Neo Sans began as an intriguing assignment from a branding agency. The agency’s client wanted an “ultra modern” type family that was "futuristic without being gimmicky or ephemeral.” When a bureaucratic decision cancelled the project, Monotype staff designer Sebastian Lester decided to finish the design on his own. “I was left with a sketchbook full of ideas,” he said, “and thought it would be a shame not to see what came of them.” Lester decided that the principal ingredient of an "ultra modern" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. By further amplifying these qualities, he crossed the line from modern to futuristic. Two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as "legible without being neutral, nuanced without being fussy, and expressive without being distracting." Both the Neo Sans and the more minimalist Neo Tech families are available in six weights, ranging from Light to Ultra, with companion italics. Neo Tech offers a suite of alternate characters.

A 1918 lettering instruction book by William Hugh Gordon presented a number of lettering styles that were geared toward sign and show card painters along with tips and tricks regarding the correct construction of such signs for maximum effect. One pen lettered Roman alphabet with a beautiful set of numerals has been recreated digitally as Pen Elegant JNL, which is available in both regular and oblique versions. To note, Gordon was the co-inventor of the Speedball lettering pen with Ross F. George in 1915.

Presenting the Handwritten Font- Baby Nasha is a cute font, can be used easily and simply because there are a lot of features in it to contain a complete set of letters lower and uppercase letters, assorted punctuation, numbers, multilingual support. This font can be used Such as logo branding, editorial design, stationery design, blog design, T-shirt design, modern advertising design, card invitation, art quote, home decor, book/cover title, special events and any more. What is included : lowercase letters uppercase letters punctuation numbers multilingual

This decorative font is based on Cyrillic Vyaz of XV-XVI centuries. This type of letters were used as display faces in sacred texts. In Vyaz, the letters are characteristically fitted to each other so the letter sequences look as one solid ornamental frieze. The font is rich in discretionary ligatures which help to accentuate the style of Vyaz. In addition to letters and standard characters there is a number of monograms and Christian symbols. These and other features are available in OTF format.

Meet Paramaribo, a hand lettered, cute and decorative font. Paramaribo family includes two fonts with stylistic substitutions and 28 ligatures. Perfect for designing ads, logos, prints, social media texts, blogs, wedding branding, quotes and so much more. Stylistic substitutions (those cute swashed end/beginning letters) are controlled by switching on/off OpenType feature as well as being accessible through glyphs panel in Adobe apps. Really very easy to use! Paramaribo has Latin multilingual support as well as uppercase letters, lowercase letters, numbers and basic punctuations.

Inspired from tagging graffiti marker in the streets and my real experiences in graffiti scenes, Urban Tags comes with iconic rounded tip marker, this style often used by several graffiti artist around the world because the style is very unique, very fun to write in markers. Perfect if you want realistic Street art style or hip hop for your designs, poster, props etc. Because this is real graffiti fonts, "urban Tags" is different like other fonts, the space letter is shorter, for perfect result the Kerning you can adjust manually, because it's impossible to setting kerning like other regular fonts. I put extra glyphs for make the fonts looks more street art, use "åß∂ƒ©˙∆˚¬Ω≈ç" you can see in the preview.

Rabbits is a super emotional hand-written font family that unites 10 different fonts. We’ve united these fonts with one common theme - childhood. Use these fonts to create any products for kids — children’s books layouts, mobile applications for children, as well as nursery interior design. We’ve given each rabbit a unique name. The names are arranged as the first 10 letters of the Latin alphabet: A — April, B — Bro, C — Chili, D — Dummy, E — Elf, F — Fatso, G— Goody, H — Hyper, I — Idol, J — Junior. Each rabbit has its own character, and you’ll definitely like Rabbits because of that. We’ve used an individual writing tool for every font. All the fonts were created on paper first and then digitized. Now, what’s your favorite rabbit?

Kowalski2 is a decorative, serif, hand-drawn font. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. The inspiration came from the beautiful font Desire designed by Charles Borges de Oliveira. Kowalski2 Pro is the most complete style, it contains all the alternates and ligatures. To get the alternate glyph just add "+“, ”=" or "*" before the letter in any OpenType savvy application or manually select the characters from Glyph Palette. Kowalski2 Basic has the basic character set with 345 glyphs and no alternates. Kowalski2 A, Kowalski2 B and Kowalski2 C have less glyphs than the Pro one, they only contain some selected alternates and ligatures. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Fontology-E is an experimental font designed by Fabrizio Schiavi. It was created for the cover of the Fontology catalogue. Schiavi's need was to build an optical false modulation effect with versions of the logotype and typical rectangles of an empty font chart. The basic idea was to create a page that contained many rectangles in order to demonstrate the modulation. At the same time, it was important to understand that Schiavi inserted 8 versions of the same logotype each time the corresponding letter is digitized in e, a, d, f, g, h, c and b. The inside of the catalogue has the same layout and text, which is revealed by fanning the pages. Schiavi confess that Fontology-E is a highly experimental typefont.