TOTEM is simple and geometric, strong and modern. Previously it was designed for our logo and next we made the rest of the alphabet, including multi-language coverage and numbers. Totem has a nice set of ornaments too.

A collection of traditional American patchwork quilt motifs in a decorative font package. Over 80 designs, to be used as free-standing illustrations, in borders, or as an overall pattern. Several designs will work together into a pattern.

In digitizing this old font, we took great liberties with the design, removing some jarring elements. The result reads much more smoothly than the original, retaining the overall character of the original. Hope you don't mind, Mr. Beeler.

Authentic rendering of the original font called Vanden Houten from the Keystone Foundry in Phaladelphia. Very popular among job printers of the early twentieth century.

Say hello to Hello Arsenio font. Made with love and joy. Kids look, so it will make your design more beautiful, cute, fun, and colorful.

Let’s be creative and have fun at the same time! With the new Itchy Handwriting, you will make your friends smile and your foes shake.

In its beauty, Comicraft's Fairytale font is without rival in the heavens, the earth, or the stuff of men's dreams! A wee thing it may be, but 'tis like a star pulled from the sky. Luminescent. Radiant. Perfect. Yes! PARADISE can be yours...from the pages of "Captain Stoneheart and the Truth Fairy," comes a font that might very well change your life forever... it's a dream, a myth, a neverending story, it's a FairyTale! Words by Joe Kelly & art by Chris Bachalo from Captain Stoneheart and the Truth Fairy

A quirky face with a distinct personality, Eclipse is good for logotypes and packaging. The Eclipse font is not recommended for situations where legibility is essential, but more suited where the overall image is more important than the words.

A product of the Inland Type Foundry, some say stolen from a hand lettering job done by Goudy. (Goudy was one of those who said it!)

Noted is that perfect quirky font you'll use again and again! Mix and match upper and lowercase letters to create your own unique hand-jotted look!

Say hello to Magic Dreams font. Made with love and joy. A comic look, so it will make your design more beautiful, cute, fun, and colorful.

It all began with an ellipse. Like an artist who goes from a pictorical logic to a more abstract one, in Elipses geometry is stripped of any distractive or ornamental detail. The font is naked and it shows that it does not need complex shapes or decisions in order to be very attractive. The font is a compendium of ellipses and stems, with a didone 'pensiero'. It also gets some inspiration from the art-deco letters and architecture, due to obvious reasons. Geometry at its best. Elipses will be useful for magazines, books, ads, or any piece of design that needs elegant letters. Note about the styles The styles named "Alt" (from Alternative) have their swashes with less loops. Use them if you are more into naked geometry. Apart from many alternates and ligatures, I've included some different sized glyphs in all the styles so you can also play on the rhythm! Have fun!

Fun Art Friends - Handwritten Font is a delightful and playful font designed with a theme that resonates with children. It brings a sense of fun and whimsy to your designs, making it the perfect choice for various applications. Whether you're creating products, titles, books, logos, or printing materials, this font adds a vibrant and lively touch to your projects. The fun and playful nature of Fun Art Friends shines through its handwritten style. It emulates the free-spirited and energetic handwriting of children, creating a joyful and carefree vibe. The font is carefully crafted to capture the innocence and imagination of young minds, making it a great choice for projects targeting children or those that require a lighthearted and colorful approach. Whether you're designing a children's book cover, a logo for a toy company, or printing materials for a playful event, Fun Art Friends - Handwritten Font will bring a sense of joy and excitement to your designs, capturing the attention and imagination of both children and adults.

The 1965 film “Mirage” had its titles and credits hand lettered in a simple, thin sans serif with rounded corners and an overall square design. This is now available digitally as Office Work JNL, in both regular and oblique versions.

Fun, illustrations of guy stuff. This font is another of the many doodle fonts from Outside the Line. Goes well with Diva Doodles and Diva Doodles Too.

The playful, casual hand lettering on the 1941 movie poster for “Blondie Goes Latin” inspired Latin Fiesta JNL which is available in both regular and oblique versions.

Dequindre is a monolinear blackletter typeface, and was drawn as if grade school handwriting practice sheets came in a blackletter variety. Dropping the thin/thick calligraphic contrast of traditional blackletter glyph construction and instead sticking to the bare skeleton of the typeface, Dequindre manages to bring forth a delicate, contemporary aesthetic that plays off of a core blackletter form. Overall portrayed with a softer, more friendly take on the angular, severe forms of 16th century blackletter style, and through pulling some of the curvier, smoother stroke qualities of Antiqua while still maintaining the overall construction and flourish of Fraktur, Dequindre sits in a unique space in the pantheon of blackletter typefaces.

Impacting and vibrant, Cordelia family draws inspiration from covers of 'cordel literature’, small booklets of popular story-poems that played an essential role on the folk-popular cultural life of Brazil.  Printed in coarse paper, usually with an woodcut illustration and lettering in the front, these booklets were sold on the streets, in marketplaces and town squares, hung in a cord - therefore the name ‘cordel’. The work of these humble printers and poet-singers of northeastern Brazil strongly served as source for acclaimed romances and movies and still inspires writers of all genres, movie makers, painters,​ musicians. And type designers too :) Cordelia doesn’t bring a picture font yet, but ​it ​goes pretty well with Chronic and Manicuore illustrations. It goes well with and without them. It definitely goes well. You bet!

PF Libera was designed at a time of leisure with no particular intention for commercial use. In fact it was offered in the beginning as a freeware. In 2001, designer Charis Tsevis was convinced that it may have some commercial value, so Parachute obtained the rights to sell this typeface. At that time, we did not even imagine what would follow. Since then, PF Libera is one of our most successful typefaces. We have seen it being used in very diverse applications. From publishing to advertising to banking, to transportation, to retail applications. Food, beverages, fashion, automobiles, tourism, the list goes on and on. In any way, this typeface is very personal, modern and provocative. It stays with you and definitely it brings along the message. PF Libera comes in 3 styles. One of them, 'Liberissima', was added later and is more loose than the other two. The new 'Pro' version is powered with 7 OpenType features and is carefully designed to include all languages that are based on Latin, Greek and Cyrillic.

Vocal is a sans serif type family designed by Ani Dimitrova. The family has 28 weights, ranging from Hairline to Heavy with matching Italics and Small Caps. In addition, you get a nice alternate version of the Heavy weight with extra thin accents. Which is a pure joy for setting titles. Vocal comes with extended coverage of the Latin, Greek and Cyrillic Script. The Regular and Medium weights are perfect for body text while the extra drawn Italic gives an interesting texture to the text. The stems are a little tapered to the middle and the corners are cutted, which makes them a little rounded in small sizes. That gives the font an organic, warm and friendly touch. Vocal is equipped for complex, professional typography with Open Type Features including — small caps, localized forms, standard ligatures, subscripts, superscripts, numerators, denominators, numbers in circles arrows, currency symbols and fractions. The fonts are carefully hinted and its wide proportions make them a perfect choice for screen usage. Vocal suits also ideal for book and editorial design.

Cloveron Media unveils its first serif font that goes beyond the formal nature of typography. It celebrates the artistic expressions of graphic designers within themselves. The Name Mary Anne Remulla is the Master Designer behind the Enchanter Font. She aims to make graphic designers filled with delight and enjoy typography with its extensively artistic alternates and multilingual characters. The Font Style The serif style, known for its formal touch to typographic design, infuses the font with its professionalism as its regular. Using its middle alternate adds a hint of unique touch without losing the serif style's essence. The Enchanter font's start and end alternates are the designer's illustrations of design balance, which elevates its charm and enticing nature that adds to its overall artistic power. "I am fascinated by art and so by design. A font with alternates was my great revelation that I can do typography artistically, enthusiastically, and with freedom. I later found myself fascinated and lost in paper space, which then ended up that I completed my first font creation with extensive alternates for each letter." - Mary Anne Remulla

This beautiful old design was originated at the Connor Foundry, New York, about 1888. Ideal for the small "in between" lines in modern versions of Victorian job printing.

A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Trango is a sans serif that goes well with the slab serif Besley Hand.

Shoebop is a playful, rhythmic brush script with a delightful retro flair. Its joyful presence is ideal for web and print headlines, posters, signage, logos, and greeting cards.

First designed in 2005, the award winning Andrade goes OpenType. Andrade Pro is available in six styles. Includes plenty of features, like SmallCaps, Alternates, Ligatures, Swashes and Greek.

Adam Roe founded in 1991 Lunchbox Studios as an experiment. Adam is also president and founder of his second company Reelhouse Footage und FK in Los Angeles, California.

A funny childish handwritten font, with a spirit. This typeface can tell fairy tales. Besley Hand is a slab serif that goes well with the sans serif Trango.

SK Nowatorus is a modern experimental display grotesque. This typeface challenges the usual ideas about the structure of symbols and harmony in the typesetting line. The typeface symbols are based on the average contrast of thicknesses and on the contrast of the shapes of the symbols themselves. The font combines both narrow characters of the main set and wide additional ones. This, coupled with a wide range of alternatives and ligatures, gives huge opportunities for creative experiments. SK Nowatorus supports a multilingual set of Latin Pro and Cyrillic Pro. This typeface is perfect for poster design and for a set of small text blocks due to the presence of a capital and lowercase set.

The design for Granjon was produced at the English branch of Linotype under the direction of George William Jones and appeared in 1928. This reproduction of a Garamond typeface was based on the typeface sample of the Frankfurt font foundry Egenolff from the year 1592 . The roman characters of the sample were made by Claude Garamond and the italic forms were designed by Robert Granjon. Jones made sure that the Granjon font remained true to the original characters of Garamond and Granjon.

Shire Script includes alternate characters and discretionary ligatures to help you create settings when informality is called for. Variety in the lowercase x heights and connectors give an overall effect of handwritten headings and text. However, by considered drawing, legibility is not compromised.

Paz, a squarish 4-weight industrial family, ranging from extreme hairline to black. It is ideal for editorial headlines where type plays a major role in the overall design. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

MBF Archita is a creative font by moonbandit. This typeface takes a funky angle on a digital theme design giving it a non linear flowing dynamic in the overall feel. Archita best use as a title, headline, branding and even typography poster.