Inspired by the archive of music flyers and skateboarding magazine created in the early 90s. Bubbley is made for the purposes of making posters, magazine headers, book titles, flyers and other print media. Bubbley is made for digital needs that are more modern but still have a vintage feel Every line and curve in letterform is made for the needs of the future industry, the latest version in the modern lettering industry. Bubbley is very suitable to be combined with the illustrations that we provide for free, to complete your needs

Tarquin is a All-Caps sanserif typeface, inspired by the beautiful hand-painted sign. It has a strong personality, high contrast stem, and widely opened counter to improve the readibility as it designed for display purposes. It's available in 3 different style, REGULAR, STENCIL, and SHADOW designed for display purpose design Crafted beautifully and carefully with hand.

The new fonts from Amera Type are designed in the latest styles and with more inspiration from contemporary typographic art. Glanela was created to complement our visual needs in writing titles, music, fashion and product branding Complete with lowercase and uppercase which have alternate and ligatures to complement every need, support 75+ languages

Scriptissimo-Forte-Swirls is the bold version of Scriptissimo but with lots of swirls. Sometimes a job just calls for lots of embellishments, that's what this version is good for. Yours very swirly, Gert Wiescher.

A heavy slab face for many applications.

A personal handwriting done in pencil. Conté Script is a computer font but has the extraordinary look of handwriting. The typeface is exceedingly lively, diversified and distinct thanks to more than 300 different ligatures, i.e. letter combinations. In addition to the letter combinations in Conté Script, there are also double letters and figures included (aa, ff, AA, MM, 22, 66…) as ligatures with stylistic alternates. Type set in Conté Script appears remarkably similar to a text actually handwritten with a pencil. The typical style of the pencil — crumbliness where pressure lessens and the deep darkness where the pressure of the graphite in it's fullest denseness smudges — is another earmark of Conté Script. The font appears to be written quickly, fleetingly, casually, as if not really to be taken seriously, and as if it would be written one minute and erased the next. Conté Script looks most ”authentic“ around the point size of 18 to 22.

Fort Courage JNL is a bold slab serif wood type in the French Clarendon genre, taking its name as a tongue-in-cheek reference to the cavalry fort populated by a number of post-Civil War misfits in the 1960s television comedy "F Troop".

The Abrown Monte is a elegant handwritten font. It brings a beautiful and attractive typeface. Made for any professional project branding. It is the best for logos, branding, wedding and quotes. Features: Standard Ligatures Multilingual Support PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Ocean Stud

Front Row JNL is an all-caps reinterpretation of Morris Fuller Benton's 1937 type design "Empire", and is available in both regular and oblique versions. As is often the case when a digital type font is based on a few letter examples found on a printed sample [in this case, the sheet music of the 1946 Guy Lombardo hit "What More Can I Ask For"], the missing characters were drawn from scratch.

Adapted from lettering found on a poster by an Italian artist with the unlikely name of Marcello Dudovich, this ultrabold Art Deco font, with its graceful curves, commands attention. Primarily an uppercase only font, there's a variant lowercase m with a strong design element.

Fonce Sans Pro is a mono-weight, Swiss-style typeface with influences from great typefaces like Din, Helvetica, Interstate, and Trade Gothic. Its form is unique and sophisticated with an unmistakable Dutch style. It’s subtle and enjoyable, and works beautifully in both display and body copy.

An elegant typeface from the turn of the last century named "Venezia", issued by Karl Brendler and Son of Vienna, provided the inspiration for this little gem, with hints of the exotic. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Don’t let the name fool you! My Left Foot was made by hand. Alts, ligatures and Vietnamese all included in this whimsical typeface. Go ahead and dip your toes in!

Nanncie fancy groovy display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Nanncie font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Nanncie font. Cheers, Maulana Creative

Sister Pamella font duo Cyrillic is a pair of script and sans serif fonts, which perfectly complement one another. With a handwritten script font and a modern sans serif Sister Pamella font duo Cyrillic will be perfect for use in all your design projects be it logos, signatures, labels, packaging design, blog headlines. Also, it will look great on mugs, cards, gorgeous typographic designs, wedding stationery and much more. The Cyrillic part of the font contains the uppercase letters and lowercase letters and 17 ligatures, giving a realistic hand-lettered style. Sister Pamella script Cyrillic includes a full set of uppercase 2 sets of lowercase letters, numerals, a large range of punctuation and 38 ligatures, giving a realistic hand-lettered style. Sister Pamella sans serif containing uppercase only characters, numerals and a large range of punctuation. Creates a perfect contrast with the Sister Pamella script font. Multilingual Support for 32 languages: Afrikaans, Albanian, Basque, Bosnian, Catalan, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Galician, Indonesian, Irish, Italian, Malay, Norwegian Bokmål, Portuguese, Slovenian, Spanish, Swahili, Swedish, Turkish, Welsh, Zulu. And Cyrillic glyphs support for Russian, Belorussian, Bulgarian, Ukrainian and Kazakh languages. Works perfectly on the Canva platform. For Cricut & Silhouette recommended.

Reprizo is a modern condensed sans display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Reprizo font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Reprizo font. Cheers, Maulana Creative

Emorical typeface western display font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Emorical typeface western display font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Emorical typeface western display font. Cheers, Maulana Creative

The handwriting of A Teeny Tiny Teacher, Kristin Oldham.

A Feel Good Kinda Font This playful and light-hearted, sans serif, display font includes uppercase letters, numbers, and punctuation. Great for carefree, boho, and fun designs like stationery, logos, wall art, stickers, patterns, and products. Use the font styles separately or try layering them! Built for easy use in Canva too. Includes: Happy Go Lucky font in 3 styles: Regular, Outlined, and Rounded

Portilla is a modern round sans serif font. Bold stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Portilla font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with script or serif. Make a stunning work with Portilla font. Cheers, Maulana Creative

Pollet is a fancy signature script and sans serif font duo. With light contrast stroke, fun character with a bit of ligatures. To give you an extra creative work. Pollet font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Pollet font. Cheers, MaulanaCreative

an art deco font based on brazilian Rio's lettering old publish lettering style

A neat handwritten font in 2 styles- one with hearts and one without hearts.

Art of Japanese Calligraphy is a Kanji font. This is a collaboration with experienced calligrapher, Shigeru Nomura. Developed directly from the hand-written Kanji (Japanese/Chinese Characters). Perfect for anywhere authentic Kanji is needed.

DGS Art Deco Greek is a unique typeface breaking all boundaries available in Latin and Greek scripts. It can be used in a wide range of projects including invitations, theatre and cinematic productions, branding, logos , adverts and much more.

Jumpin’ Jack Extended is a fun, cartoon-like display font capable of taking any product out of the ordinary! Use it on bold and bright creations such as banners, posters, covers, titles, magazines, etc. This bouncy fun font is a perfect addition to your collection!

TA Bankslab graphic presentation at Behance The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.