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  1. Messcara by SparkyType, $19.00
    Drawn very small with a brush-tipped felt pen, Messcara has qualities of freedom, toughness, with a few girly loops thrown in for good measure. A true handwriting workhorse.
  2. SexyRexy-Smitten - Unknown license
  3. SF Zero Gravity Condensed - Unknown license
  4. SF Burlington Script - Unknown license
  5. SF Cosmic Age Outline - Unknown license
  6. SF Willamette Extended - Unknown license
  7. SF Chromium 24 SC - Unknown license
  8. SF Espresso Shack Condensed - Unknown license
  9. SF Port McKenzie Extended - Unknown license
  10. SF Synthonic Pop Shaded - Unknown license
  11. SF Chromium 24 SC - Unknown license
  12. SF Port McKenzie Extended - Unknown license
  13. SF Cosmic Age Condensed - Unknown license
  14. SF Zero Gravity Condensed - Unknown license
  15. SF Planetary Orbiter - Unknown license
  16. SF Cosmic Age - Unknown license
  17. SF Burlington Script SC - Unknown license
  18. SF Espresso Shack - Unknown license
  19. SF Synthonic Pop Condensed - Unknown license
  20. SF Groove Machine Extended - Unknown license
  21. SF Synthonic Pop - Unknown license
  22. SF Wasabi Condensed - Unknown license
  23. SF Port McKenzie - Unknown license
  24. SF Zero Gravity - Unknown license
  25. SF Port McKenzie Outline - Unknown license
  26. SF Burlington Script SC - Unknown license
  27. SF Groove Machine Upright - Unknown license
  28. SF Espresso Shack Condensed - Unknown license
  29. SF Chromium 24 - Unknown license
  30. Design Or Die by Type-Ø-Tones, $40.00
    Many people asked why we removed Design or Die of our collection. After years of hibernation in our vault, one of the sexiest italics of the Classic Type-Ø-Tones is back. New subtle changes for a definitive version of this Luis Mendo type.
  31. Local Printer JNL by Jeff Levine, $29.00
    Based on William Page’s Skeleton Antique wood type (circa 1865), Local Printer JNL is available in both regular and oblique versions. Primarily used for text passages, the type design also works well in headlines and sub-headlines needing less emphasis and a touch of subtlety.
  32. Bibliophile Script by Sudtipos, $79.00
    A friend once jokingly told me that what I really do is mine extinct arts for parts to use in modern things, like going to the scrapyard to pick up bumpers, quarter-panels and dashboards off of Datsuns and Ponies to build a shiny new Ferrari. I still kind of grin at that, but I certainly do spend a lot of time looking at old things and imagining ways they would work today. This shiny new Ferrari here is called Bibliophile, and it contains scrap heap parts from various pages by Louis Prang, the Prussian-American printer and publisher who inspired my Prangs fonts. This is my second engagement with the late 19th century man, and it’s quite a bit more intricate than just an italic Didone with a connected lowercase. Bibliophile marries Round Hand calligraphy with Italian capitals, two styles not often relayed in the same alphabet, but work together beautifully when combined well. When you combine them well with a few long-practised tricks of the trade, then mix in a few trusted features from my previous work over the years, you get my usual crazy exuberance, like 17 different shapes for the d, 21 different forms for the y, endings, beginnings, swashes, ornaments, and so on. It’s no secret that I can get carried away when I’m so consumed by an idea. — Bibliophile comes in 2 weights, each of them with over 900 glyphs covering all the latin languages. Bibliophile also comes with a bold weight, something I’m always reluctant to do with something as adventurous and complex as the structure of this historical mashup. But I couldn’t chase away the idea of increasing the contrast while maintaining the hairlines in a lowercase this narrow. Part of it was the curiosity about the outcome, and part was the sheer challenge of it. I think it turned out OK. Words set in either weight will show delicateness and elegance, and the more time you spend inside the font and micro-manage the setting, the more ways you will find to magnify either. Bibliophile can be as muted or luxurious as you want it to be. This is the kind of alphabet that fits well in fashion marketing and high-end packaging, from the very subdued to the super-exquisite. Enjoy the gleaming new vehicle made with freshly polished old parts.
  33. Neonix by Niznaztype, $9.00
    Neonix is a modern and futuristic typeface. Neonix is a font that suitable for postmodern, futuristic, contemporary styles of graphic design. Neonix have unique glyph characteristic. Neonix is perfect for futuristic graphic art, postmodern arts, editorial design, posters, t-shirt, book cover, headlines, advertising, branding, movies tittling and others. Neonix will make your design have a new style when you make a design with this font.
  34. Bethania by Stefani Letter, $12.00
    Bethania is a modern and cute handwritten font. Fall in love with its authentic feel and use it to create stunning art, beautiful stationary art, eye-catching social media posts, and cute greeting cards. This font is PUA encoded which means you can access all of the Bethania glyphs and swashes with ease! It also features a wealth of special features including alternate glyphs and ligatures.
  35. Wanax Demo - Unknown license
  36. Dispute - Unknown license
  37. Cloverdale JNL by Jeff Levine, $29.00
    Cloverdale JNL is another addition to Jeff Levine's revivals of classic wood type fonts from the 1800s. Bold, broad and in the "cowboy" style, this typeface goes well with projects featuring the Old West, Victorian times or old-fashioned nostalgia.
  38. FF TradeOne by FontFont, $30.99
    Italian type designer Fabrizio Schiavi created this display FontFont in 1994. The font is ideally suited for music and nightlife and poster and billboards. FF TradeOne provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.
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