Nearo presents five font styles that embody a modern and high-contrast aesthetic, crafting a distinctive and engaging impression. Nearo is exceptionally well-suited for clean and minimalist designs and can be seamlessly applied to various types of formal projects, including logos, magazines, books, packaging, fashion, cosmetics, invitations, novels, labels, greeting cards/wedding cards, and various other advertising purposes. Best regards, Yusuf Niki Syahroni

Cerlestine is a standout bold script with modern look and feel. This type of font perfectly made to be applied especially in logo, headline, signage and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual alternates / swashes and ligatures PUA encoded

Moku Brush is a structural brush script inspired from handwriting with brush, with straight letterform you will get less formal but more sweet! Moku Brush come with nine weights, so you can use as body text or even better with headline. With nine variations, you can use this font in different sizes with different weights, you will get better balance when do type setup.

Thalia Threshold is a brush script with charm classic. You can playaround with alternate characters. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

There are many fonts inspired by Lucian Bernhard. I have always admired his 1906 award-winning poster: ‘Priester’— believed to be the birth of the ‘Sachplakat’ (or Object Poster). I have interpreted the hand lettered “Priester” logo into a formal typeface and only hope I have done it justice. Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, bulletins, magazines, greetings, announcements.

Haunted Gallery is a fun horror typeface with classic letterform. You can play around with the ligatures.This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : Uppercase & lowercase Numbers and punctuation Alternates & Ligatures Multilingual PUA encoded

Presenting the 🗯️💬The Browood Layered Comic Font💬🗯️ by alitdesign. The Browood Layered Comic Font is inspired by the style of letters in comics that have less serious and fun characters. The lettering of the Browood Layered Comic Font is a sans serif with display font characters which gives a fun and design impression for children. The Browood Layered Comic Font has 3 layered font. The Brootahh font is perfect for creating designs with non-serious concepts, designs for children, book headers, and of course for text on comics. The Browood Layered Comic Font also gets a bonus character of 230 Comic-themed illustrations that make creating designs even easier. Simply by downloading The Browood Layered Comic Font creating a Comic and non formal themed design is very quick and easy. The Browood Layered Comic Font is perfect for magazine cover designs, brochures, flyers. Instagram ads, Canva Design and so on with comic, non-serious, pop art, game mobile and fun design. Besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Browood Layered Comic Font contains 544 + 230 bonus glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Introducing "Morvifun" - a captivating font that combines the elegance of Victorian aesthetics with ornamental details. This classic serif typeface showcases the timeless charm of Gothic styles, resulting in a visually stunning and versatile product. With a total of 717 meticulously crafted glyphs, Morvifun offers an extensive character set that enables you to express your creativity and bring your designs to life. From uppercase and lowercase letters to numerals, punctuation marks, and special symbols, this font provides a comprehensive range of options to suit your design needs. The Morvifun font's classic serif style adds a touch of sophistication and refinement to any project. The carefully designed letterforms exude an air of elegance, making it ideal for invitations, formal correspondence, branding materials, book covers, signage, and more. Whether you're aiming for a vintage-inspired design or a contemporary piece with a hint of nostalgia, Morvifun is a reliable choice. Unlock the enchanting world of Victorian aesthetics with Morvifun. Its fusion of ornamental intricacy, extensive glyph set, PUA Unicode support, and classic serif style make it a versatile font that captures the essence of Gothic beauty. Let Morvifun elevate your designs and transport viewers to a bygone era of grace and allure. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Caravela is a decorative formal typeface. It was designed, drawn and realized by Mans Greback in 2020. Inspired by 17th century typographic works, this work lifts some of the absolute best elements from the golden age of calligraphic lettering, bringing it to life in a new, modern setting. The fusion results in a typeface that works perfectly for a present day headline, logotype or invitation, while keeping the traditions and formality inherited from history. It contains several alternate alphabets, a great set of ligatures and hundreds of contextual functions, which combined make the writing appear as a true handpainted piece of art. Swashes can be accessed by writing swash1, swash2, swash3 etc. Also included is the Caravela Swash style, a font that contains more than 50 decorative elements to be used with the lettering for an even greater visual effect. It has a very extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

The concept of Biscotti rised from a personal research into a system of styles that we commonly consider “vintage”. One above all, the Victorian typography that has been rediscovered and widely re-studied during the 70s. Today, thanks to the technology innovation in digital typography fields, Biscotti is certainly an interesting subject which expresses an appassionate and nostalgic homage to a vintage font, seen from the perspective of a technical inspiration. Biscotti is composed of two styles: the “default” and the alternative one. The first is of course more conservative and formal, while the alternative formally chooses a change of the diagonal lines into curves, so it creates a much more friendlier reading. Biscotti consists of 4 styles that can be combined by layers in order to form different ways of reading. This renewed effect increases exponentially the potential use range of this typography. Biscotti has 517 characters; and are composed for 220 latin languages.

Introducing the Feruka sanserif font. All Capital sans is charming and valiant in its application, a font with a bold style and strong character that makes your design look bold and bold to convey messages to consumers in every design, this font is equipped with regular and bold thin variations to simplify and meet project needs you. We designed this san serif family font by paying attention to the combination of each letter to create a beautiful impression and appearance, making it easier to answer your needs, both formal and non-formal needs. This font is perfect for a wide variety of design projects, sporting events, branding, banners, posters, movie titles, food and beverage, technology, quotes, clothing, logotypes, and more. Of course, by using this font your various design projects will be perfect and amazing, because this font comes with a family of fonts, both for titles and subtitles and sentence text, start using our fonts for your amazing projects.

ITC Johann Sparkling is the work of Austrian designer Viktor Solt, a perfect imitation of the handwriting of an educated person of the 18th century. ITC Johann Sparkling is intended to close the gap between highly formal copperplate scripts and the scribbled look of 'true' handwriting," says Solt. "I am not very interested in highly formal and perfect calligraphy, but rather in quick, personal-looking scripts. Usually I start with some historical samples in mind, but I do not try to copy these sources. Instead, I incorporate them into my own handwriting. It takes up to two weeks, and many sheet of paper, before the respective script becomes my own. Of course, this would not be an economic approach for individual lettering jobs, but I can conserve the custom script for future use by digitizing it." ITC Johann Sparkling should be used in fairly large point sizes and its capitals only as initials.

Didonesque Script has the flair of a script typeface, yet retains the rigid structure and incline of its cousins in the Didonesque family. This makes for an interesting approach – the flamboyancy of this script is restrained which resonates a distinctly reserved and formal tone. This typeface is perfect for formal occasions, with its main intent for use in short runs of text, headlines, branding and logo applications. Open Type features are utilized to good effect – positional forms, contextual alternates, ligatures, stylistic alternates, and old style figures all add value to Didonesque Script. There are four weights, from delicate to voluptuous (Regular, Medium, Bold, and Black), which are replicated in “Display” versions – these are designed for use at larger point sizes. Key features: • 4 weights in two styles – Regular and Display • Positional Forms (when activated) ensure the correct glyphs appear in context as you type • Full European character set (Latin only) • 550+ glyphs per font.

Tondu is a straightforward display typeface inspired by film posters of the early 1900s. Strong upright forms combined with smooth curved details create a clear and bold font ideal for apparel, billboards, books and posters. Tondu is now available as version 2.0 (2021); the remastered version meets higher technical standards that modern-day users demand. Included in the font are over 490 characters, in one heavyweight style. Opentype features consist of digital numerals, lining figures, fractions and language support covering Western, South and Central Europe.

Eldwin is a connected script type family with a friendly demeanour. With two styles of Script and Capitals, they combine playfulness with functionality, which allows it to perform best in display and headline situations. The inspiration for Eldwin was drawn from traditional Italian and American sign paintings. Details include six weights in two styles, 526 characters per Script font and 431 characters per Capitals font. Opentype features consist of stylistic alternates, ligatures, fractions, arrows and language support covering Western, South and Central Europe, and Cyrillic.

Lingua is the unlikely offspring of our CAPUT font. Wondering what the undercast characters of this font would look like, I started writing. I was pleased with the first results and this encouraged me to pursue the process. The final font still has some slight resemblance to its predecessor, but stands completely on its own. This bold, sturdy typeface is very suitable for headers, posters and other designs where large sizes are needed. It comes with both a western and a cyrillic character set.

Comix Gorilla GABRIEL BAUTISTA is the artist of John JG Roshell's CHARLEY LOVES ROBOTS series. His incredible watercolors graced the pages of ELEPHANTMEN #50. In some circles he is known as "Galvo" or "Gabo" and he has brought his brofu color skills to the pages THE SPIRIT, ALL STAR WESTERN and also illustrated JESUS CHRIST, IN THE NAME OF THE GUN. He is also the creator of comic battling site ENTERVOID.COM and indy press PULPOPRESS.COM. He loves his girl, his dog lulu and his font.

Roper is a western styled font that comes in a sans and a serif version, each version has a regular, press light and a press heavy option. The press versions are a letterpress/stamped style. Although Roper is an all caps family of fonts and was designed as a display font, it can be used in many ways. Roper gives the user many options to choose from with regards to styling, this helps bring whatever it is you are creating with Roper font, come to life.

Selaive is a geometric typeface that has an air of rebelliousness. The thick and thin versions give you the chance to play a coquettish and seductive game. Its flourishes make it a very dynamic typeface when composing a text, ideal for those who want to add a personal and glamorous touch to their compositions. Selaive is an excellent choice for fashion magazines, logotypes and shops. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin. Programed by Daniel Hernández

Morphelia is a modern calligraphy font. This font is made for those of you who need a touch of elegance and a reflection of modern style in their designs. You can use Morphelia for various purposes such as logos, brochures, business cards, wedding invitations, packaging, letterhead, labels, news, posters, and more. Morphelia is built with OpenType features and includes initial and final swash, alternative swash characters for most lowercase letters, numbers, punctuation, alternatives, ligatures and also supports some western languages. Designers: Afri Giani Publisher: Gian Studio

Knul is an elegant modern typeface with a subtle mono-line appearance. Balanced engineered geometry with delicate hand touches allows for practical typesetting without complications. Knuls' mechanical simplicity is best suited to identity, editorial, advertising and software applications. Details include six weights with italics and over 600 characters per style. Opentype features consist of six variations of numerals, including inferiors, superiors, fractions, lining and tabular. Language support covers Western, South, Central Europe and Cyrillic—Remastered to version 2.0 for improved OpenType features and usability.

Introducing Levo Dope Slab Serif Font a typeface that exudes boldness and confidence. With its thick, heavy serifs and rectangular shape, this font is the perfect choice for any design that needs to make a strong impact. Transport your audience to the American West with the vintage charm of the Western slab serif font. Whether you're creating posters, advertisements, or signage, this font will capture attention and convey a sense of stability and strength. Also come with FREE illustrations and editable logo to make better design.

The February 19, 1923 issue of The Film Daily contained an ad for Mack Sennett's new Ben Turpin comedy entitled "The Shriek of Araby". No doubt this was a spoof of the popular Rudolph Valentino film "The Sheik". The ad tries to emulate Mideastern or Arabic typography via a standard Western alphabet. It somewhat captures the flavor, but its free-form hand lettering comes off as more of a novelty-type style. This is now available digitally as Desert Sands JNL in both regular and oblique versions.

Amer was originally designed for dry transfer and redrawn and digitized by Adrian Williams. Amer is a modern Arabic headline face, which includes Latin glyphs from Kabel Book, allowing users to set text in both most Western European and Arabic languages without switching between fonts. Amer includes the Basic Latin character set and the Arabic character set, which supports Arabic, Persian, and Urdu. The font also includes tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

With its split serifs, Vglee looks like it could be a copy of an “Old West” font but it is not. It was constructed by taking a motif and applying it regardless of consequences. Vglee does not have lower-case letters but it does include a full set of Western and Central European accented characters. Its distinctive, odd appearance can be useful in small doses for decorative purposes. The VgleeStar style contains only the ornament. It is intended to be used in layers with Vglee.

Alesand A new contemporary font family designed with balance and versatility. The addition with outline and extrude font styles, makes it very simple to coat these fonts together perfectly. Simply duplicate the "Extra Bold" layer and change the setting to "Outline, Extrude", and the type will be automatically offset for you! And supports international communication extending to Western languages. Perfect for displays, headers, invitations, save the dates, weddings, brand creation, graphic design and so much more, Alesand will become a playful staple in your font library!

Barna is a modern calligraphy font. This font is made for those of you who need a touch of elegance and a reflection of modern style in their designs. You can use Barna for various purposes such as logos, brochures, business cards, wedding invitations, packaging, letterhead, labels, news, posters, and more. Barna is built with OpenType features and includes initial and final swash, alternative swash characters for most lowercase letters, numbers, punctuation, alternatives, ligatures and also supports some western languages. Designers: Afri Giani Publisher: Gian Studio

While most script typefaces are slanted, Bryce is an upright script. Bryce can be used everywhere where an informal, handwritten style is desired, for example in signage and on posters. SoftMaker’s Bryce Pro typeface comes with a huge character set that covers not only Western European languages, but also includes Central European, Baltic, Croatian, Slovene, Romanian, and Turkish characters. Case-sensitive punctuation signs for all-caps titles are included as well as many fractions, an extensive set of ligatures, and separate sets of tabular and proportional digits.

Breakers Slab is a companion to sans serif Breakers. It’s a versatile typeface that is strong in headlines and legible in text, with a range of distinct weights from delicate thin to chunky ultra. With small caps included and over 600 glyphs in each weight. Breakers Slab has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

The West Forest The West Forest is a strong, bold all-caps Wide Sans Serif Typeface. Included are 8 font files ranging from clean to Textured, Rounded & Rough with Oblique options for each. The West Forest is sure to be a work horse typeface that is continually used within many of your projects. This typeface has the potential to fill many different needs for a range of different aesthetics. What's Included? Regular, Textured, Rough & Rounded Versions Oblique (Italic) Versions of each Western European Characters

Capricorn Serif Typeface is a slab serif that includes seventeen font styles. This typeface comes in uppercase, lowercase, punctuations, numerals, symbols, web symbols, and multilingual support. Great for any titled or branded project. The goal of this font was to embody the bold, elegant, scientific, and selectively wonky aura of the Capricorn in one typeface. Anybody who needs this embodied in their work would do well to work with Capricorn Serif. Capricorn Serif has 430 glyphs, including enough multilingual support and diacritics to support most western languages!

Dnipro is a version of experience generalization of Ukrainian decorative font creation. The generalization development was initited by Georgy Narbut and Mark Kirnarsky in the 1920s and continued in 1970-80s. Latin letters of the font have half-uncial forms, which makes it appropriate for the printing of the relevant content. Besides its decorative properties the font is easy to read and quite suitable for short texts. It is well suited for folk tales, Ukrainian and Slavic in general as well as Western European.

Croog is a rounded geometric monoline typeface, built in three weights with true italics. Inspiration for this typeface was derived from FF Roice, with desire to create typeface less spicy or unconventional in appearance and more neutral, calm and friendly to use. Squarish in proportions, monoline letterfoms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog is released as OpenType single master with a Western CP1252 character set.

Kufi is a traditional-style Arabic headline face available in two styles, Kufi and Kufi Outline. Both of the OpenType fonts include Latin glyphs from Kabel Heavy inside the font files, allowing a single font to set text in both most Western European and Arabic languages The two Kufi OpenType fonts incorporate the Basic Latin character set and the Arabic, which supports Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.

Spacia is a unique & modern Sans-Serif typeface specially designed for headlines, big text, branding, logotypes & display usage. The typeface could be the perfect choice for logo/logotype design, branding, marketing graphics, banners, posters, signage, corporate identities as well as for editorial design that can bring freshness and professionalism. Please see the examples shown above to get an idea of the capability of this typeface. Handcrafted and designed with powerful OpenType features in mind, each weight includes extended language support including Western European & Central European sets.

It’s big. It’s very big. Spade is a double whammy of pure slab footprint, sharp and soft, cowboy and cowgirl, country and western, shot and chaser, settlement and new frontier. It’s also quite modern in many aspects, not the least of which are the many curvy alternates included, and the smooth flow of the biform shapes when used with the main caps. Clocking in at over 670 characters per font, Spade comes loaded with very comprehensive Latin-based language support and OpenType features up to the hilt.

Revaux is elegant display serif designed with ball terminals and back-slanted counters which is uncommon in type design. Modern, Stylish and Elegant were the main keywords to keep when designing the typeface. Revaux is a family of 14 fonts, consisting of 7 weights from Extra Light to Extra Bold for both upright and italic styles. Each font has 230+ glyphs including alternates & ligatures which support Major Western European languages - 61 languages supported! Revaux is unique, different, and a must have item to complete your font arsenal!

A deconstructive variation of ”Clarendon“ DéFormé was born out of the distortion of the time-honored ”Clarendon“ letterforms, in which the stems and thin strokes have been reversed. Thus, a typeface was created which will remind some readers of a Western typeface, and others of the ordinary typeface of a typewriter. Actually, it is still a robust Clarendon, which has survived ists disfigurement quite well. DéFormé, like its ”mother“, is easily legible, in spite of the inherent emphasis which one is not used to seeing.

Alter Aves type is the first part of AlterType project – the serie of small display typefaces based on letterings, left-off types and altered foundry typefaces. Alter Aves is display condensed sans-serif typeface with couple of geometric-round letters, serif-styled elements and flat brush strokes. It supports Latin Extended-A (Western, Central Europe, Baltic, Turkish) and Cyrillic encoding languages and minimal opentype features – oldstyle digits, case sensitive punctuation, small-numeric forms and scripted fractions. Fully functional Demo style is distributed free for non-commercial using.