GUI Design Icons is pack of about 200 icons for every possible user interface (GUI). What makes this font special is combinations. There are background and foreground objects which you can combine any way you like. Imagine you have an icon of shopping cart. By just adding another symbol, you can make an icon for adding that item to shopping cart, removing the item, showing favorites or any other possible combination. See image example for some fresh ideas!

Lineare Serif is an attempt at solving the difficult problem of creating readable text type, seeking new ways to provide readers with some pleasure and rest as they walk along each line, creating a space where there is harmony between man and the printed form. Asymmetric serifs both in their height and width, medium contrast in the stroke, and balanced upward and downward movements make “Lineare Serif” a typeface featuring both attitude and aptitude for editorial purposes.

Apparently, Lexicon is the most expensive font in the world. ‘Skiart Lexiconic’ has been on a long growing path getting to where it is now. This font family was originally inspired by the san serif font ‘Skia’, by Mathew Carter for Apple. ‘Skiart’ was designed to feel more like a serifed font, but without any actual serifs. It took a small step between sans serif and serif fonts. Next on the path towards a serif font came Skiart Serif Mini, with tiny serifs added. This was a true serif font, although they were subtle. Then came ‘Skiart Serif Leaf’. and now... We present to you... DT Skiart Lexiconic. Having evolved from the Skiart family, we chose to give it the serifed styling of Lexicon. This is no way a copy or clone of Lexicon. It still has the basic bones of the original Skiart font, but the position, shape and size of the serifs were very much influenced by the world famous Lexicon font. DT Skiart Lexiconic is not the most expensive font in the world.

Nudista is a monolinear, geometric sans-serif based on the proportions of the Purista typeface, released in 2007. The forms are not based strictly on square shape, but rather on a pleasant oval, round shape. The letter outlines are smooth, even technicist, the geometric precision is however compensated in places where it would get in the way of legibility and compromise the desired visual impact. Nudista was originally conceived as a display type, but it is sufficiently legible even in text sizes. Thus, it suits short texts in corporate prints. Carefully chiselled letter curves are sturdy and well suited for the harsh conditions of low-resolution printing devices, they work well on computer screens and mobile phone displays. However, Nudista works best in corporate systems, navigation and orientation systems, where it may be, also thanks to the sufficient range of weights, a good alternative to the well-known and thus a little overused DIN. Naked typeface with no needless decorations humbly serves in all places where too expressive types could be disturbing.

Malou Verlomme designed Madera with graphic designers in mind – drawing on his decade of experience designing bespoke type to create a versatile, easy-to-use geometric sans serif that ticks off a long list of branding requirements. Its sharp apexes add some flavour to the design, which offers an honest, trustworthy tone of voice – but with a twist. “The design doesn’t go out of its way to attract attention, but is still very solid,” explains Verlomme. “It still has a fair amount of warmth and personality, in a very understated manner. If you’re a large corporation, with a typeface being used in many different environments, you want something that’s easy to use but can sustain such a large amount of visibility.” The Madera typeface family has 32 fonts: Upright, Condensed and Italics. Each typeface contains over 650 glyphs with extensive Western, Central and Eastern European language support. It also supports OpenType typographic features like alternatives, ligatures and fractions. Madera Variables are font files which are featuring two axis and have a preset instance from Hairline to Extra Black.

Nutmeg is a geometric typeface with a slight flavored touch. Although its structure is stick to the traditional forms, its details transform this typeface in a boldly project that separates it from other geometric fonts. Nutmeg’s texture can be perceived as a clean typeface that is comfortable to the human eye, furthermore, if you use it in big sizes Nutmeg’s details can be seen as a display font. Under these two ways of perceiving this typefamily, we took the decision of split this type project in two families: a cleaner and more rational Nutmeg versus a Headline version that has more flavored details at the end of the characters. Designed with powerful OpenType features in mind, each weight includes alternate characters, ligatures, fractions, special numbers, arrows, extended language support and many more… Perfectly suited for graphic design and any display/text use. The 36 fonts are the first part of a larger Nutmeg family. We’re proud to introduce: Nutmeg. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Foundry On facebook W Foundry wtypefoundry.com

Carlino is named after the cutest dog on earth. Why? Because it’s the cutest font ever made. Especially intended for stationery use, it’s loaded with lots of alternates and ligatures, not only in the lowercase but in the uppercase. All of them are Open-Type programmed, so the possibilities of having something unique are endless. Following nowadays trend, Carlino is a multi-layered font: shades, holes and dots were made to work alone or all together with fantastic results! The way it works is so easy that It’s impossible not to enjoy it: Just type a word; then the same one set in another style and voilà! The font has also a lot of sweet ornaments to embellish your projects. Find inside: hearts, fleurons, party icons, flags, and the funniest animals. To accompany Carlino, there’s nothing better than Carlino Capitals. Its cute flavor makes everything more lovely. Have fun with Carlino and oh! don't forget to feed this little pug or it will bark all day long! Special thanks to Maximiliano Sproviero, whose advice helped me make this dream come true.

"Hi there, thank you for passing by. Colllab Studio is here. We crafted best collection of typefaces in a variety of styles to keep you covered for any project that comes your way! Heydista Notes is a traditional hand-written monoline signature font with clean, geometric outlines. This makes it the perfect choice for high-end branding or marketing materials. The font is modeled after the calligraphy of ancient Rome and Greece. It has a classic and timeless feel, but the clean lines give it a modern edge. Heydista Notes has been designed with attention to detail and with very high quality standards in mind. It includes over 200 glyphs, stylistic alternates with beginning and ending swashes that you can use with your designs, and alternate letters for each letter of the alphabet so you can create unique-looking words and phrases with ease. Whether you're looking for a classic feel or something more modern, Heydista Notes will elevate your designs to the next level. A Million Thanks www.colllabstudio.com

INTRODUCTION When I started the first Selfie back in 2014 I was aware that I was designing something innovative at some point, because at that time there were not too many, (if any) fonts which rescued so many calligraphy features being at the same time a monolinear sans. I took inspiration from the galerías’ neon signs of my home city, Buenos Aires, and incorporated the logic and ductus of the spencerian style. The result was a very versatile font with many ligatures, swashes and a friendly look. But… I wasn’t cognizant of how successful the font would become! Selfie is maybe the font of my library that I see the most when I finally go out, (type-designers tend to be their entire lives glued to a screen), when I travel, and also the font that I mostly get emails about, asking for little tweaks, new capitals, new swashes. Selfie was used by several renowned clients, became part of many ‘top fonts of the year’ lists and was published in many magazines and books about type-design. These recognitions were, at the same time, cuddles for me and my Selfie and functioned as a driving force in 2020 to start this project which I called Selfie Neue. THE FONT "Selfie for everything" Selfie Neue, because it’s totally new: All its glyphs were re-drawn, all the proportions changed for better, and the old and somehow naive forms of the first Selfie were redesigned. Selfie Neue is now a family of many members (you can choose between a Rounded or a Sharp look), from Thin to Black, and from Short to Tall (because I noticed the feel of the font changed notoriously when altering its proportions). It also includes swashy Caps, which will serve as a perfect match for the lowercase and some incredibly cute icons/dingbats (designed by the talented Melissa Cronenbold) which, as you see in the posters, make the font even more attractive and easy to use. You'll find tons of alternates per glyph. It's impossible to get tired with Selfie! Like it happened with the old Selfie, Selfie Neue Rounded was thought for a really wide range of uses. Magazines, Book-covers, digital media, restaurants, logos, clothing, etc. Hey! The font is also a VF (Variable Font)! So you can have fun with its two axes: x-height and weight, in applications that support them. Let me take a New Selfie! TECHNICAL If you plan to print Selfie Neue VF (Rounded or Sharp), please remember to convert it to outlines first. The majority of the posters above have the "contextual" alternates activated, and this makes the capitals a little smaller. I'd recommend deactivating it if you plan to use Selfie for just one word. Use the font always with the "fi" feature activated so everything ligatures properly. The slant of the font is 24,7 degrees, so if you plan to have its stems vertical, you may use Selfie with that rotation in mind. THANKS FOR READING

PRISMATIC INTERLACES TYPEFACE! Prismatic Interlaces is a decorative system and ‘Assembling Game’, itself. Settled in squared pieces modules or tiles, embedded by unprecedented Intertwined Prismatic Structures Design, or intricate interlaced bars that may seem quite “impossible” to shape. Although it originated from the ‘Penrose Square’, it may not look totally as an Impossible Figures Type of Optical Illusions. More an “improbable” Effect in its intertwined Design, that even static can seem like a source of Kinetical Sculptures, or drive eyes into a kind of hypnosis. Prismatic Interlaces has two related families, both as a kind of lighter weight versions Prismatic Spirals Default & Pro. While Default is simpler or easier to use, same way as Prismatic Interlaces, Pro provides a more complex intricate Design that requires typing alternating caps. Instructions: Use the Map Font Reference PDF as a guide to learn the 'tiles' position on the keyboard, then easily type and compose puzzle designs with this font! All alphanumeric keys are intuitive or easy to induce, you may easily memorize it all! Plus, often also need to consult it! *Find the Prismatic Interlaces Font Map Reference Interactive PDF Here! (!) Is recommended to Print it to have the Reference in handy or just open the PDF while composing a design with this typeface to also copy and paste, when consulting is required or when it may be difficult to access, depending on the keyboard script or language. As a Tiles Type-System, the line gap space value is 0, this means that tiles line gaps are invisibly grouted, so the user can compose designs, row by row, descending to each following row by clicking Enter, same as line break, while advances on assembling characters. Background History: The first sketches of my Prismatic Knots or Spirals Designs dates back then from 2010, while started developing hand-drawn Celtic Knots and Geometric Drawings in grid paper, while engage to Typography, Sacred Geometry and the “Impossible Figures” genre… I started doing modulation tests from 2013, until around 2018, I got to unravel it in square modules or tiles from the grid, then idealized it as fonts, along with other Type projects. This took 13 years to come out since the first sketches and 6 months in edition. During the production process some additional tiles or missing pieces were thought of and added to the basic set, which firstly had only the borders, corners, crossings, nets, Trivets connectors or T parts and ends, then added with nets and borders integrations. Usage Suggestions: This type-system enables the user to ornate and generate endless decorative patterns, borders, labyrinthine designs, Mosaics, motifs, etc. It can seem just like a puzzle, but a much greater tool instead for higher purposes as to compose Enigmas and use seriously. As like also to write Real Text by assembling the key characters or pieces, this way you can literarily reproduce any Pixel Design or font to its Prismatic Spirals correspondent form, as Kufic Arabic script and further languages and compose messages easily… This Typeface was made to be contemplated, applied, and manufactured on Infinite Decorative Designs as Pavements, Tapestry, Frames, Prints, Fabrics, Bookplates, Coloring Books, Cards, covers or architectonic frontispieces, storefronts, and Jewelry, for example. Usage Tips: Notice that the line-height must be fixed to 100% or 1,0. In some cases, as on Microsoft Word for example, the line-height default is set to 1,15. So you’ll need to change to 1,0 plus remove space after paragraph, in the same dropdown menu on Paragraph section. Considering Word files too, since the text used for mapping the Designs, won't make any literal orthographical sense, the user must select to ignore the Spellcheck underlined in red, by clicking over each misspelled error or in revision, so it can be better appreciated. Also unfolding environments as Adobe Software’s, the Designer will use the character menu to set body size and line gap to same value, as a calculator to fit a layout for example of 1,000 pts high with 9 tiles high, both body size and line gap will be 111.1111 pts. Further Tips: Whenever an architect picks this decorative system to design pavements floor or walls, a printed instruction version of the layout using the ‘map’ font may be helpful and required to the masons that will lay the tiles, to place the pieces and its directions in the right way. Regarding to export PNGs images in Software’s for layered Typesetting as Adobe Illustrator a final procedure may be required, once the designs are done and can be backup it, expanding and applying merge filter, will remove a few possible line glitches and be perfected. Technical Specifications: With 8 styles and 4 subfamilies with 2 complementary weights each (Regular and Bold) therefore, Original Contour, Filled, Decor, with reticle’s decorations and 2 Map fonts with key captions. *All fonts match perfectly when central pasted for layered typesetting. All fonts have 106 glyphs, in which 49 are different keys repeated twice in both caps and shift, plus few more that were repeated for facilitating. It was settled this way in order for exchanging with Prismatic Spirals Pro font which has 96 different keys or 2 versions of each. Concerning tiles manufacturing and Printed Products as stickers or Stencils, any of its repeated pieces was measured and just rotated in different directions in each key, so when sided by other pieces in any direction will fit perfectly without mispatching errors. Copyright Disclaimer: The Font Software’s are protected by Copyright and its licenses grant the user the right to design, apply contours, plus print and manufacture in flat 2D planes only. In case of the advent of the same structures and set of pieces built in 3D Solid form, Font licenses will not be valid or authorized for casting it. © 2023 André T. A. Corrêa “Dr. Andréground” & MMC-TypEngine.

An inline adaptation of a distinctive slab serif, Cesium is an unusually responsive display face that maintains its high energy across a range of different moods. The Cesium typeface was designed by Jonathan Hoefler in 2020. An energetic inline adaptation of Hoefler’s broad-shouldered Vitesse Black typeface (2000), Cesium is named for the fifty-fifth member of the periodic table of the elements, a volatile liquid metal that presents as a scintillating quicksilver. From the desk of the designer, Jonathan Hoefler: I always felt that our Vitesse typeface, an unusual species of slab serif, would take well to an inline. Vitesse is based not on the circle or the ellipse, but on a less familiar shape that has no common name, a variation on the ‘stadium’ that has two opposing flat edges, and two gently rounded sides. In place of sharp corners, Vitesse uses a continuously flowing stroke to manage the transition between upright and diagonal lines, most apparent on letters like M and N. A year of making this gesture with my wrist, both when drawing letterforms and miming their intentions during design critiques, left me thinking about a reduced version of the typeface, in which letters would be defined not by inside and outside contours, but by a single, fluid raceway. Like most straightforward ideas, this one proved challenging to execute, but its puzzles were immensely satisfying to solve. Adding an inline to a typeface is the quickest way to reveal its secrets. All the furtive adjustments in weight and size that a type designer makes — relieving congestion by thinning the center arm of a bold E, or lightening the intersecting strokes of a W — are instantly exposed with the addition of a centerline. Adapting an existing alphabet to accommodate this inline called for renovating every single character (down to the capital I, the period, and even the space), in some cases making small adjustments to reallocate weight, at other times redesigning whole parts of the character set. The longer we worked on the typeface, the more we discovered opportunities to turn these constraints into advantages, solving stubbornly complex characters like € and § by redefining how an inline should behave, and using these new patterns to reshape the rest of the alphabet. The New Typeface The outcome is a typeface we’re calling Cesium. It shares many of Vitesse’s qualities, its heartbeat an energetic thrum of motorsports and industry, and it will doubtless be welcome in both hardware stores and Hollywood. But we’ve been surprised by Cesium’s more reflective moods, its ability to be alert and softspoken at the same time. Much in the way that vibrant colors can animate a typeface, we’ve found that Cesium’s sensitivity to spacing most effectively changes its voice. Tighter leading and tracking turns up the heat, heightening Cesium’s sporty, high-tech associations, but with the addition of letterspacing it achieves an almost literary repose. This range of voices recommends Cesium not only to logos, book covers, and title sequences, but to projects that regularly must adjust their volume, such as identities, packaging, and editorial design. Read more about how to use Cesium. About the Name Cesium is a chemical element, one of only five metals that’s liquid at room temperature. Resembling quicksilver, cesium is typically stored in a glass ampule, where the tension between a sturdy outer vessel and its volatile contents is scintillating. The Cesium typeface hopes to capture this quality, its bright and insistent inline restrained by a strong and sinuous container. Cesium is one of only three H&Co typefaces whose name comes from the periodic table, a distinction it shares with Mercury and Tungsten. At a time when I considered a more sci-fi name for the typeface, I learned that these three elements have an unusual connection: they’re used together in the propulsion system of nasa’s Deep Space 1, the first interplanetary spacecraft powered by an ion drive. I found the association compelling, and adopted the name at once, with the hope that designers might employ the typeface in the same spirit of discovery, optimism, and invention. —JH Featured in: Best Fonts for Logos

King Throne is a regal display font that exudes an air of grandeur and elegance. With its high contrast characters and distinctive swinging letter ends, this typeface commands attention and captivates the viewer with its majestic presence. The high contrast design of this font creates a striking visual impact. The stark difference between the thick and thin strokes adds a sense of drama and sophistication to each letter, making them stand out with a commanding presence. The font's weight distribution captures the eye and draws focus to the exquisite details of its letterforms. What sets King Throne apart is the captivating swinging ends of the letters. With a gentle curve and a flourish, these decorative elements add a touch of movement and grace to the font. The swinging letter ends contribute to the font's regal aesthetic, evoking images of royal script and elegant calligraphy. They elevate the font's overall appearance, transforming it into a true symbol of authority and power. For the best legibility you can use it in the bigger text. Enjoy the available features here. Features: Stylistic Sets Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations King Throne fits in headlines, logos, attention-grabbing titles, product packaging, branding materials, editorial layouts and website headers. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Caitlin is a new modern script font with an irregular baseline. Caitlin Script looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. It includes initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).Thanks so much for looking and please let me know if you have any questions.

Neo-grotesque Sans Serif mixed with the classical handwritten Script in slanted geometric shapes - that’s the way Mixa was born. Those two faces of the new font family makes it as much as unique and recognizable. When you’re using the Capitals only nobody will suspect that there is script hidden in the lowercase. That’s why all eight weights can be combined perfectly with wide list of classical Sans Serif, Slab Serif and Serif typefaces. The font offers wide range of ligatures to ensure smooth readability and beautiful letter combinations. The decorative swashes in some of the Capitals presented as a stylistic sets give unique touch in any design. Mixa has it’s own style and personality, but without lacking of legibility.

Introduce my new font De Alandia is a unique blend of classic and modern fonts with a variety of beginning and ending swashes, I hope you are drawn to a beautiful and aesthetic font to perfect your extraordinary project. It features varied baselines, smooth lines, gorgeous glyphs and stunning alternatives. De Alandia is suitable for today's growing market designs, this font has a trendy, natural and soft style, with this font you can use. opportunities at every moment of an extraordinary way to highlight your best party celebration, because this font will support needs such as weddings, events, invitations, side cards, table numbers, header menus, displays, logos, blog sliders, addresses specialty, stamps, packaging, greeting cards, etc. Please send a message if you have any questions.

Armorel script is a romantic, bold, elegant and fun vintage script font. It can be used for various purposes such as logos, wedding invitation, t-shirt, letterhead, signage, news, posters, badges, and more. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw Need help? If you need help or advice, please contact me by e-mail "chaidirgata@gmail.com" Thank you for your purchase!

Heket was a goddess of childbirth and fertility in Ancient Egypt. She was depicted as a frog, or a woman with the head of a frog. Frogs symbolized fruitfulness and new life. Heket font is an expressive handwritten font, it is available in four versions: Regular and slanted. They have many advantages of the OpenType futures to choose from: stylistic alternates, swashes, contextual alternates, and a full set of standard and discretionary ligatures. Heket supports all diacritics for CE languages; they come also with a huge variety of ornaments, underlines, beginnings and word endings that will allow you to work in a creative way. They've been specially thought to use in packaging design, children books, advertising, logotypes, greeting cards, web sites and much more.

Mixcross is a display font in the capital letters particularly created in a racing theme to express courage and power, which relates to the theme of racing. It is frequently applicable in 1) titles either to highlight the emphasizing phrases or to attract readers’ attention, and 2) large-sized texts owing to the unique sizes and shapes. Additionally, Mixcross provides interesting features to help designers improve their design products. Features: Multilingual Supports PUA Encoded Numerals and Punctuations This font type works best for any design projects, for instance, posters, banners, logos, book covers, headings, printed products, merchandise, social media, and so on. Find out more ways to use this font by taking a look at the font preview. Thanks a lot for purchasing our font. Happy designing.

Vallassina is named after Vallassina, a village in the valley of the upper tract of the river Lambro in northern Italy. The most important settlement in the area is the town of Asso, from which the valley takes its name. Spasell is a slang of Insubric language, spoken until 19th century by inhabitants of Vallassina, when they used to go out from the valley for business and they didn't want to be understood by the people. What makes this valley unique is that the locals use a unique whistle language to communicate to each other. Vallasina is confidently irreverent yet curiously attractive. How many ways can you use Vallassina to whistle to your neighbors? Vallasina is available in OpenType format.

Kanghara is a calligraphic script font with varying baseline, which is designed to convey elegance and style. It is smoothline, clean and feminine. Works perfectly for logos, magazines, menus, books, invitations, wedding / greeting cards, packaging, labels, t-shirt etc. All designs you will have a wonderful homemade touch with Kanghara. Kanghara features alternate characters. including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. and there are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

The Ale symbol fonts designed by Alessio Leonardi supply a large range of different characters. The two "Ale Ornaments" fonts contain a large set of different spirals, which can be used on tapestries, or as placeholders in presentations. The four separate "Ale Signs" fonts contain a set of daily glyphs, like male and female, smoking and non-smoking, danger, ying and yang, arrows and mathematical signs. The "Ale Transport" font is a large collection of funny pictures for the various kinds of transportation available over air, land and water. Here you can see Alessio's Italian design joy, which he has presented in many ways. Have fun in discovering the various pictures such as the submarine on the railway, or the airplane with a "Do it again" banner.

Brigan Inspired by contemporary fashion and streetwear and combination with Hand Lettering style. I'm made with touch personality every single curve. I hope this can inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font. Ideal for logos, handwritten quotes, product packaging, headers, posters, merchandise, social media & greeting cards. Files Include: Basic Latin A-Z and a-z Numbers Symbols Stylistic Set Ligature OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternatives, using Character Map (Windows), Nexus Fonts (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Inspired on Cuban posters by the talented and prolific graphic artist Eduardo Muñoz Bachs, Transmogrifier was hand painted with a thin brush, using loose, fast strokes. This font is packed with lots of contextual and stylistic alternates that automatically transmogrifies the letters as you write, when using opentype savvy programs. It's also possible to pick the alternates by hand and set the text the way you like better. The choice is yours, and there are really plenty of alternates to choose from and create original handlettered-looking designs. The font also brings a rough set of pictures based in charcoal sketches from Shniedewend & Lee Company, 1888. These were painted with the same thin brush as the letters, making it a natural complement. So let the transmogrification begin!

Blackstore Script is a new modern script calligraphy font with an irregular baseline. It looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. Including initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).Thanks so much for looking and please let me know if you have any questions.

Courageous Script is a new modern, trendy, feminine script calligraphy font with an irregular baseline. Courageous Script looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. Perfect for using in ink or watercolour. It includes initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).Thanks so much for looking and please let me know if you have any questions

Collager is a Modern Serif Family Font with 2 style Regular And Oblique.It's a very versatile font that works great in large and small sizes. Perfect for branding projects, Logo design, Clothing Branding, product packaging, magazine headers, or simply as a stylish text overlay to any background image. Collager variable allows fluid design across 18 weights,The font broadens its use by supplying weights all the way from Thin to Black We pushed the concept into a usability focused direction, to work as a bold tool and beautiful communicator.The natural curves, swells and sloping trunks, grow in character as the font gains weight. Whilst the thinner weights have lowered contrast and optical corrections to create a warm and gentle appearance. Check my other Font here : https://gilarstudio.com/

Fox is a completely new typeface based on my previously designed Fox family font, which has been in distribution by T26 type foundry since 2001. Old Fox typeface design decisions were reconsidered in a way to improve legibility without sacrificing its originality. This new Fox family consists two subfamilies: Fox TRF and Fox Sans TRF. Fox TRF is upright italic typeface with light, regular and bold weight styles. The most distinguished Fox characteristic is the lowercase letters. Their curly, playful and vivid letter forms were derived from handwritten lettering then carefully shaped and adapted onto sans serif category. Fox typeface is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.

Brode is a display slab serif font with 2 style clean and rough ,looks bold and wide also comes with alternative characters that created for adding a altivative uppercase decor of the letters. and it looks right on every character's we've made. Stylistic alternates allows versatile design options and works. Perfect for headline, logo, branding, emblem, enamel, for a adventure tone, posters, packaging, t shirt, presentationn and much more Features: - Uppercase & lowercase - Numerals & Punctuation - Stylistic Alternate Characters uppercase - Multilingual Supports Find out more ways to use this font by taking a look at the font preview. Hopefully you enjoy your experience in using our font. Feel free to contact us for further product information or trouble complaints. Thank you and happy designing.

OMBAKE is a curly typeface that looks incredible and has an attractiveness when you see it. Each letter shape has been designed to have a character that is easily recorded in the mind. This font has elegant and classy characters, clean lines and smooth curves give any project an extra touch of class. A sans serif modern and curly typeface that has own unique style & modern look. This typeface is perfect for an large point sizes, for example in magazine layouts, packaging, book, title design, fashion brand, clothes, lettering, quotes design and many other ways to your work. We make all the characters is PUA encoded and multilingual. Features: A-Z Character Set a-z Character set Numerals & Punctuations Multilingual Thanks, Alamsa

Bainbrydge Script is a new and modern font with an irregular baseline. Bainbrydge Script looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. It's perfect for using in ink or watercolour. It includes initial and terminal letters, alternates, ligatures and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).Thanks so much for looking and please let me know if you have any questions.

Replica seamlessly blends organic and geometric elements to create a captivating geometric grotesque font that draws its creative essence from the principles and design philosophy of organic architecture. Replica's journey towards this harmonious equilibrium begins with a deep exploration of organic architecture, a design philosophy that celebrates the integration of the built environment with the natural world. Drawing inspiration from the works of architects like Frank Lloyd Wright and Antoni Gaudí, Replica seeks to capture the essence of flowing lines, biomorphic shapes, and the seamless fusion of structure and surroundings. At the heart of Replica's design process lies a commitment to translating these organic principles into a typographic form that resonates with viewers in a way that is both visually captivating and functionally versatile.

Do you find some of the contemporary fonts just a tad too cool, restrained – even arrogant in their appearance? Here’s something to charm your worried clients with – Lagom, a polite and diplomatic type family. Use Lagom and you’ll be able to reach just that fine line between sophistication and mundane. The font family works really well with FMCG (fast moving consumergoods) products, restaurant identities and menus or way finding systems – you could even try it on a mobile app for that more human, ease-of-approach feel. Perfectly adept for contemporary needs, Lagom fonts come with smart Open Type features and the family is kept just the right sized – not too vast, not too compact. Make your designer life easier with Lagom!

Linotype Sangue is part of the Take Type Library, selected from the contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This prize-winning font was designed by the German artist Gabriele Laubinger. The most distinguishing characteristic of Linotype Sangue is the contrast between the wide, rounded capital letters and the tall, narrow and pointed lower case. Another factor which makes this font so unique is the way Laubinger worked with stroke contrasts, using heavy strokes in the top third of the characters and diminishing to extremely light strokes at the bottom. Linotype Sangue makes a mysterious, secretive impression. It is best used for headlines and displays and shorters texts with point sizes of 12 and larger.

Frink Rio Modren Grotesk Font Family It has evolved to converge wider and more trendy design needs. By designing the thin style vertical stem value as 10pt, the contrast between individual styles is ensured. Great care has been taken to ensure that the characteristics of individual Glyphs are well reflected in the each style. Extended Cyrillic language support will help make this font family more universal. And the support of various OpenType Features will respond to the designer's coverage in a variety of ways. OpenType Features Ligatures - fi, fl Small Caps (from lowercases) Ordinals (1st. 2nd. 3rd, 4~9th) Oldstyle Figures Tabular Figures Fractions Scientific Inferiors Superscrpt (lowercases. numbers) Check in advance how the apps you are using support these OpenType Features.

One of the earliest Monotype faces, issued about 1906 in two weights, normal and semibold. Based on Schelter & Giesecke's School Fraktur which was in turn based on type favored by early 16th century printers in Wittenberg. It was the door of the Schlosskirche in Wittenberg on which Luther nailed his 95 theses. For this reason, types similar to Wittenberger Fraktur are particularly associated with Lutheran theology. There are two s versions in the DFR-layout. They enable you to typeset the old way, where the long s with the form like an f is used in the beginning and middle of a syllable or word and the typical round s, also called final s, is used at the end of syllable and end of words.

Angler Inspired by contemporary fashion and streetwear and combination with Hand Lettering style. I'm made with touch personality every single curve. I hope this can inspire you from your work. and a very bouncy baseline It has a perfectly paired complimentary marker font. Ideal for logos, handwritten quotes, product packaging, headers, posters, merchandise, social media & greeting cards. Files Include: Basic Latin A-Z and a-z Numbers Symbols Stylistic Set Ligature OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. There are additional ways to access alternatives, using Character Map (Windows), Nexus Fonts (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac).

Brantley Script is a romantic and vintage script. It Can be used for various purposes such as logos, wedding invitations, t-shirts, letterhead, signage, news, posters, badges and more. Brantley Script features 300+ glyphs and extruded fonts, alternative characters, binders. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. How to get alternative glyphs from open type fonts: http://youtu.be/iptSFA7feQ0 There are additional ways to access alternatives, using Character Map (Windows), Nexus Fonts (Windows), Font Book (Mac) or software programs such as PopChar (for Windows and Mac). How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw

Valverde Rounded is the more playful and gentle variant of Valverde Family. It still remains a super-serif font family with 2 widths condensed and normal, each width consists of 18 fonts and has a complete weight from thin to black combined with beautiful italic cuts to meet the needs of any design in any format. Inspired by the type of vintage rounded look that has recently become a trend, this round letter character has a comfortable and friendly impression. Opentype features such as Stylistic Alternate and Ligature on the Valverde family make it look more aesthetic so that it fits in a classy modern look. Stunningly beautiful and vintage rounded serifs make them an essential addition to any type of tool kit.

Check out the new Lust Pro & Lust Pro Didone to see how the series has grown and evolved. Confident and versatile, Lust is an exercise in indulgence—an attempt to create something over the top and vastly useful. If Lust Slim seems both new and familiar, that’s because it is. The series unapologetically channels Herb Lubalin, but produced with a deliberate, contemporary twist. There is an intentional slyness infused in the letterforms—the extreme thick and thin lines flow effortlessly without becoming gratuitous. It’s always just enough, not too much. What makes the type series so appealing? The curves. When asked to describe the letterforms, most people unwittingly allude to the human form, using adjectives usually reserved for describing physical traits… creating all-too-familiar comparisons. Summerour has grown to accept this as unavoidable and reasonable given his acknowledgement of its influences and has provided nuances within the letterforms to accentuate that. Intended to be set large, the typeface has both Standard (Lust, Lust Didone and a single unified Italic) and Display variants making it perfect for editorial use and a flexible solution for any display need.

Northills Font This pair was inspired by the great lettering poster design that i saw on some coffee shop, It was crafted by hand specially to add natural handmade feeling in its brand identity than i make it clean with pentool. Opentype features Northills font has 215 character set Northills is very good looking in labels, retro logo design, product packaging, invitations, advertising and others. Rough lettering is always have a good retro vibes and give your design authentic and good looking, it’s perfect for branding or even poster design. If you looking for rough retro font for your logo or even lettering design, this font is a great choice to make your design authentic and good looking This fonts works with folowing languages: Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Chiga, Cornish, Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, Gusii, Indonesian, Irish, Italian, Kabuverdianu, Kalenjin, Kinyarwanda, Low German, Luo, Luxembourgish, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Manx, Morisyen, North Ndebele, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Vunjo, Zulu Thank you for using this font. LS