Hand lettered titling on the 1945 sheet music for “Don’t Forget To-Night, To-Morrow” is in a simple, condensed sans serif style with a slight hint of Art Deco influence. This is now available as Handmade Headline JNL, in both regular and oblique versions.

Semi-condensed sans-serif with expressive curves on the outside and closed on the inside, with diagonal stems to convey modernity and a unique personality. Perfect for titles and headers in graphic and editorial design projects, as well as standing out in digital applications.

An upright condensed formal script. Athellia is right at home on packaging, labels, Menus, Headlines, invitations, and title design. NOTE: MyFonts does not display contextual alternates so many of the ‘o’ combinations do not display correctly here but do with open type alternates activated.

Gluten is an experimental font family designed by Carlos Fabian Camargo. It includes irregular shadows to communicate craftsmanship. Its multiple upper cases with condensed width and naive lines are notable for their expressive drawing with a high amount of contrast between thick and thin strokes.

The 1960 revised edition of Sam Welo’s “Studio Handbook – Letter and Design for Artists and Advertisers” showcased a beautiful, semi-condensed Art Deco alphabet called “Modern Gothic”. It has been digitally redrawn and is available as Restauranteur JNL in both regular and oblique versions.

From the vintage record cover, "Music from MR. LUCKY", composed and conducted by Henry Mancini, comes this offbeat and full of life condensed serif typeface. A uniform stroke structure and a light baseline bounce give this typeface a festive yet serious duality of a personality.

A condensed type design with Art Deco influences was used for titles within the February, 1938 issue of Modern Screen Magazine. The digital version is named for the famous “Tinsel Town” street intersection. Hollywood and Vine JNL is available in both regular and oblique versions.

Amongst a number of items for sale in an online auction was a font of metal type featuring a thin, condensed serif font with decidedly Art Deco styling. This was the inspiration for Department Store JNL, which is available in both regular and oblique versions.

Clarendon is the name of a slab-serif typeface that was released in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. This current design is a somewhat condensed version of the font.

LeftheriaPRO has its structure projected from the capitals of the Greek columns of Ionian order, it is a typography condensed with vertical emphasis composed by 5 weights (light, regular, medium, semibold, bold) including ligatures, alternates, smal caps, old styles figures, fractions, superiors, inferiors. | Download Specimen

Based on turn-of-the-century advertising type. A condensed, fat-faced display font with a touch of the medieval. The influence of art nouveau is also present in the high-waisted caps and flowing lines, putting the face into the early 20th century.

Burnish Font family comes in 2 distinctive wide and condensed forms. Burnish is a contemporary typeface family with strong stylistic geometric contrasts representing the shifting contemporary aesthetics. Its distinctive stance and wide-open counters allow the right visual consistency for branding and communications projects.

Zesty Lime is a condensed typeface, hand made with a small brush and China ink. Zesty would look good on book covers, posters and packaging - but I guess you're not limited to those three options. Just enjoy! Comes with a generous squeeze of diacritics.

Lino Stamp is a geometrical, sans-serif typeface inspired by Futura Bold Condensed. To produce it, letters were carved into linoleum, inked and impressed on paper – giving a worn and distressed finish. Lino Stamp works particularly well for headings, short paragraphs and scrapbook-style designs.

Another bit of font inspiration came to the attention of Jeff Levine through his friend Gene Gable. An image of vintage packaging for Aquapruf Ear Drum Protectors (swimmer's ear plugs) offered the narrow and condensed lettering that is the basis for Slim Chance JNL.

When you've got something big to say, but space is tight, the only way is up! Terje, an ultra condensed display font by Further Type, is here to help you create eye-catching, playful headlines, and logotypes that stand head and shoulders above the rest.

Playful and funky. The ideal choice for candy wrapping, teen magazines, toy packaging and the like. The reweighted condensed is useful where space is at a premium, and mixing the two weights freely leads to intriguing results. Use with bright fresh colors for added "bounce".

“9 Garcons...Un Cœur” (“9 Boys...One Heart”) is a 1948 French musical starring Edith Piaf. The hand lettered credits for the film are done in a condensed Art Deco sans alphabet, now available digitally as Stage Show JNL in both regular and oblique versions.

An inky script font written by a madman from the cabin deep in the forest. Moonshine Script has a regular set of uppercase and lowercase script letters but also condensed capital letters that you can access by switching SmallCaps on and writing with CAPS.

In the December, 1934 issue of Modern Screen magazine, a number of feature article headlines were hand lettered in a condensed slab serif with a relatively uniform stroke weight. This is now available digitally as Fan Magazine JNL, in both regular and oblique versions.

Titles hand lettered for articles appearing in the November, 1938 issue of Hollywood Magazine were done in a condensed Art Deco stencil style in just lower case. This novelty type design is now available as Deco Display Stencil JNL in both regular and oblique versions.

Estandar Rounded is a retro and vintage wayfinding sans serif font, inspired by old signals in central park and Europe. It is a Condensed sans with their tall x-height. The family has 6 Weights, italics and dingbats. It is an extension of Estandar font.

Ultra Break is a handwritten all-caps font with condensed proportions and dynamic feeling, with a lot of ligatures available. The uppercase has the main letters and the lowercase has alternate letters. It is great for display, branding, packaging, advertising, sports, titles, posters, and more!

Frau Becker is a very dynamic and readable handwriting script that looks great in text sizes. It is a self-confident, expressive and strong character design. How old is Frau Becker? Is she an insurance agent, a surgeon or a designer? We do not know exactly but one thing is for sure: she can be found at any place where special, high-end design in conjunction with a reliable typographic basis is demanded, e.g. for posters, books, ad campaigns or magazines. Frau Becker is different from all other classical scripts – it is outstanding! Due its excellent readability, it is a precious and exceptional text font with styles as regular, bold, and Headline (bold condensed). The character set includes Basic Latin, Basic Latin 1, Latin Eastern Europe, small caps, plenty of ligatures, old style figures, index figures, and some special characters including a skull. Wow!!

While Adelle is a slab serif typeface conceived by Veronika Burian and José Scaglione specifically for intensive editorial use, mainly in newspapers, magazines, and online, its personality and flexibility make it a true multipurpose typeface. Adelle’s superior screen rendering and cross-platform consistency has also made it one of our most popular webfonts. The intermediate weights deliver a neutral look when used in text sizes, providing the usual robustness expected in a newspaper font. The unobtrusive appearance, excellent texture, and slightly dark colour allow it to behave flawlessly in continuous text, even in the most unforgiving editorial applications. As it becomes larger in print, Adelle shows its personality through a series of measured particularities which make it easy to remember and identify. Its energetic character, so inherent to slab serif fonts, becomes evident when used for subheadings and headlines. A condensed series of seven weights with matching italics expand Adelle’s possibilities. This extension provides flexible solutions in situations where saving space is vital but losing legibility is not an option. The new condensed series shares the same personality, proportions, and skeleton of the Adelle family, creating an harmonious texture when combined. Be sure to check out the companion to Adelle, Adelle Sans, to complete the look of your design with the intended personality and flexibility. Awards – Third prize for Latin text typeface in the 2009 Granshan Type Design Competition – Won Gold for Original Typeface in the 2010 European Design Awards – Selected in the first Ukrainian typeface competition in 2010 – Exhibited at the Rutenia Calligraphy & Typography Festival (http://rutenia.org.ua/en/index_u.html) in Kyiv, 2010 – Selected in the 2011 Type Directors Club Tokyo Exhibition – Selected in Communication Arts 2011 Typography Annual – Selected in Yearbook of Type I, 2013 – Part of the exhibition «Call for Type» and subsequent book Neue Schriften (New Typefaces)

Sardines is a project by Jacques Le Bailly aka Baron von Fonthausen. It first saw the light as a student project for a monospaced font and eventually grew into Vette Letters’ largest font family. We saw its potential and expect it to be a million seller, just like our other typefaces. VLNL Sardines comes in 42 different variations, like rough and clean cuts, regular and condensed widths (condensed is the exactly half of the regular width). Sardines is an eclectic mash of classic curves and mathematical measurements, leaving a very distinct typographic flavor. While most of our type is market-fresh, this one comes out of the can, but it’s delicious nonetheless. And it’s great for adventurous BBQ-ing!

Hocky is an Ultra Condensed Headline Sans Serif Font that perfect for headline, Title, Instagram post, etc. A new San Serif Font that we created special for Headline, Title and more stand out typography needs, with extra ligature that will add your variations. It's so perfect to add your style and headline overview. And specially for Headline font, we crafted for unique style and modern feels so enjoy to create any project that will show your main idea out. Hocky Ultra Condensed Headline Sans Serif Font ready with: Any options to get creative variations (combination of Ligature Characters) Preview as a inspirations that you can do with Hocky font Ready with All characters Wish you enjoy our font. :)

Ragazzi is well balanced serif with display impact. Contains 2 widths – Normal and Condensed and matching Italics for Normal in weight distribution from Light to Black. With gently rounded serifs, teardrop terminals, elegant hairline, equal ascender and descender heights, playful ear and smooth spur, Ragazzi represent distinctive serif family for respectable area of usage. Family's display elements are especially noticeable in headlines, but they handle longer paragraphs with same success, not effecting on legibility keeping right dose of display touch present. Ragazzi contains OpenType features: Small Caps, Initials, Standard Ligatures, Ordinals, Fractions, Superscript, Subscript, Oldstyle Figures, Tabular Figures and two decorative dingbats. Condensed and Italics font files don't contain Initials and dingbats. Ragazzi is our 104th release.

Las Palmas is a vintage type collection with print texture. • Brush - Two weights of a connected Brush Script with Contextual and Swash Alternates • Pen - A connected monoline Script with Contextual and Swash Alternates • Slab - Two weights of a chunky Slab Serif with rounded corners, Bold has the same proportions but fuller texture. • Condensed - A bold and tight condensed Sans Serif with rounded corners. Las Palmas fonts are designed to work together - in pairs or more. Las Palmas is great for branding, posters or any display use. If you need a clean version of Las Palmas try Steak And Cheese by Fenotype. All fonts are PUA encoded and have a wide language support.

The ITC Blair™ typeface is a revival and reimaging of an early 20th century metal typeface of the same name. Even though only available as single weights of extended and condensed proportions, metal fonts of the face were sold well into the 1950s. In 1997, Jim Spiece resurrected the original extended design for digital imaging and, in the process, added two new weights. Almost 20 years later, he collaborated with Monotype type designers to extend the basic family again. The result was a new suite of three condensed designs and italic complements for all the roman weights. The family also benefits from a large set of alternative glyphs and many OpenType® features.

Fellbaum Grotesk is a condensed typeface with both grotesque and cursive/humanist attributes. Fellbaum Grotesk Regular presents a clean, “grotesk” exterior, while the Italic version features faint slab-style flourishes. These characteristics, combined with a subtle stroke contrast and slightly extended x-height make for a distinct, and artisanal appearance. The family was inspired by the condensed & sterile, yet quirky, sans serifs found on a lot of vintage apothecary labels & municipal street signage. Both styles in the family are modest enough to work as secondary fonts, but also sport enough character to work as a primary sans face for wordmarks, logos, headers, etc. Fellbaum Grotesk Features: • 14 Fonts, 7 Weights, 2 Styles • OpenType Support • Adobe CE Language Support • Dingbats

Solar Power is an organic handwritten brush font that's perfect for your brand content. This font features two sets of uppercase characters so you can achieve a natural hand drawn feel with your design. Solar Power is ideal for marketing & advertising content for brands, creating quotes & content for social media, web designs and lots more. Multilingual characters included!

Beverly Hills is an all-caps display face in the Art Deco style. Its design features dramatically low crossbars, and each letter has a fine inline highlight. The most prominent letters in this typeface are clearly the E, F, G, and K, while the elegantly narrow S is sure to delight. A classy offering like Beverly Hills should only be set very large, either as a magazine headline, a store sign, or on the cover of a fine invitation. If you like Beverly Hills, you make enjoy other high-contrast Art Deco designs in Linotype's library, including ITC Anna, Avenida, Broadway, Jazz, and ITC Manhattan.

The project aims to represent icons through the city of São Paulo. The image selection method prioritized elements of history culture and daily life. The claim is that the set of graphic symbols help disseminate one of the most important cities of Brazil and the southern hemisphere. See the sights of São Paulo: Edifício Copan, Avenida Paulista, Bairro da Liberdade, Mercado Municipal, Catedral da Sé, Estádio do Pacaembu, Sala São Paulo, Pátio do Colégio, Vale do Anhangabaú, Estação da Luz, Memorial da América Latina, Museu do Ipiranga, Teatro Municipal, Masp, Edifício Banespa, Monumento às Bandeiras, Obelisco do Ibirapuera, Auditório do Ibirapuera, Pinacoteca, Oca – Ibirapuera and Monumento Ayrton Senna.

Images of ‘lost’ or forgotten signs from the past are on a number of sites all over the web. One in particular partially revealed a vintage sign for “J. Yormark Shoes" behind a barbershop sign at 15 – 8th Avenue in New York City. The sign remained until 2014. The stencil effect made by the formation of the stained glass letters inspired On Your Mark JNL, which is available in both regular and oblique versions. The font’s name is a play on the shoe vendor’s name… “Yormark”.

The Raleigh Hotel at 18th Street and Collins Avenue on Miami Beach is an Art Deco landmark and part of the city's popular tourist district. A vintage matchbook from the hotel had its name hand lettered in what is now Beachfront Hotel JNL; available in both regular and oblique versions. The lower case letters have been made more traditional, eliminating the Deco-influenced "overhangs" present on the capital letters, and an alternate "E" from the original matchbook design is available on the bar and broken bar keys.

Nu?! Vhat else vould you font?! Introduction to the first kosher vant...er...font! Yes, our Board certified rabbis made all the proper blessings so you can use this font guilt free. Just kidding, what's Jewish without a schmear of guilt. This font borrows its style from the 2nd. Avenue Deli all the way down to Guss Pickles on Essex street. If pastrami on white bread with ketchup is for you, this font is NOT. Its strictly pastrami on rye with mustard and slaw on the side.

Picture if you will, a balmy autumn evening in Manhattan during the 1930s and a well-dressed couple out on the town. They hail one of the hansom cabs located near Central Park and climb in for an old-fashioned romantic ride around the green. Such are the type of images the stylized Art Deco hand-lettering comprising Horse Drawn Carriage JNL evokes. The inspiration for this font was the title card for a 1935 Bette Davis feature entitled "The Girl from 10th Avenue".

CAL iWasLike™ Pro is totally for sure the amazing friendly font you need for, like, everything! Its conversational tone makes reading fun and enjoyable! Designed for friendly, paragraph reading ease on screen or medium res print, with the full set of OpenType features. It's design gives it the most even text shade for digital fonts, and has less holes in the text for easier reading. iWasLike™ is a large x-height, informal text and caption font designed to render well for Apple Quartz and Microsoft devices, low res to high res printing, with full Western Central European, and Turkish support, small caps, superiors, inferiors, fractions, as well as some special additions like music symbols, pricing feature, arrows, and two sets of circled numbers.

A font inspired by the classic typewriter fonts of yesteryear. With its unique design and vintage feel, Wudoo Mono is perfect for adding a touch of nostalgia to your next design project. Its monospace style ensures that your text is always neatly aligned, while its simple and legible design makes it easy to read.