The design for Granjon was produced at the English branch of Linotype under the direction of George William Jones and appeared in 1928. This reproduction of a Garamond typeface was based on the typeface sample of the Frankfurt font foundry Egenolff from the year 1592 . The roman characters of the sample were made by Claude Garamond and the italic forms were designed by Robert Granjon. Jones made sure that the Granjon font remained true to the original characters of Garamond and Granjon.

Canastra Typeface is a stylish vintage font inspired by 70’s groovy vibe with a touch of modernity. It looks amazing at display sizes and is easily readable in text size. Canastra Typeface comes with access to your OpenType features, selection of 383 alternate glyphs and ligatures. Canastra Typeface is a serif font made mainly for headlines, titles, and other short texts and is well-suited for advertising, vintage mood board, branding, logotypes, packaging, titles, editorial design and modern and vintage design.

Rayid (رائد): Pioneer. “What if we remove the curves?” This was the whole idea. Rayid could be used at its best for names, titles, headings and other large size contexts. It has the ability to catch the eyes of the target. It is a modern font which respects the traditions by futurism. *Arabic marks (Tashkeel) are included but if your design needs them, first check if they work properly for you.* Please DO NOT HESTITATE to tell me if you saw any bugs.

Belymon Script is a one-of-a-kind script with classic touch and very readable at glance. Really perfect for you who needs a typeface for especially logotype, apparel, invitation, branding, packaging, advertising etc. The main feature for this script is stylistic set for each characters up to 6 set! Just play around and you will enjoy it. This typeface is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc also support multilingual and already PUA encoded.

Modny is a simple and elegant sans serif family with high contrast strokes. By its characteristics, Modny is gentle, smooth and geometric at the same time, neutral to blend into every project. Comes in five weights with tall x-height, file stylistic sets, bunch of ligatures, initials and terminal forms, containing more than 600 glyphs for all Latin languages support. Special addition is an Inline version made out from Bold weight, to increase the effect of decorative elements in each letter.

The first slab serif fonts appeared at the beginning of industrialization in Great Britain in 1820. Clarendon and Ionic became the names for this new development in England, known as English Egyptienne elsewhere in Europe. Clarendon is also the name of a particular font of this style, which, thanks to its clear, objective and timeless forms, never lost its contemporary feel. In small point sizes Clarendon is still a legible font and in larger print, its individual style attracts attention.

Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface’s name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.

When looking for a neutral typeface with no historic reminders, we always end up with notorious designs made about 60 years ago. It’s a part of the whole Trivia type system. To our surprise, there are still people who can’t distinguish three basic latin type categories. The present font family has been created for them. A simple typographic Trivia: three ways to look at printed word, three fonts to design anything from business card to a billboard, three tunes for endless variations.

Beautiful rain made in the rainy season I made an irregular handwritten font at will with beautiful and attractive results full of love and affection in it, making this font very attractive to use in your photos with two words that go hand in hand or also to connect your own name or partner's name because Having a swash heart that can be connected is very suitable for use on greeting cards, wedding invitations, magazines, logos, clothes, stickers, and many more.

Ticketing is a monospaced font loosely based on the pixel style lettering of electronic ticketing, designed for clarity when cheaply printed at small sizes. Ticketing, however, has a larger x-height than is often found on ticket type. The glyphs were drawn on a square grid 13 wide by 22 high, though some accented characters are taller or extend below the baseline. The Space is a full character width, but the Non-Breaking Space is set to half the width of the glyphs.

The first slab serif fonts appeared at the beginning of industrialization in Great Britain in 1820. Clarendon and Ionic became the names for this new development in England, known as English Egyptienne elsewhere in Europe. Clarendon is also the name of a particular font of this style, which, thanks to its clear, objective and timeless forms, never lost its contemporary feel. In small point sizes Clarendon is still a legible font and in larger print, its individual style attracts attention.

Reminiscent of a stencilled spray-paint message, making a stand against the world, Headlined is equally at home expressing the voices of the oppressors and the oppressed. Simple in application, this font sets down an idea and makes it stand out from the crowd with a bold tone backed up by a slight fading that implies age and wisdom. Make a statement with Headlined and watch the world change. Alternatively if you're looking for something a little cleaner, check out Headlined Solid.

Rankings is a luxury serif with unique alternates and swashes. This display typeface has a classic style yet still looks great for modern design. Rankings is great for headlines, logotypes, apparel, invitations, branding, packaging, advertising, and more. Rankings features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at letterhend@gmail.com

I keep experimenting with handwritten fonts, shapes and lines. I want the font to set the tone, the atmosphere, and look like an inscription made in a hurry, but still readable. Try my new font, I think it combines all these qualities. Simple and clear, looks at ease. It is perfect for signatures or design when you do not need a strict style. Includes: Uppercase and lowercase Numbers and punctuation Foreign language support Ligatures Check out my blog: https://www.instagram.com/zloillev pinterest.com/dmitriychirkov7

Introducing a clean geometric font family in Modernism style. Neat and at the same time provocative font attracts attention with its forms. New-fashioned font with original letters will perfectly complement both trendy abstract designs and designs in a retro style. Constructing letters with a bias towards heavier weights and contrast. Versatility of the typeface works well with designs in different styles. Features: Geometric and Modern 6 fonts in family: - Thin, Thin Italic - Regular, Italic - Bold, Bold Italic Kerning ld.luxfont@gmail.com

ASF Diana is a Serif family font. It has 5 upright weights and their Italics and supports Latin, Armenian and Cyrillic alphabet systems. The weights from Regular to Bold and their Italics can be used as text fonts. ASF Diana can be used as Display fonts too. It is an easily readable two side serif font and the eyes don't get tired while reading. ASF Diana has a contrast style and at the same time is quite bright and clear.

Introducing Willond. new font for all of your fun projects! perfect for large design project like Tshirt, mugs, Advertising, bags, quotes, food , poster, fashion, custom sticker, magazine, and many others. It completed with numbers and punctuation. Multilingual support, alternate, ligatures and came with PUA encoded. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply send me a PM or email me at zeenesia@gmail.com. Thanks for purchasing and have fun!

Need to cram a zillion words on to a single page? Nicotine is your vice. Cram it. Nicotine Jazz is a bit more musical as it trades uppercase and lowercase letters for an interesting unicase effect. Italic can be used for extra emphasis. The condensed nature of the Nicotine fonts allows for impressive use at larger, poster sizes. Another interesting tidbit? The I in Nicotine is a silhouette of a traditional filtered cigarette; that's how the font got its name.

Bolde is a powerful sans serif font family with modern touches. A balance of hard lines and smooth curves makes them able to stand on their own dynamically Features: five all caps font, Numbers & Punctuation / Extensive Language Support Bolde works great in any branding, logos, magazines, film. The different styles give you the full range to explore a whole host of applications. Thanks for having a peek at Bolde. As always, if you have any questions just send me a message!

You'll have to admit this is a rocking font, man. It's Fab AND Gear. Not only that, it's called BackBeat and it's GOT a backbeat -- you can't lose it (not if you back up all your data on a hard drive stored at a separate facility), any old way you choose it (Opentype, PostScript or TrueType). Yes, it's just gotta be Comic Book Fonts, if you want to dance with the folks who got all shook up about these kind of things. Yeah.

Proudly present Paintruck - Retro Bold Type, created by ikiiko. A bold vintage serif font with a strong, powerful style that instantly evokes a sense of the past with its pop-retro vibes. The ability of Paintruck to conjure a sense of nostalgia while still seeming current and new is what truly sets it distinct. Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com

Linotype Balder is a part of the Take Type Library, winners of Linotype’s International Digital Type Design Contest. Designed by Lutz Baar, Balder is reminiscent of advertisement and poster typefaces of the 1950s and 1960s. It is composed of only capital letters, making it perfect for initials and headlines. Balder looks as though it were written with a broad tipped pen. Its light serifs at the tops of the characters and the slant of some of the strokes give Balder a dynamic feel.

Haymer stands at the apogee of legibility and clarity. Its design embodies symmetry, even stroke widths and a subtle rounded quality to give an instinctive appeal to the reader and to the designer. Haymer is modern yet characterful and is ideal for use as a text family, online and wherever instant easy readability is required. An extensive family is offered, in four weights, regular and condensed widths, lower case and capital (small and petite) forms as well as display inline faces.

Freely hand-painted with a flat brush, this font conveys spontaneity both through its typeface design and the numerous alternates it delivers. There are four different glyphs for each lower and uppercase letter and two variations for figures (and yet some punctuation marks). All these alternates are programmed to easily cycle at the click of a button - yes, the absolutely amazing Contextual Alternates one. Brushtones, a bold brush font, nice and handy, just perfect to color your message.​ ​Give it a try!

Accidental grotesque with a fiery character. Three font styles: Regular, Italic, Retalic. For each typeface an additional ornament was developed. The «Ogonyok» works well in larger sizes. Looks cool on titles, logos, music album covers, posters, packaging and in short texts. Special gorgeous ornaments will complement and enhance any design. Just try to type the text at the bottom of this page and you will see for yourself. Multilingual. Support: Cyrillic, Latin, extended Latin (Western European, Central European, South-East).

Zanzabar is an exotic display font with a distinctive Middle Eastern flair. Its characters loosely mimic the Arabic script with lowercase letters being much smaller than uppercase. Special emphasis was given to the wispy, brush-like appearance of its characters for a suggestion of authenticity. This works best from far away or at small sizes. Although decorative by nature, the entire character set is relatively easy to read. Use Zanzabar for a restaurant logo, children’s book, or a movie poster.

Sambosa - Modern Serif Font is a stylish font It has both modern look. Comes with Bold and Bold Italic, helps to create stunning logos, quotes, posts, blog posts. branding projects, magazine imagery, wedding invitations, and much more. Containing full set of punctuation and numerals Files for all fonts are included. That's it! If you have any questions at all , feel free to pop me a private message , I'm always more than happy to help you along :) Happy creating! Hanief Studio

Brushzilla is a handmade brush font with a bite: it feeds off the creative energy from the depths of your mind and transforms it into something outstanding. Work with it, not against it. Ride the wave and let it take you by the hand. You may fear it at first sight, but once you get to know it, you’ll find that this beast will refresh your creative senses. Comes with some gorgeous alternate glyphs, double letter ligatures and a whole lotta diacritics.

Two Cents Plain JNL is a simple sans design for titling, sign work, display ads and so forth. The name is derived from the way folks in the Northeast used to ask for a glass of seltzer water at restaurants and soda fountains decades ago: "Give me a two cents plain." It was always cheaper to order plain seltzer than to have flavored syrup added, and this was especially true in the years during the Great Depression when every penny made a difference.

Presenting Masa Brush! A Brush San Serif with an organic texture. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and on any project. So, Masa Brush can't wait to give its touch to all your design projects such as quotes, poster design, personal branding, promotional materials, logotype, product packaging, etc. Happy Creating! www.azetypestudios.com

The typeface was designed at the Polygraphmash type design bureau in 1940-56 (project headed by Anatoly Shchukin) based on Erbar-Grotesk typeface of Ludwig & Mayer company, 1929 by Jakob Erbar, and on Metro typeface of Mergenthaler Linotype, 1929 by William A. Dwiggins. A sans serif of geometric style. For use for text and display typography. In 2014 designer Olexa Volochay made some corrections in original digital data and extended character set. The family was rereleased in ParaType in 2014.

Red Top is the UK name for the tabloid press, the scandal sheets of journalism, scourge of royalty, errant politicians and public figures, and celebrants of sex, celebrity and astrology: all human life is there as they used to say in the now defunct News of the World. For the budding media moguls amongst you – or for designers who want to make their headlines shout a little louder – here at last is Red Top the font. Splash it all over!

Inspired by late 18th century type specimens, Saltpetre is a grounded yet rustic typeface. His letters have been hand-inked with antique dip pens and playfully spaced for a charming, irregular look. In addition to a set of 26 upper case letters, the font includes a variety of period graphics, interlocking decorative borders, numerals, punctuation, currency figures and multi-lingual support. Saltpetre is extremely versatile and excels at display, as well as specialized uses such as cartography and historical reproduction.

This decorative caps-only type family was designed in 2004 by Vladimir Pavlikov and licensed by ParaType. Its letterforms are imitating low resolution display letters used at railway stations, airports, and other public places. Regular, Inline, Shadow Left, and Shadow Right styles are available. An additional set of symbols and pictograms is included in each style to increase its decorative abilities. The face is good in magazine advertising, posters, and industrial graphic design in the fields of science and technology.

Spookies Identity is a horror display font. This font is inspired by movie titles and some horror logos. The impression of horror is highly emphasized, but the alternate character of this font that curves at the beginning and end of the letter makes this font very suitable to be used as a logo and poster. Spookies Identity would be perfect for Logo, title, logotype, cover, headline, apparel, comic, cover books, cards, posters, or anything that requires a horrror or scarylook!

Tahiti Sans is a playful, all caps display sans available in 2 versions. At first glance it appears to be the offspring of a rather uniform font and a wacky one. The variations of letterforms as well as random angles are minimal. They’re tall by nature so squeezing text into tight spaces should be easy. Characters are slightly jumbled in a childlike manner and misaligned with varying degrees of spacing. Use it for youth sports, social media, toy packaging or advertising.

Nicolus Kessler was a printer of Incunabula in Basel, Switzerland. He produced numerous ecclesiastical works, Bibles, and an edition of the Golden Legend. This particular font is derived from one of his many typefaces. It has the virtue of both being at once fancy and elegant yet retaining a surprisingly easy to read property to it. This font has over 900 glyphs for modern usage and also includes a few of the more common historical abbreviations that were then present in printing.

During the investigation of the infamous murders in Whitechapel, police received several letters allegedly from Jack the Ripper. Of the hundreds received, the so-called, “Dear Boss” letter actually included some details of a crime that had yet to be committed. Soon after, the information in this letter would be corroborated at a crime scene. This font was inspired by the handwriting in that letter. It includes dozens of European characters…and just might be the writing of Jack himself!

Inspired by the classical “Fell Types”, especially the charmingly quirky weights designed by Peter De Walpergen. WT Solaire is a liberal interpretation of those cuts, meant for the digital age. Its design reflects an elegant tension between tradition and modernity. Its elegance and sharpness make it a perfect fit for any project that requires impact and subtlety at the same time. It is especially meant for editorial design, be it magazines or books, but it also works well with images.

I have never stayed at a boarding house myself, but I’ve heard some horror stories. When I have finished painting the three fonts (using Chinese ink and a small brush), I didn’t have to think long for a name. Boarding House family consists of three distinct hand painted fonts - the complement each other, but can be used separately as well. Use Boarding House for your halloween posters, mystery novels or websites. All fonts come with an attic full of diacritics.