HK series fonts are in Unicode encoding and consists of BIG 5 character set and HKSCS characters. The character glyphs are based on the regular Traditional Chinese writing form and style. It is generally used in Taiwan ROC, Hong Kong and Macau.

Ancoa is a Sans Serif Display typeface, which plays with its rough form and works perfectly on posters, designs of different uses, contains 19 fonts and includes different styles from Inline, Layer Inline, Rough and the different Weights between Regular to Fat.

Common Stencil JNL takes a vintage lettering stencil from the 1980s with imperfectly bent cutting dies [which unintentionally gave the characters a distressed or "grunge" look] and recreates it in a digital form. The design is available in both regular and oblique versions.

Asrafel is an original font by Dave Nalle. It is a strong, stylish titling font based on hand lettering influenced by Celtic uncial styles and Art Nouveau titling fonts. It includes a variety of alternate character forms to create interesting visual relationships.

Iris font was designed in the late 1930s for American Typefounders. It is an all capital sans serif typeface whose slender geometric letter forms suggest the Art Deco period without limiting its application potential. Iris font creates a look of refined elegance.

Brandegoris is a set of traditional split-pen capitals with two forms for most of the letters. It is excellent for headers and titles, especially on web pages and also works well as initial characters in combination with a serif text face.

Mjollnir is the name given to the hammer carried by the Norse god of thunder, Thor. Crafted by dwarves and destined to be used in the final battle of Ragnarok, this font has a compliment of European characters fit for a Viking!

Three of the four letters of the name “Jane” on the cover of a vintage piece of sheet music inspired So Nouveau JNL. The free-form swoops emulating the pen lettering of the early 1900s adds a nostalgic charm to this typeface.

Dada Slab Pro is simple in form but an elegant font with huge language support and open-type features like ligatures, stylistic alternates, fractions, four variations of numerals and many more... It is suitable for large headlines in applications like magazines or newspapers.

Selectric typewriter font. The part of the large, many years project on revival and further development (over 1000 glyphs) of the 20th century’s most famous typewriter Selectric golfball fonts, lost for many decades, not being created since then in digital vector form.

Frykas is warm and friendly, hand-drawn font. It has a simple form with subtle irregularities, but no swashes or ornaments. This condensed font family with five styles will be a great solution for posters, titles, short sentences or whenever you need impact.

Galicia is a looser calligraphic serif that has unusual forms that are seen to good effect in characters like the lower case a. It is suggested for use where a more formal and classic yet still warm and calligraphic look is appropriate.

The Eskapade font family is the result of Alisa Nowak’s research into Roman and German blackletter forms, mainly Fraktur letters. The idea was to adapt these broken forms into a contemporary family instead of creating a faithful revival of a historical typeface. On one hand, the ten normal Eskapade styles are conceived for continuous text in books and magazines with good legibility in smaller sizes. On the other hand, the six angled Eskapade Fraktur styles capture the reader’s attention in headlines with its mixture of round and straight forms as seen in ‘e’, ‘g’, and ‘o’. Eskapade works exceptionally well for branding, logotypes, and visual identities, for editorials like magazines, fanzines, or posters, and for packaging. Eskapade roman adopts a humanist structure, but is more condensed than other oldstyle serifs. The reason behind this stems from the goal of closely resembling the Fraktur style to create harmony in mixed text settings. Legibility is enhanced by its low contrast between thick and thin strokes and its tall x-height. Eskapade offers an airy and light typographic colour with its smooth design. Eskapade italic is based on the Cancellaresca script and shows some particularities in its condensed and round forms. This structure also provided the base for Eskapade Fraktur italic. Eskapade Fraktur is more contrasted and slightly bolder than the usual darkness of a regular weight. The innovative Eskapade Fraktur italic, equally based on the Cancellaresca script previously mentioned, is secondarily influenced by the Sütterlin forms — an unique script practiced in Germany in the vanishingly short period between 1915 and 1941. The new ornaments are also hybrid Sütterlin forms to fit with the smooth roman styles. Although there are many Fraktur-style typefaces available today, they usually lack italics, and their italics are usually slanted uprights rather than proper italics. This motivated extensive experimentation with the italic Fraktur shapes and resulted in Eskapade Fraktur’s unusual and interesting solutions. In addition to standard capitals, it offers a second set of more decorative capitals with double-stroke lines to intensify creative application and encourage experimental use. The Thin and Black Fraktur styles are meant for display sizes (headlines, posters, branding, and signage). A typeface with this much tension needs to keep a good harmony between strokes and counters, so Eskapade Black has amplified inktraps and a more dynamic structure seen in the contrast between straight and round forms. These qualities make the family bolder and more enticing, especially with the included uppercase alternates. The Fraktur’s black weights are strident, refusing to let the white of the paper win the tug-of-war. It also won’t give away its secrets: Is it modern or historic, edgy or amicable, beguiling ornamentation or brutish presentation? That all depends on how the radically expanded Eskapade family is used, but its 16 fonts certainly aren’t tame.

Based on Transitional Roman forms, this tasteful and well crafted Humanist display face exudes an air of authority along with a subtle playfulness. Narrow proportions allow for space conservation. Alternate letterforms & ligatures give this caps-only font expanded possibilities for any given text setting.

A vintage printer's cut for the masthead of the "Fed-O-Gram" (a monthly publication of the Farm Bureau Federation, Inc.) had its title set in letters that emulated a moving message board. This design formed the basis for what is Moving Message JNL.

At one time or another, everyone has filled out a job application. Jobseeker JNL emulates a hand-printed alphabet and numerals as one would find on such forms, but it is also useful for any project where a simple handwritten block print is needed.

Lugano has it’s inspiration in 1920s advertising material and is ideal for lively banner lettering, posters and cover design. Four typefaces are offered - Lugano comes in regular, alternate, striped and alternate striped forms. Try it out and inject a little fun into your work today!

James Paul is a versatile display font based on the designer's handwriting. The letterforms are legible even at small sizes. When set bigger, this bold script reveals hairline ink trails that add rhythm to its lively forms. James Paul contains alternate glyphs and ligatures.

Dunkelbunt is freely inspired by works and words of the wildly eccentric artist, architect and designer Friedensreich Hundertwasser. It’s an all caps font, with 2 cuts for each letter, loaded with imaginative energy and organic forms that will certainly make your designs shine. Enjoy!

Savour Pro's elegant, classic form has a calligraphic touch, almost a hand-written feel. The individual creation of the characters provide additional dynamics and vitality. Savour Pro comes with a complete set of upper case swashes as well as lining and old style figures.

Sergury is an ultra-bold typeface formed by cutting circular elements from rectangular blocks. It is caps only and is so bold that it is almost unreadable. The three tall styles were added in 2021. Sergury is a variation of Porker, another experimental typeface.

The cross appears globally even reaching the remote corners of the earth. Primitive man used it as an emblem as did many following civilizations. Associated with reverence and spiritual power, the cross is represented in many forms. Cross Ornaments contains a total of 106 ornaments.

Nymphe is a monoline typeface based on the form and character of an art nouveau illustration from 1907. It's somehow old fashioned but has modern influences that are reflected in irregular serifs in combination with decorative elements. Nymphe is best at sizes above 7 pt.

Neo Alcatraz will help you to create futuristic and sporty designs. Perfect for branding, posters, book covers, magazines, trademarks, landing pages, mobile apps and more. This font has a simple yet strong form in its character. Minimalism, futuristic, sporty, that's the theme of Neo Alcatraz.

Awry is a cute and quirky handwritten font that elegantly dances on the edges of organized precision and captivating disorder. With its unique design, ‘Awry’ breaks free from the confines of traditional typography, inviting you to explore a world where imperfection becomes an art form.

Kingdrops is a cool script typeface. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Marisco is Portuguese for shellfish. The font arose from the forms of classic tattoo types, especially those of mid-twentieth-century sailors, but it also has something of a nineteenth-century poster type flavor to it. Its main application is display type and poster design.

Zornale TITLE is a family of four fonts that can be combined with the rest of Zornale family (text and caption). These fonts have been designed with precise kerning and full OpenType features: Old-style figures, swashes, stylistic alternates, ligatures and case-sensitive forms.

Tubby came about when I made a book with Cooper Black as a headline font. I started playing with heavy forms, and as a result was Tubby. It has a fat and friendly feel, and with swash italics it is fairly versatile in use.

Business Lunch JNL is an extra bold hairline serif font based on Monotype’s Falstaff, which in turn was greatly influenced by Bodoni Extra Bold. Great for posters, menu headers and other forms of headlining, Business Lunch JNL is available in both regular and oblique versions.

The 1897 ATF specimen book featured the pattern for this font, originally called Elzevir Gothic. Its friendly letter-forms and large x-height make it surprisingly contemporary in its presentation. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Aphrodite Pro is an amazing handmade font full of alternate and ligature forms designed by Sabrina Lopez and Maximiliano Sproviero. Check out the brochure in the Gallery section to see some examples of this OpenType font in use and the wide range of combinations possible.

ITC Kick is the work of California designer Patty King, a bold and energetic brush script. The marked contrast of stroke weight lends the forms dynamism. ITC Kick is a stylish, graceful calligraphy font which will lend headlines a sense of modernity and sophistication.

Slenco Font Family is suitable for headlines of all sizes, editorial design, branding, packaging, web and broadcast use, etc. This font designed with modern forms, so each individual character is quickly and easily recognized. Such distinctness makes it good for signage and display work.

News Gothic was created by Morris Fuller Benton in 1908 and presented by the American font foundry American Typefounders. Despite, or perhaps because of, the font’s unconventional relationships in proportion and form, News Gothic has long been a popular typeface for almost any use.

Alf Becker called this offering "Rounded Modern Bold." The geometric forms, strong contrasts and unexpected turns of this serious Art Deco typeface command attention. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian and Moldovan).

Anamorphic is a display monospace handwriting font. The typeface is a distinct hand drawn font using a felt tip marker. The Anamorphic name is derived from Greek words meaning “formed again”. Anamorphic is great for display work, invitations, writing, architecture, posters, logos and headings.

Introducing our newest cute serif typeface, Hinelka Unique Script. This font perfectly made to be in poster funny, and the other various formal forms such as invitations, labels, logos, magazines, books, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Dutch type designer Max Kisman created this display FontFont in 1990. The font is ideally suited for advertising and packaging and poster and billboards. FF Vortex provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle figures.