Boundary This is a vintage display font inspired by signage, logos in the style of the old time. This is a great find for creating logos, various kinds of designs in vintage style. This font includes 2 font styles: regular and rough style, also it includes alternates for uppercase and lowercase. Try changing them and see how diverse it can be. Font includes: Full alphabet A-z Numbers, fractions Punctuation and symbols Alternates for Uppercase Alternates for Lowercase

Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics. It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project. Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

Tazugane Gothic is a Japanese typeface family developed by the Monotype Studio. The project began as a companion Japanese typeface for the famous Neue Frutiger. The goal for Tazugane Gothic was a humanist sans serif face with a clear and legible forms, and nearly unlimited applicability in a broad range of uses, from signage and publishing to advertising and websites. The Tazugane Gothic font family is extremely versatile with ten different weights from Ultra Light to Extra Black.

Archipelago International // Modern Calligraphy is a stylish script font that features a varying baseline, smooth line, modern, and depth of love. For those of you who need a touch of love and modernity for your designs or branding, it can be used for various purposes such as headings, weddings, invitations, signatures, logos, branding, letterhead, signage, labels, news, posters, badges, etc. Each Font Has: Stylish modern handwritten script Beautiful Swash (Ending tail) Beautiful Titling (Beginning tail) Special Ligatures Multilingual Support

The roots of Rockport BF run deep. 19th century woodtypes, display gothics of the 40s and 50s, are inspiration for this distinctive font style. Its OpenType programming features automatic fractions, stylistic sets and alternates for a, b, q, r, t, u, y, M, N, U, Y, and dollar symbol. Tempered by somewhat humanistic elements, these condensed, geometrically-structured letterforms bring a strong but friendly presence to posters, logos, bookjackets, signage headlines, and many other typographic environments.

Howl Castel is Vintage and Modern Display Font, Handlettering Bold Font, Powerfull and has a very Strong Character, Great for expressing a summer,The Typeface comes with Stylistic Alternates and Ligature Combinations Exellent typeface to use for covering your Project, like Branding, Headline Letter, Flyer, Signage, Quotes, Poster Typography, Bookcover, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design. - Unique glyphs - Multilingual Characters Support - UPPERCASE - Lowercase - Numeric - Symbol - Punctuation Character - Ligature - Stylistic Alternates inumocca type Studio

The German Standards Committee suggested the light Neuzeit-Grotesk’ font in 1970 for use in official signage, traffic directional systems, etc. The typeface had been designed by Wilhelm Pischner and appeared with the font foundry D. Stempel in 1928. The font Neuzeit Grotesk was once the standard in the print industry, as a timeless typeface with no real distinguishing features. Like other typefaces of the 1920s, DIN Neuzeit Grotesk reflects the philosophy of the times, Form is Function.’

Retro is in again! The distinctive font Kabif will give your work a vintage, extraordinary look. With its erratic, rounded, and geometric shapes, this font typifies popular culture from the 1960s and 1970s. A cool and simple font with an easy-to-see and easy-to-read typeface is called Kabif. The Kabif font works best for text, headlines, headers, signage, greeting cards, posters, flyers, invitations, packaging, book covers, printed quotes, album covers, and other visual elements.

On April 20, 1950, film comedian Jerry Lewis indulged his love of cameras by opening up Jerry Lewis’ Camera Exchange on Vine Street in Hollywood. It closed in 1951. Thanks to an image preserved within newsreel footage of the shop’s grand opening night, a glimpse of the post-Art Deco signage with its unusual, block style lettering inspired a digital version. Highly unusual and best for novelty projects, Shutterbug JNL is available in both regular and oblique versions.

Receptor is a geometric monospace display font. The typeface is made from single basic square geometric units grouped together to form a whole. The name is derived from the word 'recept' meaning an idea formed by the repetition of similar or successive percepts of the same object; in science a receptor is a chemical structure that receives and converts signals. Receptor is great for display work, logos, structures, architecture, technology, biology, sports, monograms, quotes, headings and posters.

The Hobo font is a dynamically tapering face in which all strokes are accentuated curves, achieving a superb decorative effect. Hobo almost suggests a freely drawn alphabet with its unusual robust roundness. The Hobo font was designed to be used at large sizes. It has no descenders: the lower case g, p, q and y are incorporated into the x-height. The Hobo font imparts a friendly personality to display work such as invitations, menus, signage and packaging.

Java Heritages Typeface is a multi-layered type family with opentype features, inspired by vintage signage that have unique decorative shapes. Comes with 4 font system that can be layered to create different effect (Regular, Drop Shadow, Inner Shadow & Inline). Java Heritages Typeface includes a full set of character A-Z, as well as multi-lingual support, currency figures, numerals, and punctuation. Java Heritages Typeface family is perfect for logotype, gig poster, letterhead, dropcap, titles, and any artworks.

Chelsea Girls is a bold sans serif display font with cheeky details that make it special. The vibrant letterforms are inspired by New York City in the 1970s—experimental art, handpainted signage, and manic nightlife energy. Chelsea Girls comes with a set of alternates, so you can mix and match to your heart’s desire. Chelsea Girls features all uppercase characters with punctuation, glyphs, diacritics, numerals, and multilingual support. Perfect for logos, headlines, packaging, editorial, and posters.

Presenting… a Western style alphabet from the 1960 edition of Samuel Welo’s “Studio Handbook for Artists and Advertisers”… Extra bold, featuring slab serifs and concave corners, this type style could easily have been found on building signage in the Old West… but in redrawing it digitally, it’s been named Modern West JNL because at one time, this would have been considered a modern style of lettering. Modern West JNL is available in both regular and oblique versions.

Andrila is a brush font that I made using a pen and I bolded it in several parts, making it a beautiful calligraphy styled font, also very sweet and cute. It can be used for various purposes such as titles, logos, wedding invitations, t-shirts, letterheads, signage, labels, news, posters, badges, and more. Andrila is built with OpenType features and includes swashes, ligatures and everything to add touches to your design, as well as support for other languages.

Festion Script is a beautiful script font It can be used for many purposes. such as logos, product packaging, wedding invitations, branding, headlines, signage, labels, signatures, book covers, posters, quotes and others. Blessing Script featuring OpenType style alternatives, International binders and support for most Western Languages is included. To enable the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.

Cyrillic (and Latin) poster font is limited in composition by uppercase. Monumental, dry, ascetic. Designed for the design of posters, title pages of projects, signage, book covers, building facades. It is formed based on architectural and drawing fonts. It combines Russian traditions and modern trends. The shape of the letters varies from round wide to oblong narrow, in this contrast lies the idea of the font. At first glance, this contradictory decision finds harmony with closer acquaintance.

Monotype Gallia's design was initially developed by Wadsworth A. Parker for the American Type Founders (ATF) in 1927. Monotype released its own version in 1928. Its style is embodied with the spirit of the American Art Deco age and the Roaring 20s. It makes a superb headline selection, and has also been used effectively for packaging as well. Also try the typeface on signage, menus, invitations, or stationary. If you like Monotype Gallia, check out Monotype Broadway, too!

Polaris is a rounded sans-serif family with four styles designed for easy reading. Perfect for print - brochures, posters, newsletters and stationery. For signage, Polaris comes with a variety of compatible arrows. Polaris is also great on-screen: use it on your website as an alternative to the over-used standards. Polaris works in the background, creating an atmosphere of harmony and modernity while your words deliver the message and your graphics and images achieve the prominence they deserve.

Prepare to embark on a typographic journey through the past with Grilock, an uppercase display font that merges vintage looks. The thickness of each letter is uneven, giving them a reminiscent of vintage handcrafted signage. The relatively sharp corners of Grilock provide visual contrast against the uneven thickness, resulting in a font that is both striking and memorable. In addition, Grilock gives ornaments as a special bonus. Grilock fits in posters, logos, branding materials, and many more.

Foundry Sterling is a functional and eloquent typeface family that has its origins in the desire to create a modern sans design with a quintessentially English flavour. The letterforms have been designed with particular attention to classical proportion and purity of form, resulting in the creation of a functional yet graceful typeface with elegant beauty. Foundry Sterling is an eminently versatile font with a carefully chosen weight range equally applicable to identity, editorial and signage use.

Glaschu is a modern, uppercase typeface which comes in 5 font weights with 2 additional outline styles. It’s clean, crisp edges and bold appearance makes it a perfect choice for headings, branding, signage, advertising, magazine layouts and more. Combine the outline styles with Glaschu ExtraBold to go even more creative with your lettering! FEATURES Uppercase Letters Numerals & Punctuation Multilingual Support Glaschu Inline is a bonus font which has been added to the Glaschu Font Family for free!

Stenka is a sans-serif stencil typeface that stand for display typeface to use in any typographic situation. It has his own unique style in expressed perfect condensed forms. Stenka is an ideal font family for display, print, corporate identity, mobile devices, magazine cover, signage, and web design creation, with a set of ligatures and alternative characters for your design in any layout. The family has 4 weights ranging from Light to Black and their italic.

LiebeMenuLettering is a collection of commonly used words and phrases found in restaurant signage and menus. Every phrase has been hand-lettered to give your menus or dinner invitations the handmade but professional look they deserve. The most frequently used restaurant terms from four different languages (English, Italian, French, and German) are included in this single font and can be used in any text or graphics application. Combine LiebeMenuLettering with our popular LiebeMenu and LiebeCook fonts.

Atley is a script font to have a form of modern calligraphy, there are also some wonderful alternative glyph. The Features of this fonts is; Contextual swashes Contextual Alternates Standart ligatures Stylistic Alternates Stylistic sets Can be used for various purposes.such as headings, logos, wedding invitation, t-shirt, letterhead, signage, lable, news, posters, badges etc. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7.

Introducing The Neon Sci-fi Futuristic Font called Leegione A unique font with a futuristic style can make your futuristic logotype more interesting. Inspired by real world neon light signs, this font is perfect for adding your own glowing light effects or can be used to actually design real world neon signs. Leegione fonts with 9 unique ligatures are ideal for your project and will allow you to create beautiful designs, headlines, posters, logos, badges, and much more. It is also best used for posts, logos, posters, labels, and more.

Flodyswift is an esthetic typeface with ligatures also complete multilingual glyphs. Flodyswift come with Regular style, it will make this typeface can be used in all design projects and works perfectly for pairing with script typeface or handmade fonts, Headlines, Posters, Packaging, T-shirts, Postcards, Invitation, Wedding Sign, Sign Painting, Signboard, and much more. Try Flodyswift, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. • Multilingual Support And Special Ligatures

“One Hundred Alphabets for the Show Card Writer” was published in 1919 to afford sign artists the ability to create signs and show cards in then-contemporary lettering styles. One such alphabet was big, bold and representative of the Art Nouveau stylings popular in the early part of the 20th Century. Most likely it was applied to store sales and public events that were casual and informal, for its letter forms are free of any constraints. This design is now available as Fun Time Nouveau JNL in both regular and oblique versions.

Nothing is more iconic of Paris than its antique Metro signs, which are the inspiration for this typeface. The signs vary from station to station, some featuring plain block capitals, others the most exquisite Art Nouveau. This example falls somewhere in between. and should inject a strong gallic flavour into any design or publishing project. To recreate the Metro effect in Photoshop, set your text white on red, then go to Layer Style> Inner Shadow. Or with Paris Metro Reverse set your text red on white, then go to Layer Style> Drop Shadow.

Years before the many "modern" ways to creates signs and posters, the popular method was the rubber stamp printing set. Many of these sets used the classic DeVinne typeface, and were manufactured by at least a half dozen different companies. The "sign and chart printers" (as they were known) often consisted of both upper and lower case letters, numbers, punctuation, pointing hands and other symbols. "Hand Stamped JNL" puts all the fun of the rubber stamp printing set into an easy-to-use digital font with no messy ink spills or clean-up.

The 1914 sign lettering instruction book “Art Alphabets and Lettering” by J. M. Bergling showcased many hand lettered alphabets as an inspiration to both up-and-coming and established sign painters. One page in particular featured a classic free-form Art Nouveau style with rounded shapes. This style of lettering was emulated in the 1960s by designers of rock concert posters, so the style is reminiscent of the Art Nouveau period as well as the 1960s. Old Time Nouveau JNL is available in both regular and oblique versions.

Tugafy is a Decorative display font with ligatures also complete multilingual glyphs. Tugafy come with Regular style, it will make this typeface can be used in all design projects and works perfectly for pairing with script typeface or handmade fonts, Headlines, Posters, Packaging, T-shirts, Postcards, Invitation, Wedding Sign, Sign Painting, Signboard, and much more. Try Tugafy, enjoy the richness of OpenType features and let her fun and elegant excitement make you happy and enhance your creativity! You can use this font very easily. • Multilingual Support And Special Ligatures Pairing with Dalgond Script

Introducing new layered font family it's call Chester , inspired from combine old postcard stamp and rustic sign painting with have unique decorative shapes. This is collection of type with a layered type system, many possibilities combination and options with 5 font system that can be layered to create different effect ( Basic , Inline, Inner dot, Gradient Inline, Shadow outline & Drop Shade ). You can use this font for various purposes.such as logo, product packaging, labeling, logo, classic shop, badges, quote, sign ,movie title, t-shirt, posters, lable, greetingcard, letterhead, book cover, any artwork.

While searching online for vintage type inspirations, an image was spotted of an old letterhead for a steel manufacturing company. The hand lettering of the word 'Ludlum' only offered D,L,M and E as visual examples, but from this Jeff Levine has designed Eckhardt Dualine JNL - a Deco-flavored dual-line type font. As with a number of other releases that emulate hand-lettering or sign painting, Jeff has named this font in honor of his good friend, the late Albert Eckhardt, Jr.; who ran Allied Signs in Miami from 1959 until his passing.

Klagia is a font inspired by the advertising media back in 1970. The glory of printing and handpainted signs and visuals. Emphasizing the bold, loud, yet poppin' and modern retro vibes that will be stylish in any era. It makes Klagia a font that you need to have in your design arsenal. Contains a bunch of Ligatures and Stylistic Alternates to give a distinctive vibe in every message conveyed using Klagia font. Perfectly fit for logo, branding, advertising, poster, food and beverages, restaurant, book cover, album artwork, decoration, sign painting, and many more.

"Precolombina" consists on a series of graphic symbols native to South America, decorative trims, and a minimal set of typographic characters. The signs were taken from ceramic pottery, clothing, and petroglyphs from the southern cone of South America. We try to select a varied range of signs representing shamans, jaguars, rheas, monkeys, birds, and mythological beings. The decorative trims are taken from the same places and occupy the set of numbers. Finally, it contains the minimum characters of a font to achieve a brand or a title. They take place in the OpenType resources.

Eckhardt Poster Text JNL continues Jeff Levine's series of sign painter-oriented fonts, named in honor of his good friend Albert Eckhardt, Jr. (who ran Allied signs in Miami, Florida from 1959 until his passing). Sign painters are the true heroes of lettering, for they make the alphabet and style fit the job. Printers and layout artists were constricted by metal and wood type; that is until photo lettering, then digital type opened up unexplored territories in design possibilities. There is a unique charm (and nowadays pretty much a lost art) to hand-lettering word copy in a way that draws the eye like an arrow to a target. Even a simple sanserif such as Eckhardt Poster Text JNL can have the effect of that hand lettering when applied to posters and pages with plenty of white space and matching type designs of the period.

Frutiger Capitalis Regular and Outline belong to the group of typefaces for the Linotype’s Type Before Gutenberg project. However, they are not based on direct historical sources. At first glance, they may seem related to the roman type Capitalis Monumentalis, but upon closer examination, the fonts reveal a vitality unknown to the characters the Romans etched in stone. Frutiger confesses that creating Capitalis was “a liberation”. After working on so many sophisticated and meticulously designed typefaces, Frutiger Capitalis was a breath of fresh air. Stylistically, Frutiger Capitalis Outline forms a bridge to Frutiger Capitalis Signs, a whole universe of its own. Frutiger Capitalis Signs is a personal cosmos of symbols, many are immediately “legible”, others leave room for interpretation. Some of the symbols are the product of Frutiger’s imagination, such as his “Life Signs” — soft, hand drawn figures whose lines have no apparent beginning or end, creating both interior and exterior spaces, new forms emerging at each glance. These contoured drawings have accompanied Frutiger throughout his professional life, a fantasy garden which has provided an important balance to his many years of disciplined typeface design. Yet he does not consider himself an artist. Frutiger says he simply “wants to tell stories, to draw thin lines, create contours of signs; that is my style”.