Hedgehock Script Inspired by Sign painting style and combination with Hand Lettering style. I'm made with personality touch every single curve. I hope this can make inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font , and a super handy set of bonus Swash. Ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media & greeting cards. Opentype Feature Stylistic Alternate Alternative Character Ligature Swash Extended Latin Pro

The letterforms are based on Inserat Cursive, a bold script popular in the late nineteenth century; the treatment was suggested by cover artwork for Graphic Styles from Victorian to Post-Modern, written by Stephen Heller and designed by Seymour Chwast. Included in the font are several handy ink blots (section mark and superior numbers positions), a stylish tailpiece (florin position), and a couple of ink bottles patterned after those on the bookcover (bar and broken bar).

Autobats is a set of over 100 different car and truck icons, minimal silhouettes that can be adapted to whatever context your design flings at them. The mystery of why this font has been so popular was solved when one of our customers said, “I always use this thing, because the name starts with A, so it’s one of the first fonts I see in my slap-a-logo collection”. To see all the icons available, a glyph palette would be come in handy while using the font. Honk if you like convenience. Beep beep!

This font was made during testing of a neat little application, that traced hand-written letters on the fly. That application was later abandoned, and the font, named Simpel for it's obvious casual simplicity, was finished separately. This story goes up to the year 1998, and recently the font was returned from the archives. SImpel was completly remastered and some useful ligatures were added. It is nice, clean and really, quite simple. Which often comes very handy. It will work well in comic books, magazines and party flyers, for instance.

Yasbigan Script is this beautiful font for those who need a modern beauty and is perfect for wedding invitations, saving date cards and feminine branding. Yasbigan Script includes a handy OpenType feature that makes the font look more natural that includes a full set of letters with initial strokes and strokes end as well as an alternative set of lowercase letters with beautiful bindings. How to Access Alternate Characters: https://www.youtube.com/watch?v=Go9vacoYmBw https://www.youtube.com/watch?v=XzwjMkbB-wQ https://www.youtube.com/watch?v=x1A_ilsBsGs

Gumdrop is a soft sans. Stylish, original and a little bit retro, it’s an all caps font with two options for each letter and number for added spontaneity. Contextual alternates feature is included and manage the instant cycling of these alternates with the click of a button. The regular cut itself is already quite a versatile one, and the family counts yet with a cool halftone cut and a pencil-like outlined version. Is this just another damn handsome font? Hell, yes. Keep it handy!

It's a beautiful, elegant, clean and unique typeface you need to have! Contains over 1000 glyphs, it has many alternate characters so you can make a beautiful decorative type easily. Familia Script is truly a perfect script for any project that needs a delicate typeface such as custom name, greeting card, create logos, etc. A handy font for tattoo designers and artsy creative people! How to get access alternate glyphs from open type fonts: http://adobe.ly/1m1fn4Y USER GUIDE: https://www.youtube.com/watch?v=kwYVZznG4Bo

Here's a handy collection of 72 type adornments gleaned from American Type Foundry catalogs from 1913 to 1934, featuring little treasures from some of the early twentieth century's most respected designers, including Will Bradley, Frederic Goudy and George Trenholm. Among the goodies are fleurons, pilcrows, guidons, bishops fingers, mortised initial frames and several other useful elements to dress up your documents.

Cyrillic Latino is a combination of the cyrillic and latin version of my Bodoni-Classic-Text typefaces. The typeface comes in very handy if you want text to look Russian but can be read by everyone. Since it is a combination of two of my typefaces I only charge the price for one typeface. Your trying-to-be-fair designer, Gert Wiescher

Diva Doodles is a picture font from Outside the Line. It has 40 little icons... of girl things such as lipstick, nail polish, perfume, shoes, hats, camera, phone, iPod, purses, shirts, skirts and a pair of PJs. If you liked the font Doodles, Doodles Too, Holiday Doodles or Holiday Doodles Too you should love Diva Doodles as it is more of the same style. It can be found in the book "Indie Fonts 3, a Compendium of Digital Type from Independent Foundries".

Griggs is a variable type family with six-axis. Available as both static and variable font built to maximize versatility. This is a single variable font that can morph between a wide range of stylistic variations with each of its axes: Weight, Serif, Grade, Stylistic Set 1, Stylistic Set 2 and Slant. Also offer a variable subtle grade axis for slight weight adjustments, to user different preferences. For slant axis will automatically apply stylistic set 2 or set custom values on each axes for more options. A multi-purpose sans serif and serif typeface with high contrast, inktraps, sharp form, clean cuts and playful details, to convey the impression of opulence, elegance with a distinctive look. It comes in 3 distinct individual cuts within the Sans, Flare, and Serif subfamilies. Allows for many variations across its subfamilies, weights and styles. Each typeface contains with a warm personality and contemporary look. With different stylistic sets, you can choose the best-desired result for your design. You can change the feel of your design from more delicate, to bold to its sharpest most style. Griggs family with various styles will be an handy tool for a wide variety of designs. Excellent for text large and small. It’s a brilliant choice for branding, identity design, editorial design, logo design, display and packaging design etc. Typeface Features: * 325 Glyphs * 3 Subfamilies: Sans, Flare, Serif ( Each 8 Styles + Slant ) * 6 Weight: Thin, Light, Regular, Semi Bold, Bold, Black * Complete Collection: 144 Styles + Variable Font * Opentype Features: Stylistic Set 1, Stylistic Set 2 * Latin Language support including * Kerning * Autohinted Thank You.

This font is for architects everywhere. This all cap font was created for use with CAD programs. It gives the handlettered look of old to computer generated blueprints. Architectural Lettering Bold is the heavier weight for Architectural Lettering. This additional weight makes a best selling font even more versatile. It has all the international currency symbols. Architectural Lettering Regular was redesigned in 2006 to include the same. It can be found in the book “Indie Fonts 3, a Compendium of Digital Type from Independent Foundries”.

Northwoods Rough is a handwritten sans serif collection by Cultivated Mind. This collection includes 30 handwritten rough sans serif fonts. Northwoods Rough comes in three rough versions (Rough/Rougher/Roughest). Choose between light, italic or bolder versions for designing. Test out the FREE Northwoods Demo before you buy. Northwoods Rough Demo is for testing only. Northwoods supports most of Central European and Eastern European languages. Use Northwoods Rough for packaging designs, products, signage, books and magazines. Fonts are designed by Cindy Kinash and posters by featured Behance designer, Mustafa Akülker.

Xanthine… is a purine base found in most human body tissues. Yes, you can forget that. I don’t even know what it means, but I suddenly realised that I was running low on fonts with an ‘x’ in the name. Xanthine font is a messy brush: it is all caps, but upper and lower case mingle freely. It comes with a whole bunch of diacritics and some interesting ligatures as well. I have included a very handy shapez pack and a truckload of arrows - anything to make you happy…

Jongleur is a multifaceted hand-drawn display typeface based on a Maury Nemoy lettering from 1957. Packed with handy OpenType features, the font makes automatic substitutions when you turn on the contextual alternates, creating an interesting hand-lettered feel. If you're in a messy mood, use the stylistic alternates instead! The font also brings an extra set of alternate letterforms you can pick by hand to spice up your compositions. Great choice for titles and small amounts of text, perfect for posters, book covers and a wide range of applications.