Kinsey is inspired by traditional typewriter font styles. Although now largely consigned to history, the bulbous slab serifs and soft curves of typewriter fonts have left a lasting legacy; they’re paradoxically easy on the eye, yet utilitarian and business-like. Kinsey offers a modern take on this classic style and is available in a full family of five weights and includes a ‘proper’ italic with modified characters for an easy, flowing style.

Jump back to the retro vintage vibes with WALANOR. A bold, casual, and fun display font. Inspired by the visual trends of so-called retro and vintages from the 80s era. We talk about disco, pop culture, vinyl records, sign painting, magazines, posters, labels, and many more.

A spunky slim typeface inspired by a 1958 Dell Comic, The Captain and the Kids featuring the Katzenjammer Kids as a spinoff from the original comic which was in turn inspired by the famous children's story from the 1860's, Max and Moritz. Fun, informal, and retro spunky, all balled up in a single typeface.

The Lilac (or Syringa vulgaris), a slightly vigorous plant, gives a nice colour to the place where its located, well maintained from one season to another and even when not in flower, the colour of its foliage and compact form makes it attractive enough. Lila Pro was created on the coast of Andalucía, inspired by its vibrant colour’s contrasts, and lush climate. This new script has all the advantages of OpenType technology that allows a variety of combinations: standard ligatures, contextual alternates, discretional ligatures, word ending and tails. Specially designed for creating logos for products and packaging, this font can also be used as body text for its good legibility and accurate kerning.

Comic Toon 3D is a cool and fun Color font 3D Style. It is the perfect font for titles or words needing a more dramatic emphasis. Whatever the topic, this font will be a wonderful asset to your font library, as it has the potential to enhance any creation. COMPATIBILITY Windows Apple/Mac Linux Easily convert to webfont Silhouette Other cutting machines

This project started from an idea to create a fun & informal typeface that would be cool for designers and for the general public. So, Just in Type designed a font with several OpenType features to create different letterings for different occasions, always in a cute way, sometimes even fancy. Have a look at the Sapeca Manual in the Gallery Menu.

Longwood JNL is a condensed Roman typeface based on wood type examples. The nonconforming line and curves make this a unique font that can replace any of the "traditional" type designs used for titling.

Hekaz is a graffiti font with powerful, unconventional shapes that is nevertheless pleasing to the eye. This font is the solution if you need an abstract, distinctive, and different from the normal font for remarkable design demands. Use it immediately to make your project elegant and bombastic. This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects.

Buddy Kids is a fun-lettered handwritten font that is easy to read. You can use it for various projects, such as blog posts, logos, branding, ads, invitations, greeting cards, planners, photo albums, decorations, and much more. Add it to any of your designs, and enjoy the results!

Introducing Keshia, a fun and fancy script font with a lot of alternates character. The flourish touch is unique, its help you to make wonderful lettering. Keshia is perfect for logotype creation, lettering compositions, wedding invitations, fashion projects, book cover design, magazines, cards, packagings, posters, branding and more.

Sonny Gothic is our most rational-geometric typefamily until so far. It’s inspired by the geometric style of the 70s, specifically by Herb Lubalin’s work. Since we were students, we have been gazing Lubalin’s logos, typefaces and magazines as inspiration that still lives in our subconscious. At first, we made a pure geometrical typeface with modern caps proportion, then we combine those proportions with the 70s traditional caps ligatures. It was at that point that we knew Sonny Gothic was ready to arise. Even though Chile is not the origin of a modern visual culture, for us geometric typefaces and Lubalin’s work are one of the most attractive aesthetics of the creative realm, and therefore, this is our homage. Designed with powerful opentype features, each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support and many more… Perfectly suited for the several areas of graphic design. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

Mark Geard’s Artemis is a contemporary humanist sans serif. Its flourishes and unusual cuts give the typefaces huge distinctiveness—yet they remain highly legible. Glyphs begin with something that resembles a serif, leading the eye across their body and on to the next letter.

This is a modern-day interpretation of the 1930s font. With a wide range of alternates, you can create Art Deco and Bauhaus style typography in one piece. People who see it will be fascinated by the stylish and feminine look of the font.

Designed by Enrique Hernández V. Isidora is a modern geometric design based on the classic typefaces of the early 20th Century with a contemporary and functional touch. In spite of its strong and rational structure, the font also looks friendly and expressive, thanks to its rounded terminals. In addition, its diagonal terminal cuts give it a softer and more rounded appearance. Isidora consists of two 7-weight subfamilies: one (more classic) Regular and one Alternative (more contemporary and for display use). Both subfamilies come in italic version, giving a total of 28 fonts. Isidora is the perfect font for headlines, logotypes, branding, packaging, publishing and web use. The family contains a set of 438 characters—supporting 207 different languages—and also includes an alternative character set, which allows for more versatility when composing text.

Developed for use in our design drawings by the renowned museum exhibit design firm André & Associates Interpretation & Design, the André Drafting font is being made available publicly for the first time. Based on the hand drafting lettering of our Senior Designer Andrew Farrell, this neat and tidy font will add a personal touch to CAD drawings, concept sketches and more. This font contains a full character set and is available in regular weight. Visit our website at www.aaid.ca for examples of our exhibit design work.

The Wood-Regan Instruments Company (Wrico) of New Jersey manufactured for decades a line of lettering kits called the Wrico Sign Maker. With only special ink pens, plastic templates and a template guide anyone could letter clean, clear signs, posters and notices. Based on the same principles of architectural templates, the lettering was [for the most part] utilitarian and functional. Few templates were of stylized or decorative lettering. Informational Gothic JNL and its oblique version are based on the four inch high lettering templates from one of those kits.

Designed by Nadine Chahine, the Amariya™ typeface family is intended for long form, on-screen textual content. It supports the Arabic, Persian and Urdu languages. The design is consistent with traditional text typeface models popular in the Middle East, but has a lower level of stroke contrast optimized for on-screen reading. The family is available in nine weights ranging from a light hairline to a very bold black. The middle weights are intended for setting text copy while the extreme hairline and black designs are best suited for headlines, sub heads and similar applications. The Amariya family can be used for numerous projects from branding to blogs, in a variety of interactive design environments on both large and small screens. The fonts include the ITC Charter design by Matthew Carter as a Latin companion.

Retroovy Vibes is a playful and groovy font that encapsulates the spirit of fun and nostalgia. Inspired by the retro era, this font oozes a sense of carefree charm and vibrant energy. Retroovy Vibes is the perfect choice for projects that aim to evoke a sense of lightheartedness and a vintage vibe. Its bouncy and whimsical appearance makes it ideal for posters, album covers, and party invitations, injecting a dose of retro coolness to any design.

Elliptical The squareness of curves. That was the elliptical – in more than one sense – notion being explored in the making of FS Hackney. The squareness of curves and vertical terminals to create a gentle, soft sans serif, with a little bit of magic. A momentary thought – “It doesn’t have to be like this” – provided the spur to explore the verticals and skeletons of letterforms beyond conventional type design limits. A 12-month gestation period gave rise to a font with a larger-than-usual character set, including non-lining figures, small caps and superior and inferior numbers. It’s a collection that speaks confidently for itself. Assertive It was the Hackney carriage – the black London cab – that gave this font its name, not the north London neighbourhood. Solid, dependable, effective and built to last, FS Hackney was honed to perform in all conditions. Cool, compelling lines and a satisfying overall simplicity lend FS Hackney its assertive air. Assured, versatile and effective; just like a black cab (but without the grumbling). Machined Over a string of meetings, Jason Smith and FS Hackney designer Nick Job worked out how to infuse Nick’s sketched letterforms with Fontsmith’s familiar geniality. “Nick is very meticulous and produces very clean design work,” says Jason. “Hackney is ideal for branding as it’s very clear and its quirks are sensible ones, not odd ones, that don’t distract from the message.”

Varese is a geometric and modular typeface inspired by early 1900s European posters. It is heavy and excellent for display or large body text. The design of this font explores the boundaries between unity and variety in a playful rhythmic dance. Varese will give your content a warm, nostalgic, robust, and friendly tone. The lowercase is similar in form to the uppercase, yet many of the lowercase letters have interior spaces and several have some variations on the form. The lowercase also has two alternate glyph sets that are half size and align with cap height. One of the alternate glyph sets has an underline and the other set does not. Varese Soft has a sibling, Varese.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Expanded, Wide, Normal, Narrow and Condensed The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

'Obvia' appeared as a result of direct observation on typefaces classified as geometric and the plan to explore for the first time width axes Condensed, Narrow, Normal, Wide and Expanded. The idea behind 'Obvia's design was to create a distancing from geometrically pure shapes, in this case, square shapes. Then some details were added, such as subtle inktraps, concave endings of the stems and carefully drawn alternate characters, giving a 'geohumanist' tone to the font. This first family of 'Obvia' has 9 weights ranging from Thin to Black, delivering a strong typographic identity, from the paper to the pixel.

Introducing "Shakehand Brothers"! A playful handwritten font. Created with so much fun and solid brush. This font offers a super cool typographic design for your project because the letterform is so natural, and unique. Shakehand Brothers font is so handy to use with lots of alternate characters that you can mix and match to get a perfect combination. Also with swashes, multilingual support, and custom ligatures that will surprise you while typing the letters. Suitable for many project needs and many themes, you can use for quotes, headlines, titles, motion graphics, posters, flyers, decals, apparel, and more! Here's what you'll get : Uppercase Lowercase Numbers Punctuation Stylistic alternates Stylistic set Ligatures Accented characters Swashes PUA Encoded This font is can't wait to have fun with you. So, happy designing!

Quickat is a handwritten font, thick, condensed calligraphic style has several sets of terminal ornaments for decoration of phrases and titles. This font is drawn by hand with a pen following proportions based on the numbers of Perrin applied completely to the capital letter H and from this letter all the proportions of the rest of the alphabet are calculated according to mathematical formulas that I have been perfecting and putting into practice in my last fonts, is ideal for designing greeting cards or weddings, posters, flashy headlines or small texts.

Zulia is located in the west of Venezuela and it is the state in where Joluvian grew up. It is a region of sunshine, high temperatures, oil and cheerful people, although we choose the name to honor his mother who is from there (zuliana) and who is proud of her land and everything that it represents the area. Zulia is also his first typographic project. It is based on two of his favourite calligraphic styles: italic and brush pen. He started with simple and contrasted strokes on paper with brush and marker. After that he developed the full alphabet and its various options for each letter, starting from a set of handmade forms that could be connected in different ways according to the user needs. What motivates him to involve this style was to create a differentiation with his daily work by generating a heavier type, contrasted and low rise. Zulia finally got life of its own with the participation of Alejandro Paul and a feedback of techniques and skills that were generated with the duo work. Zulia is not just a typeface, Zulia is his love of letters.

Work on Scene began some time after designer Sebastian Lester joined Monotype Imaging in 2000. Clean, calm, and highly legible — thus the design brief Lester set for himself. With Scene, he wanted to provide graphic designers and creative directors with a suite of fonts that would serve as a strong foundation for identity projects, incorporating what he had learned about on-screen and print legibility. Scene was developed during two years of after-hours and weekend work. The family comes in six weights with matching italics, there is a set of “semi-sans” characters to introduce more expressive word rhythms into headlines and blocks of copy.

This mixed-case handwritten font is young, fun, and uniquely styled after a teenage girl's handwriting.

Klapt Cyrillic is a geometric sans serif family that is soft on the outside and sharp on the inside. This font family of four weights includes an extended character set supporting most Latin languages ⁠ and extended Cyrillic — even Vietnamese, Serbian, Bulgarian and many more. Klapt Cyrillic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design. It has a timeless style and is great for display purposes, especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt Cyrillic or just get in touch via email to hi@seventype.com. Klapt Cyrillic is the extension of Klapt.

Want to live up the hype of your brand? It's all here. The cute elegant Walnut Cream is a beautiful combination of the handcrafted script font and the uppercase display font to beautify your designs. The font features a set of lower and uppercases, numerals, punctuations, multilingual supports, stylistic sets, ligatures and swashes. It is best to apply for various purposes, such as branding, logotypes, promotions, quotes, and more. See the previews above to get some inspiration on how to use them. Happy designing! Thank you for purchasing from Natha Studio. For further details and queries, feel free to contact us.

Mercury Script is an action packed type family of three weights. Click on Swash, Contextual or Stylistic alternates in any Open type savvy application for plenty of extra grooviness and combine with Mercury Ornaments for superb results. Turn on Small Caps to activate a complete set of block capitals designed to go with the font. Mercury Script is based loosely on hand lettering found in a vintage lingerie advertisement, only containing the words “light control”.

A debut from the most anticipated vintage digital typefoundry by Gilang Purnama and Ilham Herry, who stucked their mind, body and soul back into the first era of 18th century. They build this intense visual-time machine that no one capable before. Started by the visual branding of the Ephemera Fonts, they bring every letters of it to the another level of journey. They called it Ephemera Sickles. Ephemera Sickles is a ornamented letterhead style typeface-inspired by the era of victorian (1800-1900) and this style was commonly used by engrossers at the turn of the century to embellish official documents, such as diplomas and other certificates. Carefully crafted for every single letters with the soul of Sickels Lettering, Spencerian, and some research from the Penmanship Journal book. The style is named after Charles Sickels, who headed the art department of Electro-Light Engraving Co. in New York City during the early 20th century. There’s no doubt that such a very strong presence typeface like Ephemera Sickles will bring a powerful identity to your visual project. Will be a perfect joint for a logo, visual branding, poster, beer label, packaging, classic bar decor, vintage hotel, et cetera.

As a family, we love to go camping. We have a big Norwegian tunnel tent (4 season - with room for a wood stove), some really warm down sleeping bags and a primitive field kitchen. Even though our camping trips are usually devoid of luxury, the kids love them! We always choose campsites that are close to nature, like a national park or in the mountains. A couple of years ago, we toured the southern part of England and one of our camping stops was in Exmoor National Park. Minehead is a small coastal town, not far from where we camped, so I named this font after a fond memory! Minehead is a handmade display font. It was loosely based on Haettenschweiler. Use it for your packaging, your tourist information leaflets and your book covers. And do visit Minehead one day!

Logik is a futuristic square sans serif typeface. Its personality is defined by squared-off corners that you would normally expect to be rounded, this sharpness gives the glyphs an eccentricity that the eye quickly adjusts to. Sharp, incised/stylised ink traps along with slightly tapered/curved horizontals and verticals add to the character of each letterform. These subtleties combine to give Logik a distinctively futuristic aura. Logik’s main use would be for headlines, short runs of text, branding and display purposes – ideally suited for film and book titles, Logik could be widely used for sports, media and recreation purposes also. Logik comes in 7 weights (from Thin to Black) across 3 widths – Regular, Wide, and Extended. Each font covers all European Latin-based languages and includes Old Style Figures, Small Caps, and some Case-Sensitive Forms. Key features: 7 Weights in Roman and Oblique 3 Widths – Regular, Wide, Extended Small Caps Old Style Figures European Language Support (Latin) 550+ glyphs per font.

You might call this a Bodoni Ornate font that Bodoni never made, close examination of this old 1800s font and it's plain to see that the top half of the letters is very Bodoni in appearance. Apple Pie is a revival of and old font from the William Hagar Type Foundry, which I've been able to date back to 1850. The William Hagar type specimen book from the 1850s only shows this font as a caps only typeface plus numbers, later in 1869 MacKellar Smiths and Jordan offered this font with a lowercase. Over a two year period I was able to collect enough letters to begin production of this old decorative font, the type specimen books only showed a small line of text for this font so I would search through old documents on eBay and also shows relating to Ephemera. I could have easily developed a new font based on a very small sample of letters but I wanted to wait and find as many letters as possible, I was unable to find the Q, X, Z and ten lowercase letters so those missing letters are of my own design. New to this font is the addition of an all Caps Greek character set, accented letters for Eastern Central and Western European countries is also within this font. Fill fonts are available for the Apple Pie font, you will need an application that works in layers such as Adobe Photoshop, Adobe Illustrator or Corel Graphics in order to use the Fill fonts. Some Fill fonts may be used as stand alone fonts but the versions for Apple Pie look best when layered behind the parent or main Apple Pie fonts. Be sure to check out the left and right hands located on the Less Than and Greater Than keys.

Argo Supernova is a sans serif font, inspired by science fiction titles. Delicate on the thinest weights, strong on the thickest ones, it is perfect for modern branding and logo design, editorial design, web design, packaging and various other projects. Argo Supernova has a geometric and open structure, with shapes that create a solid texture on the page. Its large x-height produces good reading in long texts and its peculiarities, such as curved bars and endings, generate a strong presence in titles. The Argo Supernova family consists of 8 weights with matching italics, with Extended Latin character set. The italics makes use of more curves and smoothness, creating an interesting variation in design. • 16 styles: 8 weights + 8 italics; • 602 glyphs in each weight; • Special SS02 feature: "bend" alternates for majority of caps characters with curved details; • OpenType features: Access All Alternates, Stylistic Alternates, Standard Ligatures, Discretionary Ligatures, Numerators, Denominators, Fractions, Superior and Inferior Numbers, Kerning, Localized Forms, Lining Figures, Oldstyle Figures, Proportional Figures, Tabular Figures, Slashed Zero, Stylistic Set 1 to 6. • Supporting 219 latin based languages, which are spoken in different 212 countries.

Here's an amalgam of letterforms from two giants of the handlettering pantheon: an uppercase based on the work of Mike Stevens, and a lowercase based on the work of Alf Becker. The two work in perfect harmony to create warm, friendly and engaging headlines. Both versions contain the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

We want to introduce Mexico Font Family. The letters of the display font are decorated with floral ornaments based on Mexican landscapes. The typeface is presented in two styles: decorative and blank, сombine them to get your unique design. Mexico font is suitable for lettering posters and cards, tourist brochures, photo overlays, book covers and article titles. The font also works great for printing clothes, products branding and packaging. Also use individual letters and symbols to create logos and monograms.

Bratislava is a rounded and elongated art deco typeface, based on several posters from the 1920's. Bratislava is slender and elegant and would look good on packaging and posters.

Wagon a new fresh & modern serif with a strong style, a dancing baseline! So beautiful on invitations like greeting cards, branding materials, business cards, quotes, posters, and more! Wagon Display Typeface is part of a strong and modern display family. This typeface is both impressive at display sizes and easily readable in text size, while the sharp shapes of the triangular serifs and the distinctive letter shapes show their strength in logo design and impressive editorial use. Wagon comes with elegant style, strength and contrasts, with features an extended latin character set of 415 glyphs covering over 87 languages. Wagon is ready to be like a top model on the design catwalk, making your projects look classic but contemporary, finely tuned but assertive, and elegant as the best luxury fashion.

Rugak is a serif typeface created by Clément Petit. This font contains 186 characters (letters/numbers/punctuation). The particularity of Rugak font is to use a circle which the recurrent size on all the characters. More information (video + animation) on www.petitclement.net/rugak