Introducing catchye a captivating serif font that combines timeless elegance with modern flair. Its refined letterforms and balanced proportions make it perfect for logos, editorial designs, and packaging. Embrace Catchye’s allure and elevate your typographic compositions with sophistication and charm.

Vacant is a precisely drawn, contemporary stencil face built with attention towards retaining pure underlying geometric forms and visual balance between letterforms. Stylistically, Vacant exudes a strong sense of clarity and sophistication which contrasts the unrefined nature of stencil typefaces.

Juicy toon is the perfect font to add a sense of fun and happiness to your project! Round, bouncy characters are with varying line weight are designed to find the perfect balance between hand-drawn charm and a polished, professional finish.

Oklean is a special font for your logo & branding. Every character is designed for a good logo, so they are not suitable for long texts. Oklean has a concept that is : Bright / Clean / Clear / Cool / Nature / Minimal / Smart / Urban / Balanced.

Secesja Pro is a new, completely redesigned and improved version of my font Secesja, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

You can pack a lot of letters into a single line with this face, originally released as Clarendon XX Condensed in 1859. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Gotyk Nr7 is a new, completely redesigned and improved version of my font Gotyk Poszarpany, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Tappatarap font. 559 glyph, 80+ Languages Set. Multilingual support: Latin basic, Latin Extended, Cyrillic, Central Europe, Turkish, Baltic, Romanian, Euro, West European diacritics Please test your alphabet. If you have any issues, please let me know through email turalalisoy@gmail.com.

Another Dan X. Solo find, prosaically named Earth, provided the pattern for this family of futuristic fonts with a strong retro vibe. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

Aquatype Signature is a free-flowing script font created for packaging products, invitation cards, flyers, mockups, event posters, and anything else that requires high-quality vibes. It has a beautiful and balanced character, that fits well with the large design pool.

Heroic Condensed is an idealized narrow grotesque: a fusion of clean geometry and optical balance. Its constructed framework exudes technical refinement tempered by humanist curves across a family of eight weights. Heroic Condensed includes small caps, tabular figures, and stacked fractions.

Hoho Christmas is an elegant and flowing handwritten font. Not too thin and not too thick, balanced and varied. Hoho Christmas is perfect for each of your winter designs. Add it confidently to your projects, and you won’t be disappointed.

Speedball pen master Ross George presented this face as D-nib Display. Its wide stance and quaint attitude make for some unavoidable whimsy. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Deviandra is a free-flowing script font created for packaging products, invitation cards, flyers, mockups, event posters, and anything else that requires high-quality vibes. It has a beautiful and balanced character, that fits well with the large design pool.

Oksana Sans Condensed is designed for tight-fitting text. It has six weights from Thin to Heavy. Supports Western, Central, Baltic Latin and European Cyrillic codepages. Old-style digits, some ligatures, alternative characters and Ukrainian hryvnia sign are also included.

Experience modern elegance with 'Holiday in Paris' Fonts. A casually cool handwritten typeface that adds contemporary flair to any project. Perfect for travel journals, social media, and invitations, it balances artistic strokes with readability, infusing your design with Parisian charm.

This naïve script was discovered in a French printers' magazine from 1927. Its total lack of pretension makes it warm and inviting. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Astalamet Pro is a new, completely redesigned and improved version of my font AstalametPure, which was released for the first time in 2001. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Consisting of 6 weights & 12 styles, Rebar is a geometric sans with harmonious curves and slightly angled framing which gives the typeface a foundation of balance and strength. Includes numbers, punctuation, some ligatures and diacritics for compatibility with many foreign languages.

EightZeta is a hand-drawn font designed by Bartek Nowak. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The American Typefounders 1893 specimen book included the pattern for this face, originally called Pontiac. Its subtle idiosyncrasies make it warm and inviting. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Here's an elegant addition to Argentina NF, carefully crafted after the pattern provided by master type designer Morris Fuller Benton in 1919. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

The Hunt Brothers, penmen extraordinaire, presented the pattern for this face as Upright Ornamental, it's a little loopy and a whole lotta fun. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Gevher is a grotesque based font family that the product of a meticulous work that spread over 2 years. It differs from other grotesque fonts with its very soft angular turns to the rounded forms and its daring ink traps. The rigid and stable structure is balanced by deep ink traps and unusual opposite angle at the joints. Thus it has a more humanistic expression. It has 3 widths: Condensed, Narrow and Normal. It consists of 8 main weights and their compatible italics, totally has 48 styles. Therefore, it provides a wide range of usage practices. It offers creative "contextual alternates" for the best reading experience. Ideal for every editorial design, packaging, corporate identity, brand, application, web and desktop usages.

Bellatrice Natural is a captivating natural signature font that effortlessly combines elegance with a touch of organic charm. Its fluid strokes emulate the graceful movements of handwritten script, lending a personalized and authentic feel to any design. The gentle curves and slightly irregular lines of Bellatrice evoke the warmth and individuality of a handcrafted signature, making it an ideal choice for projects that seek a distinctive and human touch. The font’s natural flow and intricate details create a harmonious balance, resulting in a timeless and sophisticated signature style that can elevate a variety of creative endeavors, from invitations and branding to personal correspondence. Bellatrice is a testament to the artistry of a well-crafted signature font, capturing the essence of natural handwriting with grace and finesse.

Hobi was influenced by Spaza. In it I tried to highlight the dissonance between the irregular outlines of the characters and the formality suggested by the serifs of the characters. Differences from Spaza are: -- character heights from the baseline; -- the presence of serifs; and -- variations in the character outlines to accomodate the different balance that the characters require in terms of the presence of serifs. Hobi is loose, funky and quite contemporary. The font can be used with great effect in a great variety of applications such as advertisements, flyers, posters, magazine pages and in movie credits. Hobi contains a full character set with all upper and lower case characters, numerals, symbols, accented characters and it has been carefully spaced and kerned.

The Enagol Math family consists of 4 weight plus True italics. It is a typeface with rounded Slab-Serif of Semi-Condensed proportions. I have composed all the proportions of the character based on a study of mathematical proportions related to the golden sequences of Perrin, Lucas and Fibonacci. From an initial matrix of golden proportions applied in the letters 'H' for capital letters and 'n' for lowercase letters, calculated for the versions of the extremes of the Light and Bold type, below I do the whole calculation of proportions using my formula of three axes and by interpolation I generate the intermediate versions Regular and Medium. For the Italic versions I have drawn a complete set of lowercase letters that give these fonts an aspect close to the Italic writing. In these versions I have also applied many optical corrections to balance the deformations created in many curves by the mere inclination of the letters, which in the case of this type is 11°.

In 1529, Geofroy Tory, French scholar, engraver, printer, publisher and poet, was publishing the well known so called Champ Fleury, printed by Gilles de Gourmond, in Paris. It is a fully illustrated handbook where the author explains how to draw Roman characters. The font used for the text - a Humane/Jenson type - was not a very beautiful one, but rough and ready, and the book is well known for its capital letters designs. We are offering here the two complete historical type sets and more -- we have entirely redrawn the lacked letters: J, U and W, Eth, Lslash, Thorn and Oslash in the two initial forms. The text font, 1529 Champ Fleury Regular is now containing all characters for West European (including Celtic), Baltic, East and Central European and Turkish language, and the Initial set 1529 Champ Fleury Init is containing two complete alphabets, with a very great effort to be as close as possible to the original pictures.

The Core Sans B Family is a part of the Core Sans Series, such as N, NR, N SC, M, E, A, D, G, R and BR. The family has very small x-heights and large ascenders(descenders) which give an elegant feeling in body text. It is a sans-serif family but it’s structure is similar to serif fonts, so you can make paragraphs beautiful with this font family. It is very legible and readable even in small size because of its open counters and distinctive shapes. This font family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) and Italics for each format. Core Sans B supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Polarity is a serif typeface with a touch of retro flair. It exudes a classic charm that effortlessly captures the essence of vintage typography. Its 2 styles, a roman and an italic compliment each other gracefully, each one with its own unique personality. While the roman is bold and modern, the true italic gives an elegant refined look for a perfect combination that’ll make your creations truly unique. Each character has been meticulously crafted to achieve a harmonious balance between smooth curves and sharp angles. Thanks to the numerous alternates, stylish ligatures and swash letters, the font family offers countless options and shows great versatility whether you're designing a logo, crafting a vintage-inspired poster, or creating eye-catching headlines. With 2 weights (regular and bold) and 2 styles - 4 fonts in total, the type family is equipped with various opentype features such as stylistic alternates, beautiful ligatures, additional symbols, old styles figures and multilingual support for major latin based languages.

Gaveto is the Geometric Sans Serif with 2 styles (Clean and Rough) with combine uppercase and lowercase looks and feel nice balanced. Provide with ligatures in Uppercase variant style make the design letter looks nice. Honestly it works perfectly for headlines, logos, posters, packaging, T-shirts and much more. Font Features : Regular version Rough version Character set A-Z in Uppercase and Lowercase Ligatures Numerals & Punctuation Accented Characters Multiple Languages Supported Recommended to use in Adobe Illustrator or Adobe Photoshop with opentype feature. Ligatures feature is default setting in Adobe Illustrator or Adobe Photoshop in Uppercase character. So when you want not to use the ligatures. Open glyphs panel : In Adobe Photoshop choose tool Window Character and then please click fi symbol In Adobe Illustrator choose tool Window Type Open Type and then please click fi symbol If you have questions, just send me a message and I’m glad to help. Have a great day, Absonstype

Core Serif N is a modern serif family with neutral design elements. Letters in the Core Serif N has designed with large x-heights and simple serifs for legibility at small sizes. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Serif N Family consists of 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black), and Italics for each format. Core Serif N Thin is designed such as a frame of Core Serif N Family, so its serif shapes are slightly different with other weights. But all weights of Core Serif N work in harmony because they are sharing same structure. It supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes support for proportional figures, tabular figures, oldstyle figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, magazines, editorial and publishing as well as logo, branding, and so on.

Core Sans D is a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans D features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans D is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans N NR, Core Sans M, Core Sans G and Core Sans A. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans D supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.

Destra is a contemporary, narrow serif family, suitable to save space and legible at small sizes. Its shapes are the result of a mix of styles. "Destra" is the Portuguese word for "right hand". The font has several OT features - fractions, old style-, lining-, tabular numbers, superiors/inferiors, alternative glyphs, dozens of ligatures (standard + discretionary) and an exclusive feature to convert Arabic to Roman numerals up to 1000 (download the “OT Features Guide” pdf). Moreover, Destra has an impeccable technical finish, with a systematic review of nodes, curves, spacing and internal data, eliminating the possibility of errors when using it. The family consists of 8 styles, 4 weights - Regular, Medium, Bold and Black, plus their respective italic versions. The fonts are available in OpenType PS/TT and have extended character set to support CE, Baltic, Turkish as well as Western European languages. You can test Destra downloading the free trial font in Medium version (TT only). This trial file supports only Western languages.

Core Sans AR Family is a rounded version of Core Sans A that is clean, simple and highly readable. It is a part of the Core Sans Series such as Core Sans N, Core Sans M, Core Sans E, Core Sans A, Core Sans D, Core Sans G, Core Sans R and Core Sans B. Letters in this type family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans AR family consists of 8 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy) with their corresponding italics. Core Sans AR contains complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features. We highly recommend it for use in books, web pages, screen displays, and so on.

Nikola is a text typeface that offers a wide range of possibilities. While its regular and medium weights were specially optimized for maximum performance, balanced for excellent legibility and carefully crafted to spread a scent of tradition on long text settings; its extreme weights, on the other hand, were designed with a more display use in mind, and thanks to the flexibility place at disposal by its many alternates, swashes, decorative cartouches, borders and ornaments, can deliver a vintage, reliable, dynamic, fancy and even playful inflection to the text. Nikola includes a large set of over 1400 glyphs, support for more than 200 latin script languages and 1.21 gigawatts of the finest type design generated by classic proportions, the elegance and formality of the early XX century and a glimpse of expressionism on terminals and serifs. Nikola was named after Nikola Tesla as a tribute to the pioneers of the electric age.

An upright typeface family developed to meet the demand for letters to produce pupil material for handwriting as well as for reading. Upright letters with extended ascenders and descenders are ideal on screen. They facilitate word recognition. The exit strokes link words together visually, and in handwriting they lead to spontaneous joins along the baseline leading logically to a joined-up hand. Teachers can print desk strips, charts of letter families and alphabet friezes, as well as consistent material across the curriculum. Together these typefaces provide a valuable resource for special needs teachers. Typefaces developed to meet demand for letters that can be used to produce pupil material for reading as well as handwriting. Regular and Bold typefaces covering pan-European languages: 9 Latin, 6 Cyrillic, Greek, Turkish, 13 Baltic, 8 Rusyn, 6 Nordic, Vietnamese. How to access Stylistic Sets of alternative letters in these fonts Cyrillic Stylistic Sets examples Greek Stylistic Sets examples Vietnamese Stylistic Sets examples

Extra Old is a vintage serif typeface. With heavy strokes and miniscule serifs, this classic font family is the perfect lettering for a headline to emit genuine quality. Why not use Extra Old for a traditional logo or balanced product label. Created with pride and care, this type has the optimal appearance of a classic vintage logo but for a modern setting. The font family consists of Regular and Italic, as well as Bold and Bold Italic. Also included are the font styles Coaster and Floria Corner, two typefaces for beautiful decorative elements, combining with the lettering. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Zoya is a humanist sans serif typeface, a versatile font family that stands out with it's warm and natural feel. Humanist sans serifs have roots in calligraphy, their round, dynamic, open forms have higher stroke contrast than the other sans serif classifications. Can be used by any organization that wants to appear simultaneously modern, approachable, active and professional. FEATURES Four weights + Bold Outline / Italics / Numbers & Punctuation / Extensive Language Support / Long term support, free features and bug fixes The font family includes 10 fonts Zoya Light - delicate and edgy Zoya Bold - strong but approachable Zoya Regular and Semi Bold are the balance between the two Zoya Bold Outline - engaging + Italics USE Strong capitals and a smooth, open lowercase are effective in a variety of applications. This font is perfectly suited for headlines, posters, branding, packaging, presentations, logo, quotes, titles, magazines headings, web layouts, advertising, invitations, packaging design, books, and nearly any creative design.

Film-P2 is an Ultra Condensed sans serif display typeface designed by Bartosz Panek. It is the follower of the geometric 'Film Poster' (https://www.myfonts.com/fonts/fontsphere/film-poster/) which was inspired by futuristic movie posters. In Film-P2, the letter design is more neutral, the font is more versatile, but no less expressive, which was one of the assumptions of the project. This allows many different application possibilities. In titles, headings, longer text compositions, bold and custom juxtapositions, and in many different formats. The differences in the width of the letters in the narrow, regular, wide versions are not significant, they are fairly balanced, but they give a lot of variation depending on the method of application and design characteristics, e.g. text size, background type, etc. The entire Film-P2 family offers many creative possibilities in graphic design, branding, printing and website design. Each font include multilingual support, numerals and a large range of special characters.