Tiza is a rough take on informal faces and handwriting, brought on by the recent demand for scripts and brush lettering. Its flow leaves traces simulating runny pen ink, which makes it very suitable for handwriting-like paragraphs as well as casual greeting card and invitation setting. The bold weight, Tiza Negra, fits very nicely on book covers as well as large signs. Tiza is the proverbial reminder that typefaces can sometimes be more human than they are normally perceived. Designed by lettering great Angel Koziupa, and digitized and completed for Sudtipos by Alejandro Paul.

Usually I prefer desserts that aren't overly sweet, but a week ago I lost my sense of tasting - due to Corona, and when I wanted something sweet...I preferred it overly sweet...of course because I hardly could taste the overwhelming sweetness! But now, I have my sense of tasting (and smelling!) back, and everything is back to normal. And since I completed this easy-recipe-inspired handmade font while suffering from Corona, I thought I'd name it Overly Sweet. And...well. because, the font is somewhat overly sweet (without being over the top sweet!)

I present you Trečiokas typeface. This two font family is based on written letters that were sketched by using paint markers and afterwards pollished digitally. Glyphs mostly are connected, leaving some separate, as a contrast to round and soft letter shapes. It includes extended latin character set. In 2013 I made the Aerofont project, which included custom music instruments that were made based on Trečiokas Normal letter shapes. The main idea was to connect music and typography, by making sound emitting letters. You can watch the project video here.

We have created this family from the numerous derivatives in use for newspapers since the middle of the 1800s to the 1970s, inspired by the well known Clarendon. Mainly, the patterns are those used to print Le Petit Journal, a popular French Newspaper of the era (published from 1863 to 1937). The present version contains Normal, Italic, Bold and Bold Italic styles, in two sub families: 1906 French News for texts and titlings with upper and lower case, and 1906 French News Caps (Caps, small caps, small numerals, for texts and titlings).

NorB Felt Tip was inspired from the lettering of my grand-brother Med Bahha who taught several kinds of letterings. It is a handwritten text font mimicking a felt pen and can be used with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Felt Tip comes with 6 weights each with their matching italics and in a Light, Normal, Bold and Heavy version.

Metronic Slab Narrow is the condensed version of the Metronic Slab font family. This condensed style is designed for space-saving typography but with high legibility and versatility in mind.This Family also improved the needs of developers and graphic designers looking for width-compatible fonts. As the normal style this font family is an innovative and refreshing semi serif design with a contemporary look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts.

NorB Pen was inspired from Arial Round font, I use this font for my jazz lead-sheets. It's a handwritten text font emulating a round marker permanent pen. You can use this font with any word processing program for text and display use, print and web projects, apps and ePub, comic books, graphic identities, branding, editorial, advertising, scrapbooking, cards and invitations and any casual lettering purpose… or even just for fun! NorB Pen comes with 8 weights, each with their matching italics and in a Light, Normal, Bold and Heavy version.

Roanne is a sans serif family named after a town in France. This font family contains 2 width variations: Normal and Condensed, and all together counts 44 font styles. Equipped with OpenType features (Tabular Figures, Fractions, Stylistic Alternates, Localization for Serbia, Poland and the Netherlands, Case Sensitive brackets) for extended Latin and Cyrillic character set with a small charming set of Dingbats. For easier usage as webfont, Roanne font files contain numeric values for CSS weight attribute – 100, 150, 200, 300, 400, 500, 600, 700, 800, 850, 900.

Fly your inner geek flag with this cool new "Eleet" typewriter font. It's kinda like a wonky internet translator that converts normal text into leet-speak, so you can exchange encoded love notes with cyber-hackers and goofy-gamers. The actual glyphs in this font are interchangeable with the more logical Ollivette typewriter font, but here the characters have all been moved around to create stylized interpretation of similar glyphs. So "ELEET" could also be typed "31337". Except you don't have to think about it. Get it? Got it? Good! 3NJ0¥ TH15 ƒØÑ+ & U53 !† 0FT3N.

Big is beautiful. Barle font has an extremly heavy weight and wide shape. A sans-serif display font that's perfect for large headlines, posters, packaging and any graphic design that requires a font that will stand out to audiences. Barle font has two faces, a standard character and a sliced version which can be accessed through the Stylistic Alternates feature. This font consists of 4 fonts; upright and italic style in the normal version and the outlined version. If you just want to use the sliced version, you just need to purchase Barle Alt.

I have always been frustrated when looking for a bold condensed face. The choices were the usual? Helvetica Bold Condensed, Univers Bold Condensed or Alternate Gothic #2... all rather dated. I was looking for a really unique, clean, uncluttered sans serif face, so I decided to design one. I have since adapted it to many logo designs. So, in my terms and conditions, I decided to permit the modification of the letter forms for logos and monograms, but logos and monograms only, not the typeface in normal usage.

Shicken Zoop JNL is based on an old lettering stencil from the early 1950s. The A-Z and a-z keystrokes contain the bulk of the Hebrew alphabet. Additional letters are found on the exclamation point, quote and apostrophe keystrokes. Vowels are positioned on the period, comma, hyphen, colon and semicolon. Please note that this is not a normal Hebrew font; it is in effect a latin font with Hebrew letters appearing in place of latin letters. It will not allow you to copy and paste with other samples of Hebrew text.

The font accelerates the process of adding inscriptions and eliminates the need to redraw the same letters every time. The lettering is based on a simple felt-tip pen. The lines have minimal contrast and are not meant to be perfect. A simple and uncomplicated design goes great with a happy holiday mood. The font is suitable for small postcard texts, social media images, invitations, branding, mockups, packaging, ads, and captions. The TS Remarker typeface consists of 4 fonts: 2 upright (normal for regular lettering and alternative for a more colorful impression) and 2 italic.

Banret is built using simple geometric shapes. It is mostly the result of my experiments on the other font I made earlier in 2016, called Inventor. Font is inspired by old fonts of the beginning of the 20th century. Capital letters are built with one to four proportions. The font has four weights: normal, and bold, and two alternatives: ribbon, and flag. As far as it is a decorative font, it is not designed for large amounts of text. But it is perfect for creating branding elements, logos, slogans and posters.

Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters. Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles. The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks. This child of Madurai contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of fifty-four fonts. All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems. The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Madurai Slab also features the glyphs to enable all Central, Eastern and Western European languages. In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like. Madurai Slab is a great choice when looking for a Neo-Grotesque slab serif font. In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.

[Noah PDF Type Specimen] [Download 4 Free Fonts] Noah is more than just another geometric sans. With sharp details and a distinctive arrangement, it further extends the limits of the x-height, providing unparalleled flexibility. The specific structure is paired with normal width proportions, moderate contrast and vertical stress – making Noah well suited for a wide range of typographic purposes. This type family consists of 72 fonts divided into four subfamilies with different x-heights – ranging from Noah Grotesque at the bottom, through Noah and Noah Text, and extending to the highest one – Noah Head. The entire set includes styles from Thin to Black, with matching true italics and supports Extended Latin and Cyrillic scripts in more than 130 languages. The inclusion of terminals with a humanistic flavor and typographic letter alternates, such as the binocular “g” or the geometric “a”, offers a blend of the best aspects of both geometric and grotesque typeface classics. Noah features 4 weights that are available completely FREE. Features: • Over 650 glyphs in 72 styles (Thin to Black) • Extended Latin and Cyrillic scripts for more than 130 languages; • 4 different x-heights; • Normal width proportions; • Moderate contrast and vertical stress; • Geometric characteristics and terminals with humanistic flavor.

Malden Sans is a mischievous grotesque sans serif with charming details that gives designers a solid typographic voice. It was created by Michele Patanè with regular and condensed widths, as a utilitarian typeface family for print and digital environments. It was originally designed as part of a type system for cinema magazines, and embodies the devil-may care attitude of the silver screen. Designer Michele Patanè looked back to an earlier era of typography to create the typeface, embracing unusual details, rather than ironing them out. “There is a very naive way of using typography in the 30s and 40s, something not as clean as how it’s used in the late 50s and 60s when everything passed through a rationalisation of the typographic palette,” he explains. “In film magazines you can still see a bit of roughness, and I like that.” This is a design that’s desperate to be used in editorial environments, and has been created to stand up to lower quality paper. It would be equally at home on posters, packaging, and even in digital environments where designers are looking for something more expressive than another geometric sans serif. Malden Sans includes a Normal and Condensed range, with 7 weights in the normal and 6 in the Condensed, both including italics.

Grava is Neil Summerour’s injection of warmth within the geometric sans font category. Historically, geometric sans families have been based on primal shapes — triangle, circle, square — and the more closely they held to those rigid rules, the more internal inconsistencies they showed. Angles won’t match up correctly, letters will lean, overshoots complicate clean typesetting, and idealized circles become grotesque and unwieldy in some weights. Because of issues like these, geometric sans fonts have a reputation of being cold, austere, even a bit “off”. Grava was made to hold a T-square and triangle in one hand while giving a welcoming handshake with the other. The Grava font family comes in two styles (a normal and a Display), each with 20 weights (Thin to Ultra) and paired with italics. Its design allowed the three scripts of Latin, Cyrillic, and Greek to emerge seamlessly, ensuring Grava will find its home in multilingual publications. Even better, each character in the three scripts is spaced with every other character for a beautifully matched fit, and it’s a buy-one-get-all-three deal since they are all packaged together. The normal style’s large x-height won’t let you down in paragraphs, headings, and any call-out text. And have you seen the angles on those numerals? Pairing Grava’s numerals on a jersey is sure to catch some eyes, just sayin'. Grava Display is purposefully quirky and sharp, and made for poster sizes, book and album covers, and those websites with a well-defined character — somewhere between playfully self-aware and overtly vintage. Flat edges are abandoned to make way for sharp points and conspicuousness, for geometrical attitude and respectful expressiveness. Corporate reports use Grava Display to take on a professional and current look. The optional ligatures (N–T, L–L, G–A, C–O, almost anywhere an ‘A’ is placed, and more) in both the normal and Display styles invoke a midcentury modernist and high art feel. Now that introductions are done, you can let go of Grava’s hand and put it to work for you.

The presidents busts in a typeable format. Use a Glyph palette or Character Map for quick navigation. Who knows, one day it may come in handy.

Nostalgia styled font designed by Samborghini Uppercase Character Set A-Z Lowercase Character Set a-z Tons of alternate characters Numerals & Simple punctuation OTF file format

A font based on the Germanic rune divination system dating back to medieval times NOTE: this font comes with a comprehensive interpretation guide in pdf format.

Exogenetic is a monoline, sans-serif typeface suitable for display/headline purposes. It was influenced by circuit boards and robotics. Exogenetic is available in OpenType format.

Spongy is a rubbery sans-serif typeface. It has round, soft shapes but a stiff and funny character. A quirky, clowny font, Spongy's highlighted cartoon letters looks like levitating balloons. Drawn and created by Mans Greback in 2021, this comic lettering has a satirical style and a light-hearted personality. It is provided as Highlighted, Bold, Light, Solid and Outlined! The combination of these jolly jelly fonts makes for the perfect set of party and birthday types. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Bold, black and square. But was first drawn as a logotype for the magazine "BUT – Bilder und Texte" (pictures and texts) which was published by an experimentally-oriented non-commercial initiative. In consideration of the unusual dimensions of the magazine (6 x 14 cm / 2,4 x 5,5 inch), I decided to fill as much space as possible with the body of type. This formal idea refers to the meaning of the title by blurring the border between legible letters and abstract shapes. Because of its origin, But is ideal for short messages in headline point size. Despite its blocky shapes, But creates a friendly atmosphere. The details are as playful as the restrictions that are given by the concept allow them to be. Punctuation marks and other special characters contrast the boldness of the design since they are matching the thin parts of upper- and lowercase letters. This also avoids gaps when longer texts are set. But is available in open type format and has an extended character set (Latin extended A). Two sets of numerals, one matching the x-height and another one matching the cap-height, are provided.

Presenting Gilligan Shine! A Handwritten Monoline Font with some Ligatures and Extra Dingbats. This font made with the perfect combining of each character. You can combine with Extra to get a unique combining. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and any project. You can see in the presentation picture above, Gilligan Shine looks stylish and unique on design projects. So, Gilligan Shine can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. Besides that, Gilligan Shine also has some ligature that gives a surprise when you type certain characters combining. The ligatures are or, ss, on, ill, st, of, ar, arr, rr, ff, ll, tt, at, it, and itt. WHAT'S INCLUDED? 1. Gilligan Shine • The first version comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). 2. Extra Dingbat • Included 19 Dingbats. You can feature all with typing c_1 until c_19 A Million Thanks Colllab Studio

Novel Pro is the humanist Antiqua typeface family within the largely extended award winning Novel Collection, also containing Novel Sans Pro, Novel Sans Hair, Novel Sans Condensed Pro, Novel Display, Novel Display Condensed, Novel Display Extra Condensed, Novel Display Compressed, Novel Display Extra Compressed, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro. Classic proportions of a Renaissance Antiqua combined with modern details let Novel appear as a friendly and elegant but functional typeface. The almost upright letters of the narrow Italics create a vital contrast to the generous construction of the roman. All typeface families of the Novel Collection have a carefully attuned character design and a well balanced weight contrast. The fine gradation of 12 weights enable designers to create fine legible typography and combine the design with other members of the Novel Collection to reach highest quality in typography. Novel Pro [914 glyphs] comes in 12 styles and contains small caps, an extra set of alternate glyphs, many ligatures, lining figures [proportionally spaced and monospaced], hanging figures [proportionally spaced and monospaced], small caps figures [proportionally spaced and monospaced], positive and negative circled figures for upper and lower case, superior and inferior figures, fractions, extensive language support, arrows for uppercase and lowercase and many more OpenType™ features.

Antique Decorations JNL collects more images of vintage letterpress embellishments [primarily from wood type sources]; redrawn in digital format and made available in one convenient font file.

Jelloding contains 32 funny & cute dingbats. Comes in TTF, OTF and Windows Postscript format to suit your every need. You gotta love 'em, and they're free too!

photogenic is natural handwritten that suitable for any purpose like wedding invitation, template, headline, branding, logo and so on. It has beautiful inky texture on its letter form. You will get full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes, ligatures and extra swashes.

Ventralie is authentic and modern blackletter font. The font is suitable for any branding project like logo, t-shirt printing and many more. Outstanding in a wide range of contexts. Featured : Alternates Accents (Multilingual characters) PUA encoded Numerals and Punctuation (OpenType Standard) Extra Ornaments Thanks for downloading premium font from Din Studio

Unytour Display is a modern sans-serif font family of 36 fonts. It includes nine weights with italics from Extra Light to Heavy. Each weight includes alternatives (A,G,I,R,a,l) and OpenType features. Unytour Display features excellent legibility for print, as it does for reproduction on TV screens and more.

Masterpen Script is an handwritten font that is suitable for branding, signature, wedding invitation, promotion, product packaging, and other needs. This font is modern, simple, but still authentic. You will get full set of lowercase and uppercase letters, numerals and punctuation, multilingual symbols, lowercase beginning and ending swashes, ligatures and extra swashes

Bumpo Soft is a chunky and a fun display typeface family with rounded edges. It is the softer version of Bumpo. With an extra heavy but friendly personality, Bumpo Soft works well for posters, food packaging, children’s products and books, or any communications which needs to be friendly, fun, casual or loud.

Treves Sans is a scratchy, messy, hand written display font. It has the look of charcoal or a brass rubbing, reversed in lighter tones it looks like chalk. It reminds me of Edward Gorey's or Eddie Campbell's styles of sketching. It has about 200 glyphs including all those extra pesky foreign features.

Discharge is a bold, heavy, distressed and destroyed sans serif typeface. It was started alongside Universally Corrupt and Insurgent, but it took a couple extra years to finish. It was expanded to include extended Latin, extended Cyrillic and Greek alphabets, so it will work with most languages in Europe and the Americas.

Here's a companion font for the fun and playful typeface Doowop JNL from Jeff Levine. Doowop Initials JNL features an initial over the silhouette of a 1950s-style singing group. For an extra bonus, there's a handful of 50s-style icons on the number keys in both the upper and lower shift positions.

Greature Typeface Come with more 400 glyphs, 2 style ( Regular and Shine ) including Stylistic sets, Ligatures, Contextual Alternates and some extras font for helping your design. Greature is inspired by Tattoo art, Typografi design, Sign Painters, Lettering, Vintage art and Ephemera Perfect looking for Label, Poster, Logotype, Letterhead, Titles, Branding, Packaging, Typography etc.

Dark Blow Brush Font is a new font with textured stroke detail, also provided some ligatures and swashes extra. Perfect for projects posters, logos, product packaging, invitations, greeting cards, brands, news, blogs, everything including personal charm etc. Thanks so much for looking and please let me know if you have any questions.

The Dutch De Stijl movement (1917-1931) sought to create an art which took abstraction to its logical extreme, as exhibited in the paintings of Piet Mondrian. Inspired by the movement's philosophy of pure form, P22's De Stijl set features three rigid, balanced, and angular fonts and a set of geometric extras.

This hand drawn calligraphy font was made with a wide nib pen. It is all cap with different glyphs for the upper and lower case letters for mixing and matching. The Splatter family comes with extra splatter glyphs. Great for use when you need some added punch in a headline or callout.