Flottenheimer was done with a semi dry pen, that leaves the strokes quite rough. Some letters are more rough than other, giving a very realistic overall look to the text. To add more spice to the realistic look, I have added several versions of each letter. That means that there is 5 different versions of each letter that automatically cycles as you type! Packed with loads of accented characters!

Art Party is a hand-drawn font suitable for headlines of all kinds when you want a handmade look. Prissy Pots owner Erin Solomon drew the playful letters, which include regular and bold versions. Each face also offers an entirely separate set of upper and lowercase letters accessible in your applications' glyphs palettes. With contextual alternates turned on, these extra letters show up automatically, yielding a more natural, random look.

‘Bounced’ is the technical (!) term for a higgledy-piggledy style of lettering in which characters are shaken up by a combination of rotation and vertical displacement from the presumed norm of upright stance on a baseline. Now, by utilizing pseudo-random contextuality in the OpenType format, Nick Shinn has created complex, default bouncing automatically through the agency of a font, rather than letter-by-letter manual adjustments at the layout level.

Hebron Hebrew is a font that contains 22 Hebrew letters along with five word ending letters that are automatically activated when used in Applications such as Apple-Pages and MicroSoft-Word. The Hebrew letters do not contain "Niqquds" (Hebrew Vowels) except with the added alternates, if desired. You may also be interested in my NEWMARK Hebrew, YOM TOV Hebrew PAGEANTRY Hebrew, HANAH Hebrew and KOMUNIDAD Hebrew Script FONTS.

Refinery is the newest font in the Evanston Collection of square typefaces. With a similar capital structure to Tavern and Alehouse, Refinery includes both lowercase and small caps, making it an ideal typeface for paragraph text settings. It also comes in a wide array of weights and widths, with 85 font files in total. DESIGN Refinery has it’s roots in early 20th century signage and saloon typography, but has been modernized - even future-ized - to fit the 21st century digital landscape. The design was aimed at providing a type family that could work in many modern design fields, from sports, tech and military to gaming, HUD, virtual reality and augmented reality. ENGINEERING Essentially. Refinery is a simple mono-linear square design has been expertly refined into an easy-reading sans serif typeface. It was designed to be used in both display and text settings. From hairline to black in ultra-narrow or extended, the wide array of weight and width options makes it easy to find the right font for each text need. SPECS Refinery not only includes 85 font files, but each one include a wide array of Opentype Extras that allow even further customization. • Stylistic Alternatives: Letters A W Y have a styling variation that rounds the pointed apex into a square curve. The S and 2 variation straightens the spine, making all curves in the alphabet read as 90º angles. • Small Capitals: A shortened version of the capitals for alternate header settings. • Titling Alternatives: In this typeface, this feature turns on lifted small caps. Take the small capitals, raise them to level with capitals and underline at the baseline. When multiple lowercase or small capital letters are typed in a row, the underlines connect, creating unique ligatures. • Figures: There are different figure styles for different text needs. Options include, proportional lining, tabular lining (for math), old style and small capitals. • Discretionary Ligatures: A little funk to this otherwise serious typeface. Letters with a long baseline or cap height stem - F, L, T - get elongated to hug a small capital vowel. Other ligatures include Co. and No. • Catchwords: These are common words that bring emphasis to a design. In English these words include ‘and’ ‘as’ ‘by’ ‘in’ ‘of’ ‘the’ ‘to’ ‘when’, among others. Refinery also includes multilingual catchwords of ‘el’ ‘la’ ‘oder’ ‘go’ ‘para’ ‘pour’ ‘und’ ‘y’, among others. For the full list, please check out the specimen images. EXTRAS To round the typeface off, a set of over 150 ornaments, icons, arrows, patterns and line breaks is included to provide complimentary graphics. These can be found in the Ornaments labelled font, it is recommended to use the Glyphs panel to select which text glyph is needed.

Longbow BB is an unconventional gothic/blackletter typeface with a hefty compliment of European characters. The Opentype version has autoligatures to make any two adjacent, duplicate letters or numbers look slightly different for a more hand-lettered look.

"Dhefentha" is a unique and elegant handwritten font. Equipped with uppercase letters, lowercase letters, numerals, punctuations, swash, titling, uppercase alternates, ligatures and multilingual support. This font is very suitable for Valentine's Day, wedding, engagement, Christmas, fall and others.

Rigidica is a strict geometric type family. Often basic geometry is lost in the stroke contrast of a letter. This type family is an attempt to retain this basic geometry even within the stoke contrast of a letter.

Zawlbuk is a type inspired by Blackletter (sometimes black letter), also known as Gothic script, Gothic minuscule, or Textura. The Letters are drawn using a flat nib pen on a paper, scanned and drawn into a vector format.

An unusual take on Art Deco "streamlined" alphabets is found in Farragut JNL from Jeff Levine. Over-extended serifs on some letters and elongated horizontal strokes on others make for a new approach to a traditional lettering style.

Mixed Messages JNL brings back a favorite old theme... mixing up various letters and numbers from different fonts to create a printed message that resembles a ransom note or a collage of type with many styles of lettering.

Respektable is random and funky ant the same time, and even though all letters are super legible, the font has this unpredictable feeling to it. Each letter has 5 different versions that vary in width and stroke weight.

Aery is a Typeface designed by Daily Studio. This font is a slim type font. Every letter has its design, so it makes your projects look professional and outstanding. Aery contains full uppercase, lowercase, punctuation, and multilingual letters.

In the 1946 French lettering book “100 Alphabets Publicitaires” (“100 Advertising Alphabets”) is a hand-lettered “Western” font called “Italian". This served as the basis for Cattle Town JNL, which is available in both regular and oblique versions.

Kisba Nova – A character actor that turns heads. Spiky serifs, soft ball terminals. All eyes on Kisba Nova: enter a typeface designed to arouse attention. Kisba Nova is that one guest who joins a party, and a murmur goes through the crowd. Kisba Nova is pure charisma. Opposites attract: Kisba Nova combines sharp wedge serifs and spiky spurs with round and soft ball terminals. Infuse this with a neoclassical stroke contrast and you get a thrilling typeface driven by visual extremes. Sure: Kisba Nova is a diva. But it’s a pro, after all. That’s why it comes in two optical sizes: Headline and Text. This makes sure it looks gorgeous in any situation. The Kisba Nova Headline subfamily is flaunts the trademark flamboyant looks and extravagant letters like f and k. They bring you all of the excitement of the showbiz in large applications—use it for sizes of 24 Pt. and more. The extraordinarily designed, thin and monolinear diacritics, punctuation marks, and symbols of Kisba Nova Headline add to this modern and elegant character. Kisba Nova Headline consists of seven weights from Thin to Black, offering plenty of possibilities to set headlines and titles. With about 600 characters per weight, it contains enough functionality for the demands of a skilled typographer. OpenType features, such as a large set of ligatures, extended language support, case-sensitive forms, different sets of figures, and arrows, enable sensational designs both in web & print layouts. The Kisba Nova Text subfamily comes with decreased contrast, more generous letter proportions, and wider spacing. Instead of employing flashy thin and monolinear diacritics, punctuation marks, and symbols, Kisba Nova Text aims for a more even texture on the page. It retains the true, elegant Kisba DNA while allowing you to set legible copy in sizes between 9 and 18 Pt. Nothing will distract your reader–Kisba Nova Text aims to please. Kisba Nova Text consists of seven weights from Thin to Black, offering plenty of possibilities to set body copy and subheadlines. With about 600 characters per weight, it contains enough functionality for the demands of a skilled typographer. OpenType features, such as a large set of ligatures, extended language support, case-sensitive forms, different sets of figures, and arrows, enable sensational designs both in web & print layouts. Kisba Nova celebrates the dual nature of softness and sharpness in a single typeface. It’s a character actor that turns heads.

Introducing Vinque Antique, a typeface that echoes the soulful and authentic spirit of a bygone era. Its humble, earthy rendition of nineteenth-century Arts & Crafts revival of medieval lettering is a tribute to the timeless beauty of handcrafted art. What sets Vinque Antique apart are its legible letterforms that effortlessly capture the essence of a bygone era. The typeface is imbued with OpenType fractions, f-ligatures, and old-style numerals that lend it an air of authenticity and tradition. But that’s not all. Vinque Antique also boasts three texture variations of letters that are automatically shuffled in OpenType-savvy programs to give a more natural and organic feel. If you prefer a cleaner look, simply toggle the ligatures functionality in your application. Available in three weights and italics, Vinque Antique is perfect for designers looking to infuse their work with a touch of nostalgia and rustic charm. Whether you’re creating vintage-inspired logos, packaging, or print designs, Vinque Antique is the perfect choice for adding a touch of old-world charm to your work. So why not elevate your designs with Vinque Antique’s humble yet timeless style? Get it today and experience the beauty and versatility of this classic typeface. Most Latin-based European, Vietnamese, Greek, and most Cyrillic-based writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Azerbaijani, Bashkir, Bashkir (Latin), Basque, Belarusian, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Bulgarian, Buryat, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dungan, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Igbo, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaingang, Khalkha, Kalmyk, Kanuri, Kaqchikel, Karakalpak (Latin), Kashubian, Kazakh, Kikongo, Kinyarwanda, Kirundi, Komi-Permyak, Kurdish, Kurdish (Latin), Kyrgyz, Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Macedonian, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Nahuatl, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Russian, Rusyn, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tajik, Tatar, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Ukrainian, Uzbek, Uzbek (Latin), Venda, Venetian, Vepsian, Vietnamese, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xavante, Xhosa, Yapese, Zapotec, Zarma, Zazaki, Zulu and Zuni.

Brightfield Font is classic and modern serif font carefully designed to excellent connections between letters. It is good for Text and Headers with lowercase and uppercase letters both! Please see the large preview images to see how it works.

Florisa is a typeface inspired by the unique shape of flower petals, which are made into unique letters. Florisa can be used for displays, headlines, logos etc. Florisa comes with capital letters, numbers and some symbols, and line version

Janetta is a script that includes very carefully designed beginning and end letters. It is perfect for your needs in making logos, invitations, cards, product packaging, headers, and more. Janetta also includes several sets of lowercase letters including swashes.

Motorwerk has got more than 200 ligatures (including double letter and number substitution and the most common letter combinations) - a-z alternative characters, unique accented characters. You will need to use OpenType supporting applications to use the auto-ligatures.

Fairport is a fully functioning display font based on the lettering from the 1960s folk band Fairport Convention’s debut album. In lieu of lowercase letters, Fairport features a full array of stylistic alternates to add variety to any text.

Despite the racially demeaning 1906 sheet music for "The Ghost of the Banjo Coon", the title's lettering provided an interesting hand-lettered sans serif that has been re-drawn digitally as Showmanship JNL in both regular and oblique versions.

A distorted, broken & cracked typeface. Doyen-D.ScreenRegular uses the same letter forms as the rest of the Doyen-D family, however the letters have gone through a halftone screen print process, resulting in even further distortion of the typeface.

"Billetha" is a beautiful handwritten font decorated with love. This font is very suitable for Christmas, Valentine's Day, weddings, engagements, branding, and others. Equipped with uppercase letters, lowercase letters, numerals, punctuation, swash, titling, uppercase alternates, ligatures, and multilingual support

Curator family is serif based fonts that has multi language support including all european and basic cyrillic letters. It has bold and italic styles. You may choose letters in glyph panel, because each font has alternative symbols and ligatures.

Magules is a serif typeface with vintage and retro look!. Equipped with all complete characters ranging from uppercase letters, lowercase letters, numbers, punctuation marks and multi-lingual support, this font is ready to be used in any project. Enjoy!

A new script label typeface named Spicy Taste. This typeface contents caps and small letters, numbers, punctuation signs and some alternates for small letters. This is a handwritten brush font with authentic dry brush strokes like drawn on paper.

The letters of NoPain went to a party and had a bit too much to drink. The four NoPain typefaces, regular and bold of NoPainRight and NoPainLeft, were formed by distorting the letters of the wide-serifed font Valgal.

Mariner is based on hand lettering originally done by Willy Pogany for his illustrated edition of Coleridge's Rime of the Ancient Mariner. It's a variation of classic medieval lettering with decorative elements and alternative versions of almost every character.

Introducing Rajomon the hand drawn script made with dry brush. All European languages are in. More of all there are initial, final and alternative letters for making your lettering on a high level as a peak of the rock!

Clumsy handmade font with ligatures for double letters

Narrow, playful, jaggedy letters inspired by a typewriter.

digitization of a vintage lettering from Delamotte's book

A brush letter with a nice casual feeling.

an Arts and Crafts Movement lettering style font

The branding agency's client wanted an ultra modern"" typeface that was ""futuristic without being gimmicky or ephemeral,"" according to the design brief. Designer Sebastian Lester took on this intriguing custom font assignment, but soon, a bureaucratic decision cancelled the project. ""I was left with a sketchbook full of ideas and thought it would be a shame not to see what came of them,"" says Lester. He decided to finish the design on his own. Lester's research confirmed that the principal ingredient of an ""ultra modern"" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. To conceive a typeface that crossed the line from modern to futuristic, Lester decided to amplify these qualities. About a year after Lester's initial conceptual work, two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as ""legible without being neutral, nuanced without being fussy, and expressive without being distracting."" Both the Neo Sans and the more-minimalist Neo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, and Neo Tech offers a suite of alternate characters. While engineered to look modern as tomorrow, Neo Sans and Neo Tech display the functional and aesthetic excellence that earns them a place in the list of classic designs from the Monotype typeface library.

The branding agency's client wanted an ultra modern"" typeface that was ""futuristic without being gimmicky or ephemeral,"" according to the design brief. Designer Sebastian Lester took on this intriguing custom font assignment, but soon, a bureaucratic decision cancelled the project. ""I was left with a sketchbook full of ideas and thought it would be a shame not to see what came of them,"" says Lester. He decided to finish the design on his own. Lester's research confirmed that the principal ingredient of an ""ultra modern"" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. To conceive a typeface that crossed the line from modern to futuristic, Lester decided to amplify these qualities. About a year after Lester's initial conceptual work, two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as ""legible without being neutral, nuanced without being fussy, and expressive without being distracting."" Both the Neo Sans and the more-minimalist Neo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, and Neo Tech offers a suite of alternate characters. While engineered to look modern as tomorrow, Neo Sans and Neo Tech display the functional and aesthetic excellence that earns them a place in the list of classic designs from the Monotype typeface library.

An informal decorative sans serif was designed by Gennady Fridman and released by ParaType in 2004. Based on informal lettering. In Russian 'Zubilo' means 'Cold cutter' or 'Chisel'. Colorful letterforms seems to be cut by an amateurish but strong hand used to operate with rough metal tools, not with pen or pencil. The face is good for use in advertisements, posters and headlines, especally for comic editions and youth press. Decorative styles were added in 2011 by the same author.

Lateman is a casual font built with apps. with freestyle and natural make this font look friendly to the project you are working on. Lateman only consists of uppercase letters, but if it collaborates with other fonts, it will feel more striking like the preview example above. This font was created for superhero movie titles and is perfect for movie titles, superheroes, action, animation, war, and more. You can see the sample preview above for comparison, stay the center of attention and classy!

Iza W and Intellecta Design are proud to announce Invitation Script, a modern and clean revival of the classic work of the Portuguese master penman Manuel de Andrade de Figueiredo, whose work can be seen in “Nova Escola para aprender a ler, escrever, e contar (...)'' (1722). Invitation Script is the third script superfamily published by Intellecta Design, after Penabico and Van den Velde Script. Invitation Script has original letters designed by Iza W. Creative direction and core programming were provided by Paulo W. Chyrllene K assisted with some work on unusual and archaic styles, resulting in a special font - Invitation Script Archaic (soon available). Invitation started out from Andrade’s script style and evolved into a voluptuous script font family. The result is a typeface ideal for beautiful headings, signatures, art work typography, titles and short pieces of hand-lettered text. Invitation family includes two multi-table Opentype fonts, three supplementary fonts for ornaments and fleurons, and the Archaic font with some of the Andrade’s original characters. Embedded in the regular fonts are additional sets of letters. Over 40 variations are available for certain letters via the Special Sets Opentype table. The two regular versions of Invitation Script contains the following: (i) An extensive set of ligatures providing letterform variations that make eye-popping designs or simulate real handwriting. These are accessible via contextual alternates and other open-type features. (ii) Many stylistic alternates for each letter (upper and lowercase, accessed via the glyph palette, encoded in the ranges of the Special Set Opentype feature). Since there are over 1100 glyphs in each font, we suggest using the glyph palette. (iii) A set of ornaments and fleurons accessed with the glyph palette or using the Ornaments feature. Additional ornaments can be found in the two Invitation Script Ornaments fonts. (iv) Initial and final letters with artistic variations accessible using the initial and final form open-type features. (v) Major kerning work: over 6000 kerning pairs, hand-set to avoid collisions and to create intricate combinations of letters, using swashes and other resources. These powerful features are all accessible in InDesign, Illustrator, QuarkXpress and similar software. We recommend exploring the magic of this font using the glyph palette. Our sample illustrations and PDF brochures showcase the power and pizzazz of this calligraphic script. Let your imagination go wild and use Invitation Script in ways that Andrade could not have foreseen. In non-OpenType-savvy applications, Invitation Script is still an exceptionally beautiful calligraphic typeface that stands up to the competition. The regular fonts contains the complete Latin alphabet, including Central European, Vietnamese, Baltic and Turkish, with a full set of diacritics and punctuation marks. --- 1 FIGUEIREDO, Manuel de Andrade de, 1670-1735 Nova Escola para aprender a ler, escrever, e contar. Offerecida á Augusta Magestade do Senhor Dom Joaõ V. Rey de Portugal. Primeira parte / por Manoel de Andrade de Figueiredo, Mestre desta Arte nas cidades de Lisboa Occidental, e Oriental. - Lisboa Occidental: na Officina de Bernardo da Costa de Carvalho, Impressor do Serenissimo Senhor Infante, 1722. - [18], 156 p., 44 f. grav. a buril : il., ; 2º (31 cm)Engraved royal coat of arms supported by angels over the city of Lisbon, engraved portrait of the author (both of the foregoing by Bernard Picart), (12)ff., 156pp., engraved calligraphic section title, 44 engraved plates. Wood-engraved culs-de-lampe and lettrines. Sm. folio. “Andrade de Figueiredo was born in Espirito Santo, where his father was Governor of the ‘Capitania.’ The fine portrait is dated 1721 and is showing Figueiredo at the age of 48. He was an eminent calligrapher and a creator of the Portuguese handwriting until the reign of Don José I (ca. 1755). His work follows the style of the great Italian masters in its use of clubbed ascenders and descenders, and of Diaz Morante, the famous Spanish writing master, in its very elaborate show of command of hand. By his contemporaries, he was known as the ‘Morante portugues’” (Ekström). “Ce livre est un manuel, composé de quatre parties, destiné à apprendre à lire, à écrire, à conter ainsi que l’orthographe. Les planches comportent des examples d’écritures, d’alphabets et de textes ornés de remarquables traits de plume exécutés d’une main sûre et enjouée” (Jammes).