Stabile is a rather stylish casual font with ​​loads of good vibes and alternates: there are four glyphs for each letter, two for each numeral plus swashes to this side and the other. Two for each side, in fact. It's a flexible font that looks unique and quite distinctive, with its charming uneven look that gets even more uneven when Contextual Alternates are turned on. Stabile family brings a delish accompanying font, Stabile Toys, packed with organic shapes inspired by the breathtaking work of the american artist Alexander Calder. These play together deliciously well, you can bet. Are you prepared to balance them? Enough reading, then, just go ahead! A couple quick notes on usage: . Go with Contextual Alternates to instantly cycle glyphs. Eye-catching results guaranteed! . Swash feature turns on (guess what...) swashes. But there's always alternative swashes, like to this side going up or to this side going down, that side up or down, so it's cool to pick your choices through a glyphs palette​.​

"Qualta" was initially designed in 2017 as a submission for a type design assignment while at typography school, originally launched under Alt-A Foundry, "PGF Qualta" was developed specially for Publishing Agency under the supervision of Peggo Fonts Foundry, now with a complete Small Caps set, classic and old style numeric figures, lining and tabular forms, scientific and fractional notation set, arrows set, light parenthesis set. Set on producing a geometric sans, it started with the circular form drawn from a 50s television screen. The bloated shape gave an illusion of protrusion and so much open space to the rounded letters. A broken stem was then added to the lowercase to provide a notch that allowed the typeface legibility in smaller sizes. The typeface was then developed into eight cuts with their corresponding italics. The lower case g includes a variation with a transitional link derived from the upper case Q’s tangent tail. Qualta’s original concept was designed by Isabel Gatuslao and was developed by Pedro Gonzalez.

Thirty years after its first appearance, Jovica Veljović has produced ITC New Veljovic Pro, a completely revised edition of his first typeface, ITC Veljovic (1984). Prof. Veljović has tapped into all the experience he has garnered over the past decades; by carefully adjusting the proportions of the characters he has provided the new typeface with a more harmonious presence. The serifs have been subtly curtailed and the letters made slightly more condensed. Some new features of ITC New Veljovic are the double-story “g” with its completely closed loop and the more open forms of the “c” and “e”. In the italic variants, the latter is much rounder. Thanks to Veljović’s outstanding work, the optimized ITC New Veljovic can now be used in all contemporary applications. The new Condensed style saves considerable space when it comes to setting longer texts. The Display versions show off the striking, crystal-clear shapes of the design at their best in larger point sizes.

Delight Muffin is a display serif font in thickly designed weights for modern, friendly, and stylish design purposes. Generally, every letter of this font is in rounded shapes with a few spaces given. The top and the bottom parts of the letter are the thinnest ones with hardly invisible differences between the thick and the thin lines, which contrast the low lines. With Delight Muffin’s legibility, it is possible to use the font in various text sizes. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Delight Muffin fits for various design projects, such as posters, banners, logos, magazine covers, quotes, headings, printed products, invitations, name cards, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great experience using our font. Feel free to contact us for further information when you have a problem using the font. Thank you. Happy designing.

Vertrina marries four virtues: elegance, simplicity, character and usefulness. It started as an idea to combine two things: the elegance of classical Roman typefaces and of classical Roman architecture. The result is that rarest of all things - a truly new face that is elegant yet characterful but not so obtrusive as to be restricted to display work. All the faces' uprights mirror the elegant taper of Roman columns, as used in the most simple and elegant form of Roman architecture. The serifs are a subtle shape that mirrors the pediments and corbels of that same order of architecture. Vertrina is a family of eight faces, four upper and lower case faces, suitable for the elegant setting out of text, and four small capitals faces ideal for headings and titles. You'll find regular and bold weights and normal and condensed width, as well as a range of Opentype ligatures. All faces are offered individually and in family groups. Bring some simple elegance to your work.

KT Quantum is a Display Serif Typeface with 8 weight from Thin to Extrablack. Quantum adapted from 1911 old style serif typeface, Our mindset is to bring this historical typeface to this era, which is we have to redrawing that from the scratch and refining the shape to build the strong characteristic and make it ours. KT Quantum have total 434 glyphs and 203 language support. Quantum support latin basic, latin-1 supplement, latin extended A-B, Spacing modifier letters, and combining diacritical marks. This typeface have a bold characteristic with masculine and feminine effect in the same time, that's make this typeface suitable for your Headline and sub-headline, we don't recommended to use it as body text in small size, because it has a very large contrast and reduce the legibility and readability Whats Include: Webfont is available if you purchase the webfont option and we will send the file direct to download it. Enjoy & Happy Creating We're Here Tapinkco@gmail.com

Alliance Update to version 2.0 Alliance™ 28 weights, 14 uprights and matching italics. Each typeface contains over 592 glyphs with extensive Western, Central and Eastern European language support. ALLIANCE NO.1 Inspired by Industrial-era types from the end of the 19th century. Attempts to follow the best traditions of Grotesk typefaces. Features monolinear strokes and a good amount of contrast between the stroke thickness of each weight. With its distinctive inktraps, subtle in light versions and more visible in the black ones, Alliance No.1 was developed with unique glyphs to offer maximum flexibility. An airy metric aids good legibility in short texts. ALLIANCE NO.2 Alliance No.2 is a Display typeface. Developed from the original font family for use in large sizes. Based on the combination of contrasting shapes. This is a set useful for branding and advertising. Symbols for public areas, environment, transportation, digital and urban life. OPENTYPE FEATURES Including tabular figures, alternate characters, ligatures, fractions, case-sensitive forms, superscripts, subscripts etc.

Magista is an elegant and chic serif font. This font is impressive and features elegant and professionally shaped fonts, and as a result, it will easily match a variety of creations that require a different touch. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all of the glyphs and swashes with ease! 2 Style Font : - Regular - Italic Magista Features : - Uppercase - Lowercase - Numbers & Punctuation - Ligature - Alternative - Multilingual Support - Simple installation All of features and special characters of this font are included in one file. So it is easy to accessed by using program or software that support the opentype like Adobe Illustrator, Adobe Photosop, and Adobe Indesign). This font also very easy to use because compatible for all software even for non-opentype supported. Please comment us if you have any questions Thank you and have a nice day. thank you

I have named the font “Makonde” after an tribal group in southeast Tanzania and northern Mozambique that is well known for their intricate and semi-realistic wood carvings. The patterns that decorate the Makonde font remind me of the Makonde wood carvings. The Makonde font is a useful resource for anyone creating designs or producing text that has African look. Typified by a stark African angularity the characters reflect the ethos of Africa. Each Makonde font contains the full range of upper and lower case characters, all punctuation and special characters as well as the accented characters used in the major European languages. The Makonde tribal group is of historical interest because FRELIMO, the resistance movement which ended Portugese colonialism in East Africa, originated in the homeland of the Makonde. The character shapes in the Makonde font are very similar to those in a style of Umkhonto called Umkhonto Wide. Using Umkhonto together with Makonde gives the designer enormous flexibility.

Introducing Bandiko, the perfect font for all your design needs! This font features a retro condensed theme with high and unique shapes, making it suitable for a wide range of design themes. The font comes with a stylistic set of alternate and unique ligatures, giving you the freedom to add a touch of personality to your designs. With Bandiko, you can create eye-catching designs that will surely stand out. Whether you’re working on a movie title, book cover, or branding project, Bandiko is the ideal font for you. So why wait? Download Bandiko now and start designing today! What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Floki is a contemporary condensed sans serif with sixteen styles ranging from extralight to extrabold and accompanying italics. The amount of styles, condensed proportions and large character set make Floki suitable for various uses such as infographics, packaging, branding, advertising and editorial design. Floki’s aesthetics are distinctly modern and they have a hint of softness which comes from sublty curving the diagonal strokes in letters such as A and V. This feature really shines when you set text in tightly set caps as big as possible. Stylistically Floki leans more to the humanist sans serif but it has a flavour of geometry in its shapes as well. The result of this combination of features is a highly usable typeface with a clear voice of it's own. All styles feature small caps and multiple sets on numerals including lining figures, old style figures, tabular figures, small cap figures, numerators, denominators, superiors, inferiors and fractions. Floki has latin extended character set making it well suited for multilingual typography.

ORIGRAM PRO is the full version of ORIGRAM Free Font, a font with over 100k downloads, and counting! This font was already featured in dozens of websites and Design Blogs. I decided to remake this font, smoothing out a few rough edges - so to speak - and adding value to the end result, with several different interesting tweaks and updates. Inspired in the Origami and Tangram tradition, the basic shape is an octagon. Geometrical and regular, resulting in a neat and captivating display font. Not particularly conceived to be used in common text, this stylized font will add value to any large scale image within the realm of logos & branding, outdoors, packaging, titles, magazines, posters, signs, shirts, scrap-booking... Your imagination is the limit. This display font comes now with Uppercases, updated Lowercases, Numbers, and a slew of new Diacritic Marks and Punctuation Marks. A large number of special characters was included in the package, enriching the font’s versatility and usability.

Exuberantly delicious and lusciously sweet! VLNL Bon Bon embodies the perfect after dinner treat. Chocolate is a known aphrodisiac and bonbons are its most romantic carrier. Bonbon is not for nothing the French word for ‘good’ twice! You could definitely consider VLNL Bonbon the typographic equivalent of these exquisite chocolate sweets. Inspired by lettering on an Amsterdam church facade and a ladies clothing store window, Donald DBXL Beekman started drawing the first incarnation of Bon Bon already in 2004. The original idea was an alphabet design with slanted oval inner shapes and extremely long and striking serifs. This proved to be a quite demanding design job, so It took Bon Bon some time to get finished. But now it’s here in all its extravagant glory. Most recently a number of lowercase characters were added to make Bon Bon more versatile. Totally insane and over-top-the-top it has been called. But hey, we all love Bon Bon. Don't we?

🍃Introducing Mailton typeface🍃 The Mailton Serif typeface is an elegantly themed font that has a dynamic serif style. The details of the shape of the "Mailton Serif Elegant typeface" are very smooth and flow to create unique and beautiful curves. Elegant Serif typefaces such as “Mailton typeface” are very easy to apply to any design, especially those with an elegant and smooth concept, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The Mailton typeface contains 750 glyphs with many unique and interesting alternative options. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese, In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn't have Glyphs panel, you can install additional swashes font files.

Resplendent is a beautiful and free-flowing hand-lettered modern brush script font. Along with a full set of alternate lowercase characters, Resplendent comes in 2 different styles; Brush and Solid - giving you a hugely versatile brush font which can be used in a range of different scenarios. Resplendent Brush maintains a rough hand-painted aesthetic, whereas Resplendent Solid has a totally clean & smooth finish to it's edges; ideal for vinyl cutters such as Cricut and Silhouette Cameo, or simply for any project which needs a silky smooth style. Both styles of the font include an 'Alt' version, this has replaced all of the lowercase characters with a completely new set. If you wanted to avoid letters looking the same each time to recreate custom lettering, or try a different word shape, simply switch to the 'Alt' fonts for an additional layout option. Language Support • All Resplendent fonts include language support for; English, French, Italian, Spanish, Portuguese, German, Swedish, Norwegian, Danish, Dutch, Finnish, Indonesian, Malay

Octagon Calligraphy is calligraphy font with a classic style and a touch of elegance, inspired by the handwriting of women and ancient manuscripts. Carefully designed to work together in harmony that makes it very suitable for wedding media, book covers, greeting cards, logos, branding, business cards and certificates, even for any design work that requires a classic, formal or luxurious. Try Octagon Calligraphy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. multilingual support and ligatures Your download will include OTF & TTF format files. If you do not have programs that support OpenType features like Adobe Illustrator and CorelDraw X Versions, you can access all alternative flying machines using Font Book (Mac) or Character Map (Windows): Do not forget to see, buy, like and share my other great products. And feel free if you have a question, please contact me : slexs515@gmail.com Thank you for purchases.!

Tepuy is the name given to the ancient plateau-shaped mountains that abound in the Venezuelan Amazon. Tepuy is a display typeface inspired by the symbolic forms of the Venezuelan ethnic roots. It is constructed based on a very precise geometry of open forms that produce a double letter in form and counterform. Tepuy originates as an evolution curve of my Font Makiritare rectilinearly. Was devised for a book of photographs of the ancient mountains of the Venezuelan Amazon, its form and Makiritare are morphologically inspired crafts in the ethnic groups of the region. Tepuy is held in a very precise geometric construction based on rounded forms, each letter is a form envelope enclosing another in counterform, is a letter to display. Tepuy comes in four versions Regular, Light and thin, and there is a double line version enclosed. Tepuy recommended for creative headlines for the label and packaging design aimed at all ages.

We want to create a different feel for the stencil font style. Usually stencil fonts are synonymous with military, retro and bold characters, but here we created the Kronaby font with an elegant and attractive stencil style for a modern design, combined with a subtle swash. In addition to swash in the Kronaby font, there are also many alternative character shapes and unique Discreationary ligatures. So the Kronaby font is very worthy of being a font collection on your computer for projects with a unique and charming elegant concept. Serif typefaces such as "Kronaby" are very easy to apply to any design, especially those with an elegant, modern and classic, besides that this font is very easy to use both in design and non-design programs because everything changes and glyphs are supported by Unicode (PUA). The "Kronaby"contains 756 glyphs with many unique and interesting alternative options. In addition to the regular font, there is also an italic version of the Kronaby font.

Ceciliany is a classy font family that adds calligraphic touches to the basic structure of the display serif. Italic styles share a language set and OpenType Features compared to static styles, but have a completely different metrics In addition, an elaborate and detailed kerning system is also operated separately. 9 weights and 18 unique styles offer designers the amazing creativity of the serif font family. It offers a variety of options for editorial design as well as typography work for various channels. Features 9weights, 18styles Optimized Kernings Stylistic Set Fractions Oldstyle Figures Discretionary Ligatures : AM, AR, BA, BR, CA, CH, CR, DE, EA, El, FR, GA, GH, HR, IL, IM, JA, KA, KR, Ki, LA, LE, LO, MA, Ma, Me, NA, NE, NT, Nu, PS, RA, RE, RO, Ro, SA, ST, TH, UB, Ze, Zo, ft, li. Standard Ligatures : ff, fi, fl. * In particular, ligatures displayed in preview images can be easily applied to Adobe apps. Check out the ligature features of the software you are using.

Velo leads layouts with a grand tour champion’s panache but is also a hard-working design domestique for text-heavy applications. Superelliptical shapes and sturdy serifs will keep pace with contemporary culture with an aesthetic agility that will never go out of style. Velo Serif includes sixteen fonts: Twelve display styles ranging from thin to black with complementary italics and four text styles designed for longer settings. Velo Serif Display features an increased x-height for more illustrative headlines while Velo Serif Text maintains a readable cadence in high word count environments. Typeface design by House Industries, Christian Schwartz, Mitja Miklavčič and Ben Kiel. FEATURES Text vs Display: Velo Text maintains the distinctive style of its Display siblings, but is enhanced for optimum legibility in running text settings. Key ligature combinations keep headlines and running text flowing smoothly. Velo Serif Text includes a complete small cap alphabet to add another typographic dimension to your layouts. Select Velo Serif figures include illustrative alternates to display numerical superiority.

Capitolina is a family of 10 typefaces with a contemporary design style, based on different historical models. The original shape of serifs was a reference to 19th century’s Clarendon types though this inspiration remains as a subtle feature of the final design. Even subtler are the calligraphic influences, better noticed in the italics. The result is a set of typefaces that look more ‘constructed’ than ‘written’, referring to a rationalist style. However, it has a distinct approach to the aesthetic treatment of typographic forms that resembles the humanist tradition. Available in five weights of roman and italic types, Capitolina has a wide glyph palette that contains 800 glyphs in each font. Besides supporting basic Latin, western, central, and southeastern European sets, it has several OpenType features, such as case-sensitive forms, small capitals, ligatures, localized forms, number forms, fractions and more. Capitolina is, therefore, a great choice for projects in editorial design and other related applications.

Splatterpunks - A Halloween Brush Font Introducing a fresh terror this Halloween, Splatterpunks is a hand-drawn brush font inspired by the blood-soaked pages of horror comics from the 1970s and 80s. This textured all-caps lettering evokes a spine-tingling tension that will leave your readers on tenterhooks. With a creeping, stretched look like that of a surprised cat, it offers of set of diabolical tools worthy of any horror fan! The Splatterpunks font family includes all-caps uppercase and lowercase characters, along with numerals, punctuation, symbols and language support. Also included are a complete set of alternative characters and additional paint marks, drips and splashes. Wingsart Studio Design Tip! The uppercase and lowercase characters work great when mixed in an alternating fashion, with shapes that combine to create a dynamic, almost unhinged look that's perfect for the Halloween season. Add the alternatives and paint marks into the mix and you'll have yourself a title or header design that looks truly custom-made.

Vermost is display retro sans serif font. This font is very unique and unlike other fonts, the difference is that the horizontal body is thicker than the vertical. This font also goes into a classic style, with a neat and soft shape. There is a rough/texture version too. I strengthen the vintage/retro impression with the character ligatures, there are 88 ligatures in this font. But if you want to use this font with a neater impression, you can disable this ligature feature. This font is perfect for projects with vintage/retro and classic themes. But this font is also suitable for logos, branding, greeting cards, invitation cards, advertisements, titles, healines, book titles, stickers, packaging, quotes, posters, t-shirts/apparel, billboards and others. This font is also support multi language. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw.

Bambinta – A Chic Display Sans Serif Font Bambinta, a chic display sans-serif font, effortlessly combines sophistication with modernity, making it an ideal choice for contemporary design projects. With its clean lines, geometric shapes, and well-balanced proportions, Bambinta exudes a timeless elegance that enhances visual appeal. The font’s distinct characters strike a perfect balance between simplicity and stylish flair, making it versatile for various applications such as branding, editorial design, and signage. Bambinta’s unique aesthetic captures attention and communicates a sense of refinement, making it a go-to choice for designers seeking a sleek and fashionable typeface to elevate their creative endeavors. Bambinta is perfect for branding projects, logo, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, invitation, stationery, game, fashion and any projects. Fonts include multilingual support for; Afrikaans, Albanian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Latvian, Lithuanian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish.

The award-winning Scala family (1990-1993) is a worldwide bestseller and has established itself as a ‘classic’ among digital fonts. It was one of the first serious digital text fonts to support small caps, ligatures and different set of numbers. In fact Scala and Scala Sans (1990-1993) are two different typefaces sharing a common form principle: the skeletons of both Scala and Scala Sans are identical. Scala’s dark colour and low contrast works to prevent the thin parts from breaking up. The generous length of Scala italic’s serifs gives it a strong rhythm. The bold weight has the same character widths as the normal weight, so changing a text from normal into bold does not affect the set width. Another part of Scala is very popular among its users: Scala Hands, containing more than one hundred decorative hands and pointers, is a free bonus. Scala Jewels is a set of four highly decorative typefaces, based on the bold capitals of Scala.

The Art Nouveau styles of the the turn of the 20th century (1890 - 1905) exhibited a bold approach to organic lines and lavish decoration. This new style was spread throughout the world and helped usher in a new era that led to modern art and design. Art Nouveau SCF is strongly influenced by the style of decoration and typography created by Rennie Mackintosh as well as the Art Nouveau movement in general (with particular reference to Gustave Klimt and Alphonse Mucha). However, it differs from much of the art nouveau typography in that it largely avoids the use of straight lines in its letter forms. It is a decorative, romantic font and its subtly curved bolder lines contrast with delicate tracery to create an intricate pattern of organic flowing shapes. Use Art Nouveau SCF for: -- posters -- wedding invitations -- advertising material for clothing and beauty products -- Music CD covers and advertising media -- Film advertising media

Hekba is a graffiti font with gorgeous shapes and blends that are absolutely one-of-a-kind, as well as a distinctive theme that helps this typeface stand out and be powerful. Use this font to make your project look trendy, cool, and fun. Of course, your audience will remember your project because it looks wonderful. So, what are you waiting for? Get it right away! This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things. Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding. Use this typeface right away for your one-of-a-kind and remarkable projects. What’s Included : Standard glyphs Works on PC & Mac Simple installations Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support

ITC Hedera's roots can be traced to a suite of initials intended for book design. Olivera Stojadinovic, the face's designer, made the first sketches for the initials with a handmade tool consisting of two flexible metal strips tied to a wooden handle. This makeshift pen created the distinctive uneven double strokes of the letterforms. Stojadinovic says that she tried to keep the original flavor of the sketches in the finished font. Stroke roughness has been preserved in final execution, though the characters had some cleaning and polishing," she notes. Based on Renaissance letterforms, ITC Hedera has a classical quality that complements its calligraphic exuberance. The name Hedera? According to Stojadinovic, "It's the name of a common ivy. I chose it because of the organic image of the character strokes, which, to me, resemble shapes from nature's leaves or stems of plants." Rough-hewn yet elegant, ITC Hedera is an exceptional display design."

VTF Ruth is a different typeface with a sans serif style inspired by classic geometric typefaces, adding a contemporary and modern touch in its output to seek style and quality in any project. This very personal character of its shapes, together with the variety of eighteen weights with their respective italics (Thin, Extra Light, Ultra Light, Light, Regular, SemiBold, Bold, Ultra Bold, and Black) and two styles, makes it perfect to combine with VTF Justina in digital editorial projects (e.g., web or apps) or printed (e.g., books, magazines or packaging). Making it an exciting option for large and small bodies without losing legibility at any weight. VTF Ruth has Opentype functions (case-sensitive forms, ordinals, scientific lower case, denominators, superscripts, subscripts, numerators, fractions) designed exclusively for your design. Supported languages: Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Latvian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Romanian, Slovak, Slovenian, Spanish, Swedish, Turkish and Zulu.

Reacher is a creative stylish ligature serif font. Each letter is beautifully crafted which has an elegant look that attracts a tall, minimalist and slender shape. Reacher font is a typeface that combines the elegance of a serif with a unique and decorative binding, creating a more harmonious and visually appealing look. This font has alternate and ligature features, perfect for using it in creative and artistic designs, such as logos, branding, headlines, titles, invitations, posters and more. Reacher font features: kerning, standard glyphs, stylistic alternates, stylistic ligatures, symbol, punctuation and multilanguages ​​supported. Note: To use the alternate and ligature features, please look in the Glyph Panel / Character Map in your software to be able to access all the glyphs in this font. The ligature style in this font is simply "Standard Ligature", meaning it appears automatically. To set your desired letter binding, you can block letters or add them from the glyph panel. Thank you!

Esm is a font that tries to convey the reinterpreted aesthetics of German and Swiss typography along with a new trend of unusual shapes. The font has a different approach to the internal elements of letters-ovals that have a straight line on one side, drawing the glyph "a" example. I wanted to diversify the font with different styles to avoid the effect of triviality of machine text. The font has a large language support and contains 626 characters. And a large number of special characters. The font family is universal. It is suitable for large text, magazines, posters, logos, and headlines. Thanks to 6 different font styles and customized kerning, the font will look just fine. The thin print is incredibly elegant. The regular is great for a large amount of text. And bold for posters and headlines. Named by the French feminine name Esm. The name itself has a meaning: dear and beloved. I hope my font will convey these feelings.

Although originally conceived as a magazine face – with strong serifs and open character shapes for good legibility in small sizes, and compact letter forms optimized for narrow columns and tight headlines – Marat evolved into a comprehensive family for general use. This specific construction and the round forms of the letters create an elegant, soft and friendly appearance. The typeface suits a wide range of typography, e.g. editorial, brochures, packaging and corporate design. In particular, in bold weights it works surprisingly well, which is not always the case with serif faces. Marat includes oldstyle and lining figures (both proportional and tabular), a wide range of language support and various OpenType features (e.g. ligatures, case-sensitive forms, fractions, superiors and inferiors). It is the perfect companion for Marat Sans, a clean and lively sans serif typeface. Marat has been selected by the Type Directors Club of New York to receive the Certificate of Excellence in Type Design 2008.

Presenting to you Rushen. A vintage display sans serif with 5 styles. Designed with a bold weight that is awesome to be used for many purposes such as headline, branding, logo, apparel, logotype, cards, labels, poster, packaging, and many more. These fonts are all-caps fonts complete with multilingual support. Be Bold with Rushen! What you'll get : Regular: The basic one, with sharp geometrical shapes, formal and elegant look. Good to apply in Books, newspapers, letterhead. Curvy: Inky inspired from the old-school advertising, can be combined with your favorite fonts. Perfect for labels, posters, and short editorial. Stencil: The most explored with some adjustments that look good for a manly theme, urban style, military themes, brave, and youth. Shadow: The complement from all, but still can be stand-alone for western design, old school, and food themes. Distressed: The vintage-inspired with the neat ink effect and minimal anchor points to keep font still ergonomic. Thank you for your support!

The name Captiva is derived from the word captivate, meaning 'enchanting' or 'capturing the heart'. Captiva is a geometric sans serif font with a harmonious blend of clean shapes and straight lines, diagonal lines, and curves. The simple yet sophisticated design shows a soft yet hard, hard yet beautiful appearance. It has a total of 9 thickness levels, and the edges and strokes are rounded to give the user a peaceful impression. The non-decorated form gives the user a comfortable reading of the text, and the high height value and wide inner space make it stand out from other fonts. In addition, it provides comfortable readability in various digital media as well as in general printing environments. Captiva has the following features: 9 thickness levels (from thin to heavy) extended latin 450+ glyphs fixed width numbers The Latin extension offers more than 130 languages with extensive multilingual Latin support for Western, Central, and Southeastern Europe.

Mibundi is ideal for applications that require a classic, retro, vintage, or condensed look. This font’s ligature, alternative, and multilingual capabilities provide you the flexibility and creativity you need to convey your thoughts perfectly. Mibundi is a handcrafted font with unique and eye-catching letter shapes that will bring the finishing touch to your project. The compact design makes it suitable for use in a wide range of media, from print to digital. Mibundi also supports multilingualism, ensuring that this typeface can be used easily over the world. Using this typeface will undoubtedly capture the attention of potential customers and deliver significant value for your project. What’s Included : - File font - All glyphs Iso Latin 1 - Alternate, Ligature - Simple installations - We highly recommend using a program that supports OpenType features and Glyphs panels like many Adobe apps and Corel Draw so that you can see and access all Glyph variations. - PUA Encoded Characters – Fully accessible without additional design software. - Fonts include Multilingual support

Rafisqi is a new font for a minimalist logo design. This font is suitable for creating word markers, titles, taglines. Use alternatives to set separate fonts in your text, unite thick and thin lines with your design techniques, so as to produce a very unique shape. Rafisqi font is perfect for designing company logos, online game logo, magazine covers, biographical book covers, business cards and all your design work, of course. to be more attractive in appearance, it helps you combine the Rafisqi font with other fonts so that your design looks more attractive Rafisqi is the display font, so it can not be the best choice for continuous text. Font contains: 3 letter styles 3 choices of basic replacement letters 3 number choices Ligature punctuation All character options are included in one font. You can use ligature in most major image editors, just look for the glyhps menu there. For example, in Adobe Illustrator you must select the Window Type glyhps menu item.

Say hello to our new Retro font, Cheria! Cheria - A chunky serif texture with a bit of humanist touch. With its good readability, Cheria is perfect for both displays as well as body text. Inspired by all the retro aesthetics making a comeback, Cheria is perfectly suitable for creating thoughtful yet still contemporary designs such as logos, packaging, editorial, and more. Cheria - Has a unique shape, where all uppercase letters have alternates so you can combine them to make your text and header look more interesting! What you get : Regular and Bold family Alternate and Ligature Instructions ( Access special characters, even in circuit design ) Letters, numbers, symbols, and punctuation Use in many programs even in Canva Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/ Dharmas Studio

ITC Typados is the joint effort of Roselyne and Michel Besnard and is composed of characters in two different senses of the word. First, it is of course made of letters and symbols, clean and legible with generous widths and x-heights. There is a hint of Art Nouveau style in the tapering, brush-like strokes. But the figures of ITC Typados are also made of characters in the theatrical sense: little tear-drop heads on tapering bodies that bend themselves into the shapes of an alphabet while maintaining a life of their own. The typeface is based on a recurring character in Michel's sculpture and painting, Ado. Ado is the first character who sings and repeats itself in all my creations," says Michel. "This adventure brings new forms for my painting and my sculpture: coiffed heads, bodies in the form of a cone, arms in the form of spread wings, etc." "Type" plus a number of "Ados" equals ITC Typados."

The melon (Cucumis melo) is an herbaceous plant monoecious trailing stems. It is known for its fruit, a berry summer season with a high water content and sweet taste. The Melon font, like the fruit in which has been inspired, is characterized by its organic shapes “soft” and heavy weight. Carefully traced and drawn by hand, offers the possibility to use linked or unlinked characters, and any combination of them, because the kerning pairs have been specifically regulated. Melon Script fonts are presented as family of four widths: Condensed, Regular, Expanded and Ultra-expanded. Each of them contains 623 glyphs, a full set of stylistic alternates, swashes, ligatures, ending letters, underlines and all diacritic signs support for Central European languages. We strongly recommend these fonts for use in packaging, web sites, advertising, magazines and logotypes. You may use these fonts when you must to generate visual impact with friendly seductive atmosphere and legibility.

Jeanne Moderno is a revisionary type family. A synthesis of Bodoni Italic and 19th Century Ultra-Bold "Fat Faces"—distilled with personality taken from early 20th Century Modernists; the Futurists, Dadaists, Suprematists, Constructivists. Historically, Jeanne Moderno could have appeared on the scene around 1918—after the First World War—when new cultural movements, manifestos, theories and countertheories shaped art, industry and society. Spatter in a few later influences—from De Stijl, the Bauhaus, the types of Herbert Bayer, Josef Albers, Paul Renner—plus a twist of Art Deco and High Fashion—Jeanne Moderno is a remanifestation of 19th + 20th Century Modernist thinking; traditional + revisionist, raw and elegant! Jeanne Moderno can best be used for magazines, advertising, posters, flyers, fashion reports, letterpress experiments, silkscreen endeavors, exhibitions, DMV signage, paper money, revolutionary political statements as well as formal declarations of peace or war. Jeanne Moderno is about the future, the past. The Avant-Garde. Humanist geometry + vintage footwear. Form, function, style, art and life.