A little more flower and a little less power, please. Fun, friendly, fashionable, and feminine to a fault, Jojo takes display typography to a whole new level, where eyes can’t help but appreciate the day and the design at hand. It takes a graphic designer very little imagination to see these letters on posters, book covers, clothes, and craft paraphernalia. Or how about a sign over a bakery? A music sleeve? A romantic comedy titling? Cosmetics products? Pretty much anywhere! Jojo takes its name from a Beatles song about getting back to where we once belonged. It also takes most of its shapes from vintage photo-setting days, when an art nouveau typeface called Spring, by B. Jacquet, was putting happy times back where they belonged, which was everywhere. The original photo-setting face came in just 26 letters and 10 numerals. This digital retooling optimizes the original forms and expands on them, for a full character set of over 430 glyphs, including ligatures and stylistic alternates, and support for the majority of Latin languages.

Haarlem, designed by Leslie Cabarga, was inspired by the sort of marks you get when you write with a flat-headed magic harger. There are two fonts in the Haarlem family, White and Black. Haarlem White is an outlined, shadowed version of Haarlem Black.

Luks Deco took inspiration from the glory of Roaring 20’s when the Art Deco style rose to its heyday. The strong geometric shape emphasizes the touch of retro yet modern style. Luks Deco is a good choice who wants to give Art Deco vibes to their designs. Luks Deco’s weight range from light to black, suitable to cater of all you need. The O,C,G and Q letters (and all glyphs that have circle form) have a bit different shape from light to black which will give unique display look for overall design. - Uppercase

Trade Gothic inline is a quirky display companion for Trade Gothic Next, offering five different voices, and a whole lot of personality. The lighter weights are graceful and elegant, embracing negative space to give the sense that the letters are halfway to disappearing. Designer Lynne Yun has incised the darker weights with a super thin inline that emphasises the heaviness of the letters, and creates a reassuring chunkiness. “If I kept the inlines the same, it created a lot of visual noise,” explains Yun. “I wanted each weight to be different enough, so in the end the weight and width of the letters was increasing and decreasing in size, and the inlines were too. The black is almost like an extra black, because the inline is smaller. It's about trying to have different voices for each weight.” Trade Gothic Inline is available in five weights, from light to black.

Made with a cute shape, making this font suitable for use in graphic designs related to unique things. This font is available in 2 styles namely bold and black.

Butcher is a Rough font with 2 styles, a medium and a black to play with the weights, it contains the Greek and Cyrillic alphabet, special for action titles

A typographic treasure, originated at the end of the 18th and the beginning of the 19th century, had been brought back to life. With its charming touch it makes a wonderful font for poems, bookcovers, reprints and other historically relevant projects. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures; the round s you find on the # key, and typing the combination N-o-period and activating the OT feature Ordinals gets you the numero sign.

One of the odder things I remember from high school (50+ years ago) is the tile floor of hexagons in the bathroom. There is something fascinating with the way hexagons fill the plane. BakerHalfDozen is made of white letters that fit on black, hexagonal tiles. BakerHalfWhite switches the letters to black on white tiles, and BakerHalfBare eliminates the tiles. There are no true lower-case letters, but some letters have alternate shapes. To make the tiles line up right, alternate lines must be indented half a space. Use the {} characters (brackets) to do this.

Some time back, a few basic characters were drawn out (possibly inspired by some vintage sheet music) and set aside for a future font project. Despite being incomplete for a few years, this once-forgotten design is now available as Deco Revival JNL, in both regular and oblique versions.

Fette Kanzlei is a beautiful mid-19th century blackletter font with a touch of calligraphy which has been brought back into life again. The long s can be reached by typing alt plus b or by activating the OT feature historical forms. This font also contains oldstyle numerals.

In 1885 Heinrich Wallau, printer and typographer in Mainz, picked up the idea of creating a rounded gothic font written with a broad nib. This idea was then realized by Rudolf Koch between 1925 and 1930. RMU Wallau is a bringing back this beautiful font for present typography.

Tudor Perpendicular is Greater Albion's seasonal Black letter release (not that we rule out the possibility of non-seasonal ones...) for 2012. As the name suggests, it is a design which emphasises, and yes, exaggerates for effect, the perpendicular up and down nature of Black Letter typefaces. There's no particular historical basis for this one - straight out of our own minds, just as a lot of Black letter 'revivals' have been over the years. Come and visit 'Ye Olde' world today...

A piece of British sheet music for “You’re Sweeter than I Thought You Were” [from the 1935 film “Jack of All Trades” starring Jack Hulbert] provided inspiration for a digital typeface based on the credits for Hulbert and the film that rather than the song’s title. What’s interesting is the lettering style was influenced by Art Nouveau at a time when Art Deco was gaining in popularity. The result is Sweet Treats JNL, which is available in both regular and oblique versions. (According to Wikipedia, John Norman ‘Jack’ Hulbert (April 24, 1892 – March 25, 1978) was a British actor, director, screenwriter and singer, specializing primarily in comedy productions, and often working alongside his wife Cicely Courtneidge.)

During the turbulent era of the 1960s, the youth of America found various ways to protest against "The Establishment". Whether it was campus unrest, protest songs, sit-ins or other methods, the message was the counter-culture movement. Arising from this disenchantment with traditional social standards, a small but effective means of protest arose that made no sound, yet spoke volumes - the pin button. Statements against the war in Vietnam, free love, drug use and other messages popped up on little metal discs pinned to tee shirts, suspenders, head band and hats. Sixties Pin Buttons JNL recreates twenty-six of these messages in both white on black (upper case keys) and black on white (lower case keys). Blank buttons in both white and black are found on the parenthesis keys.

Hadron is a fusion of gothic black letter and foundational letter forms. It has a heavy flat pen influence but is combined with more modern letter forms for increased legibility over that offered by black letter fonts. Unlike most black letter fonts, Hadron can be set all caps using the first level of caps. A basic design kernel based on the caps “O” and “H” was created first. These letter forms consist of an interplay between curves and straight lines with abrupt transitions and also possess some of the geometric crispness of a modern sans serif. The rest of the Hadron font was developed around this “O” and “H” kernel. This font could be used for any application requiring a formal black letter or foundational lettering look. Hadron could also be used for invitations, brochures and posters. The first level of caps and lower case is basic enough to set a large body of text. It could also be set all caps at that level.

Pack up your bags and let's travel to somewhere far away. Dive deep into the ethical visual vibes together with MAKALO. Inspired by the traditional tribal and visual ethnic vibes. Perfectly fit for your fun and casual thematic visuals, logo, branding, products, campaigns, events, seasonal promotions, traditional concept, explore the different sides of your brand using MAKALO fonts. Came up with 3 different styles, Regular, Clean, and Inline. And also packed up with Stylistic Alternates and Ligatures to explore the deeper vibes of ethnic and tribal visuals.

Moscow-based designer Julia Borisovna Balasheva created her Lubok face as a pictogram-based font. The term "lubok" refers to a popular style of Russian folk art printing, which dates back to the 18th Century. In Lubok, Bakasheva has digitised several whimsical characters and animals, which were common in these prints. She suggests that you use Lubok's symbols to illustrate fairy tales; we suggest that you use Lubok to decorate everything: from your next office party invitation to comic books of your own design!

Revista is a typographic system that brings together all the features to undertake any fashion magazine-oriented project. The font harmoniously blends different styles into a single big family, which consists of a Didone uppercase and small caps family—including 4 variants ranging from a monolinear Thin to Black with matching italics—and an Inline Black variant that works as a decorative alternative to the Didone fonts. Revista Stencil, one of its versions, comes with the same number of variants. Revista also comes with a Script Family that includes 5 weights, ranging from Thin (monolinear) to Black, contrasting in a tidily untidy way with many ligatures and alternates. You can choose between using stylistic alternates—if you want to give your designs a different untidy look, in the style of the modern calligraphy—or switching between different options if you are looking for a hand-written style. We highly recommend using the default contextual alternates and discretionary ligatures in order to take more advantage of this great font family. Revista includes 2 sets of dingbats, varying from zodiac signs symbols to technology symbols, and complementary ornaments in 3 different weights: Thin (monolinear), Regular and Black. All these features make Revista an ideal typeface for users to design to their liking! Photo by Fervent-adepte-de-la-mode

Makeba Retro Funky Groovy Font is a fun and funky display font that brings back the spirit of the 70s. Its bold, rounded letters feature groovy curves and playful embellishments that exude a retro vibe. This font is perfect for creating eye-catching titles and headlines for posters, album covers, and other retro-inspired designs. The font’s energetic and upbeat personality is sure to make any project stand out.

Zeebonk (literally 'Sea Chunk') is Dutch for a sailor - in particular, a large, pickled and brined, seven-seas-been-there-done-that specimen. The font itself brings back memories of the outrageous tattoos those same 'zeebonken' used to have. Zeebonk comes with extensive language support, alternates for the upper case (and some lower case letters as well) and a healthy dose of good old fashioned sea dog humor!

Scruff was designed by Timothy Donaldson in 1995. This cheerful, laid-back font is made out of a variety of different fragments - stripes, dots, zigzags and more, giving each character its own identity. When brought together into words and sentences, the figures create a playful chaos like that of a patchwork quilt. To bring out its individual details, Scruff is best used in headlines in larger point sizes or as initials.

Back in 2013 I released an all caps font called Rum Doodle. Rum Doodle is a really nice, really weird font with angular glyphs and a unique look. I decided that it would be nice to tweak this font a bit and design a lower case for it. The result is Chew On This. I chose that name for no apparent reason - so don’t make a fuss about it…

PiS Lietz Parilon invites you to the austrian countryside for an amazing ski-tour on snowy mountains back then when skilifts were sparse and mustaches were far from ironic. Use this heavy fraktur for retro tourism posters, your classic beer or schnaps brand or anything that needs a good swig of tradition! Heat up the Jagatee and enjoy the earthy taste of PiS Lietz Parilon, it will warm your heart!

Skulebuk is a decorative typeface ideally created for use on edgy/street/urban or sports related design projects. Reminiscent of the early 90s scribblings in the back of my old school books (we all remember right!) instead of doing real work! The two weights available Regular and Heavy will help balance designs that want to over use the typeface i.e Heading and body text. 80s-90s is very now!

Just call me CHAKIE. I'm born from the old natural brush chalk look from the 60's and 70's. Use meto create very bold and strong design! Great for posters, t-shirt designs, branding, packaging, labels, and more. Bring back me to the 60's brother! :D And why you must grab me? - Simple installation - Support for 23 languages (WOW!) - Compatible with MAC or PC - PUA encoded - Lots of fun!

Muirne, a cheerful semi-serif inspired by a Celtic calligraphy and figure. Font family contains from Light to Black weights and suitable Italic. With a dozen of alternates to enhance your typesetting with a Celtic touch.

Airborne is the font pack. The Normal font combines with the alternate character font to make each word unique. Then add the Splatters font as your tagline and — the ideal logo!

This frivolous 6-font typeface was inspired by playing with my food one evening. I began to wonder what it would be like to draw a typeface with a pipette and liquid... the result is Fluid. A key feature are the contextual alternates that substitute an alternate second glyph when typing double letters, this gives a more natural feel to the resulting text. It’s a fun typeface from my back catalogue that was originally released in June 2018. Enjoy playing!

Ornamental caps with scrolls and flourishes inhabited by satyrs, mermaids, Medusa heads, birds, cats, dogs, snakes, and other creatures, inspired by designs from Italian Renaissance artists dating back to 1730-1750. Beautifully ornate and perfect for the beginning of paragraphs in publications and texts conveying the feel of the Italian Renaissance, your own fairy tale stories, or religious texts to grab the reader's attention. Includes one set of A-Z ornamental caps conveniently assigned to both the upper and lower case alphabet characters.

Introducing Antonia Retro – a bold retro script font that takes you back to the ’60s. This typeface has an extruded version so you can easily create retro-effect fonts. It is suitable to be applied especially to logos, and various other formal forms such as invitations, labels, logos, magazines, books, greeting/wedding cards, packaging, fashion, make-up, stationery, novels, labels, or any advertising purposes. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Create something elegant and classy with a modern touch. Nesans Duo Font gives a sleek, elegant look to logos, business cards, wedding invitations, quotes, advertisements, and more. Nesans is a versatile typeface that's full of character and one you'll come back to time and again. Create something beautiful today with Nesans. This typeface comes in uppercase and lowercase, with punctuation, symbols, numerals, stylistic alternates and also has multilingual support. Tutorial how to Install & use Alternate / Special Character : https://hanscostudio.com/tutorial/ Enjoy!

Retro Feeling is a bold and beautiful retro font that will take you back in time. It features a unique italic font that adds a touch of elegance to any design project. Perfect for vintage-themed designs. Retro Feeling will give your project a distinct and timeless look. Its versatility and elegance make it perfect for various design uses, from logos, posters, and display headlines to packaging and branding materials. Bring the retro vibe to your design project with Retro Feeling!

Dysanian is Hand Drawn Sans Font with a natural style and dramatic movement.is a Authentic Font that is written casually and quickly. Dysanian is has 4 style Normal,Italic,Black and Black Italic styles is perfect for the purposes of designing templates, brochures, videos, advertising branding, logos and more.

Monosketch is a hand-drawn font inspired by monospaced fonts like Andale Mono. Monosketch Layer and Monosketch Black can be used together by layering Monosketch Layer above a differently colored Monosketch Black. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

The model for Deco Moderne JNL was the hand lettered title on the sheet music cover of "Did You Ever See A Dream Walking" (from the 1933 Paramount musical "Sitting Pretty" starring Jack Oakie, Jack Haley and Ginger Rogers). The typeface is available in both regular and oblique versions.

The roundness of fresh Dewey leaves, the bending branches of canopy trees and the curvy luscious greens of dense forests; are all the things that inspire this clean display font. Its effortless and natural aesthetic makes it perfect for organic and luxurious brands. The strokes have a great contrast to give it a beautiful end to a long journey. The easy and elegant flow of the font brings one back right into the comforting arms of nature.

Introducing a retro condensed font called "Marxis". Best font to use as a headline to bring back the propaganda era inspired by Soviet posters, movie titles and book covers. The letterforms are straight and condensed and come in 2 styles: uppercase and small caps with the ligatures. This font will suited well for titles, poster design, web design, branding and packaging works, illustrations, badges and other typography works. Thank you, I hope you like it as I do!

The designer's father, Philip Grecian drew a logo for his business, Grecian Creative Services and asked Alex Grecian to expand on the logo. Alex extrapolated from the existing letters, creating a font to compliment his father's logo. Naming it was the easy part. Grecian Empire has since become one of the most popular fonts offered by Elemeno. The Strikes Back and Engraved styles have limited character sets and are far less versatile than the regular version.

A photo of the now closed [circa-1953] Lowell Municipal Pool (at 1601 N. 28th St.) in Boise, Idaho shows the words “Municipal Pool” formed into the cement of the entrance to the above-ground swimming facility. Both the lettering and building entrance designs harken back to the Art Deco era and the sign features stencil-like characters. This inspired a typeface aptly named Municipal Pool JNL, and is available in both regular and oblique versions.