Introducing Khat Jannah, a captivating and unique font that breaks away from traditional design conventions. This exceptional typeface pushes the boundaries of Arabic typography, offering a distinct and visually striking display font unlike any other.

Solking is an Arabic typeface of a three weights : Sharp, Curved and Rounded . the main focus is on blending traditional and modern rules in the formulation and design of the Kufi type in new style .

Ghazal is a display Arabic font with High contrast mainly used for headlines, it comes in single weight. This font is an excellent choice for all kinds of creative projects such as branding and advertising.

Fushar is a bold comic color font family which comes in 5 layer-styles easy to compose in a multicolor manner and 3 OpenType-SVG color styles to make the work faster and easier. Character set covers Latin alphabet of European languages, Vietnamese and Pinyin with standard ligatures, digits, punctuation, currencies and other symbols - the total of 555 glyphs. The idea came from a custom logotype I made several years ago for a local charity organisation that helps children. The logotype was based on bold letters with light that make the "balloon" effect visible in "Holes" style. Later I expanded the family with "Cuts" and all the derivative fonts that make the whole color family. The purpose was to create a funny, friendly and playful script that would embrace the beauty of the Arabic script which is available in Fushar Arabic. The Latin character set is a useful addition and is available in multilingual bundles. Solid, Cuts and Holes are classic one-color styles which can be used separately to compose a simple text. With Shadows and Lights they can produce a multicolour design, as shown on the images above. To save the time, there are three already prepared combinations in the new OpenType-SVG color format. The features include contextual alternates, standard ligatures, fractions, ordinals, case-sensitive forms, proper mark attachment, superscript (1, 2, 3) & localizations.

The Bustani™ typeface is a typographic interpretation of Naskh, a principal calligraphic style of Arabic script. Designed by Patrick Giasson and Kamal Mansour, Bustani is the first OpenType® font to offer full classical Naskh contextual shaping, while supporting all the numerous languages that use the Arabic writing system without the need for auxiliary plugins (an OpenType compliant application is required). Through the use of OpenType® stylistic sets, Bustani features intelligence to choose the appropriate letterforms for faithful interpretation of Naskh calligraphy. Bustani supports Arabic, Farsi, and Urdu – in addition to many other languages. While primarily intended for setting literary text, the Bustani typeface can also be used in a broader variety of projects that require classic, graceful shapes. “The face shines in environments where the text is given breathing space,” says Giasson. “This includes poetry, literature and artistic publications – perhaps even adding a bit of flair to parking tickets,” he quipped.

Al-Ghazalia is an exquisite font meticulously crafted to capture the essence of Arabic calligraphy. Al-Ghazalia is not just a font; it's a bridge between tradition and modernity. The characters in Al-Ghazalia embrace the rich tradition of Arabic lettering, featuring graceful, curvaceous lines and a stunning high-contrast design. Each letter is thoughtfully shaped, exhibiting the intricate beauty of Arabic calligraphy while adding a contemporary touch. In addition, you can also enjoy the features here. Features: Alternates Swashes Multilingual Supports PUA Encoded Numerals and Punctuations Al-Ghazalia fits in headlines, logos, posters, flyers, branding materials, greeting cards, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Sedid, “solidity; It is an Arabic term meaning “righteousness”. In particular, the correctness and soundness of a word is indicated by this word. The fact that I gave this name to the writing family is to point out its accuracy and robustness. This typeface, which is sans serif, consists of three families: ▪ Sedid: Font family containing Latin letters ▪ Sedid Pro: Font family including Latin, Arabic and Hebrew alphabets ▪ Sedid World: A family of typefaces including Latin, Cyrillic, Greek, Arabic and Hebrew alphabets Do you want a difference in your work? Then meet the Sedid World font family. This font will meet all your expectations in terms of the languages ​​it supports and the variety of glyphs it contains. You can easily use the Sedid World font family in every project. Because this font has beautiful and soft lines. The font family includes open type features, as well as a large number of ligatures, small caps, modifiers, and currency symbols of many countries.

The Ahmisya font will give your designs a genuine Middle Eastern feel. Use this font in your super projects to get everyone’s attention. Don’t put off adding an elegant Arabic touch to your design any longer.

JH Lina is an Arabic Naskh typeface, including four weights; it is typical for long running text, headlines, branding , news letters, magazines, signage and electronic publishings ... The diacritic positioning is fine tuned per the publishers requirements.

Salaam. Introducing Almalik, an Arabic style font, created in monoline shape and based on original Arabic letters adapted into Latin typography. Almalik represents the middle-east feel in a modern touch, with fewer calligraphy shapes, and dynamic swashes. Perfect for many purposes such as fashion, food, packaging, label, logo, logotype, quotes, headline, branding, and more! This font provides 400+ glyphs including lots of alternates characters that you can apply to get your design looks more attractive! What you'll get : Uppercase Lowercase Numbers & symbols Stylistic alternates Stylistic sets 01-03 Ligatures Multilingual support. PUA encoded. Thank you for your support!

For decades, the Persian-born Naghi Naghashian has been working as a graphic designer and illustrator in Germany. Arian™ is his first commercial Arabic typeface. Named after his mother, Naghi created the Arian typeface family after years of systematically analyzing the Arabic script. The Arian design is sought to fulfill the many needs and was developed for multiple languages and writing conventions. It's extremely legibilitable not only in small sizes, but also when the type is filtered or skewed. This typeface offers a fine balance between calligraphic tradition and the contemporary sans serif aesthetic now common in Latin typography.

Introducing "Syamsul" - an exquisite Arabic-style font that combines elegance and functionality. Inspired by the beauty of Arabic calligraphy, Syamsul captures the essence of this ancient art form while offering a contemporary twist. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

HS Almisk Serif is a display typeface. It can be used for titles and graphic projects, which support Arabic and. It has been created based on modern kufi style. It enjoys flexibility between sharp and curved lines in the structure of characters. This supports with a beautiful appearance and wonderful geometric structure. It based on HS Almisk typeface with a serif on some of its characters. (5) Weights has been created for this typeface between the Light weight and Black weight. This typeface with its diversity of (5) weights is intended to be an attempt for a good addition to Arabic typography.

Yumo is a new, textured remix of the original 2010 Yume typeface, and has plenty to offer of its own. Angular and blocky, this typeface creates impactful text with a hint of playfulness, expanded upon by its rough finish. There are no extraneous edges to this font because most of them have been subsumed into the characters themselves, so any sharpness it may have from the squared corners is removed by the lack of thin strokes or serifs. Perfect for headlines and large text that wants to stand out, Yumo’s big, bold text will help your message make an impact. Playing with colours on the textured surface only helps to strengthen this effect, so that Yumo will blow people away, whatever you want to say.

Immerse yourself in the beauty of Arabic calligraphy with our new and modern font, inspired by the Kufic script, distinguished by its boldness and contemporary flair. This font is characterized by intricate details that highlight its elegance and strength, making it perfect for prominent headlines and verses from the Holy Quran. A masterpiece that seamlessly blends the rich heritage of Kufic script with the spirit of modern design, showcasing bold characteristics that emphasize the power of the letters and convey simplicity and sophistication. These designs offer a perfect balance between tradition and innovation, where the beauty of traditional fonts harmonizes with the boldness of modernity. This distinctive font highlights the unique details of each letter, making it ideal for emphasizing the beauty of Quranic texts and shedding light on verses with strength and elegance. Enjoy a fresh and modern experience with Alnajdi 01 font, adding a touch of allure and sophistication to your artistic and design projects.

Resalaty is a cute and fashionable handwritten font, created to help you designing makes gorgeous logos, posters, wedding invitations, blog posts, social media, apparel and more! In the near future, the Arabic version will be released soon!

Belqees Pro is a modern Arabic and Latin typeface that belongs to the Kufi font family. This version is distinguished by an improvement in the form of the typefaces, as well as many additions for different uses

Foda Tholoth font is to reflect the beauty of its original Arabic and Islamic calligraphy. This font can be used headlines and Quranic verses. Foda Tholoth is designed by Foda & Esraa Amer and manufactured by Ahmed Eraqi.

TE Mona Tharwat Emara," a masterpiece of Arabic calligraphy crafted by the renowned Egyptian calligrapher, Tharwat Emara. This exquisite Ruqaa font seamlessly blends tradition with innovation, offering a timeless elegance that captures the essence of Arabic script. Tharwat Emara, a distinguished figure in the world of calligraphy, has lent his artistic prowess to create a font that is not merely a collection of characters but an embodiment of cultural richness. Each stroke of the pen reflects the heritage of Egyptian calligraphy, echoing the historical echoes of an ancient civilization. "TE Mona Tharwat Emara" stands as a testament to Emara's dedication to perfection. The font's graceful curves and meticulously designed letterforms pay homage to the classical Ruqaa style, while subtle contemporary touches infuse it with a modern flair. It is a harmonious blend of tradition and innovation, making it an ideal choice for projects that demand sophistication and cultural resonance. Designed with precision and passion, this font is not just a typographic tool; it's a work of art that brings the beauty of Arabic calligraphy to the forefront. Each character is a brushstroke of inspiration, contributing to a seamless flow that captures the eye and mesmerizes the reader. Whether you are working on a branding project, publication, or artistic endeavor, "TE Mona Tharwat Emara" adds a touch of timeless class. Embrace the elegance of Arabic script with this font, where every detail reflects the expertise of a master calligrapher. As you embark on your creative journey, let "TE Mona Tharwat Emara" be your muse. Elevate your designs, captivate your audience, and embrace the heritage of Arabic calligraphy with this exceptional font. Embrace the legacy, embrace the art – TE Mona Tharwat Emara awaits, a font that transcends time and tradition

Aulian is an arabic font style made in all characters in uppercase, lowercase, multilingual, ligature, numeric and punc.this typeface with artistic style verym terestingt for loads of different projects and promotions, such as logo, poster, catalogs, advertisement needs, packagingdesign.

Proudly introducing the Headliner font family. 12 display fonts specially designed to grab and hold attention. This loud and proud family will make a powerful addition to your existing arsenal of design assets. Featuring Opentype kerning and multilingual support, this family is ready to command & conquer your projects right from the offset.

The Sideshadow family has 4 weights, Regular, Bold, Light and Half Light (which is intermediate between Regular and Light). The distinguishing feature of the font (you don't actually need me to explain this, do you?) is the partial shadow to the side of the main character, giving it a distinct and eye-grabbing look. The zip files contain both OTF and TTF versions of the font - install one version only.

This font is so cute. Came with bold style, it is very eye catching. It is great for quotes, logo, branding, packaging, t shirt design, tote bag design, cutting, vinyl, silhouette, social media and another your craft project. Both uppercase and lowercase are match perfectly. You can combined them as you like. Features: Uppercase Lowercase Number & Punctuations International Accent PUA Encoded Hope you love it Grab it fast...

Yuki is a full and rounded font that also manages to be compact, so when you need to make a big impact in a small space and still maintain a friendly feel, Yuki is here to do the job. In two different styles, each with bold alternatives, Yuki’s best function is to grab attention without taking up too much space. The lined form allows it to look even more streamlined in this performance, cutting shapes into more easily digestible pieces, while the bold forms create even more smoothness. Use Yuki for quick, impactful statements without being aggressive.

Fluffenhaus is a vintage bold retro-font, the glyphs are soft serve ice cream, sorta Cooper Black after to much party. A fun playful look that suggests the 1960's and 1970s rock posters and cereal box art as well. Fluffenhaus is a fat bold font, apply to projects that need an attention grabbing headline that expresses the fun of the information being convened. Tightly spaced in the metric, suggested uses would be for it to be used BIG and then bigger. Fluffenhaus is a groovy beautiful and tuned into the psycho-fab of the now!

Grab our new font, Xagetif Groovy font, and start creating your own custom project. Use it to add a little flair to your editorial work or use it for branding or product packaging with a bold and fun character. Time to add some oomph to your next project with this font. This retro-inspired typeface features a psychedelic, bold and fun character ideal for branding and product packaging. This elegant typography is simple and contemporary but with a touch of simplicity that gives it a modern feel. To create your own custom project, start using this font now!

Arabetics Aladdin is a monoshape font family with a fixed single shape per each Arabic Unicode character. Glyphs are designed to incorporate the traditional Arabetic visual characteristics found in all four varying shapes, isolated, initial, medial, and final, for each letter. The overall design also emphasizes the line-like (khat) horizontal look and feel of the Arabetic scripts without sacrificing legibility. This font family supports all Arabetic scripts covered by Unicode 6.1, and the latest Arabic Supplement and Extended-A Unicode blocks, including support for Quranic texts. It includes two weights: regular and bold, each of which has normal and left-slanted (Italic) versions. The design of this font family follows the Arabetics Mutamathil style design principles utilizing varying x-heights and no glyph substitutions. The Mutamathil type style was introduced by the designer more than 18 years ago. The Arabetics Aladdin font family includes all required Lam-Alif ligatures in addition to all soft vowel diacritics (harakat), which are selectively positioned with most of them appearing on similar high and low levels—top left corner—to clearly distinguish them from the letters. The Tatweel or Kashida lengthening character is a zero-width glyph.

Abizhar is a beautifully crafted Ramadan Arabic font that is perfect for your creative projects. Designed with a modern touch, this font features elegant calligraphic strokes and bold lines that make it stand out from the crowd. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!

Afronaut PRO (New version of typeface published in 2019) was inspired by vernacular Latin & Arabic typography in St. Louis (on Senegal-Mauretania Border, Africa). Geometric forms working well and contrasting with smooth, round elements. After reading "Afronautics – from Zambia to the Moon" by Bartek Sabela (about Zambian conquest of space) a breif was set to create typeface that looks like mix between: vernacular Arabic script, futuristic typography and some special lettering that I found in Africa during my travels to Guinée, Bissau, Gambia, Senegal, Mauritania and West Sahara. Afronaut has seven weights, also many letters have 3 different forms. Afronaut PRO can work as regular version of my Yalla Typeface.

HS Hadeel is a versatile display typeface designed for use in titles and graphic projects that require both Arabic, Persian and English characters. It draws inspiration from the modern kufi style and boasts a unique blend of sharp and curved lines that lend a beautiful and geometric structure to each character. The sharp endings at the bottom of each character add an additional aesthetic touch. With five weights available, ranging from Light to Black, HS Hadeel offers a diverse range of options for designers seeking to elevate their Arabic typography. Overall, HS Hadeel is a great choice for those seeking a visually striking and flexible typeface for their projects.

Introducing Rofak, a unique and captivating display font. Rofak takes inspiration from Arabic script and introduces a distinct rounded design to the characters. This choice softens the edges while preserving the elegance of Arabic calligraphy, resulting in a typeface that exudes a sense of warmth and approachability. Rofak prioritizes readability by maintaining low contrast between strokes and curves. With its unique combination of rounded forms and low contrast, Rofak is versatile and well-suited for diverse design projects. Rofak fits in headlines, logos, posters, flyers, branding materials, print media, editorial layouts, and many more designs. Find out more ways to use this font by taking a look at the font preview.

Badiya is designed by Lebanese designer Nadine Chahine as a modern and slightly modulated Naskh. The design has open counters that enable it to be used in quite small sizes.The resulting effect is that of a clear, legible, and modern text face. Badiya is especially suited for print in magazines and corporate communication. It combines well with Frutiger Arabic and Janna as a text face with a matching headline. The Latin companion to Badiya is Syntax which is included also in the font. The font also includes support for Arabic, Persian, and Urdu as well as proportional and tabular numerals for the supported languages.