Soliden is a neo grotesk san serif font family with solid letterforms. Designed and published by Eko Bimantara in 2022, Soliden became a suitable choice for large display and functional purposes. The letterforms are built in large x-height with spacious counters. It consists of 8 weight from Thin to Black and 3 width; Condensed, Normal and Expanded, which make it a large font family with 48 styles. Soliden has 394 glyphs which cover broad latin languages.

Too Sweet To Eat is a hand-drawn font that has many variations because you can choose from simple outline version, only shadow version, normal version and filling version. If You put one on another then you have a great possibility to apply different colors on different layers! That makes your letters multicolor! Great stuff for decorative writings, posters, informal stationery! SPECIFICATION: alternate characters for all numbers and letters, nearly 400 kerning pairs, multi-language coverage, ornaments.

At home, we don’t drink soft drinks at all. Maybe sometimes, when one of the kids has a birthday party, but we normally don’t have a stash of the stuff. We have cordial, or, as wel call it in Holland: limonadesiroop (‘Lemonade Syrup’). There you go, another font name xplained! Today Syrup was made with a marker pen and a lot of paper! It comes with a frizzy, sticky goodness to give your designs that extra kick.

Gloss Drop is a wild hand lettered typeface, that passed the process of digitization without losing the spontaneous vibrancy of brush lettering. With the power of OpenType it gets real close to what you normally do with ink, brush and paper. Like in real handwriting, some, but not all, letters connect within a word. Automatic OpenType features handle the choice of inital and final forms neighbouring a gap and choose the adequate medial or isolated forms.

Scrawl Cursive pushes the boundaries of OpenType contextual alternates to present a font which emulates natural, modern, casual handwriting. It includes 2006 glyphs, many of these lower case alternates so that there are minimal compromises when it comes to forming and joining letters naturally. Another unusual feature is that many capital letters also join when preceding lower case letters, which creates a much more realistic flow than is normally achieved. Please view with the contextual alternates option turned on.

The letterforms of Lucien Bernhard's stylish, if somewhat anorexic, Bernhard Fashion were beefed up and complemented with thick-and-thin stroke variation to create this elegant family, available in normal and bold weights. Additionally, Bernhard's variant forms have replaced several of the letters which commonly appear in other revivals. The Postscript and Truetype versions contain a complete Latin language character set (Unicode 1252); in addition, the Opentype version supports Unicode 1250 (Central European) languages as well.

This family takes its inspiration from two early Art Deco faces from Germany. The Normal version is based on Dynamo, designed by K. Sommer for Ludwig & Mayer in 1930, while the Narrow version is based on Stadion, designed by Erhard Grundeis for Die Schriftguß AG in 1929. Their common design motifs epitomize the Age of Streamline. Both versions include the complete Latin 1252, Central European 1250 and Turkish 1254 character sets, with localization for Lithuanian, Moldovan and Romanian.

This family was created inspired from the two sets of rough initials fonts used by the famous William Caxton in Westminster (GB) in the late 1400’s. As it was normal for the time, there were not any differences between I and J, U and V. It is not a mistake. We have reconstructed the few other missing characters. This font was conceived as a supplement for our 1479 Caxton but may be used with all our Blackletters fonts.

ZT Kofimoya is a brand new font that offers two distinct styles to choose from. The first style features a stiffer sans concept with a somewhat square shape, giving it a modern and assertive appearance. The second style is a normal sans, with a slightly rounded shape, providing a softer and friendlier look. With these two different styles, ZT Kofimoya offers flexibility in design and can be used for a variety of purposes. Thanks for using this font ~ Zelowtype

Lalalo is a casual, modern sans-serif font family based on hand-lettering. It's oval letter shapes provide soft and friendly appearance. Lalalo font is very legible with a warm touch perfectly suited for children books. Lalalo family consists of 6 weights ( Extra Light, Light, Regular, Semibold, Bold, ExtraBold). You can use it with normal fill or outlined. You can mix various colors and stroke widths to gain interesting results. There is also a set of nice frames available.

Regina is a calligraphic-influenced hybrid light-face Tuscan-serif roman with a companion swash italic.

Curbdog is a bold, playful display face with light horizontals and curved terminals in the italics.

Based on an ancient secret writing system. NOTE: this font comes with an interpretation guide in pdf format.

Mairy font family is a modern sans serif font family. Featuring 9 separate weights each followed by own true italics Mairy is positioned somewhere between rounded sans with humanist touch. In fact the humanist presence in Mairy is a little bit more than the usual doze adding more calligraphic elements mostly noticeable in italic weights but also very important in regulars. This symbiosis of Grotesk geometry with handwriting is well balanced regarding contrast and legibility so that at the end we have a highly usable font family. Light weights are very tender and elegant while the old and blacks are soft, friendly and full of vitality. The mid weights are just perfect with their medium contrast and excellent legibility. Mairy is very fresh font family and is surprisingly flexible when it comes to screen or print use – it is optimized for both even if the conditions are poor. Use it with OpenType compatible software and explore its true potential by accessing additional set of ligatures, alternates and multilingual support.

Hold the line, True Believer! Stand together. Stick up for the vulnerable. Challenge bullies. Don't let the forces of evil reign supreme. Expelliarmus! A worthy companion to our Balloon Lettering family FACE FRONT, TRUE BELIEVER is a scripty serif handwriting font for wizards everywhere. Features Four fonts (Regular, Italic, Bold & Bold Italic) with upper and lowercase characters.

Proudly present a new font that fresh from the oven Creative Thinking font, an elegant font family that has 4 weight styles regular, italic, bold, and bold-italic. It's so perfect to combining and mixing the weight styles to make outstanding and beautiful design project. Don't worry this font already with multilingual support more than 30 languages.

Akebono means dawn in Japanese. It expresses the pleasure of imbalance. Stems and strokes are mixed--straight and round with slender terminals and arches. Akebono is available in three styles; Regular, Alternate, Italic. Akebono Alternate resembles the Regular but features some of the hooked tails found on the Italic. P22 Akebono is licensed exclusively to P22/IHOF

Avegas Royale font is modern sans serif font that is made in 4 styles regular, italic, bold, and bold-italic. The shape is made to contrast curves and lines between light and thick so that it looks more stylish and stands out. This font that perfect for logo, headline, advertising, quote text, invitation card, branding identity, and more.

Balboat is a plain calligraphic face with a very small x-height, long descenders, and tall ascenders. Having the appearance of a pen-drawn sans serif, it has four styles: regular, bold, italic, and bold italic. Although Balboat is quite legible, it is condensed and may need to be printed at a larger point size than other typefaces.

Apparata is a versatile display and text typeface suitable for identities or magazines. With a rounded finish, some characters have a combination of diagonal and curve strokes. Currently includes 4 styles: Light, Light Italic, Bold and Bold Italic. With more than 700 glyphs in each font, smallcaps, tabular and old style figures, fractions, ligatures, punctuation and symbols.

Nido is a cute and funny childish typeface, designed for logos, book titles, invitations, birthday cards, flyers, posters, advertising, etc. It comprises 5 styles: black, white, black italic, white italic and dingbats, which can be used nicely together. Nido is a new design by Sofía Mohr. See also Café Brasil http://www.myfonts.com/fonts/sofia-mohr/cafe-brasil/

As a display typeface in expanded form, SpaceLab is a futuristic font of rigorous geometric construction designed for headlines or to label the intergalactic ships and other electronic and mechanical devices of the future. SpaceLab has a set of ligatures that make it more versatile to use. SpaceLab comes in two versions: Regular, Regular-Italic, Bold and Bold-Italic.

IA Airship Captain is a good readable comic book dialogue font made with a marker with wavy lines, giving it uniqueness and recognition. The family includes Regular, Italic, Bold, and Bold Italic. And contains a large number of kerning pairs. Added extended Latin, extended Cyrillic and contextual autoreplacing crossbar "I" in words like I, I'm, etc.

Time to EMbrace the new EMerging typeface from WiltonFoundry : EM consisting of EM Regular, EM Italic, EM Bold, EM Bold Italic. Loosely based on our very popular Cyan typeface, EM is EMphatically the most distinctive and modern typeface we’ve created yet. Slight variations between thick and thin with stenciled effects, and Flared stem EMphasis for character. Go get’EM!!

IngrianaCasual features a hand-drawn sans-serif family with an italics that has semi-script lower-case letters. The five upright weights are relaxed and informal and the five italics styles are decorative and elegant. The family is very legible and can be be used for many purposes including brochures and advertising, though probably not for book text.

Claude Sans is the work of British designer Alan Meeks. The conservative roman weight is complemented by a more extravagant italic. The proportions are based on those of the original Garamond typeface of Claude Garamond, from whom this type gets its name. Claude Sans can be used alone or combined with Claude Sans italic and bold weights.

The free-form Art Nouveau hand lettering on the cover of the 1918 sheet music for “Smilin’ Through” (from the MGM motion picture of the same name starring Norma Shearer) is the model for Upbeat JNL; available in both regular and oblique versions.

Aila is a surprising slab serif built on the structure of a realistic Roman, but with unique organic features that make this typeface an exercise in tension between structure and rhythm. This expressive tension is displayed in heavier styles (Aila Bold and Aila Black), and is strongly evident in the italic forms. Aila's italics offer an interesting re-interpretation of the cursive ductus of classic italic forms, to offer rhythmic and swift variants, which are the ideal counterpoint to the regular set in body text. Each style of the Aila family offers an extended character set specially designed for editorial design projects.

NixonScript is a display typeface inspired by the typographic emancipation given voice by 1950s and '60s north American vernacular type. NixonScript's starting point was lettering found on a 1960s camera found in a Chicago junk shop, but its development saw it transformed from a punchy sans-serif to a more thoughtful serif, with a lowered x-height and a vibe of almost priestly piousness. Rather than a simple regular italic, a bold italic is offered. During its development, the regular version seemed almost placid but with the double emphasis of bold and italic, NixonScript gained an energetic, self-congratulatory form.

TWT Prospero is the kind of typeface you seldom find in blocks of continuous text these days. Similar fonts based on late-18th-century work by Bodoni, the Didots, and others tend to be reserved for display type: their exaggerated contrast and vanishing hairlines can make you squint and strain at small sizes. But TWT Prospero, with its moderate contrast and fairly robust hairlines, is impressively legible in book text while remaining ideal for use in display situations. The full family has seven styles: roman, italic, bold, bold italic, condensed roman, condensed italic, and condensed bold.

Palo is a 72 style utility type system built around 4 widths and 9 weights plus matching italics. It's semi grotesque appearance gives it a unique personality while the stylistic alternates give a true sense of flexibility and customisation. Design features within Palo are evident without being excessive. 3 stylistic sets provide a range of functional to fluid design approaches. Case sensitive punctuation & ligatures offer a professional feel. The italics have been optically adjusted to improve their weight balance and on select lower case glyphs they feature unique designs to make the italics a feature unto their own.

Introducing, Collingar - An Aesthetic Serif Font with italic version! Collingar is a classic and modern serif with a bunch of ligatures that will make your poster, cover or logo even more stunning and stand out! With italic version that you can use as a complimentary! You can use this font as a complement of your script collections or use this font as a stand alone font for several purposes such as a wedding invitations or even your own branding! This fonts support Multi Language and already PUA Encoded! Features : Regular & Italic Version Uppercase & Lowercase Number & Symbol Ligatures Multilingual and PUA Encoded

Kidyzen is a sans handwritten typeface. Inspired from the character of kids writing in their book. Kidyzen have unique style because it like same with typing of children. Kidyzen is perfect for comic, illustration, cartoon, kids design and very suitable for speech bubble text. It have very fun, cute, easy communication, easy reading and unique styles. You can use it for kids t-shirt, cover book, tagline, poster, branding, advertising, wall painting letter and graphic designs that use kids character . Kidyzen have 6 styles, there are regular, italic, bold, bold italic, thin and thin italic. Be enjoy it with my fonts.

A cute and funny kid-friendly typeface inspired from bears and handmade with passion and joy. Will you believe if we say, HollaBear is made by bear cubs. The typeface is essentially simple but very uniquely expressive when it comes to the design of posters, flyers, cartoons graphics, logotype, web and display usage. Please see the examples shown above to get an idea about the capability of this typeface. HollaBear comes with Extended Latin character sets including Western European, Central European and South Eastern European character sets. The typeface comes in 6 variants (Regular, Italic, Outline, Outline Italic, 3D and 3D Italic).

Gageac is a classic "Didona" font, characterized by an extreme contrast in the thick and thin strokes, by the use of short serifs, and by the vertical stress of the letters. This typeface is slightly condensed, the ascenders were lowered, the thick strokes were exaggerated and enriched with a full set of OpenType features of tails, ligatures, alternates and swashes, giving them an excellent legibility and a very clear and elegant appearance. 
The italic version is a true "italic" so some glyphs were adjusted. Gageac Italic was carefully designed and drawn to be combined with Gageac Regular.

Designed between italic and script styles Airco is a typeface designed between italic and script styles. The letterform finish is rounded. Designed ultra slanted (27°), the shapes evoke a fast and assertive movement. The result is a human typeface, dynamic, that will visually work well in technology and sport, without ever being dry, rigid or dehumanized. The structure of the letters is influenced by Renaissance italics, at the difference that in the case of Airco, the lowercases and capitals are visually homogeneous thanks to the giants lowercases. In fact, the default numerals can be used in capital as well lowercases settings.

Risoluto is an italic font made to mimic the beautiful italic typefaces used in the 19th and 20th century by music publishers. It was based on an italic typeface found in a publication by Max Eschig from the 1950s. Hundreds of specimen for each glyph were studied and carefully drawn in a way to have a sharp rendering without losing any of the old charm. The oblique "g" is one of the characteristics of such old typefaces. Risoluto covers a large range of languages and symbols and offers stylistic alternates for numerals, contextual ligatures and music accidentals.