Amulet evolved after a trip to Dublin, Ireland. It has a Celtic calligraphic influence which must have subconsciously come from looking at ancient manuscripts and the Book of Kells in Trinity College.

Luxor Pro is a semi-encircled Egyptienne with exaggerated serifs. It is a font of Victorian style which was widespread in Europe and America at the fin de siècle, especially in advertisements.

The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.

Voynich is an eerie, alien font based on the mysterious tome known as the Voynich manuscript. For more information on the manuscript, please see the Wikipedia article at http://en.wikipedia.org/wiki/Voynich_manuscript

The Bentele-Unziale letters are transcribed from letters drawn by Prof. Ernst Bentele which are displayed in Hoffmanns Schriftatlas (1952). The size of the original is matched when set at 84 pt.

Hannover Modern belongs to a series of typefaces used at the Estudio Mariscal in Barcelona. José Manuel Urós developed this weight, a vigorous egyptian-style, the embodiment of the Javier Mariscal style.

This display type family was developed with large headlines in mind. While the fonts work will at large size, they are not overbearing and get the point across without being too “shouty”.

The 1920 song “Noah’s Wife Lived a Wonderful Life (‘Cause Noah Had to Stay Home)” is another example of one of those overly-worded song titles from early 20th Century composers. What’s more important for type enthusiasts is that the title was hand lettered with a round nib pen in a slightly ragged Art Nouveau style. Cleaning up the ragged design, the end result became Nouveau Showcard JNL, which is available in both regular and oblique versions.

Rinstonia is a signature style typeface. Rinstonia is a beautiful script font that is such a pleasure to work with! The perfect flow and easy signature style works perfectly on invitations, blog headers, branding, art quote, book / cover title, and so much more! Rinstonia typeface comes with upper and lowercase Standard Characters, Punctuation, Numerals. And other Glyphs variation of the OpenType features such as Standard Ligature, Stylistic Alternate and 5 Stylistic Set (ss01 - ss05). Typia Nesia Studio Malang - Indonesia

Amaris is a nostalgic serif fonts features high contrast between thick and thin strokes, and traditional letterforms. They evoke elegance, sophistication, and tradition. Ideal for formal designs and branding. You want to make a greeting card or a package design, or even a brand identity, craft design, any DIY project, book title, poster, pop vintage design, retro design or any purpose to make your art/design project look pretty and trendy? Feel free to play with this typeface!

Cross the irrepressible Samuel Welo with a bit of found matchbook art and voilà! You have this retro charmer, proudly found on the kind of neon signs that offered an invitation to dine and dance. To continue the baseline treatment between words—or to extend it on either side—use the _Underscore character. Both versions of the font include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

This font may be conservative and classic, but also may be more playful and modern. It is good for theater or art posters and for modern music, web-pictures or vinyl covers. Of course it also will be good for coffee shops, cafe's, restaurants, magazine's headers, signs or gift/post cards and weddings. Try to use it in your beauty or travel blogs, you will see how many options you will have with stylish Banner Font.

Tact Slab New is geometrically a slab serif font, with 3 weights, condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. Tact Slab New is compatible with the sans serif font Tact New. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, posters, corporate designs, futuristic themes, sport, film, computers, phones, video games, publishing... Contains all the Latin and Cyrillic glyphs.

Rickslord is an uppercase display font that transports you back in the early 20th century. Some characters show high contrast between thick and thin strokes, creating a dramatic visual impact, while others maintain a more consistent weight for a balanced appearance. This blend of contrasts adds an unexpected dynamic quality to the text, making every word a work of art. Beautiful ornaments are included as a bonus. Rickslord fits in headlines, logos, branding materials, and many more.

Sweet Affogato is a fun and cute display font. It has a playful style and great readability. It’s perfect for Christmas cards, branding, stationery, blog design, custom art, custom stamps, custom embossers, book, apparel, packaging, headline, or much more! It will add a unique feel and looks stunning to any design project! This font is PUA encoded which means you can access all of the cute glyphs with ease! It also features a wealth of including ligatures.

Mesveda is a Clean Modern Typeface Sans Font Family, Simple Aesthetic yet Minimalist. Mesveda is Versatile and Variable and comes in 14 styles in weights from thin to bold including italics. Featured with Uppercase and Lowercase, Numeral and Punctuation, Multilingual Support, and Opentype Features. Suitable for your design projects Web design, UI design, Logos, Branding, Advertising, Product designs, Stationery, Magazine designs, Book/cover title designs, Photography, Art Quotes, Wedding designs, Fashion designs, Special events, Labels, Product packaging, and more.

Discoteque Family is modern art-deco related fonts collection that found compromise between retro and futuristic style. They are geometrically straight, rhythmic, clean and elegant. They are perfect in upper-case for headings, posters, logos. Discoteque Hypnosis makes stylish modern look with air of disco of 70-80s. Discoteque Gold is highly recommended for making designs in steam-punk style or for luxury vintage feel. Over 2,660 kerning pairs has been manually gleaned for perfect look.

Team Tribox Design created the font to improve the old font print of Doctrina Christiana. Each letter is designed for better readability even in small sizes, particularly for books, and is designed for poets, writers, and anyone who needs a font used in publishing. The font is personally designed and is intended for use by publishers and those seeking publication. Regine Ylaya: Art Director, Research Inu Catapusan: Font/Typeface Designer, Creative Director, Copywriter Faye Penetrante: Copy Editor

Introducing our latest display typeface called Luxurist Vintage - Display Vintage Serif with Ligatures can make your logotype become more interesting. Best Vintage font with special ligatures and multilingual support. inspired by the decorative arts and architecture movement Luxurist Vintage fonts is perfect for your project and allows you to create designs, headlines, posters, logos, badges, t-shirts and many more that are beautiful. It is also best used for posts, logos, posters, certificates, labels and more

Empire Display is a sans serif italic display face which references the styling of the 30s through to the 50s. It has a large x height and with its condensed proportions makes it ideal for headlines, posters or where large size settings are required. It has the unique feature of having the stems and cross bars slightly angled top and bottom. This also helps to create the art deco/modern feel that sets it apart from standard condensed typefaces.

The April 8, 1932 issue of The Film Daily ran an ad for a film entitled "The Sin of Lena Rivers". Hand lettered in a block style of chamfered characters, it is reminiscent of the 1920s, but still carries a touch of Art Deco influences with the thinner and extended horizontal strokes of the E, F and H. This retro sans serif design is now available digitally as Evil Ways JNL in both regular and oblique versions.

Fox Chick is a cute and fun color font. This font is your go-to for crafting cute greeting cards that express affection and warmth. Fall in love with its authentic feel and use it to create gorgeous invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards. Learn more about color font support on third-party apps here: https://www.colorfonts.wtf/ 🌺🌺 Please note that the Canva do not support color fonts! 🌺🌺

Antikka draws some inspiration from the style of the Art Deco movement of the 1920s and 30s. The vision behind making Antikka was to revitalize the style of this bygone era -- making it funky and relevant to our 21st century times. Antikka is a minimal font, clear and geometric, yet highly stylized. Comfortable in a business setting - or just about anywhere. Antikka arrives as the business casual of fonts - giving it a wide range of use.

Amanllor is a thin lettered and graceful script font. Fall for its ravishing style and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and much more! Amanllor is PUA encoded which means you can access all glyphs and swashes with ease! FEATURES Alternate Characters Uppercase and Lowercase letters Numbering and Punctuations Multilingual Support Works on PC or Mac Simple Installation Support Adobe Illustrator, Adobe Photoshop, Adobe InDesign, also works on Microsoft Word

Say hello to Metropolia! Drawing up the first roughs of this design I was aiming for a slightly asymmetrical feel. I later realized that this gave it a strong art deco influence. A slight tilt brings it a forward movement and a distinct flavour. Designed primarily for headline use, this is not your workhorse font but rather a playful and versatile addition to your font toolbox. A set of alternate capitals will be handy for headline or logo ornaments.

Eckhardt Titling JNL is another treatment of a popular typeface that lends itself well to the hand-lettered sign and display work of days past. A clean sans serif with a slight touch of Art Deco, this font renders well from small point sizes to large posters. As with other fonts in this series, it is named in honor of Jeff Levine’s good friend Albert Eckhardt, Jr. who owned Allied Signs in Miami, Florida from 1959 until his passing.

Agondav is a nostalgic font, this typeface has smooth curves and a visual style a can embodies charm and elegance in every lettering, making your work look stunning and attractive. A versatile font that works in both large and small sizes, suitable for a wide variety of projects such as a display for headings, logos, invitations, branding, magazine, photography, card, product packaging, product mockup, mugs, posters, labels, signatures, editorials, art deco, any type of advertising purpose.

Brice refers to cultural products of the 80s such as music, art, literature, fashion, dance, film, that are consumed by the majority of society population. The Characteristic of Brice are in the small bouncy serif with a dynamic contrast, like R, B, S, K, P, etc. Perfect for Logotype, Caption, & Header. Brice are available in 5 Widths (Condensed - SemiCondensed - Normal - SemiExpanded - Expanded) with matches 6 weights (ExtraLight - Light - Normal - SemiBold - Bold - Black) and support for 75+ language.

Eko Ringlos is serif fonts, this typeface has smooth curves and a visual style a can embodies charm and elegance in every lettering, making your work look stunning and attractive. A versatile font that works in both large and small sizes, suitable for a wide variety of projects such as a display for headings, logos, invitations, branding, magazine, photography, card, product packaging, product mockup, mugs, posters, labels, signatures, editorials, art deco, any type of advertising purpose.

Ready for Anything BB is a classic comic book lettering font designed with a Speedball C-6 pen nib, giving it supremely versatile letter-forms to complement any comic book art. As if that weren't enough, it also features contextual alternates that swap through six versions of every letter, three versions of every number, exclamation point, and questions marks. It also automatically corrects errant serif-I, and creates a bouncy baseline for any more than three consecutive letter!

Stereonic is a geometric display sans influenced by Art Deco style. Its 38 fonts across 5 weights offer the possibility to convey numerous moods and styles typical for different decades. As the name suggests, the music posters were considered as the perfect application for this typeface, however using it in magazines and other editorial will definitely add more style. A variety of included ligatures and alternatives will also make Stereonic a perfect choice as the base for logotypes.

Samuel Welo was a sign painter who had published in the 1920s and again in 1960 his “Studio Handbook – Letter and Design for Artists and Advertisers”, prolifically hand lettering all of the type style examples within the pages of the publication. In 1930 Welo also published “Lettering - Practical and Foreign”. From this book comes a thick-and-thin hand lettered Art Deco alphabet – now available digitally as Sightseeing Tour JNL in both regular and oblique versions.

Intouch is a cool, and display font that has a cool and funny, street art vibe. A playful all-caps Display font that includes four versions font of each letter which can be used separately or on top of each other to achieve a different look. This font is PUA encoded which means you can access all of the glyphs and alternates with ease! (please type the preview to see if I have what you need!)

Irena is a cubist/expressionist font inspired by Vojtěch Preissig. Preissig (1873-1944) was a Czech typographer, printmaker, illustrator and teacher, whose work was influenced by Japanese Art and Symbolism. During WWII, Preissig supported the Czech resistance and he was arrested in 1940. He died on June 11th in Dachau concentration camp. This font was named after his daughter Irena Bernášková. The Irena font is angular and square(ish), yet easy to read. It comes with extensive language support.

Arbotek has the original skeleton that the author used for the development of his typeface Arboria, a real 'architect typography', with a basic and radical approach to pure geometric forms. The three basic styles - Thin, Light and Light Rounded - try to approach the cartographic technique annotations and their output on plotters. The voluptuous style, Ultra, keeps the same structure of the Light versions, but develops as a historic Art Decó variant of this 20s and 30s graphic style.

New expressive font "ColorPaper". It was made using the negative space of letters and it looks amazing! This design captures you with its originality and simplicity. Thoroughly selected geometric shapes make a piece of art out of every symbol. Unfold the full potential of this font, experiment with the color and get pleasant impressions. Production of an original and expressive design of a poster, title, logo, emblem using this font is very simple and fascinating. Make sure yourself.

ITC Woodland is the work of Japanese designer Akira Kobayashi. It is based on Kobayashi's hand lettering with a flat brush or square-edged pen. I wanted to design each weight to act its own part," says the designer. "The light version tends to look almost fading in small sizes, but the heavy weight is as black as Cooper Black." The cheerful ITC Woodland is ideal for graphics, greeting cards, correspondence, and other applications requiring a light touch.

ITC Stylus is the work of American designer Dennis Pasternak, who based its forms on those of freehand architectural lettering from historical and contemporary sources. Pasternak points out that while the typeface emulates hand lettering, no pencil drawings or scanned art were used in its creation. The letters bounce slightly across the baseline, giving the typeface the look of true handwriting. ITC Stylus emanates warmth when used for extended text and a fresh quality in display sizes.

Nouveau Crayon is based on Crayon Crumble, a font I made a long time ago. I changed a lot of glyphs and added a whole bunch of new ones. It has become quite a good looking font to be honest: oodles of crayon goodness, heaps of crumbling bits and a lot of expression. Use it for cafe websites, restaurant menus, children’s books, art fair posters and whatever else you fancy. Nouveau Crayon comes with abundant language support.

Abalda adds to the number of “bad-taste” alphabets as seen on faded commercial inscriptions painted on neglected old houses. To enhance its warm character, some picturesque discretionary ligatures were added. Use it for posters, private invitations, or create a punchy company logo – the smell of old times will coin decent traditional look without a vulgar “Art Nouveau” cheapness. Yes, Abalda shares its overall proportions with Zeppelin 43, hence the whole family is a good choice to combine with.