A revival design by Ron Carpenter and Malcolm Wooden of DTP Types Limited.

This font represents the type style created by this very famous classic typewriter.

A grunge font, drawn largely by hand. Characters are deliberately dissimilar. Very informal.

Password was inspired by the randomly generated characters used for extra online security.

Van Wyck JNL was inspired by some old printing found in a catalog.

Based on Iberica by Carlos Winkow for the Spanish foundry, Nacional, circa 1942.

FP Stage was inspired by old Victorian theater posters and corresponding typographic designs.

Best selling baseball script, Distinctive brush stroke inspired by retro 20th century’s movie.

Sayonax is an oriental simulation typeface, in digital pixelated styles, by Intellecta Design.

Architect is inspired by blueprints and technical drawings. This is an outline font.

An original design by Malcolm Wooden and Lisa Wooden of DTP Types Limited.

Mystery Stencil JNL was inspired by lettering spotted on images of European kitchenware.

This font was inspired by music from the band The Devil Wears Prada.

A bold slab-serif typeface influenced by Spagetti Western posters of the 1960s.

The height of various characters was designed by reinterpreting the woodblock print Worinseokbo.

Inspired by the look of elegant, hand-painted calligraphy using a pointed brush.

A technical square-edged font influenced by modern architecture and computer aided design.

A set of ornaments was designed at ParaType in 1992 by Elvira Slysh.

Based on Nacional by Carlos Winkow from the Spanish foundry, Nacional, circa 1941.

Typography inspired by ancient medieval writings from texts and wordings of Spanish scriptures.

Pseudonym is a low-contrast, subtly-flared serif available in four weights across three styles in both roman and italic. As with all of my typeface designs, I am creating fonts that I would use myself for branding purposes—typefaces with style and purpose that are intended for use in creating logos and distinctive branding typography. I wanted to create a typeface that had incisive flared serifs combined with the strength and solidity of modern grotesque faces. The result is Pseudonym, which I feel has great presence, style and legibility. Although I must admit, I had to tone down the flared serifs during the design process in order to achieve that :) I’m sure you will have great fun playing with some of the Open Type features that I’ve added to Pseudonym. There’s a full set of true small caps with their corresponding diacritics and figures. There are also a number of discretionary ligatures, these are chosen from the glyphs palette in your layout app to replace pairs of standard characters. You’ll also enjoy making use of the catchwords – these have been created to harmonise with each style, again, giving you more flexibility and scope to create some innovative typography. Finally, there are some alternate characters for /C/D/O/. You may wish to use these when creating logos that include standard contractions for limited, number, incorporated, etc. Key features: • Pseudonym is a low-contrast, subtly-flared serif that has great presence, style and legibility • 3 styles – Narrow, Regular and Wide • 4 weights in roman and italic: • Light | Regular | Medium | Bold • Full set of small caps with diacritics and figures • 30+ discretionary ligatures, catchwords and alternate characters • Full European character set • 600 glyphs per font

Designed by Aulia Rahman and Hendra Maulia, Nagaiya is a versatile companion, perfectly usable for a variety of applications. But especially the areas of branding and editorial design. There in particular, the typeface impresses with its look and feel, making the design pleasant and smooth. Take a look at the wonderful lowercase letter /a, or the spiky spurs of the other lowercase letters. That's where the fun begins.

Roxborough CF is a dramatic serif, influenced by calligraphy and hand lettering. Built around a distinctive single-storey 'a' and full of rich detail, Roxborough pairs well with its expressive italics, lending an artful touch to text across print and digital. Roxborough CF pairs nicely with simple, bold headline typefaces, like Greycliff CF and Articulat CF. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

After the Second World War, the Ionic style replaced Modern Face as the favored typeface for newsprint. A couple decades later, it was in turn replaced by the next generation of newspaper fonts, a mix of Old Face, Transitional and Modern Face forms. Olympian itself tends toward the Old Face style but is nevertheless an example of this new generation, a result of a time of change and experimentation.