Justin Honey is a beautiful modern calligraphy font with a special heart character. It will add a romantic touch to any craft project! Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationery art, eye-catching social media posts, and cute greeting cards

Robneys Hut modern display font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Robneys Hut modern display font. Cheers, Maulana Creative

Clowed Rollnow brush handmade font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Clowed Rollnow brush handmade font. Cheers, Maulana Creative

Skilaz is a modern and charming handbrushed font which has a detailed brush that makes a natural impression. Skilaz also come with underline swash (You can access it by typing 1-9). Skilaz can be placed in many design needs such as, merch, branding, packaging, social media, events, and many more.

Gelyti is a Beautiful Handwritten Font. Gelyti is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Gelyti also multilingual support. Alternates & Lowercase Ending Swashes. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Ratth Cilay brush handmade font. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with signature or script typeface. Make a stunning work with Ratth Cilay handmade brush font. Cheers, Maulana Creative

Introducing by Timur type Proudly Present, Golden Estella Golden Estella A Handwritten Script Font Golden Estella is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Golden Estella multilingual support. Embelish your designs with our original fonts.Enjoy the font,Thank you!

Introducing, Capaldi! Capaldi is a casual modern handwritten font. Capaldi comes with a lot of ligatures and ending swash that make your text is more charming and more expression. Capaldi brings natural element to your design, it's perfect for wedding, stationery, logos, social media quotes, branding identity, and many more.

Precious Memories is a cool-looking display font. Bold and a little bit quirky, this font is the perfect fit for all of your logos, branding, social media, and crafty DIY projects. So what's included : Basic Latin A-Z & a-z Numbers, symbols, and punctuations Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß Thank you

Benang Merah is designed by Zainul Faozi, the idea concept is from a thread, each letter is connected that is the uniqueness of this font. You can use this font for your poster design, heading, social media, lettering design, and more. This font can be paired well with serif fonts.

Introducing the new Fun Handwritten Font by Aestherica Studio. Proudly Present, Paramount Paramount is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Paramount also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Socotra is a modern grotesk with a cool appearance, consisting of a modern and unique style. with a very versatile style and is perfect for a great resource for designers to explore, beautiful eye-catching artwork, interesting social media posts and much more that goes well with this socotra font

La Obrige is serif font that inspired from the beauty, aesthetic, elegant and Paris. It is really good for water mark, logotype, advertisement, social media posts, product packaging, and more. complete with ligatures regular italic icon kerning multilingual support Shampoo mock up from https://www.graphicsfuel.com/2018/09/dispenser-bottle-psd-mockup/

Pink Blue is a modern handdrawn font, this font looks elegant, classy, readable, stylish, catchy and easy to use. Pink Blue Font is the best choice for your professional design projects, including : quotes, album cover, business card, logo, branding, magazines, social media, advertisements, product designs, and many other design project.

Sadi Slab is designed to be used on small scales like book texts, newspapers, magazines etc. Also its large counters make the font suitable for digital screens. The anatomy of the typeface gives a formal appearance which is a more fitting choice for subjects like law, finance, medical science etc.

Bondjlo is font a vintange serif, and Bondjlo features unique and modern serif look and feel.is a fancy and modern serif font will elevate a wide variety of projects, from logos and stationery to magazine covers and social media posts. This typeface will take your designs to the next level!

Displatter is a natural hand-brushed font, this font is perfect for logo, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything. Displatter comes with full set of uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures. Thank You, Sronstudio

Aromi is a modern and cool script font with amazing swashes. Use it to turn any design project into a standout! Just perfect for those who love to create whimsical collages, e-newsletters, web banners and quotes to skyrocket on social media, especially Pinterest! Have a great day! Thank you :)

Midspicy A Handwritten Font. It is perfect for any titles, logo, product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Midspicy also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank You!

Vanny Orewa is a cool display font with 900 glyphs in it, consisting of a modern and unique style with elegant alternates and leagues. Fall in love with its incredibly versatile style and use it to create beautiful wedding invitations, beautiful stationary art, eye-catching social media posts, and more

Introducing the new Fun Handwritten Font by Aestherica Studio. Proudly Present, Mystica Mystica is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Mystica also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Polar Press is a vintage all caps font with 2 styles: clean and rough, and includes 22 ligatures. Polar Press is a strong font and is perfect for branding, logos, invitations, stationery, social media posts, product packaging, merchandise, blog design, game titles, retro style design, Book/Cover Titles and more.

Agave Azul - Hand made old typewriter font Agave Azul Artisan font is perfect for tequila & mezcal label and packaging design, social media quotes, logo & branding design, apparel design, whiskey, beer label and packaging design, heading, scrapbooking, calendars, book covers. Don't forget to use bonus logos, marks and labels for your designs.

Introducing, Playcute - a fun kids display typeface with solid shapes but still fun. With uppercase and lowercase option, you can play different glyph shapes to get the best combination. With this font, you can use it for book and magazine cover, social media, headline, logo, digital products, and more. Thank You!

Introducing Jaosamnak, an exquisite typeface that inspiration from Chinese brush calligraphy. With its graceful curves, fluid lines, and simplify, Jaosamnak brings a timeless elegance to your designs. This typeface is tailored for versatility, making it perfect for various applications such as text headlines, sub-headlines, packaging, posters, and other print media.

Introducing Realistic Theory! Realistic Theory! is strong hand-drawn brush font that combines attractive curves with a fresh urban edge; delivering a stylish brush font that is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise, social media post, or website font.

AVOISTE LAVERTA is a display font with a brush texture. Modern in nature suitable for social media design and branding. This font is allcaps font. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7. Cheers!

Jingle Binder is a Modern Handwritten Bold Font. Jingle Binder is perfect for product packaging, branding project, magazine, social media, wedding, or just used to express words above the background. Jingle Binder also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Introducing by Adante.Creative Proudly Present, Uncle Hours Uncle Hours is A Bold Display Typeface Font Uncle Hours is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Enjoy the font, feel free to comment or feedback, send me PM or email.

SOUTHEN combines attractive curves with a fresh urban edge; delivering a stylish script which is guaranteed to add an eye-catching appeal to your logo designs, brand imagery, handwritten quotes, product packaging, merchandise & social media posts Advantages: - Simple installation - Works for PC and MAC - Multilingual Support - Extra Swashes - Detailed dry brush

Proudly Present, Oyscake a Handwritten Font. Oyscake is perfect for any titles, logo, product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Oyscake also come with Multi-Lingual Support. Enjoy the font, feel free to comment or feedback, send me PM or email.

Waston is a beautiful and inspiring set of classical typography glyphs based on a minimal and simplistic approach to elegance Waston is a classic serif font made for headlines, titles, and is well-suited for advertising, fashion mood board, branding, logotypes, packaging, titles, editorial design and modern and social media.

Forsty Candy is a Fun Display Hand-brushed Font. Forsty Candy is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Forsty Candy support multilingual. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

ITC Legacy¿ was designed by American Ronald Arnholm, who was first inspired to develop the typeface when he was a graduate student at Yale. In a type history class, he studied the 1470 book by Eusebius that was printed in the roman type of Nicolas Jenson. Arnholm worked for years to create his own interpretation of the Jenson roman, and he succeeded in capturing much of its beauty and character. As Jenson did not include a companion italic, Arnholm turned to the sixteenth-century types of Claude Garamond for inspiration for the italics of ITC Legacy. Arnholm was so taken by the strength and integrity of these oldstyle seriffed forms that he used their essential skeletal structures to develop a full set of sans serif faces. ITC Legacy includes a complete family of weights from book to ultra, with Old style Figures and small caps, making this a good choice for detailed book typography or multi-faceted graphic design projects. In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e."" Featured in: Best Fonts for Logos

ITC Legacy¿ was designed by American Ronald Arnholm, who was first inspired to develop the typeface when he was a graduate student at Yale. In a type history class, he studied the 1470 book by Eusebius that was printed in the roman type of Nicolas Jenson. Arnholm worked for years to create his own interpretation of the Jenson roman, and he succeeded in capturing much of its beauty and character. As Jenson did not include a companion italic, Arnholm turned to the sixteenth-century types of Claude Garamond for inspiration for the italics of ITC Legacy. Arnholm was so taken by the strength and integrity of these oldstyle seriffed forms that he used their essential skeletal structures to develop a full set of sans serif faces. ITC Legacy includes a complete family of weights from book to ultra, with Old style Figures and small caps, making this a good choice for detailed book typography or multi-faceted graphic design projects. In 1458, Charles VII sent the Frenchman Nicolas Jenson to learn the craft of movable type in Mainz, the city where Gutenberg was working. Jenson was supposed to return to France with his newly learned skills, but instead he traveled to Italy, as did other itinerant printers of the time. From 1468 on, he was in Venice, where he flourished as a punchcutter, printer and publisher. He was probably the first non-German printer of movable type, and he produced about 150 editions. Though his punches have vanished, his books have not, and those produced from about 1470 until his death in 1480 have served as a source of inspiration for type designers over centuries. His Roman type is often called the first true Roman." Notable in almost all Jensonian Romans is the angled crossbar on the lowercase e, which is known as the "Venetian Oldstyle e."" ITC Legacy® Sans font field guide including best practices, font pairings and alternatives.

Imagine America in the 1930s. A gangster flick with Al Capone, a crime novel featuring Philip Marlowe. Our hero in a fedora sits in a classy bar, orders a double bourbon, lights a cigar and eyes the evening paper. He turns the pages, reading about a bank heist over on Third Avenue, a scandal involving a baseball player, a small ad for a general practitioner and a large spread about a famous law firm. What do the bottle of booze and the majestic facade of the bank have in common? The elegant baseball uniform and trustworthy attorneys? - Copperplate Gothic - When Frederick William Goudy created his legendary typeface in 1901, it went on to literally become the symbol of early 20th century America. Tiny serifs, characteristically broad letterforms, and particularly bold titles decorated calling cards at 6-point size, enormous bronze-cast logos, newspaper headlines, restaurant menus and more. This was the golden age of Copperplate, lasting up until the arrival of die neue Typografie and monospaced grotesques in the 1960s. Then the typeface almost completely disappeared. It made a partial comeback with the advent of the personal computer; digitizations of varying quality appeared, and one version even became a standard font in Adobe programs. This may have played a role in Copperplate later being used in DIY projects and amateur designs, which harmed its reputation. Copperplate New has been created to revive the faded glory of the original design. Formally, the new typeface expands the existing weight and proportional extremes. The slight serifs are reduced even further, making the typeface sans-like at smaller point sizes and improving readability. In contrast, at large point sizes it retains all of its original character. Decorative inline & shadow styles have been added and both have been created in all five proportions, making it easy to adapt the typesetting to the format you need. Despite these changes and innovations, Copperplate New remains true to Goudy’s original design and represents a snazzy way to evoke a golden era in American culture. Specimen: http://carontwice.com/files/specimen_Copperplate_New.pdf

Introducing This Notes - Handwritten Marker Note Font is a delightful testament to the artistry of handwriting, meticulously crafted to infuse your designs with an authentic, hand-drawn aesthetic. With a distinctive yet versatile style, This Note is poised to enhance a diverse array of design projects, serving as a conduit for creativity and expression. At its core, This Note embodies the charm of handwritten notes, capturing the nuances and imperfections that make each stroke unique. It's a natural flow and effortless elegance make it an ideal choice for a multitude of graphic endeavors, ensuring its relevance across various platforms and applications. Highlighted Features: - Complete set of uppercase and lowercase letters, numerals, and punctuation marks - Unique alternates and ligatures for added character variation - Compatible with both PC and Mac platforms - Hassle-free installation process - Seamless integration with Adobe Illustrator, Adobe Photoshop, Adobe InDesign, and Microsoft Word - No additional design software is required for full accessibility - Multilingual support encompassing characters such as ä, ö, ü, Ä, Ö, Ü, ß, ¿, and ¡ This Note transcends mere functionality; it becomes a catalyst for innovation and inspiration. Its versatility knows no bounds, seamlessly integrating into digital notes, quote designs, book covers, logos, posters, menu layouts, apparel designs, scrapbooks, comic illustrations, magazine headers, and numerous other creative avenues. The font’s adaptability is matched only by its ability to breathe life into every project it graces. Whether adorning a playful children's illustration or adding a touch of personality to a sophisticated magazine title, This Note lends an air of authenticity that captivates audiences. In conclusion, This Note Handwritten Marker Note Font isn’t merely a font; it's a conduit for creativity, a bridge between imagination and realization, poised to elevate your projects to new heights. Embrace its charm, leverage its versatility, and allow it to become the catalyst for your creative journey. Unlock the boundless potential of This Note, where each stroke tells a story and every design bears the mark of authenticity.

Located in the Valencian Community, Spain, Manises is very famous for its pottery. In the Middle Ages and the Renaissance, Manises was the most important production center for Spanish-Moresca ceramics, which was exported throughout Europe. At the beginning of the 16th century, Manises tiles were very commercially successful, especially of the heraldic type. Much appreciated by the Aragonese crown, Manises ceramics was also exported to France, Italy, and especially to Naples. As a big fan of Paterna and Manises ceramics, Naples influenced other Italian courts. Calixto III and Alejandro VI continuously commissioned Valencian pieces and tiles for the halls of the Vatican. The export also extended to Sicily, Venice, Turkey, Cyprus and even Flanders and the Baltic countries. The palaces of all the courts of Europe were enriched with this art. Many painters reproduced it in his paintings. It can be seen in the work of Hubert and Jan Van Eyck, and in the central panel of a triptych by Hugo Van der Goes (Uffizi Gallery, Florence). In this city there are also some frescoes by Domenico Ghirlandaio in which the Arabic-Valencian earthenware appears. Manises font is inspired by a text written on a 16th century tile, but adapting it to our times and giving it a very modern air. It is characterised by being able to combine uppercase and lowercase letters in a conventional manner, or use only capitals, or only lowercase letters, or, a random combination of both. It comes with an extra of many ligatures, stylistic alternates, and a set of very useful catchwords, to give more modernity to your text. This OpenType features may only be accessible via OpenType-aware applications, or the Character Map to view and copy any of the extra characters to paste into your favourite text editor/app. Manises looks lovely on wedding invitations, greeting cards, logos, posters, labels, t-shirt design, logos, children's material, in ink or water-colour based designs, fashion, magazines, food packaging and menus, book covers and whatever your imagination holds!

Gothic Tuscan One is a all-cap condensed gothic with round terminals and decorative “tuscan” center spurs. It was first shown by William H. Page of Norwich, Connecticut among his wood type specimen pages of 1859. Gothic Tuscan One exemplifies the strength of decorative wood types: large, simple type forms that provide the visual boldness sought by advertisers of the Victorian period. While our marketing has gotten so very sophisticated, there is always a place for simple, visually strong typeface. Although about 14 miles inland, Norwich lies at the head of the Thames River. The river is both wide and deep, and therefore was not bridged in the early 20th century. From the 17th century until then, if you wanted to get from Groton on the west bank to the whaling port of New London on the east bank by land, you had to had to go by way of Norwich. Because of its size, the Thames is navigable all the way from Norwich to New London. Docks were built in Norwich around 1685 and the city became Connecticut’s 2nd largest port by 1800. With the construction of the Norwich & Worcester Railroad in 1835, Page could easily ship his wood type north by rail or south by coastal schooner. Included with our font, Gothic Tuscan One, are two 19th century printer’s ornaments of sailing ships similar to those that sailed up the Thames to Norwich. There is also a more contemporary glyph of a whale, looking quite pleased that the only whaling ship left in Connecticut is the Charles W. Morgan, permanently moored at Mystic Seaport. Reference: Moon’s Handbooks, Connecticut 2nd Edition (Emeryville CA 2004). Gothic Tuscan One ML represents a major extension of the original release, with the following changes: 1. Added glyphs for the 1250 Central Europe, the 1252 Turkish and the 1257 Baltic Code Pages. Added glyphs to complete standard 1252 Western Europe Code Page. Special glyphs relocated and assigned Unicode codepoints, some in Private Use area. Total of 332 glyphs. 2. Added OpenType GSUB layout features: pnum, ornm and dlig. 3. Added 330 kerning pairs. 4. Revised vertical metrics for improved cross-platform line spacing. 5. Redesigned mathamatical operators 6. Included of both tabular (std) & proportional numbers (optional). 7. Refined various glyph outlines. Please note that some older applications may only be able to access the Western Europe character set (approximately 221 glyphs). The zip package includes two versions of the font at no extra charge. There is an OTF version which is in Open PS (Post Script Type 1) format and a TTF version which is in Open TT (True Type)format. Use whichever works best for your applications.

Leaders is a decorative blackletter typeface. Created by Måns Grebäck during 2020, this medieval style lettering can be used for modern contexts that require a touch of flourishing, as well as any middle age art or festive occation. OpenType functions such as ligatures and alternates are present in the typeface. It contains numbers and all symbols and punctuation you'll ever need. The font also has support for European, Latin-based languages.