Chevin is a contemporary rounded type family in 6 weights which was designed with functionality and legibility in mind. With its open counters and slightly condensed style, Chevin can be used for text and is particularly suited to signage. Erik Spiekermann is a fan, noting that Chevin “is charming without being cute, and very legible even in small sizes because of its restrained shapes and simple construction.” Chevin is named after a hill on the outskirts of Otley in West Yorkshire. Since 2007, the type family has been highly prominent in the UK as Royal Mail’s corporate font and the typeface that adorns every Post Office in the country. The Chevin Pro set includes additional Greek and Cyrillic layouts.

jpAlva is a technical and functional sans-serif that consists of 40 typefaces, divided in 2 font families jpAlva and jpAlva Extended. A universal family of typefaces that fits pretty much any purpose. It illustrates a precise balance of modern geometrics, with a functional yet sparing style that effectively communicates without distraction. A straightforward, unadorned appearance with efficient construction. Simple, clean with a technical note and a wide range of styles it is perfectly suitable for a wide range of applications, from identity systems to editorial design, from signage systems to software applications. Designed with powerful OpenType features (e.g. figure sets, fractions, ligatures, case sensitive forms) and extended language support, it is easy and enjoyable to use.

Stettinum Nicodemus Pro is a project to revitalize lettering from tenement houses in Szczecin. The project includes the digitization of letter remains from ul. Kaszubska in Szczecin to form functional fonts. The main idea of the project was to preserve the disappearing remnants of Szczecin's typographic past, which, despite the span of glyphs limited by time, can be an inspiration for many future extensions of the already established family. Stettinum Nicodemus Pro Sansum is a family of typefaces consisting of 7 variations. The block structure with a regular structure and a relatively high minuscule allows for many different applications. Versions 700, 800 and 900 are intended for titles, headings and emphasis, typefaces 300 to 600 are text typefaces.

Apnea is a layerable type family consisting of fifty weights. It is an all caps font with a few lowercase alternatives (a, e, i, m, n, t, w, and y) thrown in for a more casual feel. The base letterforms are inspired by a painted sign I found in the garage of an old house I moved into years ago. All the hand-drawn elements were done directly in FontLab to keep them loose and playful without getting distorted or grungy. At its core Apnea consists of eight base weights (Base, Drop Shadow, Halftone, Inline Fill, Outline, Outline 3D, Shading and Shadow) that when combined, can make up the rest of the family. Have fun, experiment and play!

jpAlva is a technical and functional sans-serif that consists of 40 typefaces, divided in 2 font families jpAlva and jpAlva Extended. A universal family of typefaces that fits pretty much any purpose. It illustrates a precise balance of modern geometrics, with a functional yet sparing style that effectively communicates without distraction. A straightforward, unadorned appearance with efficient construction. Simple, clean with a technical note and a wide range of styles it is perfectly suitable for a wide range of applications, from identity systems to editorial design, from signage systems to software applications. Designed with powerful OpenType features (e.g. figure sets, fractions, ligatures, case sensitive forms) and extended language support, it is easy and enjoyable to use.

Grandecort is derived from the OakPark family. It has lost the serifs, and has moved to a more traditional look. The upper case letters are a bit heavier than the lower case letters, but overall the letter shapes are fairly conventional for a bold, display face. In later 2018 the family was expanded to 9 fonts. GrancMitStripes was reworked to make four new faces: GrancAllStripes, GrancTopStripes, GrancBottomStripes, and GrancCaps. The last can be used as a background layer for the others. Also, The interior of GrandecortShadow was separated out to form GrandecortShadowInside. It has the same shapes as Grandecort-Regular but the spacing of GrandecortShadow and can be layered with the shadowed style to easily create bi-colored letters.

Clavo was picked for the EXHIBITION CALL FOR TYPE - NEW TYPEFACES and is presented in the Gutenberg Museum in Mainz, Germany. Clavo is a multipurpose font family. Its warmth comes from subtle details, classical proportions and traditional forms, while harmonious structure prevents distraction while reading. This makes Clavo a universal typeface. In all sizes, from caption to display. The family consists of ten weights. They were not created in a linear way. The steps between the weights were adjusted carefully to avoid a mechanical graduation, in favor of optical harmony. Clavo covers all latin languages. It contains a wide set of numerals, small capitals, fractions and other OpenType goodies. And of course every weight comes with matching italics.

Core Circus Rough is a textured version of Core Circus which is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic Rough (Slab-Serif version of Core Circus Rough) The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.

Morison is an original but versatile serif family. With just about the right amount of personality and character, it can stand out when needed, but works equally well in everyday tasks where legibility is the key. The Morison family consists of separate stylistic ranges for display and text use. Each range comes in eight weights with corresponding italics. The display versions are sophisticated enough for tasks where a certain amount of extra elegance and flair are required, without compromising much on legibility. The text versions, however, are true workhorses, suitable for continuous texts in small sizes. All Morison fonts are equipped with handy Open Type features, such as built-in small capitals and multiple numeral styles.

Chevin is a contemporary rounded type family in 6 weights which was designed with functionality and legibility in mind. With its open counters and slightly condensed style Chevin can be used for text and is particularly suited to signage. Erik Spiekermann is a fan, noting that Chevin “is charming without being cute, and very legible even in small sizes because of its restrained shapes and simple construction.” Chevin is named after a hill on the outskirts of Otley in West Yorkshire. Since 2007 the type family has been highly prominent in the UK as Royal Mail’s corporate font and the typeface that adorns every Post Office in the country. The Chevin Pro set includes additional Greek and Cyrillic layouts.

The design of Kristall Grotesk Now is based on a cut by Wagner & Schmidt, Leipzig, from the 30s of the last century as well as the digital version Kristall Grotesk MdK, created for the Stiftung Werkstattmuseum für Druckkunst. The implementation of the Kristall Grotesk MdK, a headline font, was deliberately created as a replica to create a faithful reproduction of the original. The design of the complete family Kristall Grotesk Now is based on the one cut Kristall Grotesk Buchschrift by Johannes Wagner GmbH, 1937, with its function as a text family. Designer: in parts Johannes Wagner GmbH, Redesign Elsner+Flake, Hamburg Designdate: 1937, 2009 Publisher: Elsner+Flake Design Owner: Elsner+Flake Original Foundry: in parts Johannes Wagner GmbH

Torus Variations are an addition to the original monoline Torus family from 2017. The four new styles are Biline, Outline, Inline and Notched. The Torus family has been designed specifically for use in logo design, headlines and for branding purposes. While the default character sets are distinctive in their own right, graphic designers will love playing with the numerous alternate glyphs that will help them create unique wordmarks and logo designs. Torus’ simplistic forms and soft terminals make this a lovely, warm typeface perfect for a multitude of typographic applications. Key features: • 4 styles • 6 weights • 49 Alternates (via 2 Stylistic Sets) • Full European character set (Latin only) • 550+ glyphs per font.

Luba is a multi-script text family designed by Hendrik Moeller. The family includes four weights: Light, Regular, Medium, and Bold. Each of these fonts may be purchased with both Latin and Cyrillic script coverage, or with support for just the Latin script. Moeller initially developed Luba to assist speakers of languages using the Latin script who are just embarking upon learning a language that uses the Cyrillic script, i.e., French, Germans, or Italians who are learning Russian or Ukrainian. Luba's letters place significant emphasis on their identifying elements; clear forms and a relaxed style help familiarize the reader with the foreign glyphs. The typeface makes clear distinctions between Latin and Cyrillic letters, without covering up their shared heritage.

Fuse Vol 2 is an extension to our popular Fuse type family. All of the corners of the typeface’s character are rounded, making Fuse Vol 2 friendlier and more amiable variant of the original Fuse. Designed with a powerful OpenType features in mind. Each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support , small caps and many more.. Perfectly suited for graphic design and any display / text use. The 32 fonts are part of the larger Fuse super family. We’re proud to introduce: Fuse Vol 2. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Type Foundry On facebook W Type Foundry wtypefoundry.com

Auster, A Sans with Flair! Auster packs sensational personality in its fine-tuned forms. Confident and quirky, yet comfortable to read, this distinctive san serif family stands out from the crowd. The curves cinch and strokes flair in unconventional places making Auster an unashamed rebel sure to turn heads. Originally designed during the TipoBrda Workshop in Slovenia. Resistenza spent 3 years developing this 2 style (roman & Italic), 20 weight family. The subtle reverse contrast characters were first painted with a flat brush, then polished in pencil on tracing paper before being carefully digitized, to include language support and all the opentype features you expect in a quality contemporary font. More About Opentype Features: https://bit.ly/opentype-rsz

The ITC Blair™ typeface is a revival and reimaging of an early 20th century metal typeface of the same name. Even though only available as single weights of extended and condensed proportions, metal fonts of the face were sold well into the 1950s. In 1997, Jim Spiece resurrected the original extended design for digital imaging and, in the process, added two new weights. Almost 20 years later, he collaborated with Monotype type designers to extend the basic family again. The result was a new suite of three condensed designs and italic complements for all the roman weights. The family also benefits from a large set of alternative glyphs and many OpenType® features.

Journal type family is a low-contrast text face of the Ionic-Legibility group. It was designed at the Polygraphmash Type Design Bureau in 3 styles in 1951–53 by Lev Malanov and Elena Tsaregorodtseva. The fonts were based on Cyrillic version of Excelsior that was developed in 1936 in Moscow by professor Michael Shchelkunov, Nikolay Kudryashev et al., that in its turn was based on Excelcior by Chauncey H. Griffith, 1931, Mergenthaler Linotype. Digital version was developed in ParaGraph (ParaType) in 1991. In 2012–13 designer Natalia Vasilyeva made some corrections in original digital data, extended character set and add bold italic style. The family was rereleased in ParaType in 2013.

Sana Sans is a humanist functional typeface with a modern feel. It is intended to be a face well-suited for multiple purposes, especially in publishing. Sana Sans looks perfectly legible and clean in long texts, and neat and simple in headlines. Thanks to its versatility, this font is also ideal for both screen and print usage. Sana Sans consists of 32 styles and 8 weights—ranging from Thin to Heavy—italics, small caps and an alternative family. The alternative family offers slight variants in many glyphs, some of which include the lowercase a, e, l, q, y and uppercase G, L, and Q. Sana Sans was designed by Felipe Sanzana, under the supervision of Latinotype Team.

Churchward 69 is a ten weight typeface family originally designed during the late 1960’s by the late type designer Joseph Churchward. From the extremely condensed Regular weight to the outlandishly heavy Ultra Black, this square sans serif makes an audacious statement. Even the Italics are extreme at their 17 degree angle! Churchward 69 includes 5 weights, Regular, Bold, Extra Bold, Black, and the gorgeous Ultra Black, and their italics. Joseph sure knew how to draw heavy weights! All members of the Churchward 69 family have OpenType features, including proportional and tabular figures, unlimited fractions, superior and inferior figures, and ordinals. Each font also has an extensive character set to support many western European languages.

Basilio Calafati (1800–1878) worked as a magician under the name of Salamucci in the Wiener Prater. Later he obtained the license for a roundabout and other amusement facilities in the Wiener Prater. Calafati typeface family is characterised by little contrast and strong emphasis on the horizontals. It is a robust font that has many applications. Its character shapes are simple and relatively unembellished. With regard to metrics and proportions it combines perfectly with the Wien Pro and the Liebelei Pro. Calafati is available in weights light, regular, medium, bold and black. In 2022, Calafati received a major update. The recent family, Calafati Soft, is an 100% offspring of sharp-edged Original Calafati.

Klapt Cyrillic is a geometric sans serif family that is soft on the outside and sharp on the inside. This font family of four weights includes an extended character set supporting most Latin languages ⁠ and extended Cyrillic — even Vietnamese, Serbian, Bulgarian and many more. Klapt Cyrillic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design. It has a timeless style and is great for display purposes, especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt Cyrillic or just get in touch via email to hi@seventype.com. Klapt Cyrillic is the extension of Klapt.

Zeta was developed by Roy Cole, the British typographer and book designer. It is his second typeface family, completed in 2006, and comprises six fonts. As with his other typeface families - Lina, Colophon and Coleface - Zeta is a sans-serif typeface, particularly notable for its fluidity and strong legibility. Whilst the proportions of Zeta are derived from classical models, the letter forms themselves are totally modern in concept. For example, when used for blocks of text little line spacing is needed to achieve good readability. Zeta is conceived as an easy reading typeface presenting an up-to-date impression wherever it is utilized. Due to its origins it really comes into its own when used for book design.

Introducing Berringer A Vintage Type Family Berringer is a vintage sans serif family including Textured, Rough & Clean versions as well as Oblique versions of each. Click on the "View All Glyphs Below" image to see every glyph included in each font file. Berringer includes western european characters. Berringer is a versatile sans serif typeface that gives a vintage aesthetic. With it's unique & distinct characteristics it sets itself apart, while also maintaining a strong timeless appeal overall. Rough & Textured versions allow Berringer to be a complete set without the need for 3rd party effects to create a printed look, eliminating a step in the process of finalising your piece. Thank you for checking this out! Jeremy

Egon is a contemporary Slab-Serif typeface family built in ten styles—extra-light, light, regular, bold and black weights in roman and italic respectably. This is a refreshed (second) edition of Egon Serif, originally designed in 2008. The typeface has been updated—four new styles in ExtraLight and Black weights were added to the family and minor adjustments to glyph shapes (mostly italics) have been made.The typeface is designed with industrial and architectural flavor, as homage to Egon Eiermann, one of Germany’s great architects of 20th century. Egon is ideal as text and display font for publication use. Egon is released as OpenType single master with a Western CP1252 character set.

The future is right here, today, and Areon Flux comes to point that out. It’s a font family consisting in three weights that makes it a notable choice for designers that have to do with techy, futuristic layouts or printing materials. The lettering design appeal as sharp, powerful, distinctive and kind of modular, remembering the upcoming space exploration opportunities that are ready to enlarge our horizons in the next years. Areon Flux family is designed and published in late ‘20/ early ’21 and has an established discount for more that 30% for all the weights buyed together that makes it a versatile fresh and modern display not to be missed by edgy designers.

Mellnik is a sans serif of humanist style (in a way) that was developed by Oleg Karpinsky and released by ParaType in 2006. The type family contains 9 styles with a number of alternate characters in each ones. For use as a text font in long text passages of advertising booklets, catalogues or magazines, as well as for accident setting. Mellnik may be also applied as a corporate typeface. Giant ink traps (or something like that) produce an original image of the family. Five condensed styles were added in 2007 by the same designer. Mellnik Text in 12 styles (added in 2008) has more narrow proportions and it is rather appropriate for text setting.

Rotulo is a contrasted sans family which combines the Thick & Thin signpainter's style and some 70s feeling in a huge font family with 90 styles. A visit to an exhibition of Spanish movie posters by Jano was the beginning of Rótulo (Spanish for Sign) project. Classic thick & thin signpainter style was featured in many letterings of those posters, as it was a very common style in 60s and 70s Spanish design. Unfortunately, today very few Contrasted Sans are seen, something that was quite common years ago has fallen into disuse in favor of Helvetic monotony. Rótulo recapture all that personality, with an extense range of weights and widths to be used in striking headlines and short texts.

Gloriz Vintage is the bold and distinctive retro serif font that adds a touch of rustic charm to any project. Designed by Mans Greback in 2023, this font features rounded edges and a heavy, printed appearance that will give your work a vintage look. Perfect for headlines and logotypes, Gloriz Vintage is the perfect choice for designers looking to add a touch of personality to their work. Don’t miss out on this one-of-a-kind family! The Gloriz Vintage family consists of six high-quality fonts: The three weights Regular, Light and Bold, are each provided as both Upright and Italic styles. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive language support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you’ll ever need, including all punctuation and numbers.

Moviemania - Sans Serif font Family - Multilingual - 12 STYLE Moviemania font family is a modern sans serif typeface with its sharp lines and soft turns that form its characteristic structure. It offers you two alternative concepts in your preferences with its sharp lines in upper cases and soft lines in lower cases. It has an ideal modern structure in your preferences for branding and identity creation in today's modern world. Absolutely perfect for movie titles, magazines, branding, branding identity, posters, logo designs, packaging designs, websites - all digital platforms and more! This font can meet your needs in all modern and classic creative projects. CHARACTER RANGES : Basic Latin, Latin-1 Supplement, Latin Extended-A, Latin Extended-B, General Punctuation, Currency Symbols, Letter like Symbols,Arrows, Mathematical Operators, Miscellaneous Technical, Geometric Shapes, Miscellaneous Symbols, CJK Symbols And Punctuation, Private Use Area (plane 0), Alphabetic Presentation Forms GLYPH COUNT : (543) Uppercase typeface Lowercase typeface Numbers Symbols Multilingual With this font you can create your unique designs. If you have a question, please contact me. Have a good time.

Gotta tell ya: think out of the box and this font is addictingly fun to use! Introducing Historic Warehouse, a substantial, yet elegant family, invoking advertising fonts of the early 20th century. Why the name? When asked to design a banner for Tucson’s Historic Warehouse District, I couldn’t find the look I wanted from any known fonts. After drawing what I wanted in Illustrator, there were three (and in the process, four) fonts just waiting to be realized. Happy to oblige. Here’s Historic Warehouse Regular, setting the stage. It’s sturdy, bold, and plays curves against rounded angular shapes. To its left is Historic Warehouse Condensed, trim, elegant and at its best at very large sizes; to the right is Historic Warehouse Wide, with charming style and presence. Finally, there’s Historic Warehouse Extended, extravagant in its proportions, with a beautifully-crafted form like a fine carriage. As the song says, “Everything Old Is New Again,” and this family looks as fresh and clean at the beginning of this century as it might have at the beginning of the last.

Lapidaria is a typeface that may be described as a ‘geometric sans with humanist qualities’. Its mood is smart and sober, its appeal is calm, cool and classical. Though quite well performing even in longer text bodies, a particular strength of Lapidaria lies in display typography. The most peculiar aspect of Lapidaria is its new family concept: for the very first time ever a tricameral alphabet model has been realized as a general-use sans: uppercase, lowercase and middlecase letters blending smoothly into one typographic tone, thus offering entirely new typographic possibilities. – The middlecase (or uncial) sorts being accommodated in the lowercase positions of the Medior fonts. All nine fonts equally offer full character coverage for all Euro-Latin languages – and for Greek. There are a lots of special characters and ligatures. Last but not least, a set of ten ornament characters (in each font) will let you make sparkling designs which will thrill your clients. Each font contains about 500 characters, that makes over 4,500 in total for the complete Lapidaria family package. __________________________________________________________________________________________

Pasargad is a new font family, designed by Naghi Naghashian. It is a Font family in 3 weights, Light, Regular and Bold. This font is a contribution to modernisation of Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Pasargad supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. Pasargad design fulfills the following needs: A Explicitly crafted for use in electronic media fulfills the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Pasargad’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Pasargad was developed for multiple languages and writing conventions. Pasargad supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

Bayside Tavern is a weathered version of our Tavern Alt font family. With its straight sides Bayside Tavern fits better in tight spaces and reads better at smaller point sizes than the regular Bay Tavern version. With three weights, open faced and outline versions to choose from you're sure to find the right style for your new project, restaurant menu, logo, t-shirt design or Pirate costume party. While our original Tavern Alt font has been increased to include five weights additional weights for Bay Tavern will have to wait for now, adding the notched cut in's were all done by hand which causes a lot of cramping so a long break is needed before creating the extra weights. The Fill fonts in the Bayside Tavern family are meant to be layered behind the Bayside Open fonts, if you're using Bayside Open select Bayside Fill, if you're using Bayside Open L select Bayside Fill L, if you're using Bayside Open S select Bayside Fill S and so on.

Factum is a classical style serif typeface that sets the mood and evokes emoti­­­­­­ons before you read the text. Interchanging thick and thin lines, especially in Medium and Bold styles, creates an elegant silhouette and a rhythm in title sheet, cover art or poster. Yet Light and Regular styles look great in large type as well as headlines. Another speciality of the font family is Stencil styles that help you play around your typography and logotypes. Rich heritage and cultural experience behind the classical design make Factum font perfect for texts and messages connected to glamour, fashion, arts, literature, architecture, science, education, travelling, fine dining, cosmetics, beauty and etc. Timeless pattern and variety of weights and styles will make you use the font family again and again in different projects: creating logo, articles in magazines, branding, wedding invitations, quotes, posters, advertisements, monograms and many more. Character set of each font includes all European Latin-based glyphs, numbers, punctuation and OpenType features like standard ligatures, discretionary ligatures and fractions.

Clean and welcoming, the distinct look of Yorkten is remarkably satisfying to the eye. Straight to the point, Yorkton features a fashionable, geometric composition with angled main stems. There are no fewer than fifty-four fonts in the family, all of which are characterized by one of three widths – extended, normal or condensed. Each individual subfamily is equipped with eight weights from Thin to Black with respective Italics, giving Yorkten a breathtaking range of fonts to boast. The greater value for you, though, is its members’ ability to work well together. With a deep toolbox of weights and widths to choose from, this family provides you with significant value and a broad number of design solutions, making sure you have the tools you need for each challenge. So where should you use the font? Jeremy Dooley designed Yorkten’s underpinning structure to be compact. Combined with its superior features and terrific legibility, this versatile font can be used effectively for many jobs, whether in print or on screen. Use it freely for e-books and apps. Yorkten is particularly great for headlines, banners, posters, and websites. As with all insigne fonts, fonts that are well received by the market are expanded into future variants such as rounded or slab serif types. Yorkten’s later expansions will increase the versatility and functionality of the family. There’s no need to wait for these future releases, though. This new face already complements a number of other insigne faces, such as Grayfel, Look, or the Cabrito Superfamily. So what are you waiting for? Get Yorkten today and bask in the rich potential it offers! Get Yorkten and luxuriate in its straightforward multifunctionality!

Fat Kitty Kat is a hand made, rather bouncy and happy font. It was thought up, drawn and vectorized during an unusually long rainy period in a small Porto hotel room. Kitty Kat's glyphs are rather rough, but legible and fun to use. The font comes with extensive language support and a full range of alternates for the lower case letters.

Sogeh is a sanserif font with a simple and straightforward design. This basic font has a modern shape and an exotic appearance while being comfortable and attractive to the eye. With this font, all of your special projects will look luxurious, cool, and well-liked by a large portion of your audience. Use this typeface to achieve the best possible outcomes in all of your projects. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

Introducing Agerr, our newest font. Ageer is a cheerful, soothing typeface with a delightful theme. Because of its relaxed attitude, you may use this font in a variety of projects to increase the quality of your design appearance, making it more beautiful and elegant. This font is perfect for games, sporting events, branding, banners, posters, movie titles, book titles, quotes, logotypes, and more. of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a complimentary font family, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

Wistar Typewriter is a monospaced typewriter font in two styles: Regular and Faded, in both vector and SVG versions, with dashed line and underline alternatives and a bonus caps font, for a total of 14 fonts. This font family is versatile and ready to use in modern and retro designs alike. With its soft realistic texture, Wistar looks great in both long or short texts, in digital collages, branding and packaging, social media posts, logotypes, etc. Software requirements for the SVG font: Photoshop CC2017+ // Illustrator CC2018+ No SVG support? No problem! The font includes a vector version of the font that keeps its textured goodness.