Presidio is a stylized version of the hand-lettered calligraphy typical of the Mission era of early California. This lettering was often unique to an individual hand, but the characters shared a common style, and had their roots in the Middle Ages when monks and scholars copied whole books one letter at a time. "Presidio" replicates this style with subtle variations in each character, giving the font its authentic charm.

Bellerin is one of my fonts based on a hand lettering project in 2020. I was very inspired by the famous retro typography designs form the late 60's till the 70's. So you won't need extra efforts for create an extrude effect for this font. This mean it will saves your time.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as certain oversized consonants such as the Shin with hireq from the beginning of the Song of Songs.

The birth of the monospaced types dates back to the past. There was a need for the creation of typesets for typewriters. The difficulty was to align the different glyphs in the same width. This led to particular problems with letters like “M” and “l”; the former seemed to be squeezed into the same width of all letters and the second one appeared way too streched. Despite – or perhaps because of – the impression of the typewriter is still popular with Graphic Designers. Nowadays there are even monospaced versions of primarily proportional types; for example the the Sans Mono designed by Lucas de Groot or the DIN Mono. Then again, why not the other way round?! In the first half of the Nineties, Erik Spiekermann developed a proportional type named ITC Officina based on the Letter Gothic. According to a survey on the 100 best fonts of all time conducted by FontShop, ITC Officina is in an eighth place, far ahead of its forerunner. This was the reason for me to create a wider design with a Serif and a Sans Serif based on the queen of all monospaced types – the Courier.

Autumn is my favourite time of the year: I love the colors in the forest, the colder temperature and the stormy winds. Autumn Voyage is a very nice set of hand made fonts: a fat one, a thin one and a lovely autumn leaves doodle pack. Comes with a heap of diacritics as well.

A classical 20-th century's (1900s to 1980s) typewriter font for both text and large display usage, titles, signage... A new thicker version of Selectric (2016), as if typed using not a thin carbon ribbon but a coarse fabric one. Both are available on a different models of Selectrics. Made after rare enough samples of the same style used during 1980s in the USSR. Based on the actual letter proportions of the original typewriter Selectric (2016) (Cyrillic ball). This time not monospaced as before, but proportional. The single known so far previous typewriter vector typeface with this 'ink blotting' effect (similarly expanded serifs) as in Dodo (2008) is ITC American Typewriter (1974; by Joel Kaden and Tony Stan) and all its hand drawn analogs from 1980s (and perhaps before). Which, in turn, is resembling ATF Bulletin Typewriter's (1925, 1933; by Morris Fuller Benton) overall proportions, geometry, and even had some natural ink expands in its paper sample (but not by design, as I see it).

Initial Seals JNL was created by utilizing the typeface from Gummed Letters JNL and one of the decorative dingbats from Miscellany JNL. On the capital A-Z keys, the letters are black on a white on black seal design, while the lower case a-z keys have a seal version in solid black with white letters. Corresponding blank versions of the seals are on the left and right parenthesis keys, and the period key has a fill oval for overlaying background colors onto the black and white set.

Naïve Inline Sans is a layered sans serif handwritten font designed by Fanny Coulez and Julien Saurin in Paris. Our goal was to draw a font with finely irregular lines that give a human and whimsical feeling. We designed three weights to assure a good readability whatever the size. They can be enhanced with five different interior patterns and three shadows to improve your designs and bring a charming and unusual feeling. To do so, you can simply superimpose the layers with a compatible software like Photoshop, the weight above and the pattern(s) below, then choose a color for each. This font is part of our Naïve superfamily that contains lot of variations: Line, Inline, Serif, Sans Serif, and a special Art Deco one. Just click on our foundry name to see them all! We hope you will enjoy our work. Merci beaucoup!

Hand lettering used on the packaging of a space-themed rubber stamp toy set is the basis for Space Deco JNL. Blending the classic thick-and-thin line weights of the Art Deco style with sharply angled cross strokes evoked a sense of movement and "future" in this unique lettering design.

This elegant stencil face is based on lettering used by Charles-Edouard Jeanneret, popularly known as Le Corbusier, on his architectural drawings. Big, bold and beautiful, it's the perfect choice for commanding headlines or subheads. Both versions of this font include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets.

Hillstone is a handwritten font with a rough texture, the process of making letters with scratched with strong and fast stroke on paper to make the rough texture that characterizes of Hillstone, so this is a font with a rough and dry brush style. We repaired the letters computerically and if they didn't unite well and we made several alternate glyph. There is no problem for long or short text, so this font can be used in various designs widely. you can use this font for instagram, quotes and other long text, this font is also unique for one word text or short typing, that you can use for product brands, company logos, books and magazine covers, everytype will look very typical. use ligatures and alternatives to your taste.38. Anything made with this font will definitely be wrapped in a very contemporary style and elegance. We make several priview images as a guide for designing directions, please check them all Best regard and thank you very much.. 38.lineart studio

Cartwheel, a super bold and playful display font designed by Tom Censani was inspired by the imperfect beauty of hand-lettered signs at theme parks and the bouncy cadence of text inside comic book bubbles. Cartwheel is a fun attention-grabbing font.

The German poet, painter, calligrapher and type designer Emil Rudolf Weiß originally created this eponymous typeface for the Bauer Foundry of Frankfurt. Long known and loved by metal type enthusiasts under the name "Weiss Antiqua," this design was inspired by typefaces from the Italian Renaissance while still distinctly reflecting the artistic and poetic personality of its twentieth-century designer. Weiss has tall ascenders, sharp apex points, and a low-slung midsection on the caps. The italic moves like a classical ballerina. Weiss is one of the earliest contemporary serif types to have italics based on the chancery style of writing. The Weiss family works well for warmly legible text typography; and it's also an original choice for refined headline and display graphics."

Choosing the right display font can make your designs look more attractive and stunning, so that your designs gain more popularity. This is the Strawberry Junkies for you. It is a rather circled display font of which prone circled letters express soft, fun nuances in order that the company becomes more easily recognized by customers and audience. This font’s main characters are the consistent geometry, proportion, and line thickness on every letter to make it legible for big text sizes. In addition, Strawberry Junkies provides an extra clipart as a special bonus. Furthermore, you can enjoy the available features here. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Strawberry Junkies fits best for various design projects, such as brandings, posters, banners, headings, magazine covers, quotes, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

When you need a handpainted sign, this is the one to use. Manual Marquee is inspired by handpainted signs, retro ticket stubs, coffee shop menu boards, and flea market price tags. The font has multilingual support, including not just basic letters and punctuation but also a whole slew of accented glyphs to accommodate all languages. It’s a clean handwritten sans serif that teeters the line between clean technical digital and rough handpainted letterforms. Whether you want a more rough and authentic look, or a cleaner and more polished one, Manual Marquee has got you covered. Plus, it’s easy to use in any design software, making it the perfect choice for both professional designers and hobbyists alike. So why settle for a plain and generic font when you can add a touch of personality and vintage charm to your designs with Manual Marquee. Get your hands on this one-of-a-kind font today and elevate your designs to the next level! Manual Marquee includes the following characters: ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !@#$%^&*()`~♥✿•· ÷×+−±≈=≠≥≤[]<>:;'”,.\|/?{}“”‘’-–—_ ‚„©®™‹›«»°¹²³¡¿₱¢€£¥¶§†´`ˆˇ˜¨˙˚˘¯˝˛¸- ÁÀÂÄȦÃÅĂĀĄÆĆĈČĊÇÐĐÉÈÊËĖĒĘḞǴĜǦḠĠĤȞḦḢIÍÌÎÏĪĮĴḰǨŁḾṀŃÑŇ ÓÒÔÖÕŌŐØŒṔṖŔŘṘŚŜŠŞȘŤṪȚÚÙÛÜŨŮŬŪŰŲẂẀŴẄẆÝŶŸŹẐŽŻƵ áàâäȧãåăāąæćĉčċçðđéèêëėēęḟǵĝǧḡġĥȟḧḣıíìîïīįĵḱǩłḿṁńñň óòôöõōőøœṕṗŕřṙśŝšşșťṫțúùûüũůŭūűųẃẁŵẅẇýŷÿźẑžżƶ

Shicken Zoop JNL is based on an old lettering stencil from the early 1950s. The A-Z and a-z keystrokes contain the bulk of the Hebrew alphabet. Additional letters are found on the exclamation point, quote and apostrophe keystrokes. Vowels are positioned on the period, comma, hyphen, colon and semicolon. Please note that this is not a normal Hebrew font; it is in effect a latin font with Hebrew letters appearing in place of latin letters. It will not allow you to copy and paste with other samples of Hebrew text.

Gross Kunst is a humanist sans-serif with an open aperture, sharp outlines, and eye-catching details that make this full of character typeface very recognizable. The type family has three fonts based on wide pen strokes. Depending on its purpose the styles differ in expressiveness and the level of ornamentation. Regular style—low-contrast and neutral—is the most natural choice for body-text. The display face is more dynamic and gets higher contrast. It's very legible from a distance and would do its best on navigational and warning signage, plates, and such. Eloquent straight italics will adorn titles, announcements, and pages with ads. This typeface was acknowledged at the international type design competition Modern Cyrillic '99.

Whale Show is a fun display font with a youthful, whimsical, and bubbly feel, great if you need to create a friendly, playful mood in your design. This font is also quite versatile and easy to work with. You can use it for logos, posters, headlines, etc. So what’s included : Basic Latin Uppercase and Lowercase Numbers, symbols, and punctuations Multilingual Support. Fully accessible without additional design software Simple Installations Works on PC & Mac Thank You.

Archapelago is semi casual bold script This font describes about boldy, stylist, fun and elegant, catchy, dynamic, sporty, readable, easy to use FEATURES - Support Opentype Features - Stylistic alternates - Swash alternates - Numbering and Punctuations - PUA Encoded Characters - Multilingual Support - Works on PC or Mac USE Archapelago works great in any logotype, magazines, apparel, poster, advertisements, product packaging, product designs, label, and any projects that need semi casual and bold style. Enjoy using! Thanks. HIRO.std

This font has 2 styles in one keyboard layout! There is a solid style, and an outline style. The capital letters match the small-case. The capitals are all solid letters, while the small-case are the same, but an outline version. Same with your numbers, there is 2 styles (Outlined hollow numbers, or press shift and a number to get it's matching solid version). Common punctuation marks, brackets, etc., are included too, in both styles (There's even a hexagonal euro and dollar sign). To make these characters easier to find, repeats are spread throughout your alternate keys. The two styles can be used together, nicely complimenting each other. Hive Mind is NOT appropriate for important business presentations, lengthy novels, or anything you want to be an easy read. Use this font anywhere you want to create a funky look or need to be cryptic... Have fun with it!

Honey Splash is a stylish display font to express unique, fun impressions focusing on various line style combinations in friendly curves. Furthermore, the different shapes and heights makes the font visually unique. In addition, Honey Splash gives you a special bonus called the clipart. Use this font for big text sizes for a legibility reason and make use of the available interesting features to beautify your designs as well. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Honey Splash fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

PiS Lietz Parilon invites you to the austrian countryside for an amazing ski-tour on snowy mountains back then when skilifts were sparse and mustaches were far from ironic. Use this heavy fraktur for retro tourism posters, your classic beer or schnaps brand or anything that needs a good swig of tradition! Heat up the Jagatee and enjoy the earthy taste of PiS Lietz Parilon, it will warm your heart!

The Saxo family is based on the typefaces of the twenties and thirties, where through the Art Deco and Futurism were built the foundations of the modern movement. Designed from basic geometric shapes (triangle, circle and square). This font transmits his solid character and modern spirit, through 470 glyphs, including Opentype features like ligatures, stylistic alternates and borders based on the geometry of the typeface. All Saxo fonts come with CE languages support.

Gibon draws inspiration from the fascinating comic book universe, inhabited not only by many legendary superheroes, monsters and superbadass antiheroes, but also by its own legendary typefaces. Every cartoonist and hand letterer needs a pencil, a T-square and on and on. For digital lettering, books Gibon is an option. This handy toolkit helps you easily letter your comic strips, but even if you have nothing to do with cartooning, this bundle can simply add some comic book feel to your design or make some noise with layered sound effects. The basic font for speech balloon inking is Gibon Lettering, while Gibon Bold and Heavy let you emphasize certain text. Gibon Bold is further developed as a multilayer type where different styles are designed to be overlaid on top of each other, letting you work with built-in shadows, 3D effects and outlines to create striking SFX. Gibon Balloons offers different types of layered speech balloons and a few halftone patterns. The OpenType contextual alternate feature is set to automatically apply the random effect using two sets of glyphs. Traditionally, comic books are lettered in caps only, which explains why Gibon is an all caps font. To easily access alternate characters they are encoded as lowercase letters. For example, type the uppercase “I” to access the crossbar “I” and the lowercase “i” to access the crossbar-less “I”. Turn on stylistic set number one to use only crossbar-less “I”.

Hasan Aya is an Arabic display typeface. It is useful for titles and graphic projects The font is based on the simple lines of Kufi calligraphy. This font was created based on the Latin font "Bedrock" which was designed by Corel Corporation in 1992. It supports Arabic, Persian and Urdu.

Deco is a minimal, easy-to-read gothic without fuss. Geometry is sharp, strokes are uniform throughout, and characters are slightly condensed. This version is based on wood type of unknown origin, but the design was likely based on lettering from the Art Deco period of the 1920s and '30s.

Label Machine JNL is Jeff Levine's take on the embossed labels popularly used for years as a marking and identifying method. This font has a limited character set. On the left bracket is a wide blank for label ends, and the right bracket has a narrower space for use between words.

Ahhh, who doesn't want to sleep late? That’s excactly what a “sovetryne” wants ... even though he/she often sleeps way to much! But that’s not the case with this font. It’s legible, even though it’s slightly worn. Change between upper- and lowercase letters to variate the typing - and turn on ligatures, in order to use the substitution of double letters such as aa, bb, cc and many more!

Bijouté is a modern sans serif font with bohemian motives. The font is created in classic proportions and decorated with elegant decor. The font is suitable for the design on the theme of mysticism, esotericism, fashion and style. This font is based on my Nomad Bohemian Sans: https://www.myfonts.com/collections/nomad-decorative-font-struvictory-art

Evie Sans was developed in 2020 by Katy Thompson as a typeface to be used for her customisable planner / diary company PLANNER.STUDIO. The fonts have geometric proportions and subtle Art Deco influences in several of the uppercase characters, including a lowered crossbar on the H, lowered middle arm on the F and deepened bowl on the P. The family includes 6 weights in regular, italic and condensed variations, each with 216 glyphs. Evie Sans is perfect for modern branding and logo design, editorial design, web design, packaging and other projects.

Velo leads layouts with a grand tour champion’s panache but is also a hard-working design domestique for text-heavy applications. Superelliptical shapes and sturdy serifs will keep pace with contemporary culture with an aesthetic agility that will never go out of style. Velo Serif includes sixteen fonts: Twelve display styles ranging from thin to black with complementary italics and four text styles designed for longer settings. Velo Serif Display features an increased x-height for more illustrative headlines while Velo Serif Text maintains a readable cadence in high word count environments. Designed by House Industries, Christian Schwartz, Mitja Miklavčič and Ben Kiel. FEATURES Text vs Display: Velo Text maintains the distinctive style of its Display siblings, but is enhanced for optimum legibility in running text settings. Key ligature combinations keep headlines and running text flowing smoothly. Velo Serif Text includes a complete small cap alphabet to add another typographic dimension to your layouts. Select Velo Serif figures include illustrative alternates to display numerical superiority. Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.

Bloomberg Script is a typeface designed from the exploration with the different tools we use to write each day on post its, notebooks, etc. But, applying the traditional handwriting repair method in the construction, spacing the glyphs, and giving it texture of fast strokes, ideal for handletters... is more organic. And finally, we have this typeface, a very comfortable letters to read on packaging, poster ads, screen and every display applications; this is Bloomberg Script.

Geometa is based on Paul Renners Futura Classic, the one that he designed before he had to soften it to make it more appealing to the broad public. I thought the normal rounded fonts needed a decorative sister. Here they are! Your type-designer for decorative solutions, Gert Wiescher

Umberland Slab is an attractive family available in 3 different weights with italics. There’s a particular emphasis on simple geometric shapes and the way they interact with tall vertical strokes. Smooth curves and sharp angles blend together in a pleasing symmetry. Stroke widths are given variable degrees of contrast but serifs are consistent and heavy handed. Spacing is on the tight side with some lowercase pairs quite snug against each other. Umberland Slab would work well in small blocks of text, corporate logos, menus, or signage. This family is equipped with European accents/diacritics for international support, fractions, alternates, and ligatures.

Static looks almost like it was stamped on paper: the black color is not evenly distributed and the background comes through the letters and consciously irregular forms reinforce the effect. The characters do not all have the same height, nor do they stand straight and regularly on the base line. Static is a robust font with bold, rounded serifs and is best used for headlines and short texts in point sizes of 12 and larger.

Kilometro Display is a Font Family inspired by the chrome car emblems of the auto industry. In the early 1950s Car manufacturers started using this sort of joint-lettering (script) to write their brand or model on their cars. The trend quickly made it’s way to other industries like electric appliances and it lasted for a good 30 plus years. Today only a handful of brands still uses this font style for their products. This geometric script re-lives a bold past all the way through 5 styles to a thin future.

introduce Quick Tracer font with sporty modern cutouts and dynamic tilt. Ideal for fast car racing sports titles, running matches, cycling, automotive, and other modern dynamic monograms or texts. This font is good for logo design, Social media, Movie Titles, Books Titles, short text even long text letters, and good for your secondary text font with sans or serif. **Featured:** * Standard Uppercase & Lowercase * Numeral & Punctuation * Multilingual : ä ö ü Ä Ö Ü ß ¿ ¡ * Alternate & Ligature * PUA encoded We recommend programs that support the OpenType feature and the Glyphs panel such as Adobe applications or Corel Draw. so you can use all the variations of the glyphs. Hope you enjoy our fonts!

How can we possibly call our line of celebrity fonts the MASTERS OF COMIC BOOK ART if it doesn't include a font based on the remarkable work of comic’s renaissance gentleman, artist/writer/colorist/letterer, Dave Gibbons?! Based on Dave’s easy-on-the-eye hand lettering, this is the font Dave himself uses to letter projects such as STAR WARS: VADER'S QUEST, MARTHA WASHINGTON & BATMAN: BLACK & WHITE. Other guys may imitate him, but the original is still the greatest! Get in with the In Crowd and check out the font created by Mister Fontastic for Dave Gibbons Original Graphic Novel, The, ah, The Originals. Yes, Dave Gibbons now comes in lower case, it’s not just what he does when he gets back from the off license. Be sure and pick up The Originals from Amazon -- now available in paperback, and probably still available as a hard case, much like Dave. After the crack about the beer above, I'm guessing you'll find me with a broken spine in the remainder pile. See the family related to Dave Gibbons: Dave Gibbons Journal & Dave Gibbons Lower .

A 1970s Photolettering catalog indentified the pattern for this typeface as "Exotique" ...from France, no less. Named for a French expression meaning “pun,” this face is, indeed, witty and playful, with nary a groan in sight. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.