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  1. Unofficial by Gassstype, $25.00
    Introducing Unofficial – Brush Script is a Authentic brush script that is written casually and quickly. Letters are made with procreate. Then scanned and carefully drawn into vector format. That is why Unofficial has charming, authentic and relaxed characteristic more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel, Better At class Perfect for designs,branding projects, Logo design, Quotes product packaging.
  2. Lux by URW Type Foundry, $35.99
    Many times, when a new creative process is starting, it is triggered by an everyday action or item. In this case, the looks of a lady’s watch inspired Michael Herold to create his new typeface LUX. The sight of the chronograph sparked associations of the 1950s in Mr. Herold: While this decade was predominantly dominated by brush and feather scripts, there was also a bloom of strict and modern architecture. This special mix of strength and retro style is exactly what Michael Herold is trying to capture in his LUX. The result is a typeface which is perfectly suitable for use on book covers, posters and claims – thanks to its striking impression. The name LUX, Latin for light, is inspired by the high bright-dark contrast within the individual characters. Oft sind es alltägliche Gegenstände, die das Bestreben eines neuen kreativen Prozesses auslösen. So entspringt auch die Inspiration zur Erschaffung der LUX von Michael Herold dem Anblick einer Damenuhr. Der Chronograph löste bei Herrn Herold Assoziationen zu den 1950er Jahren aus: Während diese Zeit hauptsächlich von Schreibschriften aus Federn und Pinseln beherrscht wurde, nahm auch die streng und modern anmutende Architektur starken Einfluss auf die Epoche. Diese Mischung aus Strenge und 50er Jahre Retro-Stil soll in der LUX zum Ausdruck kommen. Das Ergebnis ist eine Schrift, die sich mit ihrer plakativen Wirkung perfekt für Buchumschläge, Poster und Claims eignet. Namensgebend war der starke hell-dunkel Kontrast innerhalb der Schrift – festgehalten in dem lateinischen Wort für Licht.
  3. Mariposa, as envisioned by its creator, Chloe, is a font that captures the essence of transformation and grace, much like its namesake - the butterfly (Mariposa in Spanish). This typeface is meticulo...
  4. Roadline by John Moore Type Foundry, $45.00
    Roadline is a professional display font collection of Streamline style for lettering, a style of lettering that was much in vogue from the 30 to the 60. Roadline aligns all your characters on a horizontal baseline and allows headlines or logos into three wide variables. Besides its connectors allow you to create variations ranging from elegant classics to radicals or creative situations, adapting to all target tones of voice message, it brings Roadline a series of pre-programmed parts in Opentype links for easy use and enable very creative and unexpected combinations. For its decorative character this typeface is very useful for headlines and logo creation. Relive the golden years of the brands with Roadline.
  5. Poliphili by Flanker, $19.99
    Hypnerotomachia Poliphili, which can be translated in English as “Dreaming Love Fighting of Poliphilus”, is a romance about a mysterious arcane allegory in which the main protagonist, Poliphilo, pursues his love, Polia, through a dreamlike landscape. In the end, he is reconciled with her by the “Fountain of Venus”. The author of the book is anonymous, however, an acrostic formed by the first, elaborately decorated letter in each chapter in the original Italian reads “POLIAM FRATER FRANCISCVS COLVMNA PERAMAVIT”, which means “Brother Francesco Colonna has dearly loved Polia”. Despite this clue, the book has also been attributed to many other authors. The identity of the illustrator is less certain than that of the author. It was first published in Venice, in December 1499, by Aldo Manutio. This first edition presents an elegant and unique page layout, with refined woodcut illustrations in an Early Renaissance style and a refined Roman font, cut by Francesco da Bologna, which is a revised version of the type used in 1496 for the De Aetna of Pietro Bembo. The print quality is very high for the time, but nevertheless it presents many inconsistencies and imperfections due to the non-ideal inking and adherence of the matrix to the paper. For that reason numerous samples of the original have been used to create every single glyph which will result in an appropriate reconstruction and not a mere and humble reproduction. Some letters like \J, \U and \W were extrapolated, because they are not part of the original alphabet of the period. Some letters like \Q, \X, \Y, \Z and \h have been updated to more modern variants, but the original shape is accessible by Stylistic Alternates Opentype Feature, which also changes the shape of the \V and the \v. The original numerals \zero, \one, \tree, \four and \six have been accompanied by reconstructions of the missing numbers and extended by modern figures. Finally, swashed lower cases and original scribal abbreviations were also included. The font has joined by a matching Italic variant, closely inspired from Aldo Manuzio's 1501 "Vergilius", the first book printed entirely in Italic type by Francesco da Bologna.
  6. Doublepoint by Volcano Type, $19.00
    The double amount of Monopoint is Doublepoint - Isn't that simple? By overlaying the single weights from light to bold you will get a nice outline-in-outline look.
  7. PIXymbols Chess by Page Studio Graphics, $29.00
    Attractive chess and checkerpieces, as well as board components, in a font. Generate boards with light, bold or no border, or a border with rank and file identifiers.
  8. Fluoxetine - Unknown license
  9. The "Bright Lights" font by onezero is a vivid, captivating typeface that practically vibrates with energy and charisma. It's a font that doesn't just sit quietly on the page or screen; it demands at...
  10. Storyteller - Personal use only
  11. Varius by Linotype, $29.99
    The shapes of the f-holes on a violin reminded German designer André Maaßen of an italic letter "f". Maaßen used these captivating contours as the theme for his type family, Varius. The name "Varius" is an homage to the manufacturer of the violin that inspired Maaßen's project, Antonio Stradivarius, the most famous manufacturer of violins in music history. Varius has three separate styles. Varius 1 and its italic are the base style of the family, and are typefaces in the baroque serif manner. Varius 2 and its italic are slab serif egyptiennes, slightly heavier than Varius 1's more classical forms. Varius 3 and its italic are semi serif faces; their characters are serifed, but some of the serifs have been cut off. The family is rounded out with two pi faces: an ornaments font (which can be used in conjunction with the text fonts, or on its own to create beautiful borders or individual decorative elements), and a font of musical symbols and notations. Each of the six text fonts has dozens of supplemental ligatures included in their character sets. When these fonts are used in an OpenType-supporting application, such as Adobe InDesign, these ligatures automatically appear in text when the "Discretionary Ligatures" feature is activated. Additionally, the character sets include added alternate glyphs, such as a swash "m" or "n" to finish off a line of text. These can be inserted manually in applications that include glyph palettes (e.g., Adobe InDesign or Illustrator CS). All of the Varius family's letterforms appear slightly narrow, and traces of the wide-nibbed pen can be seen within their forms. Additionally, the shape of a violin's f-hole is a reminiscent element within all of the family's curves. Varius is particularly suited for use many applications, such as body text, newspaper text, display text, headlines, posters, books, screen design, and corporate identity. Use in sizes ranging from body copy text to display and poster format allow the different facets of the typeface to effectively present themselves. The effects can be as versatile as the possibilities! Due to its special character, the typeface could be used in the design of a logo, or within an appropriate corporate design context, to particularly stress individuality.
  12. JH Naskh Expanded by JH Fonts, $120.00
    JH Naskh Expanded font is designed based on Naskh calligraphy; it is typical for book covers including spine, headlines, short text paragraphs, poetry…..
  13. Fusion by Présence Typo, $36.00
    Fusion is a titling and short text typeface inspired by medieval decorative initials (versals) and bodoni letters. Each sign exists in two versions.
  14. Peerless 131 Bold by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for display, or text, closely related to Latin.
  15. Nilus MF by Masterfont, $59.00
    Beautiful curved shapes of this serif font family make it a high legible and distinctive companion for setting texts as well as headlines.
  16. Antique Condensed by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for text or display, medium and bold weights.
  17. Train by Fontmill Foundry, $10.00
    Train OnTime and Train Delayed are based on the text used to display the destination info on the front and rear of trains.
  18. HWDP by Borutta Group, $10.00
    HWDP is heavy letterpress type. HWDP has two style: bold and bold italic. This type looks great in headlines and longer text. CHEERS!
  19. Peerless by Wooden Type Fonts, $15.00
    A revival of one of the popular wooden type fonts of the 19th century, suitable for display, or text, closely related to Latin.
  20. Lovebus by Gleb Guralnyk, $13.00
    Hello! Introducing vintage hippie style font "Lovebus". It has smooth authentique design and 26 automatically replaceable ligatures to make your text more original.
  21. Tascinorm by Abdullah Tasci, $40.00
    Specially designed to improve legibility in long texts, Tascinorm is a unique, modern typeface which will meet the needs of a vast audience.
  22. The Great Escape by Kimberly Geswein, $5.00
    This cute, neat handwriting font is perfect for a variety of uses. The font features genuine handwritten flair while still maintaining complete readability.
  23. eSpectrum by Jonahfonts, $29.00
    A text and display font suitable for various applications, many of which include, letterheads, packaging and logos. Excellent for very large typographic layouts
  24. Hallandale JNL by Jeff Levine, $29.00
    Hallandale JNL is versatile enough to be a headline font as well as a text font, without a loss of style or integrity.
  25. Kona by Linecreative, $14.00
    Kona is a display font perfect for branding, homeware design, product packaging, magazine headers - or just perfect as display text against any background.
  26. Data 70 by ITC, $29.99
    Data Seventy is a high-tech style font, with the look of old computer lettering. Data Seventy gives any text a futuristic appearance.
  27. Valimo by Fenotype, $19.00
    Valimo RMX is a destroyed hard-to-read typeface. It's suitable for creating text "textures" where you don't necessarily need any actual content.
  28. Ellen by Lebbad Design, $29.95
    Ellen is a charming elegant serif face. Great for headline display and text use. Many alternates and ligatures are included with this font.
  29. Yankee Ghosts BB by Blambot, $20.00
    Designed as the main header text for the online, interactive, horror novel, DEAD ENDS. Based on historical documents of colonial-era New England.
  30. Titch by wearecolt, $9.00
    Titch is a brush font, original glyphs drawn with a tombow brush pen. Special care has been taken to retain the individual characteristics of each glyph making Titch a beautifully unique display font. Titch is a small caps font available in both regular and slanted variations. This fun and versatile display font will add a hand made touch to your next packaging design or greetings card.
  31. MeM by 26+, $40.00
    MeM is an eccentric experimental type system created by Elena Schädel and Jakob Runge in 2012. It produces many personalities, each individual and emotive. You will never know which of the alternating letters is going to occur next. Basically, at the heart of it all is MeM: four different weights and letter shapes melded together into one powerful font and shuffled with the sleek usability of OpenType.
  32. Hambare by Differentialtype, $10.00
    Hambare is a sans serif font family that is bold, elegant, and futuristic. Its clean lines and balanced proportions make it an ideal choice for digital and print designs, ensuring readability and visual impact. Hamabare comes with six styles that you can mix and match. Add it to any design to provide the flexibility and visual impact you need to take your designs to the next level!
  33. Moonstone Style by KA Designs, $12.00
    Moonstone Style is a handwritten font in a brush calligraphy style. Each letters flows seamlessly into the next to create an authentic modern look! This font has a bit of texture making it perfect for various print designs. Moonstone Style is especially perfect for wedding decor, invitations, branding, logos and more! If you are looking for something both modern and elegant, Moonstyle Style is perfect for you!
  34. Underland by Wacaksara co, $10.00
    Underland is a rough brush script font with a clear style and dramatic movement this font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, Logotype, Letterhead, Poster, Apparel Design, Label, and etc. Underland comes with 4 styles also with uppercase, lowercase, numerals, punctuations, common ligatures and also additional swash to let you customise your designs.
  35. Filet by Emily Lime, $24.00
    This font is big on 2 things: Class & Quirk. Inspired by hand-scripted menus. This modern hand-calligraphy font isn't just for one or two-word logos. Designed to make a statement when used in large amounts. Great in large & small doses alike. Slightly irregular texture for that perfect hand-lettering touch on the page. Beautiful Duo for your next event or project! Multilingual support.
  36. Stockers by Azzam Ridhamalik, $14.00
    Stockers is a high contrast serif font. It's long serifs make it looks mixed between classic and modern. Stockers support multilingual language, numbers, punctuation, alternative, standard and discretionary ligatures. A must have for any modern graphic designer as an elegant solution for your next magazine layout or any graphics design that require an elegant flair! FEATURES : Uppercase Lowercase Number Punctuation Multilingual PUA Encode Opentype
  37. AMA by Nantia.co, $16.00
    AMA Greek and Latin Font is a hand-made display font. Of course, the font supports a full set of Greek chars and an extended Latin character set with diacritics. Τhis typeface can be a mighty companion to your next graphic design project. From “hand-written” quotes to product packaging, merchandise, and branding projects, this font is so versatile that it can cover them all.
  38. Brillianissa by Letterara, $14.00
    Brillianissa is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards, logos to headlines and is guaranteed to add a romantic or casual feel to your next project. Add it confidently to your projects, and you will love the results. This font is PUA encoded which means you can access all the beautiful glyphs and swashes with ease!
  39. Epidson by Lettersams, $16.00
    Epidson is a rough brush script font with a clear style and dramatic movement This font is great for your next creative project such as logos, printed quotes, invitations, cards, product packaging, headers, logos, letterheads, posters, clothing designs, labels, and so. Epidson has multi-language support, numbers, punctuation and also provides some extra ligature and swash. If you have questions, please contact: lettersams@gmail.com
  40. Cool Beans by Comicraft, $19.00
    Can you dig it, man? Comicraft's Jazzy "JG" Roshell, just swung by after playing bongos down at the coffee bar in his black turtleneck sweater, stove-pipe trousers, dark glasses and beret. Check out the rad Tiki corners on our freshest font, COOL BEANS and you'll want to snap your fingers, put on some Miles Davis and take the next train out of Squaresville, um, Daddio.
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