Lemons here and lemons there - I really love lemons! I use them in foods, deserts and drinks. I even eat them just for the taste of it! And, I name a lot of my fonts something with lemon! This Lemon font has 3 different versions of each lowercase letter and comes in both Regular, Outside and Inside versions - use them as single fonts, or mix them for nice results! Go go Lemon Smash!

WTF Strange Crispy - is a playful bounced display font that inspired by retro typeface, I make it with 100% hand drawn to get the artistic look. Perfectly suited for quotes, branding, logos, and social media posts, “WTF Strange Crispy” has a unique touch to every design, ensuring it stands out and makes a lasting impact. Illuminate your content with the enchanting allure of “WTF Strange Crispy” font, and let your creativity shine in every project.

This font was inspired by the old form of the so called "Kurrentschrift" German handwriting, based on late medieval cursive. It is also known as "Alte Deutsche schrift" ("Old German script"). It was taught in German schools until 1941, when Adolf Hitler decided to forbid it. As it is a little hard to read, we are proposing here two versions: the "pure" Kurrentschrift, and an adapted "Easy" one, with simplified difficult characters.

Introducing Abhartach, funky reverse-contrast display typeface. A perfect mix from both classic and modern typography. Packed with lots of alternate characters and ligatures (and faux-italic style too!), lets you explore more letter variations that will level up your designing projects. Check out the entire preview images to get the inspiration & hints of how powerful slash beautiful this typeface is. Hope you enjoy this typeface as much as we created it for you! Cheers!

The mysterious Spooky, an alphabet to frighten even the bravest, was created by British designer Timothy Donaldson. The figures line themselves up, irregular and with uneven outer contours, and conjure up thoughts of ghosts, bats, vampires and darkness. Spooky is the ideal font for ghost stories with happy endings, a parody on horror and romance. As an added bonus, Spooky includes illustrations, from black cat to spider to witch - everything needed to earn its name.

TT Ramillas useful links: Specimen | Graphic presentation | Customization options TT Ramillas in numbers: • 28 styles: 7weights, 7 true italics, 4 decorative styles, 7 initials styles, and 3 variable fonts • 900 glyphs in each style (except decorative & initials styles) • Support for more than 180+ languages: extended Latin, Cyrillic • 25 OpenType features in each style (except outline styles): small capitals, ligatures, old-style figures, arrows and other useful features • Amazing Manual TrueType Hinting TT Ramillas is a fully reconsidered high contrast transitional serif, which is perfectly adapted to modern realities and requirements. When starting this project, we wanted to try to draw a modern serif with the precisely verified shapes, high contrast and detailed elaboration of each character. The visual features of TT Ramillas are high contrast, small flared serifs, variable slope of ovals, open aperture of signs, contrasting thin nodules and no drops. In addition, TT Ramillas has a characteristic flame-like element in the lowercase Cyrillic letter ? and a bright "tongue" in the letters ??, ductile legs in ??, ??, and ??, as well as a very interesting upper terminal in the letter a. TT Ramillas is perfect for use in magazines, in the fashion industry, in the branding of premium goods and services. TT Ramillas is quite versatile and suitable for use both in headings and in text arrays. In addition, we have done manual hinting in the typeface, and now it can be used with a clear conscience in the web and applications. In the process of working on TT Ramillas, we wanted to expand the functionality of the typeface a little more, and thus, after a few experiments, two pairs of decorative fonts were born: Outline, Decor and their oblique versions. These decorative fonts work great for headlines and bold accent lettering. We thought that in these decorative fonts, small caps and some specific features would not be needed, otherwise the composition of decorative fonts is identical to the basic ones. The TT Ramillas typeface consists of 28 styles: 7 weights and 7 corresponding italics, 4 decorative ones, 7 initials styles and 3 variable fonts. Each typeface style consists of 900 glyphs (except for the decoratives). TT Ramillas supports over 180+ languages, including Cyrillic support and Extended Latin support. When creating the typeface, we did not forget to add small caps, ligatures, old style figures, arrows, hands, card suits and many other useful characters and OpenType features. For the most demanding users, we have prepared a variable version of basic styles. Using the variability slider, you can adjust and select the individual thickness, without reference to the existing weight distribution. An important clarification — not all programs support variable technologies yet, you can check the support status here: https://v-fonts.com/support/. TT Ramillas OpenType features list: aalt, kern, ccmp, locl, subs, sinf, sups, numr, dnom, frac, ordn, tnum, onum, lnum, pnum, calt, ss01, ss02, ss03, ss04, c2sc, smcp, liga, dlig, case. TT Ramillas language support: Acehnese, Afar, Albanian, Aleut (lat), Alsatian, Aragonese, Arumanian, Asu, Aymara, Azerbaijani, Banjar, Basque, Belarusian (cyr), Belarusian (lat), Bemba, Bena, Betawi, Bislama, Boholano, Bosnian (cyr), Bosnian (lat), Breton, Bulgarian (cyr), Catalan, Cebuano, Chamorro, Chichewa, Chiga, Colognian, Cornish, Corsican, Cree, Croatian, Czech, Danish, Dutch, Embu, English, Erzya, Esperanto, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gaelic, Gagauz (lat), Galician, Ganda, German, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian, Icelandic, Ilocano, Indonesian, Innu-aimun, Interlingua, Irish, Italian, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (cyr), Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Khvarshi, Kinyarwanda, Kirundi, Kongo, Kumyk, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda, Luo, Luxembourgish, Luyia, Macedonian, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau, Moldavian (lat), Montenegrin (cyr), Montenegrin (lat), Mordvin-moksha, Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Nogai, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish, Portuguese, Quechua, Rheto-Romance, Rohingya, Romanian, Romansh, Rombo, Rundi, Russian, Rusyn, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (cyr), Serbian (lat), Seychellois Creole, Shambala, Shona, Silesian, Slovak, Slovenian, Soga, Somali, Sorbian, Sotho, Spanish, Sundanese, Swahili, Swazi, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tatar, Teso, Tetum, Tok Pisin, Tongan, Tsonga, Tswana, Turkish, Turkmen (lat), Ukrainian, Uyghur, Valencian, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh, Wolof, Xhosa, Zaza, Zulu.

TT Fors useful links: Specimen | Graphic presentation | Customization options TT Fors is a modern geometric sans serif with characters and shapes contrasting in width, as close as possible to the basic geometric shapes (circle, square, triangle). TT Fors is a great addition to TypeType's line of functional sans serifs, which already includes such fonts as TT Norms Pro, TT Commons, TT Hoves and TT Interphases. The main inspiration for the creation of TT Fors was the study of geometric grotesques of the early to mid-20th century (Futura, Neuzeit Grotesk, Twentieth Century, Avantgarde Gothic, etc.), and the analysis of the contribution they made to the visual environment of that time. We gave ourselves the task to create the most versatile functional typeface that draws inspiration from the visual environment of the early to mid-20th century, but at the same time is aimed at uninterrupted use in all modern media, from branding and packaging design to work in interfaces and applications. This versatility is reflected in the title TT Fors (for), a typeface for a wide range of uses. The rounded characters in the font family tend to be shaped as the correct circle as much as possible, while the rest of the characters have narrower proportions. For more functionality, the typeface has rather high lowercase characters. Thanks to the correct and precisely selected geometric shapes and uniform construction rules, TT Fors works great both in the format of large headings and in very small text sizes used in book printing and in web design. In addition, the TT Fors family has a display subfamily TT Fors Display, which is a trendy pair for the text fonts. The main feature of the display subfamily is high contrast in horizontal or vertical strokes. When choosing a contrasting stroke, we paid attention that the shape of the letter would not go into reverse contrast and become a stressed sans serif. The subtle strokes in TT Fors Display have added sufficient display vibe to give the font a vibrant character, while remaining intelligent and serious. In total, TT Fors family includes 34 fonts: 9 weights and 9 italic styles in the text subfamily, 6 weights and 6 italic styles in the display subfamily, 2 outline styles and 2 variable fonts for both subfamilies. TT Fors has stylistic alternatives, ligatures, small caps (text family only), numbers in circles, arrows and a set of alternative round full stops and punctuation marks (text family only), slashed zero, and other useful features. More details about all OpenType features can be found in the font specimen. And, by good tradition, TT Fors has two variable fonts, for each of the subfamilies. Each variable font supports two axes of variability—thickness and slant. An important clarification—not all programs support variable technologies yet, you can check the support status here: https://v-fonts.com/support/. To use the variable font with two variable axes on Mac you will need MacOS 10.14 or higher. TT Fors supports more than 180+ languages, such as: Acehnese, Afar, Albanian+, Aleut (lat), Alsatian, Aragonese, Arumanian+, Asu, Aymara, Azerbaijani+, Banjar, Basque+, Belarusian (lat), Bemba, Bena, Betawi, Bislama+, Boholano+, Bosnian (lat), Breton+, Catalan+, Cebuano+, Chamorro+, Chichewa, Chiga, Colognian+, Cornish, Corsican+, Cree, Croatian, Czech+, Danish, Dutch+, Embu, English+, Esperanto, Estonian+, Faroese+, Fijian, Filipino+, Finnish, French, Frisian, Friulian+, Gaelic, Gagauz (lat), Galician+, Ganda, German+, Gusii, Haitian Creole, Hawaiian, Hiri Motu, Hungarian+, Icelandic+, Ilocano, Indonesian+, Innu-aimun, Interlingua, Irish, Italian+, Javanese, Jola-Fonyi, Judaeo-Spanish, Kabuverdianu, Kalenjin, Karachay-Balkar (lat), Karaim (lat), Karakalpak (lat), Karelian, Kashubian, Kazakh (lat), Khasi, Kinyarwanda, Kirundi, Kongo, Kurdish (lat), Ladin, Latvian, Leonese, Lithuanian, Livvi-Karelian, Luba-Kasai, Ludic, Luganda+, Luo, Luxembourgish+, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay+, Maltese, Manx, Maori, Marshallese, Mauritian Creole, Minangkabau+, Moldavian (lat), Montenegrin (lat), Morisyen, Nahuatl, Nauruan, Ndebele, Nias, Norwegian, Nyankole, Occitan, Oromo, Palauan, Polish+, Portuguese+, Quechua+, Rheto-Romance, Rohingya, Romanian +, Romansh+, Rombo, Rundi, Rwa, Salar, Samburu, Samoan, Sango, Sangu, Sasak, Scots, Sena, Serbian (lat)+, Seychellois Creole, Shambala, Shona, Silesian, Slovak+, Slovenian+, Soga, Somali, Sorbian, Sotho+, Spanish+, Sundanese, Swahili, Swazi, Swedish+, Swiss German+, Tagalog+, Tahitian, Taita, Talysh (lat), Tatar+, Teso, Tetum, Tok Pisin, Tongan+, Tsakhur (Azerbaijan), Tsonga, Tswana+, Turkish+, Turkmen (lat), Uyghur, Valencian+, Vastese, Vepsian, Volapük, Võro, Vunjo, Walloon, Welsh+, Wolof, Xhosa, Zaza, Zulu+, Belarusian (cyr), Bosnian (cyr), Bulgarian (not localization), Erzya, Karachay-Balkar (cyr), Khvarshi, Kumyk, Macedonian, Montenegrin (cyr), Mordvin-moksha, Nogai, Russian+, Rusyn, Serbian (cyr)+, Ukrainian

Bitstream Cooper was designed at Bitstream in 1986 by means of adding light, medium, and bold styles, with the corresponding italics, to the existing black ones. Based on Cooper Black, 1919, by Oswald Bruce Cooper, which was firstly released as a hand composition font in 1922 by Barnhart Brothers & Spindler of Chicago and later spread by ATF. Cooper Black is an extra bold face based on Cooper Old Style. Bitstream Cooper is an old style face with rounded serifs and tilted back ovals. For use both in text (normal weights) and in advertising and display typography (heavy weights). Cyrillic version was developed for ParaType in 2000 by Manvel Shmavonyan and based on TM Oswald face of TypeMarket, 1996, by Victoria Grigorenko.

Momotarō is a Japanese legend about a boy who came to earth inside a giant peach. He was found by a childless woman and grew up to be a hero. I'm in a Japanese mood - mainly because lately I have been working with brushes and ink a lot. Momotaro font is a very detailed brush font. It doesn't come with a hero inside a giant peach, but it does give your design work that extra oomph, ahh and wow.

Galdana font family is a Roman serifs typeface, whose most relevant characteristic is the slanted angle of its true italic, at seventeen degrees. Its design was inspired by one of the most prominent American calligraphers of the last century, the book designer Oscar Ogg. Galdana contains 18 styles: starting from thin to ending in a fat typeface. This family is completed with multilingual support and a set of OpenType features such as stylistic alternates, swashes, and ligatures.

I have been making some clean, connected fonts lately and when I was working on another one of these, I felt the need for something chaotic. So, Scapegoat was born. I used a round nibbed steel pen and Chinese ink and the result is quite a messy font. It may look chaotic, but as Nietzsche once said: ‘from chaos comes order’. Amen to that! Comes with double letter ligatures for the lower case and a whole lot of diacritics.

Secombe is a lively fun family of typefaces in the spirit of the turn of the last century. It's a boisterous fun design, named in honor of the late Harry Secombe (or if you prefer, Neddy Seagoon). Secome is a family of two 'small capitals' display faces, offered in a regular solid form and the 'Grande' form, engraved and shadowed. Ideal for posters, book covers and any other design work where a feel of the 1900s is needed.

Get ready to make a bold statement with our revolutionary font that combines various styles into one. This eclectic, rebellious font is perfect for anyone looking to add an unpredictable touch to their designs. Whether you're creating posters, templates, or any other type of design, this font will help your work stand out and leave a lasting impression. Don't settle for ordinary, upgrade to this bold and daring font today and let your designs do the talking.

Introducing "Perfect Signature," a captivating handwritten font that brings an air of elegance and sophistication to your projects. With its fluid strokes and impeccable letterforms, this signature font captures the essence of personal touch and authenticity. Elevate your designs with the charm of a handwritten signature, whether it's for branding, invitations, logos, or any creative endeavor that requires a touch of class. Embrace the uniqueness and timeless beauty of Perfect Signature, and let your designs make a lasting impression.

This in-yer-face kinda face is based on a broad brush font from "The New ABC of Showcard & Ticketwriting" by C. Milne, published in Australia in the late 1930s. Brought to my attention by Ms. Kat Black, and named in honor of Ms. Kat's grannie, to whom the book originally belonged. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

Say hello to Rottely Display Font, Rottely is a beautiful display font (Uppercase letters), designed with a modern and bold style. It's suitable for branding,logo,t-shirt printing and many other designs. Included: Rottely (otf) Features: Accents (Multilingual Characters) 12 Ligatures 97 Alternates PUA encoded Numerals and Punctuation (OpenType Standard) Bonus ornament (EPS) Thanks for visiting and purchasing my font!

These letters were created directly by my wife's hand, then I processed it into a vector and turned it into an aesthetic font, i.e. Double Fresh handwritten font. Handwritten like a note, this font features all caps, with three variations of each letter, and lots of ligatures for a natural imperfect look. It's perfect for that hand-lettered social media quote, logos, or adding a handwritten touch to any project. Mix & match the stylistic alternate or ligature, so that you’ll have lots of different letters for that unique look & feel! What’s included: ALL CAPS LIGATURES STYLISTIC ALTERNATE MULTILINGUAL SUPPORT NUMBER & PUNCTUATION Have fun creating with this brush font and let me know if you’ve any wish, suggestion or feedback 🙂

Unleash the power of typography with Noxvile, a revolutionary font that demands attention and exudes confidence. Crafted with precision and designed to make a statement, Noxvile brings a whole new level of intensity to your words. Ignite your creativity and let your message roar with Noxvile's super bold style and captivating all-caps specimen. Whether you're designing eye-catching headlines, striking logos, or empowering social media posts, this font will make your words leap off the page and leave a lasting impression. Stand tall among the rest with Noxvile's commanding presence. Embrace its sharp edges, powerful curves, and unparalleled strength to create a visual experience that is truly unforgettable. Let your message shine brighter than ever before, cutting through the noise and leaving your audience captivated.

Do you like cats? We love them! Cats do so many crazy things, we thought it was time to design a font for cat lovers and their cat-loving friends. LiebeKitty is just right for greeting cards, birthday invitations and to add pretty details to your photo album. We have spent much time on cat-watching research and included over 50 cats and kittens for a wide range of creative applications. Happy cats, mad cats, bad cats, hungry cats, egyptian walk cats, and more. Plus‚ cats love fish, just like we do. Check out LiebeFish, one of our other popular fonts. And if you're looking for a typeface that perfectly fits the hand-drawn looks of LiebeKitty, check out LiebeErika, #1 Hot New Font in October 2010!

I have always been fascinated by Tengu - a mythical creature from Japan. Tengu are usually depicted with a red face, a very long nose, white moustaches and a funny hat. They used to be regarded as harbingers of war, but over the centuries, their image softened and they became the protective spirits of mountains and forests. Daitengu means ‘greater tengu’ and stems from the Genpei Jōsuiki - an extended version of the ‘The Tale of the Heike’ - an epic account of the struggle between the Taira and Minamoto clans for control of Japan. So, now you know about tengu, end of the history lesson! Daitengu is an epic brush font. I made it with a soft brush and China ink (like most of my brush fonts), but instead of forming the glyphs I saw in my head, I let the brush do the work. A more ‘zen’ approach to brushwork if you will! The result is a messy, organic brush font with a lot of spirit. Comes with diacritics and double letter ligatures.

Lapidaria is a typeface that may be described as a ‘geometric sans with humanist qualities’. Its mood is smart and sober, its appeal is calm, cool and classical. Though quite well performing even in longer text bodies, a particular strength of Lapidaria lies in display typography. The most peculiar aspect of Lapidaria is its new family concept: for the very first time ever a tricameral alphabet model has been realized as a general-use sans: uppercase, lowercase and middlecase letters blending smoothly into one typographic tone, thus offering entirely new typographic possibilities. – The middlecase (or uncial) sorts being accommodated in the lowercase positions of the Medior fonts. All nine fonts equally offer full character coverage for all Euro-Latin languages – and for Greek. There are a lots of special characters and ligatures. Last but not least, a set of ten ornament characters (in each font) will let you make sparkling designs which will thrill your clients. Each font contains about 500 characters, that makes over 4,500 in total for the complete Lapidaria family package. __________________________________________________________________________________________

Stefian Script is a modern calligraphy font with the current handwriting style. This font is perfect for branding, wedding invites, magazines, mugs, business cards, quotes, posters, and more, you can try it first if you want to buy this font. Stefian Script is equipped with 526 glyphs and has 97 ligatures. By having so many glyphs you will be able to choose the letters according to your tast and needs. With lots of variations and options for each letter, you can customize on your design needs. You need a program that supports OpenType features such as Adobe Photoshop Cs / Adobe Photoshop CC, Adobe Illustrator CS / Adobe Illustrator CC, Adobe Indesign and Corel Draw and many more programs that support OpenType. If you don't have a program that supports OpenType, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows) If you have any question, do not hesitate to contact me by email mightype89@gmail.com Thanks and happy designing :-)

Smilodon an ancient distressed font made with raptor claws, cat’s teeth, stone and sky? It's a corroded, distressed, punk scrawl with lots of attitude. This is a basic minimal glyph set with uppercase and lowercase forms. This is a headline display font suggested use would be 60 point or larger. Note: The metric and kerning on this font is extremely tight spacing and user should letterspace to desired width within application type controls. This monster cat is pre-historic indeed.

François Boltana was a French prolific lettering artist during the late 20th Century. He created the Stilla typeface in 1973. Stilla is a cursive “Fat Face”-style design, reminiscent of the first large advertising and display types produced in the wake of the successful Bodoni, Didot, and Walbaum text faces. Because of this pedigree, Stilla is the perfect headline choice for applications that look back to the 19th century. Stilla could also be used for very short headlines or big logos.

The world may seem cartoonish to you, pilgrim, but the funnies ain't really that funny. The Flintstones are so last century. The Hulks are in, and they're here to stay. Piedra is the rocky, fear-inducing face of galvanized triceps and überchiseled jawlines. Be intimidated, be very intimidated. You don't believe it? Just push the stylistic alternates button and see it disregard the laws and spit pebbles on the sidewalk. Then run to the hills if you want to live.

REALLY fat faces seem to be popular these days, so here's my take on one. The strokes have been expanded to the brink of illegibility, but the letters remain distinguishable, especially in context. Also included are alternate versions of the letter A—suitable for use as first and last letters in a word— in the ASII circumflex and ASCII tilde positions. This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Introducing! Imagine Forest Font! a casual and charming brush font. Indigo Forest is very suitable to fill your design needs such as, branding, social media, merch, ads, book title, packaging, etc. Imagine Forest includes 2 fonts : - Imagine Forest: The main font with Uppercase, Lowercase, Number, Punctuation, and also multilingual support. - Imagine Forest Alt: Besides you can access alternative characters from the main font through the opentype feature, you can also install this alternative fonts. Indigo Forest Alt font will give you other options for a character, which of course will add a natural impression. Imagine Forest also has a some of ligatures that will enhance the natural impression. Thatís it! Please do let me know what you think, feel free to comment if there are issues or queries. Enjoy the Font, Thank You!

Purgatorie - Quirky Halloween Font is an enigmatic display typeface tailor-made for the spooktacular season of Halloween. With its sharp, angular letterforms, it effortlessly embraces the eerie and horror-themed design aesthetic. This font offers a whopping ten alternative variations, each inspired by different Halloween motifs like skeletons, bats, tombstones, blood, pumpkins, bats, witches' hats, and ghosts. Ideal for crafters and designers who enjoy creating products with a variety of themes, Purgatorie is a fantastic choice for logos, packaging, product branding, stickers, crafting, greeting cards, and invitations. Its ability to bring a playful and whimsical Halloween spirit to your creative projects makes it a must-have for the season. With its quirky Halloween style, Purgatorie allows you to create a bewitching atmosphere in your designs and celebrate the spooky holiday.

In Holland we eat pancakes with black syrup and I always thought that this ‘suikerstroop’ was the same as molasses. Turns out that’s not the case; syrup is made from sugar, but molasses is a by-product of the sugar refining industry. To celebrate the fact that I learned something new, I named this font family Black Molasses. Black Molasses was made using various cheap brushes and Chinese Ink. It comes in a ‘fat’ version and a ‘light’ version that work together really well.