Pesaro is a new text typeface with a strikingly robust but charming appearance. Inspired by early prints from Venice like Jensen and Manutius, it follows its own formal concept of a contemporary design – a stable typeface with strong text qualities and graphic appeal. The Pesaro family comprised 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and elegant swash captitals for all italic styles.

Urania is a new approach to early sans serif typefaces, in particular Ferdinand Theinhardt’s types which came out at the beginning of the 20th century. Urania is not an adaption, but a new interpretation of familiar and successful formal features, transformed into a contemporary look. The Urania family consists of 18 styles and it comes in OpenType format with extended language support for more than 40 languages. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternative characters.

Breakers is a sans serif originally conceived to be a display typeface. Works great in text also, but the diversity in weights is its strong point. It is easy to achieve that high contrast using thin against the ultra weight, but setting tall and lean capitals against the compact and heavy small caps can make really diverse compositions for all kinds of display design. With small caps included, and over 600 glyphs in each weight, it should prove itself useful in finding the right combination for any typographic setting. Breakers has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.

Stimul is a singular monoline sans serif font family. The type idea is based on experiments with the grapheme of the letters. Sitmul contains a huge amount of alternative glyph forms which vary from fairly conventional to very whimsical. Mix them to enrich your text set by a myriad of unpredictable combinations. The font family consists of four typefaces with two different styles in each: uppercase and lowercase. Each typeface also has 5 stylistic sets and an alternative set of figures. The font provides multilingual support: Western Latin, Central European, Turkish, Baltic and Cyrillic. Sitmul is perfect for short texts, headlines, posters, logotypes and so on. Using Stimul you can always expect the unexpected which will definitely stimulate your creativity!

Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely "less is more age" to the contemporary basic style "Less, but better age", we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a contemporary, sharp, and neutral atmosphere, and geometric rounded bowls and counters create a nice rhythm. Golden Decades consists of 8 weights and their matching Italics for a wide range of usages. Farther, Golden Decades is supporting international Latin languages and basic Cyrillic languages including Basic Latin, Western Europe, Central and South-Eastern Europe. Also, Golden Decades covers Mac Roman, Windows1252, Adobe1 to 3. This wide range of international characters expands the capability of your works. Lowercase "a" has OpenType stylistic alternate for advanced typography.

Meet Abrog, a futuristic technology font designed to add a sophisticated and inspiring touch to any of your designs. Abrog combines elements of modern technology with the sophistication of design, creating a font that is not only aesthetic but also exudes sustainability. Each character in Abrog reflects a future concept, bringing a sense of cutting-edge technology to your work. Do not miss this opportunity! Get Abrog Futuristic Technology Font now and let each character be a portal to your design future.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 2 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 2 contains 144 fonts. Families included in Volume 2: Hype 0200, Hype 0500, Hype 0800, Hype 1100, Hype 1400, and Hype 1700. If you would like to complete your collection be sure to view and purchase Hype vol 1 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 3 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 3 contains 144 fonts. Families included in Volume 3: Hype 0300, Hype 0600, Hype 0900, Hype 1200, Hype 1500, and Hype 1800. If you would like to complete your collection be sure to view and purchase Hype vol 1 and Hype vol 2. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Hype lives up to its name. An energetic attempt to blow past previous sans’ descriptive words of massive, large, extensive, super and others. Hype transcends the everyday marketing terms and rests solely atop them all with a jaw-dropping current offering of 432 fonts that spans 18 widths and 12 weights. Insert a long pause and mic drop here, because nothing compares. Hype Volume 1 includes 6 of the 18 subfamilies that comprise the full Hype Collection. Each of these subfamilies represent 1 of the 18 available widths and each width contains 12 weights and matching italics. Volume 1 contains 144 fonts. Families included in Volume 1: Hype 0100, Hype 0400, Hype 0700, Hype 1000, Hype 1300, and Hype 1600. If you would like to complete your collection be sure to view and purchase Hype vol 2 and Hype vol 3. Hype’s bombastic approach meant supplying everything it could within each typeface: including small caps, yes small caps, a full numeral set that includes inferiors and superiors, super- and subscripts, full fraction support, case-sensitive forms, stylistic alternate letterforms, and more while touting a full Western, Central and South Eastern European character support. Embracing a Univers-esque bravado and a willingness to push the envelope, Hype leaves even more room to grow. No corners were cut, no shortcuts taken with a focus on sensible, efficient letter construction and functional reliability that ignores any one classification and instead looks to form an amalgam of classic sans styles influenced by wood type, movie showcards, and urban industrial letterforms.

Andante is a modern sans serif with a geometric touch that support for 87 languages. It comes in 6 weights, 12 uprights and its matching Italic, so you can use them to your heart’s content, in each of which there are more than 883+ glyphs. Andante comprises 24 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Andante and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Hoolister is a modern sans serif with a geometric touch that support for 87 languages. It comes in 9 weights, 58 uprights and its matching obliques, outlines, glowe, shaded, so you can use them to your heart’s content, in each of which there are more than 512+ glyphs. Hoolister comprises 58 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Hoolister and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Urbine is a modern sans serif with a geometric touch that support for 87 languages. It comes in 10 weights, 20 uprights and its matching obliques, so you can use them to your heart’s content, in each of which there are more than 874+ glyphs. Urbine comprises 20 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Urbine and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Buckin is a modern sans serif with a geometric touch that support for 87 languages. It comes in 10 weights, 20 uprights and its matching obliques, so you can use them to your heart’s content, in each of which there are more than 691+ glyphs. Buckin comprises 20 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Geonik Pro and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Helonik is a modern sans serif with a geometric touch that support for 87 languages. It comes in 11 weights, 22 uprights and its matching obliques, outlines, so you can use them to your heart’s content, in each of which there are more than 797+ glyphs. Helonik comprises 22 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helonik and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Andrial is a modern sans serif with a geometric touch that support for 87 languages. It comes in 10 weights, 20 uprights and its matching obliques, so you can use them to your heart’s content, in each of which there are more than 691+ glyphs. Andrial comprises 20 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Andrial and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. • Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

Helonik Extended is a modern sans serif with a geometric touch that support for 87 languages. It comes in 11 weights, 22 uprights and its matching obliques, outlines, so you can use them to your heart’s content, in each of which there are more than 797+ glyphs. Helonik Extended comprises 22 fonts, consisting of three distinct optical sizes: Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helonik and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. In the typeface, each weight includes extended language support, icons, fractions, tabular figures, arrows, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for branding, web, signage, corporate as well as for editorial design. documents and folders, mobile interface. Support for 87 languages. Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch English Estonian Faroese Filipino Finnish French Friulian Galician Ganda German Gusii Hungarian Inari Sami Indonesian Irish Italian Jola-Fonyi Kabuverdianu Kalenjin Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Morisyen Northern Sami North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Welsh Western Frisian Zulu

In designing the Millenium® typeface, Patrice Provost was inspired by great typographers in the great French typographic tradition to create a unique and modern variable font. His goal was to reinterpret the mid-20th century sans serif style in a variable typeface that will conform to the need of the 21st century. He succeeded with mastery in drawing large characters. In doing so, patrice provost added an exceptional dimension to the design of this typeface, a graphic personality that evolves over the styles. The attention to detail brought to each letter, each accent, each diacritic, make this font a solid tool for all Western graphic designers and layout artists. With more than 1000 glyphs per style, Millenium® can be used in more than 210 countries. With its 13 styles drawn in Classical Roman style, in Italics and in condensed Millenium® provides designers from all walks of life with a fantastic tool to bring novelty and class to your creations. Ideal for signage, Millenium, thanks to its "wide case", is also widely used for posters. It is also a gold mine for creating logos for dynamic tech start-ups. The Millenium family is made up of designs with progressive weight changes. it is very extensive. It ranges from "Super Thin" to "Extra Black". Unique in the world, its thinness makes it possible to design a very light style even to print on posters and other large formats. Designed from the outset as a variable typeface, Millenium offers a range of 900 possible variations and an infinity of creations...

PT Spaghetti is a display font inspired by Spaghetti Western films but with a playful twist given by big serif and high contrast.

An unorthodox font with an edgy vibe. Great for use in editorial, advertising, music, film and EXTREME sports projects. With western language support.

อบอุ่นลูป เป็นอักษรแบบแซนส์เซอริฟกลมมน มาพร้อมกับอักษรแบบมีหัวสำหรับภาษาไทย ดูกึงทางการ อ่อนโยน น่ารัก ใช้สำหรับเป็นพาดหัวก็ดี หรือเป็นเนื้อความก็เหมาะสม มีทั้งหมด 9 น้ำหนักและตัวเอียงของแต่ละน้ำหนักรวมทั้งหมดมี 18 สไตล์ และมีฟีเจอร์อื่น ๆ อาทิเช่น Small Caps และฟีเจอร์อื่น ๆ พร้อมให้คุณได้เลือกใช้งาน รองรับหลากหลายภาษา Opun Loop is a sans serif rounded typeface with loop head style for Thai character. Semi-formal, Softly, Lovely feel. Suitable for headline and text body. Comes with 9 weights and italics of each weight total 18 styles, and there are features such as Small Caps and many features available for you. Support multi-languages.

Bring back the glory of winters in Miami Beach, exotic summer vacations or Deco-era night spots with Cabana Club JNL - a retro-Deco font, complete with contour outline and solid black characters.

Elegant font family with a technical twist, formal yet elegant.

Roc is a sans serif grotesk inspired by American wood types from the end of the 19th century. With nine weights in five widths, this family contains 45 fonts in total. The character set supports Western and Central European languages, as well as Turkish. Roc Grotesk comes in a range of five widths: Compressed, Condensed, Normal, Wide and ExtraWide, in order to cover a wide scope of applications. Although the styles at both ends of each range are made in their most pronounced form in terms of width and weight, they are not taken to such extremes as to become absurd, and are quite usable in display settings. The Normal width keeps all its nine styles in proportionally similar widths. The Compressed width, however, is deliberately made to be disproportionate, so that every style takes the least possible horizontal space. That is why the contrast between Compressed Thin and Compressed Heavy style is substantial. As the weights progress from Thin to Heavy, the stroke contrast becomes more prominent. It is intentionally exaggerated in heavier weights, which is particularly apparent in the uppercase E and R of the Black and Heavy style. Roc has a large x-height and relatively short descenders and ascenders. No uppercase letter descends below the baseline, so the lines of an all-caps text can be packed tightly on a poster or a headline. The Regular style is somewhat generously spaced, as it is most likely to be used for setting longer passages of text. Its Bold counterpart is spaced in such a way that the width of the text column will be similar to the text set in Regular. Tabular figures in these two styles have exact matching widths, so for example, you could emphasize one row of numbers in a data column without visually disrupting the vertical order of the table. The lowercase g and r have alternatives to accommodate what most designers expect from a typical Grotesk typeface. The single-story g and the cut-off r are accessible via the OpenType feature.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Three are word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Three is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Four includes word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Four is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

If you're getting tired of using Broadway, here’s an exciting alternative in regular and bold weights. Douglas C. McMurtrie, Aaron Borad, and Leslie Sprunger began designing this high-contrast novelty face for the Ludlow Foundry in 1928. It retains the classic style of the Jazz Age with a bit more individuality and spirit than Broadway. This extreme thick and thin design also sports normal descenders instead of the clipped ones found on Broadway. Ultramodern Classic is also available in the OpenType Std format. Some new characters have been added to this OpenType version. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. Check for OpenType advanced feature support in other applications as it gradually becomes available with upgrades.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Two are word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Two is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers are word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers One is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

Wouldn't it be nice to have an assortment of little hand-lettered words? Words like “The” or “A”; “With” or “At”; “To” or “From”? Headline Helpers Five includes word accents that can go just about anywhere. Set off the title of your next design project with one of these little gems. Or use a Helper with your new product introduction headline. Convenient instructions and character map come as standard equipment with this highly desirable addition to your type library. Headline Helpers Five is available in the OpenType Std format. Advanced features currently work in Adobe Creative Suite InDesign, Creative Suite Illustrator, and Quark XPress 7. A Windows TrueType version of this font has also been provided if you prefer normal keyboard access.

Portlin is a modern display typeface perfect for headlines, big text, branding, logotypes & graphic design purposes such as posters, flyers and advertisements. This font can be an excellent choice for creating outstanding logos, promotional content, and marketing presentations that can bring uniqueness and freshness at its level best. The font is very flexible in terms of your creativity, you can adjust the letterspacing to design unique textual presentations, especially for creating amazing logotypes and branding designs. Please see the examples shown above to get an idea of the capability of this typeface. Portlin comes with extended language support including Western European, Central European, and South-Eastern European character sets (a total of 231 glyphs).

Kardia is a versatile type family that lets you compose a wide range of texts, from extensive reading materials to striking, eye-catching headlines and titles. Features include ample proportions that have been revised to maintain similar line performance across all its weights. It also has an elevated x-height which facilitates reading in small bodies, in addition to help building solid headlines. Inspired by brush lettering, it takes many features from calligraphic strokes and the foundational style, adapted to a contemporary typographic language. It has 4 weights, all of them including their corresponding italics, small caps and character set that supports Central, Western and South Eastern European, Afrikaans and many more.

A companion to Springsteel (sans), this serif typeface is intended for longer text blocks and smaller sizes. Like the sans-serif, it has unusual construction using curves on the outside and straight lines inside characters, giving it quite an expressive and warm feel. It contains small caps and old-style figures, as well as superior/inferior figures and common fractions and mathematical symbols. It supports Western plus Nordic, Eastern European and Turkish languages. Excellent spacing and extensive kerning (over 2800 pairs) provided by Igino Marini/iKern. The free fonts in the Springsteel Serif Extreme family (thin and heavy weights) should only be used as display typefaces, at large size and short text blocks.

It took Hannes von Döhren and Livius Dietzel two years to develop and complete the Brix Sans family – the companion of the well-known Brix Slab . The approach was to design an independent type family following the rules of the “Sans-Serif” genre, harmonizing with its older sister Brix Slab from the “Slab-Serif” genre. The result is a family of 6 weights with matching italics, which works perfectly for corporate design & editorial design. Combined with Brix Slab, high and complex typographical challenges can be solved. The Brix Sans OpenType fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages.

Quick Silver FS is unique, fresh and cute handwritten font for branding / logo design / logotypes / greeting cards / promotional graphics and anything in between. Quick Silver FS is inspired from modern era cartoon titles and completely handmade with passion and perfection. Extended Character Sets Along with the basic Latin character set, we have added Western European, Central European, South Eastern European character sets for your convenience. Advanced Kerning We have performed advanced, in-depth kerning for all possible letter combinations. What You Get This font being a handmade typeface, comes with only single weight (Regular). CREDITS: Font designed by Lis at Fontastica, produced by Fontastica, distributed by Designova. Created with ProCreate and Fontself on iPad Pro.

Tafel is Sudtipos’ contemporary take on early- to mid-century geometric fonts; it has the intrinsic qualities of a geometric without following the strict rules they customarily employ. Tafel is notable for its versatility as it works well in both small and display sizes; its sophisticated elegance and refined simplicity make it ideal for corporate identities, street signage, fashion brands, luxury packaging and much more. From Thin to Black, Tafel is comprised of 8 weights, 3 sets of Small Caps with different x-heights (Big Caps, Small Caps and Petite Caps), many alternative glyphs and a complete range of figures including old-style figures with matching italics. The extended character set supports Central, Western and Eastern European languages.

CHICAGO MOONSHINE is an Art Deco serif All Caps display font. Please note that this is primarily for headlines, logos posters in large size. The character set contains Western and Eastern European latin languages, basic symbols and punctuation. The Capital letters has geometric patterns and in place of lowercase letters there are filled in Capitals. Inquiries, feedback, customisation requests and/or extra characters please contact@rolandhusedesign.com or via rolandhuse.com * * * Background image (taken from Unsplash) credits: Chicago at night : Prafulla Chandra https://unsplash.com/@prafulla90 Moon I photoshopped onto the night skyline: Jason Darrell https://unsplash.com/@zebedeerox Moonshine Enjoy & Cheers : bartender holding a shot of liquor by Joel Herzog from unsplash https://unsplash.com/@joel_herzog Street Sign: Bruno Martins https://unsplash.com/@brunus

Boltz is a simple & cute sans-serif typeface perfect for headlines, big text, branding, logotypes & display usage. It can be excellent choice for creating outstanding logos, promotional content and marketing graphics that can bring uniqueness and freshness. Boltz comes with a highly creative handmade collection of Stylistic Alternatives for 14 uppercase letters which makes it easy to create unique monograms, logo and identities with these combinations. Please see the examples shown above to get an idea about the capability of this typeface. The typeface comes with Extended Latin character sets including Western European, Central European and South Eastern European character sets. Boltz comes with single weight but 6 variants (Regular, Italic, Outline, Outline Italic, 3D and 3D Italic).

This font was created inspired from a handwritten copy of the "Brief story of the second journey in Canada" (1535) by French explorer Jacques Cartier. It is an early "Civilité" manual style, closely looking like the "Civilité" script font carved by Robert Granjon a few years later and still strongly influenced by blackletters forms, clearly visible in the capitals or long s, d, e, f or t forms. (Look at our "1557 Civilite Granjon Pro" and the latest "1638 Civilite Manual"). It is containing Western (including Celtic) and Northern European, Icelandic, Baltic, Eastern, Central European and Turquish diacritics. Historical forms, titling alternates and the numerous lower alternates or ligatures made the font looking like a real various hand.

Punto Poly is the layered type system of Punto for cromatic typesetting. Endless effects can be created by 11 stackable layers and different colors. The dots of Punto Poly are not made up of grid-based dots, they are optical corrected and there is always the same distance between the dots, with the aim to create more harmonic letterforms. The dots also vary gradually in size to reflect the thickening and thinning of strokes, giving the letterforms a sophisticated overall look. Punto Poly comes up with 11 layer system and is perfectly suited for logos, posters, brands and magazines. The language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

MODAR means Modern and Artistic. A good font must be enduring and of high quality. This typeface is beautiful and noble, like an elegant sculpture, both historical and modern. This font is great for fashion, magazines, premium services, publishing, and also great for premium brands. MODAR is paired with a sans-serif typeface for a simple yet elegant visual effect. The font is very straight and has high-quality details, combining Eastern and Western aesthetics in one typeface. Designers borrowed classic fonts such as Didot and Canela in this font, combined with the elegant style of personal advocacy, to create 350 characters. I hope this font will help your brand be more visible.