments. Aphrodite Slim Pro includes all this features plus the Stylistic Set 1; Stylistic Set 2 and the possibility of Slashed Zero. We recommend you to check out the gallery in order to see all these features in action.

An inkstone, a brush, ink, and paper. In China, one speaks of “wenfang sibao” — the four treasures of the scholar’s study. With these centuries-old hand tools, Werner Schneider created a calligraphic type trilogy of the highest aesthetic order; he named this typeface family after Buddha’s stepbrother, Sunetta. Sunetta is an outstanding choice for contemporary display type purposes. Its combination of lively forms overcome sterile text passages, lending them a more personal note and feeling. But Sunetta is not only recommended for documents bestowing distinction and accolades; the fonts are superb for shorter text passages as well. Sunetta’s spirited flow raises it above the fray that so many generic letterforms find themselves mired in, creating an unforgettable impression. Sunetta’s three complementary styles, Sunetta Flair, Sunetta Charme, and Sunetta Magic, offer three varying degrees of calligraphic verve. The family’s base font, Sunetta Flair, harkens back to the showcard lettering styles of the 1950s, while remaining distinctly European in taste. Sunetta Charme has a more swash-type appearance, while Sunetta Magic is joyfully decorative — its brush-written strokes dance across the line. Together, they may help you reach typographic nirvana.

Say hello to Cupid Darling. A sweet and playful display typeface. Cupid Darling is perfect for branding, logos, social media quotes, stickers, posters, vintage designs, wall art and more! This font will make your design looks great and fun! Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded

Caupako is a display font. Inspired by the shape of the axe. Nostalgia on the legendary old action film. A young man armed with a deadly axe. Comes in two font styles, regular and oblique. Caupako comes with 400+ glyphs, which also include multilingual languages. It's perfect for headlines, branding, and many more.

Wild Muerayam is an elegant, modern and functional unique featuring a calm text and an expressive display. This font looks harmonious in books and other periodicals, on posters or on magazine covers. The scope is not limited to the printing industry, because Wild Muerayam looks aesthetically pleasing wherever text is used. Wild Muerayam a serif display font with a modern yet luxurious style. Aesthetic and unique letterforms, as well as soft curves and wild shape of the letters make this font so iconic. Wild Muerayam Features: Uppercase and lowercase Multilingual Numerals Punctuation PUA Encoded Alternates Ligatures To be able to access alternative fonts, make sure the software you use can support opentype features such as Microsoft Word, Paint, Adobe, Corel draw, Cricut and other applications. I hope you enjoy!

Wesal is an Arabic typeface with an elegant and modern feeling. It’s luxurious, strong, legible, Clear, Simple, and contemporary. The design is inspired by the Kufic calligraphic style and influenced by the Naskh style. Wesal has a wide range of use possibilities headlines, logotypes, branding, books, magazines, motion graphics, and use on the web and Tv. Orleen consists of 9-weight versions from thin to Black.

Mount Hills, this typeface has been made carefully to make sure its premium quality and luxury feel. The many alternate character on serif makes this typeface unique and stands out rather than the regular sans font, perfectly for headlines, logos, posters, packaging, T-shirts, coffee shops, restaurants, magazine's headers, signs or gift/post cards, cafe's and weddings or any type of advertising purpose.

An extremely low midline marks this offering, based on an “elegant” alphabet found in Samuel Welo’s chapbook, Lettering: Modern and Foreign, published in 1930 by Frederick J. Drake and Company. Definitely different, and Deco at its most debonair. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

This engaging antique text face is based on Paragon Light, from the 1905 specimen book from Barnhart Brothers & Spindler. Although it is spaced and kerned for text work, it also is suited for headlines if you tighten the tracking. Both versions of this font contain complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

This typeface made its first appearance in Schelter & Giesecke's 1915 specimen book. It exhibits the cleanness and crispness one might expect in a sans-serif face, along with a few unexpected grace notes that make it warm and friendly, as well. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.

A classic typeface with timeless appeal, based on the venerable Weiss Initials II, designed by Eric Rudolf Weiss for Bauersche Gießerei in 1931. Essentially a monocase font, this version also includes variants located at lowercase a, e and g. Both versions of this font contain the Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, written by Stephen Heller and designed by Seymour Chwast. Included in the font are several handy ink blots (section mark and superior numbers positions), a stylish tailpiece (florin position), and a couple of ink bottles patterned after those on the bookcover (bar and broken bar).

Jonesy is a funny modern looking script with a touch of vintage. It’s based on calligraphy and pretends to look like real lettering having almost 700 alternates and ligatures, organic forms and realistic connections. Jonesy is good for menu, packaging, posters and as a starting point for lettering and logos. All contextual alternates are built into the “Liga” feature that is turned on by default. However, when your work with the typeface, please make sure that “Liga” is turned on.

Since the early 1980's, the automotive industry has been developing geometric/technical style logotypes for car chrome labels. The styles are ripe with inspiration for great font families, but surprisingly, many of these sleek logotypes are lacking an expansive family to enhance and express their brand in a richer sense, becoming true brand workhorses. The Lustra family finds its origin of inspiration in the HYUNDAI automotive company logo, and from there expands to an 8 font family of weights. Lustra celebrates the techno display styling of the inspiration logotype, transcending its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It inherits a sturdy yet approachable style with its uniform stroke forms and curves, and goes on to include a lowercase, numerals, and a comprehensive range of weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers.

Brigends Expanded is a bold sans serif font which looks great to be modern and strong impression to your design. This font is also suitable to be applied especially in logo, branding, promotions, posters, book covers, magazine layouts, social media, headlines, titling, movie title, logo brand, logo company, layout website and other design. What’s Included : All Caps Numbers & Symbols Works on PC / Mac Simple installations Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word PUA Encoded Characters, Fully accessible without additional design software Multilingual support Thank you for your purchase! Hope you enjoy with our font!

Manic is simply a fun font which plays around with line width, negative space and quirkiness, and is made up entirely of straight lines. The font has a playful feel to it and is particularly good for large displays/headlines.

Introducing Bread Story, a set of unique and fun handwritten fonts, the style is simple and friendly. Bread Story is very versatile to implement a variety of creative ideas, such as Crafts, Cakes, T-shirts, Fashion, Quotes, Mugs, and Others.

Humanist meets handwriting. Blancmange is a fun and informal face with brushy alternates for the flair when you need it. Swash mannerisms blend with structured letter shapes to give a range of personality. Includes all the requisite OpenType goodies in two weights.

When you are trying to solve any problem, surely you round the solution like a swirl. This typeface represents that continuous search of creative solutions. So, our recommendation is “Be Creative” always. Based on the skeleton of the classic typeface from Corradine Fonts “Mussica”, this softened semi-serif type family comes in eight useful weights and has many full functional Open Type features that allow you to play with the extension and type of the ornaments including three levels of swash caps and many ascender, descender, starting and ending forms for the lower case set. Use the Swashes and Titling features separately or mixed to extend the length of the swashes and apply the Contextual alternates feature to obtain wonderful smart swashes. If you prefer to use the common lowercase “r”, instead the original one of the typeface, you could replace it just by applying the Stylistic Alternates feature. And finally you can enjoy the numerous discretionary ligatures that Be Creative has available to obtain a completely improved appearance of your design.

Buchery is handwritten bold and rough font with dry brush texture. This texture is very detailed. Buchery is suitable for logos, shirts, fashion, blogs, websites, product branding, posters, flyers, any print template or for text overlay to any background image. Alternative and swash characters are also available. If you use Adobe / Corel Draw you just block one of the letters / numbers (for swash) and an arrow will appear under the letter, and you can replace it with alternative characters.

I've been working on a usable sans serif for body copy since the mid-1990s (though I certainly did not know it at the time). This one works well. It started life back in the mists of time as a scan of an old German font by Carl Fahrenwaldt. It was developed fully as a synergized serif with strong traditional roots and released as Bergsland Pro. Now it finally makes it to where I was headed all along as a sans text font. This is a well modulated humanist, sans serif font family with many OpenType features and over 600 characters: Caps, lower case, small caps, ligatures, swashes, small cap figures, old style figures, numerators, denominators, accents characters, ordinal numbers, and so on. It is designed for text use in body copy. But it also works very well for elegantly stylized display.

One of the most elegant script styles found. This beautifully formal font is perfect for high society.

Based on hand lettering from a January 26, 1930 ad for the 1930 Fox Studios film "Let's Go Places", the lettering is an ultra bold serif design with numerous ball terminals throughout the character set. The typeface is both formal, yet casual and playful in appearance. Going Places JNL is available in both regular and oblique versions.

McCadden JNL was inspired by the hand-lettered credits for the George Burns and Gracie Allen Show [1950-1958]. Its casual theme offers a lighthearted approach to titling and display work. The font gets its name from McCadden Productions (the company started by George Burns), which itself was named after a street Burns' brother William once lived on.

Kalligraaf is an Arabic typeface and the main focus is on blending traditional and modern rules in the formulation and design of the typeface. Designed with powerful OpenType features in mind.

Graphology is an Arabic typeface and the main focus is on blending traditional and modern rules in the formulation and design of the typeface. Designed with powerful OpenType features in mind.