It is the Ionian version of the ancient Greek script. Ancient Greek numerals are included. It's not Unicode, it's a Latin based font.

Blinked is a stylish handwritten script font. It is suitable for your crafting projects, but also for logos, quotes and so much more.

Valuxe — modern and minimalist sans serif. This font pairs well with a basic font like Arial and any script with an elegant style.

Shadowy Script is modern calligraphy font. It is perfect for branding, cards, gorgeous logos, posters, wedding invitations, blog posts, social media, and more!

Concinnitas (Latin for 'neatness') is a very neat print handwriting script. It's a light weight very easy to read, yet elegant handwritten font.

Reindeer is a bold script font with many features, make great your Christmas and winter designs. Get inspired by the deer antler style!

Bea is my Racetrack-Script. I call it that, because it gives the impression of speed. No lingering around with this font. Zaaanggggg!!!

Mondaine is a clean script font with a touch of lettering style. Have fun with a ton of special endings and contextual ligatures!

Ultimate Victory is an authentic handwritten brush typeface. This textured script font is suitable for posters, magazines, apparels, movie headlines, packaging and more.

Brownies script will be a good thing for your design and matches well for uses ranging from wedding invitation, bakeries, and much more.

This is a groundbreaking font that combines Caslon Italic and script. You can achieve an advanced typography that is elegant, delicate and powerful.

Galista is a modern and casual script font. It has beautiful swashes and it’s perfect for logos, wedding invitations, branding and much more.

Cabriolet V8 is a vertical version of the Cabriolet family, a geometric script fontface re-interpretation inspired by old chromed emblems of 1950s.

Gathenbury is a playful and fancy script font with a serious vibe. Use it to add an authentic charm to any design project!

Odd and funny script for happy, fun time. There are two other fonts designed by in the same concept. -Ekistra -Deluta Black -Xesy

Laudiea is a beautiful script font with a classy, elegant, and modern look. It will add a handwritten touch to any design project!

JoeHand was one of the first scripts by JOEBOB graphics. A complete character set with numbers and most (but not all) special signs.

Give your designs an authentic handcrafted feel. Sunfort Signature Script Font is perfectly suited to stationery, logos and much more. Many Thanks! MaulanaCreative

Give your designs an authentic handcrafted feel. Buttersoy Beautiful Handwritten Script Font is perfectly suited to stationery, logos and much more. Maulana Creative

Schoko is a brush script headline typeface. It is elegant and still clear and self-confident. Ideal for food packaging and product branding.

Use your imagination. Butter Bold Brush Script is a fun universal font that will work with almost anything you want it to do!

Give your designs an authentic handcrafted feel. Thefrost Modern Script Font is perfectly suited to stationery, logos and much more. Many Thanks! MaulanaCreative

It is the athenian version of the ancient Greek script. Ancient Greek numerals are included. It's not Unicode, it's a Latin based font.

Julio is designed in the best tradition of English scripts. It comes in very handy if you want to have an elegant touch.

“Vacation Monogram” is a script font combined with a monogram. This monogram is decorated with forms of tourism and traveling around the world.

Jess is an authentic stylish script font. This handwritten beauty is suitable for high-end, sophisticated branding or for simple, memorable Instagram quotes.

Skeleton Slab brings a new elegance to a classic form. I was thinking of calling it Ozymanidias, after Shelley’s poem, because it evokes memories of ancient runic inscriptions, but then I thought that was maybe a bit pretentious, and I decided I'd keep it simple and descriptive. Besides, I wasn't sure how to spell Ozymandias! Skeleton Slab has small caps in place of lower case.

Roundhand was created by Matthew Carter in 1966 on the basis of handwriting by Charles Snell, an English calligrapher of XVII-XVIII known in particular by his "The Pen-man's Treasury Open'd" written in 1694. The typeface has continuous cursive shapes with oval aspect, high contrast emphasized by abrupt transitions from thin to thick and regularity of slope. Its capitals are often used as initials in combinations with other typefaces. The current digital version of the typeface has 3 styles of different weights. Roundhand is clear and easy to read and is well-suited for medium size texts and headlines. It will work well in invitations, menus, packaging, and advertising accentuating elegance and the subtle nature of the content. The Cyrillic version was developed by Vladimir Yefimov and Isabella Chaeva. Released by ParaType in 2013.

Jan Koller designed the Banner typeface family especially for the creation of animated web banners. Banner is best used at 80p without antialiasing. The family comes in 24 styles which, in combination, create great, unusual screen effects. Three different animation modells provide the basis: extrusion, cutting in/out by ‘pixelation’, outline pixel rotation. The available flash clip listed in the Related Links below demonstrates some of the effects. Take a look! The swf clip runs in any web browser (drag & drop) but you need the flash player plugin. Apart from animation use, Banner also works well in print. Since all 24 styles are identical in width and kerning, you can set several styles on top of each other, maybe using different colours for each style. Look at the nice effects yourself!

As with Nocturne, Dusk til Dawn recalls the romantic, sophisticated Zeitgeist of the early 20th century, that nostalgic time "between the wars". It as a number of attractive ligatures and upper-case alternates. I have used Nocturne as a basis for Dusk til Dawn, given the font really bold down-strokes, reduced the width of some upper case characters and changed the shape of many lower case characters. Dusk til Dawn comes in two styles: Dusk til Dawn Regular, which uses the Art Deco convention of small x height, and long ascenders. This Display style is perfect for headers, posters, labels etc. Dusk til Dawn Book, which, with its higher x-height and slightly wider characters, is extremely legible and suitable for longer passages of smaller size text.

The basis for Series A Signage JNL is Highway Gothic; a type style design formally known as the FHWA Series. The font was developed by the United States Federal Highway Administration, and originally consisted of only capital letters and figures. Each Letter designation represented a character width from "A" (condensed) to "F" (wide). Due to poor visibility at high speeds, Series "A" was discontinued. At one point lower case characters were added to the various widths of the design, but this typeface revival is based on the original guidelines specified in the 1948 (reprinted 1952) book "Standard Alphabets for Highway Signs" [this was the original name for the FHWA series fonts preceding the eventual name change to Highway Gothic]. Unlike the original, Series A Signage JNL is available in both regular and oblique versions.

Sharik Sans (named after the brave and smart dog-hero from my favorite TV series) has a warm and gentle personality. It does not shout; it does not stand out. Sharik serves his master in everyday work. Although it is a sans serif, you can feel a calligrapher’s touch in its subtle details and endings. They shine out, especially at display sizes. The family consists of nine weights plus matching italics. It meets most of the needs designers deal with on a daily basis, including web usage. It is stuffed up with various OpenType features such as small capitals, a wide set of numerals, fractions, ordinals, alternates, and, of course, ligatures. And it perfectly harmonises with my other serif-like typeface family Clavo. NB: This font is NOT style linked by weight!

Haven font family is based on the compositionality of constructive elements that create the final shape of individual letters. Mechanical connecting was continuously adjusted by a type designer’s feeling. In this way Haven differs from similar typefaces of the 1960s and 1990s. Six fonts of different stroke intensity create a rich family of typefaces for a variety of uses in typography for special occasions. Although the typeface was drawn for headings, it is suitable for typesetting of long texts in a book. Even in extreme reduction it retains its technical basis, negating classic book alphabets, and it adds an experimental look to the text. Both extreme fonts Thin and Black create strong contrast and their magnification brings attention to their interconnection of all details. Serif version Haven Serif is also being prepared.

The rasterized square (clear, therefore 4 as part of the font name) was the constructive basis. The intention was to put all characters within this grid and produce a highly structured, yet lively, resting in itself, display font. Relaxed but exciting, just. An absolutely noteworthy detail are the classical construction principles (based on a typography book from the 50's for poster designers), the so-called optical weighting, derived and slightly exaggerated character elements: The characters are not purely symmetrical and the curve shapes do not close justified with the surrounding square. Loops and tongues slightly hang over; the upper bows are slightly less protruding than lower ones, etc. The kerning is tuned to fit these design details: the white space between the characters match the same filling space.

Signal1885 is the abbreviated name for "(Sig)nature Jour(nal)" a font that harkens back to an era, when fine handwriting filled journals with observations of science and adventure. Intimate and reflective of an individual entering his thoughts in his personal journal or a ship’s captain documenting his voyage on a daily basis. Signal1885 is penmanship that reflects hand forms from by-gone days. Its a minimal glyph set which can be used at various sizes as small as 18 points. It includes a selection of ink drips and smudges, that are the “mark” of a hand done entry. These can be placed in strategic places on the type to indicate a hand dragging through or dripping fresh ink on to the paper. Set sail- and keep a diary of your voyage.

While watching the 1947 holiday classic “Miracle on 34th Street”, one scene in particular presented a chance to develop a retro type design. ‘Kris Kringle’ suggests to a mother visiting with her child in the Macy’s toy department to try Gimbel’s for a toy she couldn’t find at the store. The news of this behavior reaches Mr. Macy himself, who embraces the practice as a brilliant marketing strategy. A number of departments are then presented with reference books containing competitor ads, and the visual of the cover stating “R.H. Macy & Co. Shopping Guide for the Convenience of Our Customers” shows on screen. The thin, Art Deco sans serif monoline with a few serif-like hooks added onto some characters became the basis for Shopping Guide JNL, which is available in both regular and oblique versions.

Otherslide Handwritten Script Font is a beautiful and stylish handwritten font. It looks stunning on a variety of designs that need a natural touch.

So Love is a cute and adorable handwritten script font. It’s perfect for branding, logos, wedding invitations, diaries, cups, mugs, greeting cards, and more.

Coastland is a pretty handwritten script font. It’s simple and friendly style makes this font incredibly versatile, fitting a wide variety of creative ideas.