10,000 search results (0.023 seconds)
  1. Linkpen Primary by Linkpen Handwriting Fonts, $10.00
    Linkpen Primary is a font family for teaching handwriting. It is designed to be used by teachers and parents to help children or adult learners practice their handwriting, at home or at school. Linkpen Primary gives you endless possibilities for creating your own educational resources - worksheets, signs, labels, etc. - to appeal to your learners and get them interested and passionate about learning to write. This versatile font family contains 24 styles, each with special features that support learning to write. For ultimate flexibility, styles are available with and without guide lines, and in regular and italic versions. The styles can each be purchased separately or as a complete family value pack. The letter shapes have been designed to be clear, simple and easy to read. There are 12 print styles designed for beginners or younger children, to allow them to practice writing the letter shapes. The print fonts all come in Regular, Guide, Dotted, Dotted Guide, Outline, and Arrow styles, to give learners different ways to build their confidence creating the letter shapes. There are 12 Join fonts, for when your learners are ready to progress onto joined up handwriting. The Join fonts automatically join up as you type on your computer, tablet, or interactive whiteboard, producing beautiful, neat, clear joined up text for your classroom or home resources. The Join fonts come in Regular and Dotted styles, as well as a special Connect style which highlights the join between letters, to help your learners make the transition from printed writing to joined up. The Join fonts are created with OpenType Contextual Alternate rules, which ensure that the joins are always formed correctly, depending on the context of each letter within a word. Compatible with Microsoft Word and Publisher 2010 onwards (desktop version), SMART Notebook 18 onwards, Pages and Keynote for iOS, TextEdit for macOS, LibreOffice 6, Notepad for Windows, and Promethean ActivInspire Version 2.21 onwards.
  2. 99 Names of ALLAH Linear by Islamic Calligraphy75, $12.00
    We have transformed the “99 names of ALLAH” into a font. That means each key on your keyboard represents 1 of the 99 names of ALLAH Aaza Wajal. The fonts work with both the English and Arabic Keyboards. We call this Calligraphy "Linear" for obvious reasons. The first "Alef" has a "fatha", this indicates that the name can be pronounced only one way, "AR-RAHMAAN". (in the zip file you will find a pdf file explaining the differences in the "harakat", pronunciation and spelling according to the Holy Quran). This calligraphy is very clear and no letters overlap. Decorative letters used in this calligraphy: "Mim, Aain, Sin, HHe, He, Kaf, Ta & Saad". Purpose & use: - Writers: Highlight the names in your texts in beautiful Islamic calligraphy. - Editors: Use with kinetic typography templates (AE) & editing software. - Designers: The very small details in the names does not affect the quality. Rest assured it is flawless. The MOST IMPORTANT THING about this list is that all the names are 100% ERROR FREE, and you can USE THEM WITH YOUR EYES CLOSED. All the “Tachkilat” are 100% ERROR FREE, all the "Spelling" is 100% ERROR FREE, and they all have been written in accordance with the Holy Quran. No names are missing and no names are duplicated. The list is complete "99 names +1". The +1 is the name “ALLAH” 'Aza wajal. Another important thing is how we use the decorative letters. In every font you will see small decorative letters, these letters are used only in accordance with their respective letters to indicate pronunciation & we don't include them randomly. That means "mim" on top or below the letter "mim", "sin" on top or below the letter "sin", and so on and so forth. Included: Pdf file telling you which key is associated with which name. In that same file we have included the transliteration and explication of all 99 names. Pdf file explaining the differences in the harakat and pronunciation according to the Holy Quran.
  3. Crockstomp by Aah Yes, $4.95
    Crockstomp imitates misprinted, distressed or degraded type, containing internal distress and a degraded outline. It's probably best at larger sizes where the imperfections becomes more apparent. Also there are two "special effects" varieties.
  4. Bread Crackers by Jehansyah, $9.00
    Want a cute and unique look. "Bread Crackers" suitable for all your design work that wants to look unique and modern, and there are several alternatives that you can use in your design.
  5. Sublimina by Deniart Systems, $15.00
    Give your documents a whimsical look! For kids of all ages, the Sublimina package features 26 modern drop-caps that are sure to add a little fun and flair to all your presentations.
  6. Display Carlos by Gerald Gallo, $20.00
    Display Carlos is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. There are numbers and punctuation located under their respective keys.
  7. Cerulean by Elemeno, $25.00
    Cerulean echoes the elegant lines of an Old English typeface, but is pared down for versatility. The alternative characters, available in the swash version are intended to compliment the more legible regular style.
  8. Lancet-Aken by Akenlee Type, $39.00
    I want the font to have a vitality of life, Visually, the details are beautiful, long and fashionable, low-key and elegant, quiet and delicate, with the aesthetic feeling of fashion, not aggressive.
  9. P.T. Barnum by Bitstream, $29.99
    One of the original nineteenth century designs, cut at Barnhart Brothers & Spindler in Chicago about 1880, passed on to us through ATF. Unlike most Circus types, the serifs of P.T. Barnum are bracketed.
  10. Eco by FSD, $50.00
    Eco is a personal development of the lettering used in a 1970s logo of a little known company named Ageco. The only letters faithful to the logo's ones are E, C and O.
  11. Blackstock by Aerotype, $29.00
    Blackstock has a distressed alternate for every capital letter, consecutive characters are controlled with the OpenType Ligature feature. Blackstock Pro extends the character set to support Eastern European Latin, Baltic, Greek and Turkish.
  12. Bakersville by TypeFaith Fonts, $6.00
    Bakersville is a package of 2 hand drawn sketch serif fonts by TypeFaith Fonts. The fonts are very useable for food packaging, menu's, etc and gives your product the authentic hand made look.
  13. Rockabilly by TypeCase.std, $17.00
    Rockabilly is a modern, minimalist serif that works beautifully in modern design pieces, clean lines; serifs are modern, and a little vintage. Looks great in logo work, magazine titles, books and printed materials.
  14. Magnel Display by Eimantas Paškonis, $15.00
    A display Didone of four weights plus italics. The defining stylistic features are large x-height and asymmetric legs that give feminine, oriental, floral look. Includes accented swashes, decorative ligatures and oldstyle numerals.
  15. Sasparillo by Greater Albion Typefounders, $16.00
    Sasparillo is an "extreme" Tuscan face, with reversed emphasis, by which we mean the horizontals are far heavier than the verticals. Recreate the spirit of the "Wild West" with a sense of fun!
  16. The Black Shapes by Intellecta Design, $15.90
    The Black Shapes" are a collection of decorative single forms good to use as background of graphic design projects, like covers of books, headpieces at books and magazines, cd-covers, and many others.
  17. Luruh by Sebeningjingga, $5.00
    Luruh are inspired by the flow of running and melting water. Luruh is guaranteed to make your text stand out - perfect for logos, printed quotes, invitations, cards, product packaging, and headers. Publisher: Sebeningjingga
  18. Aviano Slab by insigne, $24.99
    Aviano slab is an extended slab serif and the newest member of the popular insigne series Aviano. The same classically proportioned letterforms are now available in a slab serif variant for powerful impact.
  19. Display Plump by Gerald Gallo, $20.00
    Display Plump is a display font not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. There are numbers and punctuation located under their respective keys.
  20. Skater Girl by Gleb Guralnyk, $15.00
    Hi! Presenting a cute pin-up style font named Skater Girl. It has a modern and vintage look at the same time. Also few ligatures and alternate glyphs are available in this typeface.
  21. Best Forest by Rhd Studio, $17.00
    Best forest is a modern handwritten script font. This font is perfect for svg designs, shirts, crafts, websites, farmhouse décor, branding, blogs, logos, invitations, and more! Most accent characters are included. Thank you!
  22. Deluta by Dharma Type, $14.99
    You can not find such a lovely, unique and funny blackletter. Enjoy and have fun with this font. There are two other fonts designed by in the same concept. -Xesy -Ekistra -Deluta Black
  23. Danger Neue by Green Type, $46.00
    Danger Neue is the latest version of the popular Danger font. In this version, the contours of the letters are finalized and improved. Contains an extended set of glyphs and open type features.
  24. LD Wanted by Illustration Ink, $3.00
    Bring an old west flavor to your lettering projects. The block letters of this "Wanted" font are reminiscent of western posters and signs. It's a fun choice for cowboy scrapbook pages and cards.
  25. Stallman Round by Par Défaut, $9.00
    Stallman Round is a Display font family containing 98 Fonts (Regular, Oblique). It's a perfect font for titles There are also 6 OpenType features (Numerator; Denominator; Fraction; Case Sensitive; Ordinals; Access All Alternates)
  26. Yuletide Log by Comicraft, $29.00
    Sleigh bells ring... are you listenin'? In the lane, snow is glistenin'. It's a beautiful sight, we're happy tonight... Features: One font with upper and lower case characters plus Western European international characters.
  27. Shinn Kickers JNL by Jeff Levine, $29.00
    Conrad X. 'Cobb' Shinn (Sept. 4, 1887- Jan. 28, 1951) was a Fillmore, Indiana-born post card illustrator who sold a series of successful novelty postcard lines which included (among others) Charlie Chaplin, automobiles and the Dutch culture in the beginning years of the 20th Century. After serving in World War I, Shinn found the market for novelty postcards dwindling, and he also lent his artistic skills to cartoon features and illustrating many children's books [including his own, under the nickname 'Uncle Cobb'] which taught easy step-by-step drawing methods. Some time in the 1920s, he eventually migrated into the field of supplying electrotypes and stereotypes of 'stock cuts' of photos and line art to the printing trade. In the days of letterpress printing, this was the forerunner of paper clip art and its successor, electronic clip art. Purchasing many of his designs from 'journeyman' artists of the time, the diversity of Cobb Shinn's stock cuts library grew with the passing years, reflecting changing times, styles and topics. Some of the illustrators whose signed works were presented in Shinn's 'CUTalogs' [as he called his stock cuts catalogs] include Mary Clemmitt, Louis H. Hippe, E.C. Klinge, Nelson White, Harvey Fuller, Bess Livings, Lois Head, Harvey Peake and Van Tuyl. Upon his passing in 1951, it's not known how long the Indianapolis-based company existed before finally closing its doors. One of the more popular series of cartoons were the line illustrations of men and women affectionately called 'little big head guys' by many modern fans of these cuts because the heads of the characters were drawn somewhat larger than the rest of their bodies. Shinn Kickers JNL is a collection twenty-six of these illustrations, and just like a kick in the shin (as the pun in the name implies), these charming cartoons get your attention.
  28. ITC Pino by ITC, $29.99
    The ITC Pino™ typeface family is Slobodan Jelesijevic’s second suite of commercial fonts. Although a small family of three weights, it is remarkably versatile. Like many typefaces, Pino grew out of a desire for a particular kind of design. Jelesijevic was creating a series of illustrations for a children’s magazine and needed a typeface that was lighthearted, legible and would complement his illustrative style. Unable to find exactly what he needed, he decided to make his own font. “I spent the better part of a day looking for just the right typeface,” he recalls. “Of course, the hard part was finding something that would harmonize perfectly with my drawings. A custom font was not part of the project brief or budget, but I thought that perhaps I could use it again.” The regular weight of Pino became the solution to Jelesijevic’s problem. Jelesijevic did use the font again, but quickly realized that the single weight needed companion designs. Pino Bold and Black followed in quick succession. Before licensing the designs to ITC, the three-weight family provided headlines, book cover titles and even short blocks of text copy in several of Jelesijevic’s design projects. Born in Gornji Milanovac, Serbia, in 1951, Jelesijevic graduated with a degree in graphic communication and lettering from the Faculty of Applied Arts in the University of Arts in Belgrade. Currently, in addition to typeface design, he is sought out as a graphic designer and illustrator. When not working on design projects, he teaches graphic communications at the Faculty of Art in the University of Niš, Serbia. Pino is a stressed sans of slightly condensed proportions. Pino’s generous x-height, clearly defined counters and distinctive character shapes enable it to fulfill a wide variety of typographic applications. Friendly without being sanguine, the Pino type family will communicate with charm and vitality.
  29. Celtic Monograms by Kaer, $24.00
    Here is my next Celtic Monograms font family. I used a lot of authentic knots and curves to imitate Insular art style. The term derives from insula, the Latin term for “island” in this period Britain and Ireland shared a largely common style different from that of the rest of Europe. I've drawn sketches set, manually vectorized it and assemble the font family. In an attempt to replicate the intricate patterns found in Celtic art, I endeavored to create a design that embodied the essence of true Celtic knot work. The interweaving lines, which were prominent motifs in Celtic art prior to the arrival of Christian influence around 450, served as the foundation for my creation. Over time, these designs seamlessly integrated into early Christian manuscripts and artwork, incorporating depictions of various elements from everyday life, including animals, plants, and even human figures. In the beginning, the patterns were intricate interwoven cords, called plaits. This particular style is often linked to the Celtic regions, but it was also widely embraced in England and spread throughout Europe through the efforts of Irish and Northumbrian monks. The utilization of the Celtic knot as a tattoo design gained popularity during the 1970s and 1980s in the United States. Consequently, it has proven to be a highly advantageous font choice for various applications such as posters, banners, and sportswear. You can also create a vintage color shift effect. Please note, you should use graphic applications such as Adobe Illustrator or Photoshop, but not Microsoft Word. All you need is put Two or Three lines style initial on the top of Back style. I’m happy to present you the Rough, Two lines, Three lines, and Back styles for your design. You’ll get uppercase and numbers set. Thank you!
  30. Hurstmonceux by Anthony Prudente, $20.00
    Hurstmonceux is a distressed, antique Victorian-esque typeface. The eroded style is based on the aged quality of printed books from the Victorian time. Capitals are ornately decorated, with lowercase set in small caps.
  31. Western Sans JNL by Jeff Levine, $29.00
    Take a classic Western wood type where the horizontals are thicker than the verticals and remove the slab serifs… The result is Western Sans JNL, which is available in both regular and oblique versions.
  32. KatieRose by Trial by Cupcakes, $16.00
    KatieRose was designed by a calligrapher to have an elegant, handwritten feel, without the fussiness of traditional calligraphic scripts. Its fine hairlines and sculptural downstrokes are easily read at display and smaller sizes alike.
  33. Rebel Train Goes by Dharma Type, $14.95
    Based on retro vinyl records in the middle of 20th century. There are three other fonts designed by in the same concept. -Word From Radio -African Elephant Trunk -Moon Star Soul -Rebel Train Goes
  34. Black Sweet by madjack.font, $15.00
    Black Sweet is a rocking handwritten script font! This font is perfect for quotes, shirt designs, websites, branding, children's designs, blogs, logos, invitations, and more! Most of the accented characters are included. Thank you!
  35. Celtiberica by Celtibérica, $24.00
    What was the inspiration for designing the font? Ancient script from Celtiberian culture. What are its main characteristics and features? Very ancient scripts in lead or bronze. Usage recommendations: As you like, Archeological designs.
  36. Alfrine by Greater Albion Typefounders, $12.00
    Alfrine is a gently rounded oblique Sans-Serif typeface, ideal for banner text with a simple clear outline and a sense of motion and speed. Two typefaces are offered-regular and diagonally shaded forms.
  37. Trail Boss JNL by Jeff Levine, $29.00
    Trail Boss JNL emulates vintage wood type and was inspired by a few visual examples found online. The erratic widths of the letters are part of the intrinsic charm of this kind of lettering.
  38. Raffia by ARTypes, $35.00
    Raffia is derived from the Raffia initials designed by Henk Krijger and issued by the Typefoundry Amsterdam in 1952. Nine ornamental dashes based on designs by Crous-Vidal and issued by Amsterdam are included.
  39. Mighty Oaks by Gerald Gallo, $20.00
    Mighty Oaks is a collection of stylized oak leaves. There are 47 oak leaves located under the character set keys. There is a flopped version of each leaf located under the shift+character key.
  40. Schoolblock by Wiescher Design, $39.50
    Schoolblock is the typeface German schoolchildren learn to imitate when they are taught the printed letters. I just had to do this one for use in a German schoolbook. Your education-designer, Gert Wiescher
Looking for more fonts? Check out our New, Sans, Script, Handwriting fonts or Categories
abstract fontscontact usprivacy policyweb font generator
Processing