Rosso is a condensed geometric Sans with a retro style, inspired by various typographic styles. It features the Roslyn Gothic structure, which was popularly used for the covers of Philip K. Dick's books in the 1970s. Rosso has 10 variants from Ultra Light to Black with their respective Italics. In addition, it is divided into two Subfamilies, Normal and Alt. The normal one remains faithful to the proportions of Roslyn Gothic and classic geometric fonts, while the Alternative version expands its round shapes, generating a striking and unique rhythm and contrast, classic of Art Deco fonts. In addition, it has alternative glyphs and discretionary ligatures inspired by the work of Herb Lubalin, which add greater possibilities to face any design project. All this makes Rosso a font full of personality, striking and recognizable. Ideal for the construction of logos, eye-catching headlines, movie posters, volumetric posters, etc.

Phiz is a diverse suite of 28 decorative fonts based on Figgins Sans Extra Bold. Classic (10 fonts), Rounded (7 fonts), Rough (4 fonts) and Particles (7 fonts). The Rough and Particles styles emerge as a unique niche—neither imitating distressed printing (e.g. the “rusty” look), nor casual, hand-drawn styles. These type designs are conceived and executed as complex algorithmically-generated graphic procedures, in which repetitive elements have been artfully applied to the Sans capitals, and manually nuanced. As such they also differ substantially from textured glyph shapes that have been cut out from larger pattern fields, for the constituent particles are disposed in relation to the specific shape of each character they define. The caps-with-small-caps format was chosen for two reasons. Firstly, titling display usage is predominantly capitals, and secondly, rather like optical scaling, having the same resolution of texture available in two different “sizes” (upper and lower case) should prove useful in the hierarchy of page layout—not primarily for setting upper and lower case text as caps-with-small-capitals, although this is of course an option. All figures and major symbols (punctuation and currency) are provided in both cap and small cap height.

Trouble Child is a playful all caps display font with lots of variations and a set of extras. Use Trouble Child in any design that needs a bold font, such as logotypes, quotes and social media posts, website and magazine layouts, and poster designs. Trouble Child includes: Trouble Child font 4 variations: outline, blackout, underline and outblack versions of the font Trouble Child Extras font, with doodles, shapes and border elements (seen in the previews) 2 SVG fonts: regular and blackout Software requirements for the SVG fonts: Photoshop CC2017+ // Illustrator CC2018+

Introducing the Gracella font in the Elegant Sans Serif style. A versatile font that can be used for both formal and casual. Gracela is a regular style font, not too thin nor too thick, and very suitable for the needs of logos, branding, websites, Features. - Supports all languages in the world (37) - Versatile Single Font. - One font for all needs. Make sure you test out the fonts using one of our examples before making any purchases to know what you're getting yourself into. Thank you for taking care when choosing fonts!

Lapis was Jim Rimmer's venture into a territory he'd earlier explored with his Lancelot and Fellowship faces. This time he stayed much longer, dug pretty deep, and had plenty of fun in there. The end result is the kind of mosaic of influences only a guy like Jim could consider, gather, manage and apply in a way that ultimately makes sense and works as a type family. On the surface Lapis seems like something that can be billed as what Jim would have called an "advertising text face". But under the hood, it's a whole other story. On top of the calligraphic, nib-driven base Jim usually employed in his faces, Lapis shows plenty of typographic traits from a variety of genres, from Egyptian to Latin, from blackletter angularity to Dutch-like curvature, with an overall tension even reminiscent of wood type. There are some Goudy-informed shapes that somehow fit comfortably within all this. Then it's all strung together with a mix of wedged, tapered and leaning serifs, placed with precision to reveal expert spontaneity and a great command of guiding the forms through counterspace. In the fall of 2013, the Lapis fonts were scrutinized and remastered into versatile performers for sizes large and small. The three weights and their italic counterparts have been refined and expanded across the board to include small caps, alternates, ligatures, ordinals, case-sensitive forms, six kinds of figures, automatic fractions, and a character set that covers an extended range of Latin languages. Each of the Lapis Pro fonts contains over 760 glyphs. For more details on the fonts' features, text and display specimens and print tests, consult the Lapis Pro PDF availabe in the Gallery section of this page. 20% of Lapis Pro's revenues will be donated to the Canada Type Scholarship Fund, supporting higher typography education in Canada.

Ribbonloops is a sans-serif display typeface. The design has a far-reaching appeal by mixing a subtle elegance with clean lines. Perfect for branding, titles, logos, packaging and much more. Ribbonloops is available in Light, Regular and Bold weights. The outline style provides a light and airy alternative. Both Regular and Outline are also available in Oblique. The glyph set includes all languages covered in Basic Latin, Latin-1 Supplement and Latin Extended-A scripts.

Is it blood, melted ice, water or something slimy? Choose yourself, because Bloody Charm can be used for all purposed that needs something either scary or melting. I've added two versions: Regular and Drips. The Drips versions is (you may have guessed it already!) a bit more drippy than the regular version. Both versions uses contextual alternates, which in this case means that there is 3 different versions of all lowercase letters - and these automatically cycles as you type!

Florensans is an all caps display sans serif typeface in elegant & modern style with ligatures, special alternative glyphs and old style figures. The Florensans family contains three weights: Light, Regular and Medium. Florensans is ideal for headlines, headers, logos, labels, packaging, postcards, presentations, magazines, invitations, etc. Features: 3 Weights - Light, Regular and Medium Basic latin alphabet A-Z 64 Ligatures & Alternates 56 Accented characters Numbers, Punctuation, Currency, Symbols, Math symbols & Diacritics Old style figures Enjoy Florensans!

Introducing a new retro font, Mofista font, Mofista is a modern serif typeface that honors expressive old style serif typography, the Mofista font comes with alternatives that will make your presentation or logo stand out even more! This font will make your project look retro, chic and neat. Its soft, juicy serif gives the typeface just the right amount of warmth and nostalgia. While hinting at classics like Cooper, the reinterpretation features some unconventional letterforms that make for a very dynamic italic romance. suitable for many projects: invitations, postcards, posters, books, advertisements, websites, blog headers, logos, brands, magazines, fashion, photography, etc. This font is a must-have in your collection and is perfect for your next design project. Mofista Features: Mofista(Regular,Italic) Uppercase And Lowercase Numerals & Punctuation alternatif characters Multilingual Support. While using this product, if you encounter any problem or spot something we may have missed, please don't hesitate to drop us a message. We'd love to hear your feedbacks in order to further fine-tune our products. Thanks and have a wonderful day :)

Fast Rewind: A Timeless Handwritten Script Font A handwritten brush script with a versatile, relaxed and nostalgic feel. This illustrative brush script owes its inspiration to the 1950s art direction typical of mainstream magazines and book covers. A relaxed hand-lettered title was often paired with illustrations of handsome couples or escapist scenes, encouraging readers to settle into the latest gripping story from authors such as Ray Bradbury, Donald Westlake or Arthur Miller. Fast Rewind aims to repurpose this vintage look for contemporary designers with two handwritten fonts, drawn in ink and brush, and then digitally mastered to maintain those all-important human imperfections. Included are the Regular and Alternative designs, with a complete set of uppercase and lowercase characters, along with numbers, symbols and language support. Also included are a variety of underlines and illustrations as seen in these visuals. Each style also comes with its own selection of extra glyphs to helps you achieve the perfect flow between characters and avoid tell-tale repetition. Thanks to all the great photographers who provided images for these visuals.

With Antipol Variable, the reversed stress font was supplemented with Wide and Extended cuts in the Hairline weight. The ability to stretch single letters extremely wide is an exclusive goodie of the Variable version. Antipol is a Sans Serif design that reverses the conventions of a regular Latin Sans Serif. With a weight emphasis on the horizontals and its vertical terminals Antipol radiates a 1970s charisma known from the like of Antique Olive. Its modern and avantgardistic attributes are most pronounced in the Hairline weight, where ultra thin lines meet distinctive arrowhead-corners. This particular weight is meant for display settings, think full-page magazine titles or posters. Antipol Wide and Antipol Extended are a generous statement for graphic design with enough space to let the type breathe: art catalogs, lead texts, invitations, letterheads or brand identity. Any style comes with a wide range of OpenType features that goes beyond a standard display font: Small Caps, Proportional and Tabular Oldstyle Figures and Lining Figures, Fractions, and much more.

Ravensara Stencil - elegant high contrast classic serif. Ravensara family was born from the idea of taking the Didone concept to weight extremes. In light and medium weights Ravensara transmits a very elegant and high fashion style attitude, but stays readable in small sizes and can even be used as a text font. That makes it an ideal solution for projects, that needs an injection of contemporary sophistication. Heavy weights perfectly complement light and medium ones and also works great by their own in large sizes. It is a part of the Ravensara superfamily, united by the same anatomy, which currently also includes Ravensara Sans and Ravensara Serif. Ravensara Stencil is available in 9 weights, including Thin, Light, Regular, Medium, SemiBold, Bold, ExtraBold, Black and ExtaBlack. Ravensara font family, combining its classic origins and contemporary elegance, is a perfect choice for bold headlines, oversize typography, fashion logos, branding, identity, website design, album art, posters, advertising, etc. Ravensara Stencil extends multilingual support to Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Pan African Latin and Afrikaans.

Morro is based on simple geometric shapes – circles, triangles and rectangles. Imagine cutting circles, triangels and rectangles from paper and arranging them into letters where the outer edges form a filled figure. Arranging figures like this to form letters is nothing unique. You can find several beautiful examples of alphabets that inspired the creation of Morro. Everywhere from a 1936 booklet by Draughtsman called ”Modern lettering for all branches of commercial arts” to obvious examples is from the paragon of the design industry - Milton Glaser - with his typeface Baby Teeth. What sets Morro apart from other digitized versions of Glasers' ”Baby teeth”, or other similar designed fonts, is that Morro is expanded into lower case and also supports Basic latin, Western European, Central European, south Eastern European and Pinyin. There are also stylistic alternatives to some of the glyphs. Morro Regular works like a stencil and is accompanied by a block shadow style and an outline. The Morro family of fonts are layered and can be superimposed on each other to create several types of text effects.

XKANZ is a futuristic, robotic, variable display font geared towards cyberpunk poster text, cover text, and futuristic UI. It can easily shine as both as header and body. Wide glyphs, high weight and corner contrast, and "connectors" that bridge the gap between the stems, it's this mix of elements that give XKANZ its unique look. The purchase includes two static styles, regular and oblique, and a variable font file with a interpolatable 0-12 degree slant axis. Extensive multilingual support covering most latin characters 4 stylistic sets that include alternates for the D, I, R, and E glyphs, along with symbol/punctuation alternates such as the parenthesis, brackets, and more. Possible updates include condensed versions. The updates will be free and available to everyone who has already purchases XKANZ. This one was a wild and weird journey. It took A LOT of iteration to get to this end product. I'm proud to share it. Enjoy All questions, requests, or inquiries can be sent to abe.xuveki@gmail.com or DM'd to Xuveki on Instagram (https://www.instagram.com/xuveki)

Binario is a simple and friendly font with three weights and matching obliques. The geometric and modular characteristics of this typeface subtly reference the Art Deco and early modernist periods. It is an ideal choice for achieving a clean, distinctive, and contemporary aesthetic, making it suitable for branding, posters, and screen-based designs. The light weight of Binario is good for body text. The regular weight exudes confidence, making it suitable for both body and heading text. For impactful headlines, the bold weight is superb. The clear weight distinction of this family make it easy to create organized text. Binario was designed in Siena, Italy taking some inspiration from train stations and shop signage. The name Binario means train platform in Italian. Other aspects that informed the design of this font are modularity and efficiency. The interior rounded forms of the letters (counterforms) are based on shape of the Roman arch. Binario has a sibling, Binario Soft. This version has gently rounded stroke ends, which make a softer impression on the page.

Here I present Round - a type family that is derived form Epilepsja, which was my first alphabet commercially out. After its release I came to think that there should be other fonts of this design that would enrich the variety of choice. Here comes ‘Epilepsja Round’ which is soft and friendly while the Regular family remains firm and sharp. It supports all Latin-based European and African languages and acts as a multicolour layered font. best for headlines, titles and other display uses.. It is an all-caps alphabet of stencil-sprayed and painted letters found in the city space. The glyphs are simple but unordinary. Every letter has something from Escher-like 3D illusion, but is flat simultaneously. Epilepsja Round consists of three styles: Outline, Solid and Fill. Outline is the base from which the other two styles are created. When you mix Solid with Fill, you can create two-color Outline style. You can even mix it with not-Round Epilepsja! Solid is neat and legible in small sizes. Use it for posters, headlines, magazines, websites or anything you like.

Enoway is a modern elegant typeface, which leans towards the Neue Nouveau style. The Enoway typeface was inspired by the early the Art Nouveau typographic designs, which was characterized by decorative designs and embellished stroke endings. The Enoway typeface has a high-contrast and a thin hairline, this gives the typeface a modern but nostalgic look. The Enoway typeface comes in two styles, Regular and Oblique. The Enoway typeface can be paired with a minimal sans serif or light script font, this combination will give your next project a modern and unique look. The Enoway typeface is very versatile and can cover a wide range of project such as: fashion branding, mastheads, magazines, feminine logos, facebook banners, wedding invitations, Instagram posts, websites, blog posts, pull quotes, editorials, product packaging, trendy social media posts, advertisements and much more. If you are looking for something modern and nostalgic for you next project, Enoway is the font for you. ENOWAY INCLUDES A FULL SET OF: Uppercase and lowercase letters. Numbers. Punctuation. Ligatures. Alternate characters. Multilingual symbols. We hope you enjoy using the Enoway typeface.

The font family Univers? is one of the greatest typographic achievements of the second half of the 20th century. The family has the advantage of having a variety of weights and styles, which, even when combined, give an impression of steadiness and homogeneity. The clear, objective forms of Univers make this a legible font suitable for almost any typographic need. In 1954 the French type foundry Deberny & Peignot wanted to add a linear sans serif type in several weights to the range of the Lumitype fonts. Adrian Frutiger, the foundry's art director, suggested refraining from adapting an existing alphabet. He wanted to instead make a new font that would, above all, be suitable for the typesetting of longer texts - quite an exciting challenge for a sans-serif font at that time. Starting with his old sketches from his student days at the School for the Applied Arts in Zurich, he created the Univers type family. In 1957, the family was released by Deberny & Piegnot, and afterwards, it was produced by Linotype. The Deberny & Peignot type library was acquired in 1972 by Haas, and the Haas'sche Schriftgiesserei (Haas Type Foundry) was folded into the D. Stempel AG/Linotype collection in 1985/1989. Adrian Frutiger continues to do design work with Linotype right up to the present day. In 1997, Frutiger and the design staff at Linotype completed a large joint project of completely re-designing and updating the Univers family. The result: Univers Next - available with 59 weights and 4 Linotype Univers Typewriter weights. With its sturdy, clean forms Univers can facilitate an expression of cool elegance and rational competence. Univers has the uncanny ability to combine well with fonts of many different styles and origins: Old style fonts such as: Janson Text, Meridien, Sabon, Wilke. Modern-stressed fonts such as: Linotype Centennial, Walbaum. Slab serif fonts such as Egyptienne F, Serifa. Script and brush fonts such as: Brush Script, Mistral, Ruling Script. Blackletter fonts such as: Duc De Berry, Grace, San Marco. Even fun fonts such as F2F OCRAlexczyk, Linotype Red Babe, Linotype Seven."

Sangor is an unique vintage condensed font. This font designed all round corners that makes it look more soft and charm. Sangor is regular and outline all-caps font that is great for short headlines and titles, but it looks great in print design, vintage mood board, branding, logotypes, titles, editorial design and modern and vintage design. Sangor Features: Single weight Punctuation & Characters Ligatures Glyphs included superscript & Symbol Currencies Multilinguals Thankyou for picking up this font, Happy creating. Regard, Grontype

Energize is a sports font family with 3 weight (thin, regular, bold) & various styles of outline - extrude. The Italic styles bring another vibe of speed. This font family is built to bring active looks, racing, workouts, and other athletic activities. Its shape is rooted in the the competitive sports spirit. The Idea is to bring the dynamic shape mixed with weight , elevating athletic performance through progressive innovation of font, so whenever people see the font they think of hard work and sports.

Introducing scarlet Bradley font duo, Scarlet Bradley is a beautiful serif and script font with more alternative character – serif font with a complementary italic version. Scarlet Bradley come with elegant script font lowercase ending swash make your work more beautiful. It is great for making logotype, branding, promotional ads, quotes design, packaging, merchandise, poster, merchandise, social media and much more. Let’s make your work to next level!! Features ( Regular, Italic and script ) Compatiblity Windows Apple/Mac Linux Easily convert to webfont Cricut Silhouette

Hello, I'm back with my best product. This product is a serif font family because there are four style options, namely regular, italic, bold and bold italic. This font is also equipped with several alternates and ligatures so that you have the best choices for your work. This font can be used for wedding invitations, advertisements, web designs, quotes, banners, presentations and more. This font is PUA encoded which means you can access all the glyphs and ligatures with ease!

La Fleur Grande is a an elegant and smooth combine typeface regular and italic serif font. It’s a very versatile font that works great in large. Stylistic Alternate and Ligature makes your project will be awesome. La Fleur Grande Perfect for editorial projects, Logo design, web font, branding, product packaging, magazine , or simply as a stylish text overlay to any background image. This font is PUA encoded, which means you can access all of the glyphs and swashes with ease!

Introducing Antomades font is a modern and elegant handwritten font with varying thickness and a charming gesture. This font was created to look as close to a natural handwritten script. Perfect for any awesome projects that need hand writing taste. Comes with regular and italic. With built in Opentype features, this script comes to life as if you were writing it yourself. Don't hesitate if you have any questions. Thanks for checking out this font. I hope you enjoy it! AminMario

Introducing Bloom Lover Typeface. Bloom Lover is a modern, bold and playful display font with retro and groovy style concept. This font comes in 2 styles, Regular and Outline version. This font is perfect for all of your retro designs, procreate designs, social media, shirts, stickers, branding, logos, prints, Cricut projects, svg designs and and other design what you want. Features : · All Uppercase and Lowercase · Number & Symbol · Supported Languages · Alternates and Ligatures · PUA Encoded Hope you enjoy with our font!

Welcome to Sacremende, a chunky, slightly messy display font. As the name implies, this font was inspired by the retro California aesthetic and, in particular, old surf rock posters. To highlight the vintage feel, the font package comes with a distressed option for a well-worn effect. This font is all caps but includes unique styles for upper and lowercase letters. Both versions are available as webfonts but for better performance, I would recommend using the regular option for the web.

Ruber - Sans serif font family - Multilingual - 12 Styles You can easily use the sans serif font feature in many areas. You can compose your text with regular characters, highlight heavy characters and titles. Functional in many sizes and environments. If you are looking for a modern - geometric and sans serif style that can be effective in branding, you can easily use this font. It is also assertive about being a highly readable font with different weights. Have a good time.

Introducing, Glendale - an extreme expanded sans family! Glendale is a basic sans font with unique lowercase form. With expanded lowercase, this font will standout and make a great choice for your next project! The important things is, you can access the special features with any software. You can use this font for any designs. Cool for logos and powerful for posters! With light, regular, and bold version, you can make your headline text more standout! This font also support Multi Language.

Summit rehashes both Circuitry Fonts, combining them into one font. To further modernize Summit, I have included all the characters required for full character set. Regular with Small Caps. Summit includes all punctuations, numerals, diacritics and special characters. The oringinal Circuitry Font was inspired by the printing on electronic circuit boards, it was interesting that most all printed font-strokes were either 90 or 45 degrees. I have kept most if not all of these angles while simultaneously giving it a contemporary feel.

A hand lettered emulation of a Roman stencil type face on the cover of the folio for the Stenso School Set was the basis for Eutaw Stencil JNL, which is available in both regular and oblique versions. The Stenso School Set (circa 1940-41) was comprised of three stencils – two lettering guides and a map of the [then] 48 United States. Developed and patented by Baltimore school teacher Ruth Libauer Hormats, her stencils were the first to offer a system for accurate letter spacing and ease of use. “Eutaw” (as part of the font’s name) is taken from Eutaw Place, the street where Ruth and her husband lived at the time of Stenso’s inception. To the Cherokee, the name means “Creek Indian”.

Morevibe is a handwritten brush font with a youthful spirit. This hand-drawn font has a boho feel that is great for posters, magazine covers, logo design, wall art, and so much more.

Flece Display - Modern Sans Font is a versatile font that offers the perfect blend of modern style and elegance. It features two distinct styles: calligraphy and sans serif, providing a unique combination that is both luxurious and contemporary. This font is well-suited for various design projects, including logos, titles, book covers, headlines, magazines, products, invitations, and weddings, where a touch of sophistication and visual impact is desired. In addition to its stunning aesthetic, Flece Display also offers a range of features and a comprehensive font package. The font includes both calligraphy and sans serif styles, allowing you to switch seamlessly between the two to achieve the desired look for your design. It provides an extensive collection of characters and glyphs, ensuring versatility and creative possibilities. With its modern and elegant style, Flece Display - Modern Sans Font is the ideal choice for creating impactful and visually stunning designs. Whether you're designing a logo for a high-end brand, crafting attention-grabbing titles, or creating sophisticated invitations, this font will elevate your design projects with its luxurious and contemporary aesthetic. With its versatile features and comprehensive font package, Flece Display offers both convenience and creative flexibility, making it a valuable asset for designers.

New York designers Ed Benguiat, Victor Caruso, and the staff at Photo Lettering, Inc. developed the ITC Korinna typeface family during the 1970s. ITC Korinna is based on an older German design that was originally cast at the beginning of the 20th century. That ITC Korinna was created speaks to the status that Art Nouveau had for designers during the 1960s and 70s. Thanks to their keen reviving of this ever-popular style, computer users can still use this type style today. ITC Korinna is perfect for display and advertising typography, as well as for headlines in newsletters and magazines.

German graphic designer Ralf Weissmantel created Boogie in 2003. Boogie is an ironic reference to pop art, and to disco lettering from the 1960s and 70s. Its round forms and outlines evoke the flashing, pulsating lights and music of that era. Shipping with five different, width-compatible fonts, the Boogie typeface has four different components: an outlined letterform is the base element, and forms the first font. Three additional fonts may be layered over top of this base, surrounding the first font with up to three bubble-outlines. In graphics applications like Adobe PhotoShop or Illustrator, these elements can each be assigned different colors. There is also a fifth font, which contains the base outlined letterform pre-surrounded by three additional outlines of the same color. Boogie works best in large headline, display and signage applications, where its forms can be clearly seen and enjoyed. When different colored layers are applied, text set in Boogie will gyrate and jive across the page! Weissmantel has worked as an art director for various international advertising agencies, and has led Corporate Design projects for firms such as Grey and MetaDesign. His design work, honored internationally, has been included in the typography collection of the Museum for Art and Trade in Hamburg. He is currently teaching graphic design at the Düsseldorf University of Applied Sciences. Weissmantel has been an associate of the United Designers Network since August 2002. Boogie received an Honorable Mention in the 2003 International Type Design Contest, sponsored by Linotype GmbH.

Where Bootspur JNL combined elements of Western and Art Deco, its more traditional "cousin" is Bootblack JNL - a straightforward Western Font in look and design.

Kenzira - A Hand Drawn Art Deco Font and minimalist character! It's perfect for logos, name card, magazine layouts, invitations, headers, or even large-scale artwork.

Playwright JNL and Playwright Slant JNL are versions of the perennial Art Deco font Broadway—with a look as if lettered by a sign painter.

Designed by W.A. Parker in 1928, Modernistic is a headline face with a 1920s Art Deco appeal. Use the Modernistic font for posters and packaging.