Introducing Terrapin! I named this after listening to a song called "Terrapin on a Tightrope." Considering the fact that a terrapin is a kind of turtle, it makes that song title seem pretty harrowing! This font has heavy roots in one of my favorite lettering styles. It's rough, scrappy, and likes to do its own thing. It has a full uppercase and lowercase set, numbers, punctuation, and lots of extended Latin characters for language support. It also includes alternate versions of 17 lowercase letters. Where Terrapin really shines is in the ligatures. I've written separate two- and three-letter combined forms for some of the most common letter combinations, and a few uncommon ones to boot. There are almost 100 ligatures in here, all PUA-encoded so everyone can access them (and also coded so if your software does automatic ligature replacement, they'll pop right in).

Imagine a hot summer day with a cool breeze, watching the sun set over the beach, ice cold lemonade in your hand and some of your favorite music playing in the background. A perfect postcard moment! Use Barbary Pirates to make awesome type designs for logos, posters, album covers, packaging, Instagram posts...

The initial idea of timesquare typeface inspired by Helvetica when presenting the board information on a subway escalator in Time Square, Manhattan, New York. This confirms strength the legend of Helvetica is not lost amid rampant nice fonts in the site. Therefore it should not appropriate that this timesquare fonts come to rival the greatness of Helvetica. Fonts timesquare thrive (since 2008 for self used) of the basic forms of Helvetica to timesquare born in different shapes and sizes. The greatest challenge during development timesquare is both shape similarity to Helvetica directly, as well as to other fonts inspired by Helvetica. Timesquare's main characteristics are the wide character, modern touch and individually, can work well on a wide variety of applications in books, brochures and magazines as well as applications in advertising. This typeface has been developed on the Latin character sets. Hopefully useful.

The spontaneously fun font for all things whimsical. Outrageous and gregarious! Marzipan is great for a multitude of applications including brochures, identities, packaging and scrapbooking.

Dog Tag is inspired by dog tags. It provides a modern stencil font and the metal-works to create fun and usable dog tag signage.

The playful, casual hand lettering on the 1941 movie poster for “Blondie Goes Latin” inspired Latin Fiesta JNL which is available in both regular and oblique versions.

Coffinated features letters on coffin shapes. This caps-only family has two sets of characters, with one on coffins that are flipped from those in the other set. The OpenType feature contextual alternatives (calt) prevents two characters from the same set being adjacent. The two styles, bold and regular, can be used in layers to add color. There are not a lot of uses for macabre lettering (horror? Halloween?) but Coffinated is available for those who do find a use.

Gasa Script est une police "faite main", d'après ma propre écriture manuscrite. Elle permet d'ajouter une touche manuscrite à n'importe quel projet. On peut associer la police avec des Dingbats, pour créer des rébus par exemple. N'hésitez pas à vectoriser les 89 dingbats (très imagés) pour jouer avec, et un conseil, gardez toujours la palette "glyphes" ouverte. Et si vous ne trouvez pas votre bonheur parmi ces Dingbats, je peux en dessiner sur commande !

Carilliantine updates the organic curves of Art Nouveau typefaces typified by John F. Cumming's Desdemona, designed around 1886. A contemporary monoline sans reinterpretation rather than a more traditional serif, its high-waisted emphasis lends it an elegance and class. Carilliantine is replete with hundreds of two- and three-letter ligatures that bring a customised uniqueness to any headline. These are on by default, and can be toggled on or off in the Opentype palette of Adobe apps, or chosen individually according to taste from the Glyphs menu. Suitable for upmarket food packaging, wine labels, restaurants, folk bands, sword and sorcery trilogies, cosmetics and fashion brands that nod to the refinement of yesteryear, but are very much of today.

Tuesday Spirit is a unique and fun display font. It will add a charming touch to your upcoming summer crafting projects. This font is PUA encoded which means you can access all of the cute ethnic alternate glyphs with ease!

Hand lettering isn’t a perfect art form, and this is why it often has an appeal over formal typesetting. Individual interpretation can lead to variations in style, character shape and overall design concept. Case in point: The hand-drawn title for the1933 sheet music “Why Can’t This Night Go on Forever” is a simple Art Deco sans, however it mixes character widths and even angles the letter ‘C’ in a nonconventional way. Deco Design JNL is the digital version of this alphabet, which is available in both regular and oblique versions.

Athletic Pro is an updated and revised version of Athletic Condensed. Added weight styles and a brand new designed Cyrillic alphabet. Practical and timeless, this display font does an excellent job on laying headlines and bold messages. With the variable font file you will have further personalisation and broader range of styles, it also contains the standard weights and styles.

Linotype Fluxus is part of the Take Type Library, chosen from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun font was designed by German artist Andreas Karl. Its wavy contours give the font a restless, choppy feel. Its relatively strong strokes make Linotype Fluxus particularly good for headlines.

Introducing a vintage label font named Mountain Expedition. It contains capital and small characters. The small letters I created to support main design of the capital letters. Therefore the punctuation characters are designed to be used just with the capitals. Also the capital characters have a lot of ligatures. All available characters you can see on the preview. This strong typeface will be good viewed on vintage style posters, t-shirts, greeting cards, logo and more.

Italian Old Style™ was designed by Frederic W. Goudy for the Lanston Monotype Company in the USA. Goudy was asked by Monotype to copy Cloister Oldstyle, a successful font that belonged to a competing foundry (it was designed by Morris Fuller Benton, see Cloister Open Face). Goudy refused on grounds of ethics, and instead talked Monotype into producing a new face. This he based freely on fifteenth century Venetian types, which were the same historical models used by Benton for Cloister and later by Bruce Rogers for Centaur. Goudy's result was Italian Old Style, released by Monotype in 1924, and considered by many to be one of Goudy's best fonts for book typography."

Song Publisher JNL features a design based on the 1945 Art Deco-era hand lettered sheet music title "When the Old Gang's back on the Corner (Singin' Sweet Adeline Again)". It's a good thing sheet music wasn't sold by the word count found in song titles, because this twelve word example would have been more costly than titles such as "Nola", "Tenderly" or "Ciribiribin".

Unarmed began life as a series of rectangles in Fireworks. The task was designing my own business card for the first time in years, and the perfect lettering couldn't be found in either free or commercial fonts. While there were some good choices, none of them really communicated who I was. Initially only the lowercase letters in my name were created, with each being designed around a 7 x 4 grid of squares. I liked the result so much that I wanted to use the same typeface in different projects - and to save time in future, I decided to create this font. In creating DM Unarmed, the intention was to avoid diagonal lines, and to keep all the lines horizontal, vertical and grid-like. This made creating some of the characters - particularly the rounded ones and the letters X and Z - challenging. Coming from both worlds, I wanted to achieve a blend of technicality and creativeness, without trying to pretend one was the other. For best results this font should be used for large and prominent text, although it works at smaller sizes up to 12pt. I've spent a lot of time trying to hint a few characters that wouldn't play ball, such as 2, 7 and 8. In case you're wondering: DM Unarmed got its name from my philosophy of facing challenges without reliance on tools and weapons.

Banco was the first typeface work of French designer Roger Excoffon and was released in 1952. The strong forms look as though they were rolled out of sheet metal and feature upright, tapering strokes. The slight slant, the varying heights of stroke ends, and the relationships between line and curve give Banco font its sense of liveliness and dynamism. Excoffon did not design a matching lower case alphabet for his capitals, but this was accomplished later by Phill Grimshaw, who also designed the light weight. He deliberately 'underdesigned' the lower case forms, producing a more reserved alphabet based on the design ideas of the original.

The Iberian scripts are the Paleohispanic scripts that were used to represent the extinct Iberian language. Most of them are typologically unusual in that they are semi-syllabic rather than purely alphabetic.[1] The oldest Iberian inscriptions date to the 4th or possibly the 5th century BCE, and the latest from end of the 1st century BCE or possibly the beginning of the 1st century CE. The characters in this font do not contain all the characters of the Iberian script. If there are friends who need all the characters, contact me so that I can install the font on the system.

Introducing Alliette - A Handwritten Font One of the most elegant,exquisite yet strong font, can be used for loads of different projects, advertisements and promotions. Go ahead and use it on your website, for your social media branding, Pinterest banners, printed invitations, and more! Inspire your audience, clients, or guests with this stylish, handwritten font. What you’ll get: Multilingual & Ligature Support Full sets of Punctuation and Numerals Compatible with: Adobe Suite Microsoft Office KeyNote Pages Software Requirements: The fonts that you’ll receive in the pack are widely supported by most software. In order to get the full functionality of the selection of standard ligatures (custom created letters) in the script font, any software that can read OpenType fonts will work. We hope you enjoy this font and that it makes your branding sparkle! Feel free to reach out to us if you’d like more information or if you have any concerns.

Hi there! Hydric Design proudly present the Sunchilla Script font, inspired by The Day of the Dead is a Mexican holiday celebrated throughout Mexico, in particular the Central and South regions, and by people of Mexican heritage elsewhere called "Dia De Muertos" design with a touch of Sweet, Unique and Fun style. Sunnchilla Script font is made in a handwriting style so it is suitable for use in product design and display titles. Sunchilla Script font are included in the display font category so can be used for any designs that have a cheerful, elegant and sweet impression. and also will be very suitable when used on titles, logos, product posters, websites, menu books, books, and many designs that can be explored using document fonts. it will looks very beautiful because it will easy to remember and very easy to use.

Derania is a typeface that is inspired by the shape of the monstera leaf, Derania is made with fun and bold fonts. Derania is equipped with uppercase numbers, symbols, icon and some multilingual

The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structure of the typewriter typestyles. Of course printing types were proportional designed as typewriter typestyles had a fixed width. So it is possible that except from the method of production for typewriter typestyles, the design of printing types were copied. In the design of the Typist, the purpose was – next to the monospace feature – to include some of the features of the early typewriter typestyles. Features such as the ball terminals and the remarkable design of the letter Q. This new typeface lacks the mechanical and cold look of the early typewriter typestyles. The Typist comes in six weights with matching italics in two versions. One that resembled the early typewriter typestyles (Typist Slab) and a version designed with coding programmers in mind (Typist Code).

The typeface Typist originated during an extensive research on the origin and development of typewriter typestyles. The first commercially manufactured typewriter came on the market in 1878 by Remington. The typestyles on these machines were only possible in capitals, the combination of capitals and lowercase came available around the end of the nineteenth century. Apart from a few exceptions, most typestyles had a fixed letter width and a more or less unambiguous design that resembled a thread-like structure. A lot of this mechanical structure was due to the method the typestyles were produced. Looking at type-specimens for print before the first typewriters were good enough to came on the market we can see that in 1853 and in 1882 Bruce’s Type Foundry already had printing type that had a structure of the typewriter typestyles. Of course printing types were proportional designed as typewriter typestyles had a fixed width. So it is possible that except from the method of production for typewriter typestyles, the design of printing types were copied. In the design of the Typist, the purpose was – next to the monospace feature – to include some of the features of the early typewriter typestyles. Features such as the ball terminals and the remarkable design of the letter Q. This new typeface laks the mechanical and cold look of the early typewriter typestyles. The Typist comes in six weights with matching italics in two versions. One that resembled the early typewriter typestyles (Typist Slab) and a version designed with coding programmers in mind (Typist Code).

FreeDee is a re-draw of some experimental lettering first drawn during A-Level (just after high-school) art and design studies. It was originally purely self initiated, and one of the first things I used Illustrator to draw. This version takes the original handful of letters and extrapolates a full alphabet with basic latin accents.

New Clear Era is part of a large ongoing project investigating classicism and legibility. The regular version is the base font. Numerous permutations will be performed on this underlying skeleton. Also investigated are the ideas of an extended type family, and trying to understand what makes a contemporary legible, serif typeface. The Mix versions combine characters from the Roman and Display to make quirky fonts that can be comfortably used for setting text. Mix One is the most quirky; Mix Three is the least.

Thanks for checking out Loffers Script! A fabulously fun yet elegant script font with tons of energy, allowing you to create beautiful hand-made typography in an instant. Loffers Script is a beautiful chic script that is suitable for branding, wedding invitations, and other romantic projects In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. Thanks for use this font ~ Khaiuns

Stars is a decorative font, that consists of 52 ornamental stars, placed on the letters a-z and A-Z. The building principle is based on the segment of a circle. All the individual stars have the same width and are aligned to the same center. Therefore layering different stars on top of each other in a design program that allows transparencies is a interesting possibility.

RATHER RISQUÉ is a brand new & creative contrast serif font, my take on a classical serif typeface, with over 165 unique ligatures and alternates for all uppercase and lowercase letters. This serif font was inspired by fashion editorial fonts, I wanted it to be bold but with a contrast thin touches, modern ligatures and unique features. RATHER RISQUÉ serif font comes with over 165 ligatures and alternates, full language support and it will be perfect for any kind of design work. Whether you're making a poster, logo design, full branding or a website, you can use it and get an amazingly creative result. I invite you to check out the preview images, and I hope you will be immersed in my vision for this creative typeface that, I am sure, will work for all kinds of interesting projects you might be working on this year. It also includes full language support, punctuation, numerals and detailed instructions how to use alternate letters most of the apps on your computer, as well as in Canva. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! RATHER RISQUE | A Ligature Serif Font Includes: RATHER RISQUE.otf - Classical Serif Typeface With Modern Alternates & Ligatures 165+ Creative Alternates & Ligatures Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer and in Canva Happy creating everyone!

One of the type examples found within the pages of “Lettering” by Harry B. Wright (1950) is a bold hand lettered serif typeface with a unique twist – the slab serifs had rounded corners, looking very much like show card lettering of the early 1900s. This design is now available digitally as Maybrook JNL, in both regular and oblique versions.

Dreamer is a soft and dreamy serif with serious vintage appeal. As Dreamer occupies the space with its large x-height and wide characters it’s effective for any display use where you need to communicate a friendly, fun and easy to approach feeling with a touch of charming nostalgia polished in modern days aesthetics. Dreamer is equipped with a large arsenal of OpenType features - Try Swash, Stylistic or Titling Alternates for less conventional letterforms. Keep Standard Ligatures and Contextual Alternates on to prevent certain letter combinations, such as ff and fi from colliding unintentionally. In total, Dreamer has more than 100 alternative characters.

Roselyn Script is an elegant calligraphic font that will look awesome on wedding and event stationery, logos and branding materials, cards and so on. Roselyn Script includes Uppercase and Lowercase Latin Basic Characters, Numbers and Punctuation. Also the font contains ligatures and stylistic alternates to perfectly re-create natural calligraphy.

Jantar Flow is a humanist sanserif type family tailored for continuous reading for both printing and screen. With its large x-height and low contrast it also performs very well in captions, side notes, and short paragraphs set in small sizes. Jantar Flow Italic is distinct and readable. Following a proper italic construction, it shows the fun side of the family yet keeps the features of the upright. Jantar Flow – as well as its teammate Jantar Sharp – comes in seven weights from ExtraLight to Heavy, each with accompanying italics. It has a tabular and proportional set of figures in both old style and lining options, and also a special set of hybrid figures sitting between x-height and capitals. Superscripts and subscripts are provided together with a vast collection of diacritics covering all European languages as well as a set of case-sensitive characters. Jantar, the pairing superfamily. ‘Jantar’ is an old Polish name for ‘amber’, a fossilised resin – a substance that is robust and organic at the same time. These qualities somehow reflect the feeling behind the Jantar families, ‘Flow’ and ‘Sharp’. Jantar Flow was designed along with Jantar Sharp. As part of the Jantar superfamily these two faces are perfectly paired: though not based on the same skeleton, they share the same design parameters and the same character set, but each one works independently with its peculiar features. Designed for publishing for print and web, as well as for branding, the Jantar superfamily was inspired by common font pairings of the digital age like Helvetica/Times or Verdana/Georgia. Jantar Flow and Jantar Sharp communicate with individual yet complementing voices, just like two trained acrobats can perform alone but also know well how to perform together.

I am thrilled to unveil my latest creation, the Elio & Oliver font family. Inspired by the timeless elegance and undeniable allure of Italy, this sans serif typeface captures the essence of sophistication and refinement. Named after the main protagonists of the beloved novel "Call Me by Your Name," Elio & Oliver is a testament to the power of passion, beauty, and the transcendent experiences that shape our lives. Just like their story, this font aims to evoke emotions and create a lasting impression. With nine meticulously crafted weights ranging from the delicate Ultra Light to the bold intensity of Black, Elio & Oliver offers a spectrum of possibilities. Each weight is thoughtfully designed to ensure versatility and harmonious visual aesthetics across various design projects. Intricate and purposeful, the font pack boasts over 30 ligatures that seamlessly combine letters, elevating the fluidity and legibility of your typography. These ligatures add an extra touch of sophistication to your designs, making them truly stand out. Recognizing the importance of language diversity, Elio & Oliver is equipped with full language support, enabling you to effortlessly communicate your message to a global audience. From English to Italian, French to Spanish, and beyond, this font embraces the richness and cultural nuances of different languages. Whether you're working on editorial layouts, branding projects, or digital interfaces, Elio & Oliver will infuse your designs with an air of refined elegance. It is the embodiment of style and grace, effortlessly capturing attention and leaving a lasting impression on viewers. Step into the world of Elio & Oliver, where every letter tells a story and every curve is a testament to the power of design. It's time to elevate your creative projects and evoke the spirit of Italian chicness with this exquisite typeface. Discover Elio & Oliver and let your designs speak the language of timeless elegance. If you end up publishing your designs on Instagram, tag me - @silverstagco and I will make sure to showcase your design and work to my audience as well! Elio & Oliver - Elegant Sans Serif Includes: Elio & Oliver Font Family - 9 Font Weights - From Ultra Light to Black Elio & Oliver Variable Font Over 30 ligatures and alternate letters Numerals & Punctuation Language Support Web Font Kit is included as well Detailed instructions on how to use alternates in most of the apps on your computer as well for Canva Happy creating everyone!

Axion STN is an original design by Alex Kaczun and is a stencil interpretation of his Axion RX-14 font. It is but one of several alternate designs based on his original Axion family of fonts. The wide gap within this stencil treatment works well with and compliments the spacing in the font, creating a tension within this modern grotesque and adding a class of destinction and interest. This display font is not intended for text use. It was designed specifically for display headlines, logotype, branding and similar applications. The entire font has an original look which is strong, dynamic, machine generated and can be widely used in publications and advertising. Axion STN is a futuristic, techno-looking and expressive typeface with an appearance of machined parts with sharp and rounded edges. This attractive display comes in roman with lower case and lining figures. The large Pro font character set supports most Central European and many Eastern European languages.

A pure neo-grotesque typefamily inspired by the first typographies' old wooden characters, and by the marks soft and sometimes imprecise these left on the paper. All typographic elements are also influenced by the Cyrillic alphabet letter-form. -- HT Pavla Prospekt is inspired by ancient wooden typefaces and eastern-style letterform. This reference gives the letters unusual but characteristic proportions. The visual effect of the diffusion of the ink imprinted on the paper, which gives softness to the forms, is also very influential. The proportions of the bold and thin faces are visually balanced to ensure a more modern feeling. --

BearButteT is a square-serifed typeface. The bold version was developed first as a display typeface, and the rest of the family followed. A fifth member of the family includes swash caps on the upper-case keys and small caps on the lower-case keys.