Scoreboard JNL emulates illuminated scoreboards and is based on an alphabet found in an old clip art book of sports-themed alphabets.

Gizela shows her personality with a feminine, sensual, seductive and art deco vibes. Perfect for late December invitations and New Year's cards.

Socialite JNL takes its cue from the Art Deco style of the 1930s with its clean, angular lines and stylized letter shapes.

JH Amira is a display modern typeface; it is designed based on Art Deco style, typical for fashion magazines headlines, logos & titles.

Ornamental font based on examples from the book Miller & Richard "Specimens of Printing type". Collected ornaments belong to the Art Nouveau style.

This font is designed to be layered as a trendy chalkboard art font. Stack the layers for a 3D, multi-colored look.

A sans serif with the futuristic retro, Art Deco feel of mid 20th century science fiction, particularly the early Flash Gordon serials.

Reynard is an arts and crafts period font with a bit of a Celtic inclination. Very well suited to formal, elegant titles.

Rosso is a condensed geometric Sans with a retro style, inspired by various typographic styles. It features the Roslyn Gothic structure, which was popularly used for the covers of Philip K. Dick's books in the 1970s. Rosso has 10 variants from Ultra Light to Black with their respective Italics. In addition, it is divided into two Subfamilies, Normal and Alt. The normal one remains faithful to the proportions of Roslyn Gothic and classic geometric fonts, while the Alternative version expands its round shapes, generating a striking and unique rhythm and contrast, classic of Art Deco fonts. In addition, it has alternative glyphs and discretionary ligatures inspired by the work of Herb Lubalin, which add greater possibilities to face any design project. All this makes Rosso a font full of personality, striking and recognizable. Ideal for the construction of logos, eye-catching headlines, movie posters, volumetric posters, etc.

Airosol is an edgy and expressive graffiti font that captures the essence of street art with a style that's undeniably urban. It's the perfect choice for designers and artists looking to infuse their projects with a raw and rebellious vibe, complete with striking swashes for added flair. Gritty Street Art Aesthetics: Airosol is a graffiti font that channels the raw energy and aesthetics of street art. Its bold and expressive letterforms showcase the essence of rebellious creativity, making it a standout choice for projects that demand an urban edge. Street Art Style: What sets Airosol apart is its authentic street art style. Every character exudes a sense of authenticity, as if it were lifted directly from a city wall, ready to make a statement. Swashes for Added Impact: Airosol comes with dynamic swashes, allowing you to accentuate your text with unique and artistic flourishes. These swashes are your tool for adding that extra touch of graffiti-inspired artistry to your designs. Versatile Expression: Airosol is more than just a font; it's a versatile form of expression. Whether you're working on urban branding, event posters, or any project that demands a street-smart aesthetic, Airosol will be your creative companion. Unleash Your Inner Rebel: With Airosol, you're not just selecting a font; you're unleashing your inner rebel and embracing the power of street art in your designs. Choose Airosol for Your Urban Adventures: Explore the creative possibilities with Airosol, and experience how its graffiti-inspired aesthetics and swashes breathe life into your projects, from the streets to the screen.

Looking to add a little Arts & Crafts flavor to your next project? Perhaps you just need a distinctive, new sans serif design? And one with a large international character set. In either case, ITC New Rennie Mackintosh™ may be the typeface for you. Its narrow proportions saves space, and the design shines at large sizes. While it can be an excellent typeface for Art Nouveau flavored labels, name tags and chapter call-outs, this is a suite of fonts that you can also turn to for a bevy of print and on screen uses. Games and apps, as well as print headlines and menus all benefit from ITC New Rennie Mackintosh’s vintage vibe. Based on Phill Grimshaw’s original 1996 design, Monotype Studio designers reimagined the iconic family, added lowercase characters, a new weight structure of light, regular and a more robust bold design; each with an italic counterpart. In addition, a large international character set that include support for many Western and Eastern European languages – including Cyrillic and Greek – give the family a deep typographic bench. An added benefit: the new designs can also be combined with Grimshaw’s original ornament and initial character fonts.

Soprani is a unique typeface inspired by a plaque found in New Zealand dating from the 1920s. The design was contemporized and brought 100 years into the future. The serifs are dramatically flared at the end of the stems, while in the middle, they contract. This leads to a unique shimmering effect that draws the eye and catches your user's attention. This typeface meets the demand for unique serif types that are both eye-catching and delicate. It’s a display face that's ideal for very contemporary work. This typeface has plenty of alternates and has a full complement of OpenType features. The 1920s inspire the design, with a bit of art nouveau and arts and crafts, yet the typeface is designed to meet contemporary design requirements. It has a unique elegance and the letterforms are condensed more than most. Soprani is suggested for table books, menus, and various promotional materials, newspapers, television, motion pictures and other media. There is a wide range of widths and weights available, from the thin, which is delicate and graceful, to a bold and robust black. Production assistance by Lucas Azevedo and ikern.

In January of 2006, Jeff Levine fonts debuted with ten releases. Many of those first fonts were based on vintage lettering stencils, which were the "school years" catalyst for Jeff's interest in lettering and type design. Eight years later, his collection of fonts has become a giant catalog of display type ranging from Wood Type revivals to Art Nouveau, Art Deco to stencil, reinterpretations of old favorites, experimental fonts, dingbat fonts and typefaces reflecting a particular decade's styles of cultural popularity. Designs from old lettering books, type catalogs and advertising have also been fodder for many alphabets not previously available in a digital format. Along the way, many unusual lettering sources were also mined for type ideas. Vintage packaging, hand-lettered signage, sign making kits, rubber stamp type, water applied decals and at times just a singular letter example inspired many of the releases within this collection. It was a source of pride for Jeff Levine Fonts to reach 500 releases and a determined goal to grow the type library as far as possible. With this in mind, February 2014 brings forth many new releases. This one in particular, Ornery Polecat JNL, is the 800th typeface release from Jeff.

Marujo is a highly decorative typeface inspired by painted pieces of Arthur Bispo do Rosário, a striking Brazilian artist who lived for 50 years in a psychiatric institution. Besides its spirited Regular and Light cuts, Marujo family brings nifty eye-catching variations adorned with dots and stripes. It also brings complementary fonts to spice things up even more: there are 2 shadow options and yet a picture font packed with doodles, mostly on nautical subjects (which are strongly present on Bispo do Rosário, a former seaman apprentice.) Bispo do Rosário's works employs a multitude of materials and are often very intricate. Words are everywhere, painted or embroidered at most. He produced a vast amount of works, and is now - posthumously - widely recognized in Brazilian art scene. The psychiatric institution in which he lived is now a museum dedicated exclusively to his work. Marujo draws inspiration not only from Bispo's works, but also from this man's potency, a persistent man who produced amazing art locked in such a tough environment for a life-long. Marujo fonts are positively adventurous and will safely navigate through a sea of feelings, reaching free spirits everywhere. To navigate is precise...

Indentia is a very interesting font, which has been inspired by Art Deco art. It is formed from very careful lines with stylistic sets and ligature features. Indentia has 200+ glyphs consisting of two styles: Indentia Regular and Indentia Black. Suitable for any graphic design projects, prints, logos, posters, t-shirts, packaging and applicable for some types of graphic design. Indentia is compatible with any software without any pain.

Inspired by an art technique, Chiaroscura is a display typeface that conveys elegance and finesse. It has high contrast, sharp terminals and compact vertical proportions that makes it ideal for headlines. Its classy personality directly relates it to the world of art, fashion, music or literature among others. Chiaroscura is suitable for any piece of communication that requires some refined and sophisticated typeface. For more info visit emtype website.

Coffee Beans font is curly ended type font, great for strong headings and titles. Comes from all caps. You can use like Instgram posts, in logos for example CoffeeShop logos and designs design projects be it logos, art quotes or art headlines vs. If you want to stand out your design and need personality your projects. You must try Coffee Beans Font and see difference with other fonts.

Within the pages of an early-1900s instructional book on show card lettering was found a marvelous example of an alphabet that typifies the Art Nouveau movement of the era and served as the inspiration for Nouveau Riche JNL. Angular, artistic and reminiscent (in some ways) of ancient Greek lettering, this design has many unusual letterforms. Check out the interpretive K and R for the best examples of this art style.

Inspired by a retro Art Deco poster as well as many of the true classic Art Deco type designs of the 1930s and 1940s, Deco Revisited JNL is a bold, black, stencil-influenced design with no counters. Although being a contemporary design, its use in any retro project will truly evoke a feeling for the “streamline” era. Deco Revisited JNL is available in both regular and oblique versions.

The unusual mix of Art Deco lettering with a smattering of Art Nouveau characters found within Dance Partner JNL comes from a movie poster for the 1935 RKO picture "Roberta" starring Fred Astaire and Ginger Rogers. The musical was based on the hit 1933 stage play that introduced the song "Smoke Gets in Your Eyes". The play itself was based on the Alice Duer Miller novel "Gowns by Roberta".

Marvellous Script - A Perfectly Magical bouncy Script hand lettered Creative and Casual, together or apart, make tons of gorgeous typographic designs, just in time for all your Christmas labels, cards, and branding too! Perfect for DIY projects, greeting cards, labels, quotes, posters, invitations, wall art, branding, packaging, websites, photos, photo & photography overlays, signs, window art, tags and so much more! Marvelous has an alternate beginning and ending set as well

Retroguard is a typeface that was inspired by classic movies and frequently makes people nostalgic for the height of cinema. This typeface is distinguished by its strong, dramatic letterforms, which frequently evoke the early 20th-century Art Deco and Art Nouveau movements. Images that enhance boldness and drama, including black-and-white photos, antique movie posters, or pictures of film reels, are frequently used in conjunction with this font.

Ainabee is an Art Deco inspired type design. The designer states: "The Art deco period has always fascinated me. The Architecture, The Furniture, The Car Industry, Letters etc, much of what I associate with 20s and 30s. This design is my answer to this fascination. The name is a tribute to my girlfriend Aina." The design is simple and precise in its form and is intended mainly for decorative use.

Nouch is a brush font made with ink and soya, inspired by love for street art and asian calligraphy. Recommended for extreme applications.

An art deco style typeface inspired by the poster from the 1971 film, Velvet Vampire. Such a playful font for a horror flick!

AntsyPantsy, BuggyFont, and MousyFont are based on the same design; only the building blocks—ants, bugs, and a stylized mouse—have been changed.

Damasquine works well for headlines and titles mostly, could be a sharp Art Deco reinterpreted typeface with a touch of archaic lettering inspiration.

Social Gathering JNL is modeled from the Art Deco hand-lettered title of a vintage piece of sheet music entitled "Three of Us".

AntsyPantsy, BuggyFont, and MousyFont are based on the same design; only the building blocks—ants, bugs, and a stylized mouse—have been changed.

Continental Gothic JNL is elegant and sophisticated... perfect for an Art Deco project needing a font that is not too bold or overpowering.

A vintage metal sign saying "No Dogs Allowed" was the model for the ultra-bold Art Deco-influenced lettering comprising Informational Sign JNL.

AntsyPantsy, BuggyFont, and MousyFont are based on the same design; only the building blocks—ants, bugs, and a stylized mouse—have been changed.

Inspired from blueprints of old Montreal buildings, this font is a hand lettered, all caps face with influences from the arts & crafts movement.

Inspired by an image of some Art Nouveau wood type spotted online, Nouveau Impression JNL is available in both regular and oblique versions.

German graphic designer Ralf Weissmantel created Boogie in 2003. Boogie is an ironic reference to pop art, and to disco lettering from the 1960s and 70s. Its round forms and outlines evoke the flashing, pulsating lights and music of that era. Shipping with five different, width-compatible fonts, the Boogie typeface has four different components: an outlined letterform is the base element, and forms the first font. Three additional fonts may be layered over top of this base, surrounding the first font with up to three bubble-outlines. In graphics applications like Adobe PhotoShop or Illustrator, these elements can each be assigned different colors. There is also a fifth font, which contains the base outlined letterform pre-surrounded by three additional outlines of the same color. Boogie works best in large headline, display and signage applications, where its forms can be clearly seen and enjoyed. When different colored layers are applied, text set in Boogie will gyrate and jive across the page! Weissmantel has worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. His design work, honored internationally, has been included in the typography collection of the Museum for Art and Trade in Hamburg. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences. Weissmantel has been an associate of the United Designers Network since August 2002. Boogie received an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH.

This set of typefaces was produced in conjunction with the Guggenheim Museum and the Josef Albers Foundation. Josef Albers was one of the most important artists and educators of the twentieth century. He was a member of the Bauhaus first as a student and then as a teacher from 1920 until its closing in 1933. He then moved to America, where he continued making art and teaching at numerous institutions until his death. Known principally as an abstract painter, he was also an accomplished designer, draftsman, typographer, and photographer. His works explore permutations of form, color, and perception using a restricted visual vocabulary. Created when he was at the Bauhaus, his Kombinationschrift alphabets exemplify the school's ethos. Using 10 basic shapes based on the circle and the rectangle, he created a system of lettering that was meant to be efficient, easy to learn, and inexpensive to produce. These 10 shapes in combination could form any letter or number. The letterforms of this computer version were taken directly from Albers' drawings and notes.

The Arthur Cabinet font family offers a most particular range of seven fancy ornamental fonts in the spirit of the Art Deco era. These fonts celebrate the age of elegance, stylishness and refinement to its very best. They give you a unique tool for exquisite designs. The fonts of this family are derivatives from the Arthur Sans series, which you may also want to have a look at. Use this unique typefaces for distinctive personal stationary, outstanding headlines, captivating brochures and invitations; for marvellous logotypes, wonderful menus, hotel leaflets, exciting ads … for brillant designs. Each Arthur Cabinet font features the same comprehensive Euro-Latin encoding for full language support. Additionally, every font includes a small supplementary set of fine ornaments. – For an even more comprehensive range of Arthur embellishments check out the font Arthur Sans Regular or Arthur Ornaments! Have also a look at the sister fonts of the gorgeous Arthur Sans Family, which will offer you yet another wonderful scope of fascinating typographic possibilities. ________________________________________________________________________________ Tip: Set Sample text (see below) manually to [ABCDE…] to view effectively the fonts most relevant parts! ________________________________________________________________________________