Beauty Reflections is a elegant script font that embodies the artistry of calligraphy with a touch of grace. The carefully crafted letterforms exquisite flourishes and intricate details, showcasing the perfect balance between elegance and opulence. It comes with regular and custome version. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Introducing "Raw Potato" - a font that beautifully balances the raw and the captivating. Its bold, middle, and very thin weights within each letter create an intriguing, almost unfinished aesthetic that's still undeniably cool and eye-catching. "Raw Potato" is the perfect choice for products aimed at kids, as it brings a sense of playfulness and curiosity to any design. Its unconventional charm adds a touch of whimsy while maintaining a modern and edgy appeal. So, if you're in the market for a font that's raw yet fascinating, "Raw Potato" is your ticket to making designs that resonate with creativity and youthful energy. Let your imagination run wild with "Raw Potato" and watch your projects come alive! it contains Europenian diarcritics.

Introducing EGAL, the highly sophisticated and premium font inspired by the symbol of equality, the equals sign (=). Meticulously crafted with the utmost attention to detail, EGAL is the epitome of luxury typography, perfect for elevating your brand's image. Egal is a contemporary display font inspired by old sans fonts, designed to provide a premium feel to any project. It is designed to fit any logo or branding project and supports over 70 languages, including Cyrillic. With 395 glyphs, Egal is the perfect choice for anyone looking to add a stylish and sophisticated touch to their project. The word "egal" itself is derived from the French word for "equal", emphasizing the font's intent to provide a sense of balance and harmony to any project.

Bring your letters to life with the Mangrove Font Duo! A delightfully playful pairing of Sans and Script fonts. These perfectly balanced typefaces have been carefully designed to work not only as standalone fonts, but also to pair together effortlessly—delivering undeniably eye-catching typography bursting with character. Throw a script letter in the middle of the sans font, try the swooping sans ligatures or it’s uplifting small-caps, the possibilities are numerous. It’ll work in lowercase or uppercase, and with a choice of 3 weights per font, that’s six fonts in total for you to experiment with! Language Support • English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay, Hungarian, Polish, Croatian, Turkish, Romanian, Czech, Latvian, Lithuanian, Slovak, Slovenian.

Monsterio is a futuristic modern slab serif style with Uppercase and Lowercase feel nice balanced. Provide alternates font in lowercase with wider style make the design letter looks incridible. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : Regular and Italic version Character set A-Z in uppercase and lowercase Alternates in Lowercase Numerals & Punctuation Accented Characters Multiple Languages Supported Format File: OTF Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. How to access Alternate Characters? Open glyphs panel : In Adobe Photoshop choose tool Window glyphs In Adobe Illustrator choose tool Type glyphs If you have questions, just send me a message and I'm glad to help. Have a great day, Haksen Std

With an attractive hand-penned style featuring a natural balance between kanji and kana, characters are perfectly aligned whether typeset vertically or horizontally. Leave plenty of space between lines for the best effect. タテ組・ヨコ組でもラインが揃う、漢字とかなのバランスも自然な手書き風の心地よいペンタッチです。行間をあけてゆったり組むのがおすすめです。硬筆ではなく、行書風の脈絡が生きたペンタッチなので、柔らかでも読みやすい印象の書体です。

Proto-Sinaitic (also referred to as Proto-Canaanite when found in Canaan, or Early Alphabetic) is found in a small corpus of c. 40 inscriptions and fragments, the vast majority from Serabit el-Khadim in the Sinai Peninsula, dating to the Middle Bronze Age. They are considered the earliest trace of alphabetic writing and the common ancestor of both the Ancient South Arabian script and the Phoenician alphabet, which led to many modern alphabets including the Greek alphabet. According to common theory, Canaanites or Hyksos who spoke a Canaanite language repurposed Egyptian hieroglyphs to construct a different script. The earliest Proto-Sinaitic inscriptions are mostly dated to between the mid-19th (early date) and the mid-16th (late date) century BC.

I bought a new coffee machine - the piston variety. It is shiny, made in Italy and I can make a killer espresso or latte with it. I usually start off the day with a pour over coffee and save my milky coffee for later. I also have two grinders: one for a coarse grind (pour over) and one for a finer grind (espresso and latte). Yes, you will probably say that it’s quite extravagant to have two grinders, but I do like my coffee! Anyways, this is what I thought of when I worked on Coarse Grind. Coarse Grind is a well balanced all caps display font. It comes with extensive language support and a set of alternates for the lower case letters.

The M XiangHe Hei Traditional Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Traditional Chinese.¶

Familytalk is a script font that exudes confidence and elegance in every character. With its thick and sturdy strokes, this font commands attention. The swinging endings on certain letters provide a delightful sense of rhythm and flow to the text. These unique design elements create a sense of movement within the text, making it visually captivating and engaging. Despite its thick weight, Familytalk maintains excellent legibility. Its ability to strike a balance between boldness and grace makes it a versatile choice for projects that demand a stylish script font. Familytalk fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Introducing Asheboro, a groovy retro font with modern style! Asheboro pairs the elements of groovy psychedelic lettering of the 1960's and 70's with the clean lines found in a modern geometric sans-serif. This combination creates a completely new aesthetic without losing the familiarity of the iconic typography of the past. With its iconic retro look, Asheboro is a great typeface selection for special branding projects, themed events, websites, even comic books and graphic novels. The Asheboro font family includes nine font weight variations for the ultimate font styling versatility. Each font weight is meticulously balanced and well-kerned for the optimal look. In addition, Asheboro includes a beautifully crafted number set, an expanded symbols set, and a large library of multilingual characters.

The M XiangHe Hei Simplified Chinese typeface merges traditional brush strokes with modern letterforms to carefully balance traditional calligraphy with humanist design. Named for the smooth movements of a flying crane, the M XiangHe Hei typeface is designed to glide across the page, and features strokes that are partly derived from the Kaishu calligraphic style – an everyday script which dates back hundreds of years. Seol Sans features Neue Frutiger for its Latin glyphs, and works harmoniously with Neue Frutiger World and Monotype’s CJK typefaces Tazugane Info (Japanese) and Seol Sans (Korean). M XiangHe Hei is a great choice for global brands using sans serif Latin typefaces looking to maintain their visual identity, and communicate with a consistent tone of voice with Simplified Chinese.

Vanitas Stencil is an elegant high contrast contemporary sans. It is rooted in the style of a classic didone, excluding the typical serifs and ball terminals as well as being designed with a cleaner, more reductionist appearance. Strict attention was given to the cohesiveness and balance between letterforms as well as the careful refinement of all curves. The careful, atypically placed stencil marks complement Vanitas’ refined character, presenting a distinct slant on the average stencil treatment. Stylistically, Vanitas Stencil’s alluring, sophisticated sensibility is directly inspired by high fashion. The upright styles are complemented by a pairing of optically adjusted true italics, which were purposefully adapted to retain the sharpness of their counterparts. Abandoning traditionally executed cursive italic letterforms retains Vanitas Stencil’s distinct characteristic through each style.

Introducing Noble Serenity, where timeless beauty meets serene elegance. This exquisite serif font is a harmonious blend of sophistication and tranquility, designed to elevate your designs with a touch of refined grace. With its clean lines, delicate curves, and perfectly balanced proportions, Noble Serenity exudes an aura of understated charm and sophistication. Each letter is meticulously crafted, reflecting the meticulous attention to detail and craftsmanship of a bygone era. Whether you're designing wedding invitations, luxury branding, or editorial layouts, Noble Serenity brings an air of refined beauty to your projects. Discover the captivating allure of Noble Serenity and let your designs embrace the essence of timeless elegance. Elevate your typography to new heights with this font that whispers of tranquility and commands attention with its noble presence.

Prosper Rules is a distinguished serif font that exudes sophistication and refinement. With its timeless serifs and carefully crafted extended lines, this typeface brings an air of elegance to your designs. The defining feature of Prosper Rules lies in its extended lines, gracefully integrated into select letters. These extended lines add a touch of distinction and visual interest, elevating the font's overall composition. Each letter is meticulously designed to strike the perfect balance between tradition and modernity. Inspired by classic typographic elements, Prosper Rules captures the essence of timeless beauty. The serifs, with their subtle flares, provide a sense of stability and sophistication. The extended lines offer a contemporary twist, infusing the font with a touch of creativity and uniqueness. The uppercase letterforms of Prosper Rules are meticulously crafted, showcasing clean lines and well-balanced proportions. The extended lines, thoughtfully placed in specific letters, create a sense of flow and purpose. Features: Ligatures Stylistic Sets Multilingual Supports PUA Encoded Numerals and Punctuations Prosper Rules fits for headings, titles, logos, and any design project that seeks to make a refined and memorable statement. Whether you're working on editorial layouts, branding materials, invitations, or any project that demands a touch of sophistication, this font will lend a sense of timeless beauty. It is particularly well-suited for applications related to luxury, fashion, fine arts, and high-end products. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Reline Rosery is an elegant serif font that radiates sophistication and grace. With its delicate letterforms and light weight, this typeface exudes a refined and gentle charm. The defining feature of this serif lies in its slender and graceful serifs, which add a touch of elegance to each letter. The light weight of the font enhances its delicate nature, giving it a subtle and airy appearance. This font is perfect for projects that require a refined and sophisticated typography choice. Reline Rosery captures the essence of timeless beauty. The serifs are meticulously crafted to create a sense of harmony and balance, while the light weight adds a contemporary twist. This font strikes the perfect balance between tradition and modernity. The letterforms are carefully designed to maintain legibility and clarity, even in the light weight. Each letter retains its distinctive characteristics, allowing your message to be easily understood. You can also enjoy the various features available in this font. Features: Alternates Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Reline Rosery fits in branding materials, book covers, wedding invitations, or any project that demands a touch of elegance, this font will bring a sense of refinement and beauty. It is particularly well-suited for applications related to luxury, fashion, beauty, and lifestyle. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Offense is an unyielding rectangular slab-serif face designed with consistently balanced letterforms and a refined finish. It’s extremely angular geometric form commands attention in display settings, yet is also legible in short text blocks. Numerous alternate character sets allow room for customization, while the expanded ligatures push letter combinations to the limit. Stylistically, Offense’s almost crude, sharp-cornered construction is balanced by it’s sophisticated finish and attention to detail, often unrealized in similar faces of this genre. The upright weights are complimented by pairings of true italics, completely rebuilt, slightly narrower in width with modified letterforms, increasing their contrast and flow. Features include: Precision kerning Standard Ligatures set including 'f' ligatures (fi, fl, ff, fh, fj, ffl, ffi, ffj) Discretionary Ligatures set including (ft, rt, ae, oe, st, ft, ct, oc, oo, ry, AE, OE, AL, TH, HE, AK, AN, TT, HD, AM, AP, AR, NF, NE, NH, NL, NB, FL, ND, FE, AB, OB, OD, OF, OG, OH, OK, OL, OM, ON, OO, OP, OQ, OR, OU, AH, UE, UF, UB, UD, UH, UK, UL, UM, UN, UP, UR, UU, MP, XY, YX, KY, WY, VY, AF, FF, FI) Alternate characters (O, o, S, s, a, h circumflex, @, ®, ¶, $, &, _, and various ligature alternates) Case forms (shifts various punctuation marks up to a position that works better with all-capital sequences) Capital Spacing (globally adjusts inter-glyph spacing for all-capital text) Slashed zero Full set of numerators/denominators Automatic fraction feature (supports any fraction combination) Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

From the heart of the Blue Ridge Mountains, by way of Toronto, comes Martie's handwriting. Martie Byrd is a school teacher in Roanoke, Virginia, and a friend of Canada Type's Rebecca Alaccari. After years of admiring the cheer and clarity of Martie's handwriting, we asked her to write out full alphabets for some cool font treatment. The intent was to do three different versions of her writing in two different pens, then use the auto-magic of OpenType to determine letter sequences and rotate character sets on the fly when the fonts are in use. A successful endeavor it was. Take a look at the images in the MyFonts gallery to see the character rotation in action, along with a visual explanation of why Martie is not just another handwriting font. Unlike other available felt tip and ballpoint handwriting fonts, the regular and bold variations are style-based, not weight-based. They are the handwritten expressions of two different Sharpie pens: The fine point one (Martie Bold), and the ultrafine one (Martie Regular). The style-based variation considerably helps the realism needed in design pieces that take advantage of the contrast of two different handwriting fonts. Weight thickening in handwriting is an obvious mechanical effect that only happens with computers. Weight changing by replacing pens is what happens in the real world. Martie Pro and Martie Pro Bold each contain three different character sets in a single font. Language support includes Western, Central and Eastern European languages for all three sets. This translates into each Pro font containing over 750 characters. Add OpenType code and stir, and you have true handwriting fonts with versatility unavailable out there in anything else of the genre. A software program that supports OpenType features is needed to use the randomization coded in Martie Pro and Martie Pro Bold. Current versions of QuarkXpress and Adobe applications (Photoshop, Illlustrator, InDesign) do contain support for the randomization feature. But if you don't have one of these apps, you can still use the interchangeable Type 1 or True Type fonts and change the characters manually to achieve the appearance of true handwriting. The Martie fonts come in a variety of price packages, from the affordable single fonts to value-laden complete sets. All the proceeds from these fonts received by Canada Type will be donated 50/50 to two primary schools: One in Roanoke (where Martie teaches), and one in Toronto (where the 10-year old, real Canada Type boss goes). So next time a design project needs a handwriting font, do the write thing and use Martie to keep it real.

TE Classic2 Tharwat Emara is an exquisite Arabic Thuluth font that is designed to add a touch of elegance and sophistication to any project. This font is named after the renowned calligrapher Tharwat Emara, who is widely celebrated for his outstanding work in the field of Arabic calligraphy. One of the most remarkable features of TE Classic2 Tharwat Emara is its impeccable balance between the thick and thin lines. The font's curves and strokes are carefully crafted to create a seamless and harmonious flow, giving it a unique and mesmerizing appearance. The intricacies and details of the font's characters reflect the skill and artistry of the calligrapher and demonstrate the perfect balance between tradition and modernity. TE Classic2 Tharwat Emara is a perfect choice for designers and artists who want to add a touch of Arabic culture and tradition to their projects. The font comes with a full set of Arabic characters, including ligatures, diacritical marks, and numerals. The characters are designed to be easily legible and readable, making it suitable for use in both print and digital media. One of the most striking aspects of TE Classic2 Tharwat Emara is its versatility. It can be used for a wide range of applications, from branding and advertising to editorial and publishing. Its unique and captivating design will make any project stand out and attract customers, making it a valuable investment for designers and artists. The font's exquisite design is not only limited to its characters, but it extends to its overall layout and spacing. TE Classic2 Tharwat Emara has a perfect balance between its characters' shapes and spaces, giving it a smooth and consistent look. The font's spacing is also carefully crafted to ensure that the characters are well-organized and easy to read. TE Classic2 Tharwat Emara is not just a font; it's a work of art. Its unique design and intricate details make it stand out from other Arabic fonts in the market. The font's exquisite design is a result of the meticulous attention to detail paid by the calligrapher, which is evident in every stroke and curve of the font's characters. Overall, TE Classic2 Tharwat Emara is a font that celebrates the beauty and elegance of Arabic calligraphy. Its captivating design and versatility make it an excellent choice for designers and artists who want to add a touch of tradition and culture to their projects. With its unique and mesmerizing appearance, TE Classic2 Tharwat Emara is sure to attract customers and make any project stand out.

One design sparks another. As Alejandro Paul experimented with the strokes and curves of the monoline script Business Penmanship, he discovered interesting new forms and shapes that didn't fit the Spencerian theme of that typeface. These forms simmered in Ale’s subconscious over the next three years, during which time he visited New York City, pored over rare type specimen books in the New York Public Library, and explored Brooklyn’s neighborhoods. Brownstone, the face born from these explorations, is an original 21st-century design, yet one subtly infused with historical and cultural references -- keen observers might spot influences from decorative typefaces of 19th-century foundries. And just as faces from that era were influenced by contemporary architecture, the frames included with Brownstone echo the ornate iron railings of Park Slope’s row houses. (There’s also a slight 1960s vibe to Brownstone, of novelty swash-sans photocompositing faces, that can be played up at your discretion.) Influences aside, Brownstone has broad appeal to modern audiences. A soft, monoline sans-serif, with elements of Swiss geometry (see the ‘k’ and ‘x’), its marriage of highly legible, draftsman-like letterforms with decorative swashes and ornaments reflects the old-meets-new aesthetic of the DIY craft culture seen in Brooklyn and other urban centers. It’s ornamental but unfussy, romantic but understated. Brownstone includes character sets for Latin-based languages, including Western and Eastern European, Baltic, Turkish, Maltese, Celtic and Welsh. Over 1500 glyphs, including small capitals, swash characters, alternates, and ligatures, in both Light and Thin weights. Ornamental frames are also included in both weights. The Brownstone Frames fonts are available as separate fonts in the new Brownstone Slab family.

Besley Clarendon ML is our version of the Clarendon registered by Robert Besley and the Fann Street Foundry in 1845. Besley Clarendon ML represents a significant change from the slab-serif Antiques & Egyptians that had become so popular in the prior three decades. Like Caslon’s Ionic of 1844, it brackets the serifs and strongly differentiates between the thick and thin strokes. Besley Clarendon is also what today is considered a condensed face, as a comparison to the various contemporary Clarendons will show. Robert Besley’s Clarendon was so popular that many foundries quickly copied it, a fact that caused him to complain vigorously. The reason it was so widely copied is simple ó it was extremely useful. It provided the attention-getting boldness to highlight a word or phrase, yet at the same time was compact and easier to read than the fat faces and antiques of the period. It wasn't until sixty years later that the concept of a typeface family of different weights was developed with DeVinne and Cheltenham. Until then, Clarendon served as everyone’s all-purpose bold face. It can be used for ads, flyers, headers or even short text. Don't leave home without it. Besley Clarendon ML includes the following features: 1. Glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Added glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 353 glyphs. 158 kerning pairs. 2. OpenType GSUB layout features: pnum, salt, liga, dlig, hist and ornm. 3. Inclusion of tabular (std) and proportional (opt) numbers. 4. Kreska-accented letters.

ITC Tactile is a puzzle of subtle typographic contradictions. Capitals have traditional epigraphic proportions, but the lowercase has a uniform optical width. Light weights are stately and elegant, but bold designs are almost jolly. This paradoxical alphabet even combines two distinctively different serif designs. Designer Joe Stitzlein says, “I wanted to create a modern and dynamic serif face that draws its forms from antiquity. I also wanted to have as much fun as possible with the drawing and architecture of each letter. Hopefully I've created a very legible typeface that grabs the reader's eye in a nice, 'tactile' way.” The apparent inconsistencies of the design are the result of careful consideration. Of the seemingly odd serif design, Stitzlein explains, “The transitional serif is an entry point for the eye into the letterform, and the long slab is an exit, leading to the next letter.” The result is a typeface that's easy to read at text sizes but offers surprising details when enlarged to display sizes, setting ITC Tactile apart from more traditional designs. While this is his first commercial typeface design, Stitzlein has ample experience creating custom typefaces for corporate branding, including companies such as Silicon Graphics and Sempra Energy. His graphic design business has served a wide range of clients, including Apple Computer and the 2002 Salt Lake City Olympics. The ITC Tactile family is available in three weights, with complementary italic designs and a suite of small caps for each of the roman designs. Stitzlein drew the small caps to match the height of the lowercase x-height, which enables “bi-form” or “unicase” setting in display copy.

ITC Greengate is the result of a time-traveling, intercontinental collaboration--one between 21st century South African designer Richard Every, and early 20th century Scottish artist Jessie Marion King. Jessie Marion King (1875-1949) began her professional career as a book designer and illustrator, but over time her creativity found its outlet in many forms, including posters, jewelry, ceramics, wallpaper, fabrics, murals, interior design and costumes. After eventually settling in Kirkcudbright, Scotland, she founded Green Gate Close, a center for women artists. Although her style is reminiscent of the Art Nouveau artist, Aubrey Beardsley, King's aesthetic was an offshoot of the “Glasgow Style,” a Scottish hybrid of the Arts and Crafts movement and Art Nouveau. Often, her illustrations included hand lettering. It was just this kind of lettering that gave Richard Every his inspiration for ITC Greengate. When he saw some children's book illustrations that King created in 1898, he knew on the spot he had to complete the hand lettering as a typographic font. He began working on the typeface in 1996, but it took six years to be released as an ITC typeface. Every simplified and harmonized King's letterforms slightly and, most importantly, added a suite of lowercase characters. The result is a somewhat earthy Art Nouveau design, with a character quite distinct from typical digital revivals. Every's career has been as diverse as King's. He was born in Durban, South Africa and studied graphic design at ML Sultan Technikon in Durban. He's been an art director, freelance designer, the owner and manager of a nightclub and co-manager of a South African band. “Through it all,” he says, “typography has always been one of my passions.”

TT Tricks useful links: Specimen | Graphic presentation | Customization options TT Tricks is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of TT Tricks are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature. The original idea of TT Tricks is based on the graduation project of student Sofia Yasenkova, who chose to create a daily planner font as her final project. This led to many stylistic decisions, for example, the large and asymmetrical serifs, low contrast strokes, and the presence of interesting details. In the process of working on TT Tricks, we have significantly revised the initial idea and expanded the areas of possible font application, while maintaining the original spirit of the project. Despite the large number of display details, the typeface looks great in a small point size, and also when it is used in large text arrays. TT Tricks features an original stylistic set which, when turned on, adds features of typical pointed-pen serifs to some of the lowercase characters. In addition, TT Tricks has small capitals for Latin and Cyrillic alphabets, as well as several interesting ligatures. The TT Tricks font family consists of two font subfamilies, these are the main version and the version with the original stencil cutting. Each subfamily consists of 12 fonts: Light, Regular, DemiBold, Bold, ExtraBold, Black + True Italics. Following a good tradition, TT Tricks supports a large number of OpenType features: ordn, case, c2sc, smcp, frac, sinf, sups, numr, dnom, onum, tnum, pnum, dlig, liga, calt, salt (ss01).

We've already updated and revitalized Film Fiction Sans to ensure it perfectly matches your evolving creative vision. The inclusion of tabular figures, old-style figures and alternative glyphs expands your design palette and allows you to adapt the font to your unique style. TA Film Fiction Sans has been updated experience the appeal – this can be your font of choice to enhance your brand identity, cinematic efforts and editorial design. This brilliant typeface is not just a typographic tool, but a creative catalyst for headlines, logos, web elements, signage, posters and fashion apparel, packaging. TA Film Fiction Sans does not follow trends, it defines them, imbuing each project with a true modern essence. Embrace the possibilities with 9 different styles, each boasting a large set of 758 glyphs. Discover additional features of OpenType features such as aalt, dnom, frac, kern, liga, numr, ordn, salt, sin, ss01, ss02, ss03, ss04, ss05, ss06, ss07, tabular figures, old-style figures and alternative glyphs. Not only does this font speak multiple languages, it also covers a variety of design needs – offering seamless language support for Western European, Central/Eastern European, Baltic, Turkish, and Romanian languages. Test your alphabet, explore the nuances and witness the transformation. And if you're at any creative crossroads, I'm here for you. If you want to customize TA Film Fiction Sans, need font files or have any other questions, please reach out to me at t@taft.work. TA Film Fiction Sans be the cornerstone of your creative journey. Elevate your designs, embrace innovation and redefine possibilities with TA Film Fiction Sans, where each character tells a story.

At VetteLetters we like food but we also appreciate our drinks. Yes, of the non-alcoholic kind as well. Like milk. Contrary to what Arnold Schwartzenegger once said, Milk is not just for babies. It contains a whole lot of stuff that is genuinely good for you. Like proteins, carbohydrates, minerals (calcium a.o.) and many vitamins. One time visiting The Hague, Donald DBXL spotted a tile tableau on a brick wall, advertising a dairy factory called ‘De Sierkan’. Yellow sans serif letters on a bright blue background, dating back to the late 19th century, immediately grabbed DBXL’s attention. Especially because the tableau showed both regular and bold letters with some lovely peculiarities here and there. De Sierkan appeared to have been a milk factory solely operating in The Hague from 1879 until 1961. A number of these wall adverts are still to be seen in The Hague streets today. Photos were taken for later reference. Later is now, the lettering has been digitized, missing characters added, and VLNL Melk sees the light of day. VLNL Melk is an all-caps geometric display sans serif family of three weights, Regular, Bold and Black. The basic shape of the letters is a rectangle with rounded corners, leaving a sturdy no-nonsense look and feel. It has a distinct historic aura, but with both feet in this digital day and age. It can equally well be used for the logo of a hipster coffee place, as the cover of a historic novel. Actually, VLNL Melk kan be applied in a wide range of designs like logos, posters, flyers, book covers and magazine headlines.

Homelessfonts is an initiative by the Arrels foundation to support, raise awareness and bring some dignity to the life of homeless people in Barcelona Spain. Each of the fonts was carefully digitized from the handwriting of different homeless people who agreed to participate in this initiative. Please Note: these fonts include only the latin alphabet; no accented characters, no numbers or punctuation. MyFonts is pleased to donate all revenue from the sales of Homelessfonts to the Arrels foundation in support of their mission to provide the homeless people in Barcelona with a path to independence with accommodations, food, social and health care. Luis Serra was born in Alicante. There he grew up and even started a family His life was there. But at the age of 35 he split up with his wife and decided to go to Barcelona in search of a new life. And it wasn’t easy for him. He had to turn his hand to all kinds of jobs and didn’t manage to find the stability he needed. Luis is a shy, retiring person who takes great pleasure in the little things in life such as walking in the mountains or celebrating the victories of his football team, Barça. After four years living in Barcelona, Luis found himself in a position he’d never imagined. “The street’s much worse now, there’s more trouble, there’s more tension,” says Luís. In the street he had to learn, as he always had, to move fast, to find a place to sleep and something to eat. Luís is one of those people who don’t let circumstances mould him, but adapts to them and always tries to do his best.

Thrace (/θreɪs/; Greek: Θράκη, Thráki; Bulgarian: Тракия, Trakiya; Turkish: Trakya) is a geographical and historical region in Southeast Europe, now split among Bulgaria, Greece, and Turkey, which is bounded by the Balkan Mountains to the north, the Aegean Sea to the south, and the Black Sea to the east. It comprises southeastern Bulgaria (Northern Thrace), northeastern Greece (Western Thrace), and the European part of Turkey (East Thrace). Trakya Rounded is a modern sans serif with a geometric touch. It has a modern streak which is the result of a harmonization of width and height especially in the lowercase letters to support legibility. Trakya Rounded is softer and rounder than it's sibling Trakya Sans. They're both ideally suited for advertising and packaging, editorial and publishing, logos, branding and creative industries, posters and billboards, small text, way-finding and signage as well as web and screen design. Trakya Rounded provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family. The designation “Trakya Rounded 500 Regular” forms the central point. The first figure of the number describes the stroke thickness: 100 Thin to 900 Bold. "Trakya Rounded" comes in 5 weights and italics and has the company of "Trakya Rounded Alt" that also comes in 5 weights and italics for a total of 20 styles. The family contains a set of 630+ characters. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures are easily accessible in all graphic programs. Trakya Rounded is the perfect font for web use. Enjoy using it.

Sprout is a low-contrast sans serif, slightly condensed for economy of space, and complete with 6 weights in Roman and Italic. It has open apertures and a generous x-height for clarity of reading. It also comes with a weight balanced italic, which can be used for differentiation or as a standalone typeface in itself. The defining feature of the family is the taut curve, where the inner counter pushes out toward the outer contour, creating a feeling of tension in the curve. In the italic this shape language is pushed further, with a playful looped g and cursive form of the f. Sprout also comes with Old Style figures. Its range of weights makes for a versatile family suitable for branding, on-screen publishing and long-form reading.

Quanton is a clear serif typeface in a modern style. Its sharp edges and soft curves combines to the perfect balance of tradition and innovation. Quanton has character and personality, while keeping regular and maintaining its legibility, making for an optimal headline and bodytext style. The Quanton family consists of eight typeface styles: The weights Thin, Medium, Bold and Black, and each thickness as Italic. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering Arabic and all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Bison is a sophisticated and strong family of sans serif fonts. Its sturdy uncompromising style is felt through controlled letterforms and modern touches. A balance of hard lines and smooth curves, each font in the family can stand on its own — dynamic and authoritative in its own right. FEATURES Bison includes ten all-caps fonts: Four weights / Italics / Outlines / Numbers & Punctuation / Extensive Language Support Bison Bold - bold and commanding Bison Demibold - the persuasive middleweight Bison Regular - a sturdy midground between light and bolds Bison Light - quiet but confident Bison Outline (Thick and Thin) - edgy and engaging USE Bison works great in any branding, logos, magazines, films. The different weights give you full range to explore a whole host of applications, while the outlined fonts give a real modern feel to any project.

Grit Sans is a font balanced enough to stand strong on the tippy-toes of its pointed "t" ascenders. Even all caps communicates calm. Dashes of whimsy in the proportionately plump X-Heights tell of the accountant drinking too much sherry at the office Christmas party, but thick, consistent strokes never lets you forget his job title. Ascenders and descenders consistently reach the same heights and depths, further attesting to the reliability of this typeface, at even very small sizes. Available in both regular and bold face, Grit Sans is a faithful complement to thin fonts with a pinch of frivolity such as Heirloom Artcraft. It is ideal in use for titles, subheadings, menus, playbills, custom stamps, logos - anywhere a solid font can speak at a volume just above all others.

Insider is a warm & legible grotesque. It’s custom made for Insider Consulting in Düsseldorf, Germany. It’s highly legible in small sizes because of the basic proportions and the balanced inner forms. It’s optimized for setting longer texts, but also works very well in headlines and leads. The fonts contain loads of OpenType features to spice up your design. The matching Stencil font is very suited for creative designs. The Stencil Regular has the same dimensions as the Insider Regular, so you can mix them without hassle. The font family has real italics and not just mathematically slanted romans. The dynamic cursive shapes root in handwriting. With 9 styles (5 weights + 4 italics), the family is very versatile and can be used for designs with a complex typographical hierarchy.

SK Paragrapher™ is a monumental geometric typeface whose structure was inspired by the paragraph glyph. The entire typeface is built on a rhythmic composition and a black-to-white balance. Each character corresponds to a grid, and all its characters are monospaced, so the typeface looks harmonious and complete, despite the complexity of perception of its appearance. This typeface has both uppercase and lowercase letters, as well as a capital! The typeface supports a multilingual layout that includes: extended Latin and Cyrillic characters, additional characters, and Hebrew. This typeface also includes more than 10 currency symbols, as well as 4 fonts: Solid, Outline, Rounded, Sharp! As a result, SK Paragrapher is a multilingual, monospaced geometric monumental typeface that contains almost 1000 glyphs for your any design work, be it a poster or a website!

West Shine is a retro Slab Serif font that captures the timeless charm of the Western cowboy era. Designed specifically for headlines and logos, this font adds the perfect touch to your design projects. With its distinct Slab Serif characters, West Shine brings a strong, masculine, and captivating vibe. Combining retro design elements with a modern twist, this font creates a delightful and unique harmony. With its bold and expressive features, West Shine exudes courage and adventure. Its well-balanced letter thickness and exceptional clarity ensure that your message is read loud and clear across all media. West Shine is ready to bring your logos, headlines, and branding designs to life with its classic yet relevant Western cowboy flair. Publish West Shine font on Creativemarket and give your designs an unforgettable and authentic appeal.

Created with love and attention to detail, this font instantly brings out the natural characteristics of your projects, adding a playful and whimsical touch. Whether you're designing websites, SVG graphics, home decor items, branding materials, blogs, logos, invitations, or more, Super Cute is the perfect choice to infuse your creations with charm and character. Super Cute offers a versatile combination of uppercase and lowercase letters, providing endless possibilities for your typographic compositions. It also includes a comprehensive set of numbers and punctuation marks, ensuring your designs are complete and well-balanced. With multilingual support, this font allows you to communicate your message effectively across different languages and cultures. With PUA Encoding, Super Cute unlocks additional special characters and glyphs, allowing you to add extra flair and uniqueness to your designs.

Chronica Pro is a new contemporary font family focusing on balance and quality for high professional use. Designed with a lot of attention to details and versatility, Chronica Pro could satisfy all kinds of demands such as editorial design, brand creation, graphic design, signage as well as on screen, apps, web sites, ebooks, etc. With its 18 fonts, Chronica Pro can be defined as a humanist spirit in a geometric body and supports international communication extending to Central, Western and Eastern European languages. This typeface contains professional OpenType : alternate letters, case sensitive forms, proportional figures, tabular figures, numerators, superscripts, denominators, scientific inferiors, subscript, ordinals, fractions, arrows, ligatures. Chronica Pro has been also designed with a high level of Pro kerning to meet the needs of complex editorial design.

The Devine Beauty font is characterized by its simplicity and modernity. The clean lines and balanced proportions of the sans-serif font complement the elegant curves and flourishes of the serif font, creating a harmonious and visually appealing pairing. Overall, Devine Beauty is a stylish and refined font that is perfect for adding a touch of sophistication to any design, especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Say hello to Grenoble, the sans-serif font that combines the best of modern design with the elegance of vintage feels. With its monoline strokes and clean lines, Grenoble is both simple and sophisticated. Choose between the regular and slant styles to give your designs the perfect balance of classic and contemporary style. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.