Hera Big is a type family in eight weights & 16 fonts. The family explores the motion and fluidity of the ball serif, in an evolution from its previous identity as a counterpart to the slab serif. Informed by great fat-faces from Figgins to Lubalin, but never deferring to precedent by default, Hera is a fresh mix of originality and organic form, never sacrificing function for beauty.

Skyline Hotel is a brand new hand painted font from Dathan Boardman of Open Window. It utilizes Art Deco structures but is greatly amplified by organic paint brush strokes. The font would be best used in designs that require an organic degraded look and feel. Skyline Hotel… optimal for back alley graffiti mural or a poster to begin a political revolution. Geometric essentials betrayed by fluid expression.

This font was inspired by the so-called Litterarum latinarum, quas italicas, cursoriasque vocant, scribendum Ratio (Louvain 1540), a manual intended for calligraphers by the well known scientist Gerhard Mercator. It was a magnificent “Cancellaresca corsiva” design, enriched with many alternates, final loops and ligatures. We have added a lot of accented and other characters required for modern use that did not exist in the original.

This rather quirky typeface is based on a design by Collette and Dufour, originally called "Independant", for the Maison Plantin foundry of Belgium. Ultramodern (by 1930s standards, at least) and ultrabold, it takes up a lot of real estate, and commands a lot of attention while doing so. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Inspired by mosaic lettering by Heins & LaFarge, architects of the IRT (Interborough Rapid Transit) in New York City. Bedford hints at the station names on platform walls which date back to 1904 but modernize it through a rigid grid system and rounded corners. The family consists of two styles, Bitmap for web usage with a perfect pixel snap, and Rounded for a softer and bolder look.

This font is influenced by Walbaum. However, I did not just trace the design, but sort of had the image in my head while I drew the letters. This font is balanced by not being entirely Walbaum, but still basically is. I've named it "NoraPen." Nora comes from the name of the main character in Ibsen's "A Doll's House," and Pen means a cage for livestock.

Malbeck is a script which is both as elegant as it is unique. Very playful typographic treatments can be produced using the large selection of alternate characters. This 2007 version of Malbeck is now available in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as InDesign. Designed by Koziupa and digitized by Ale Paul.

Fengo is a beautiful handlettering font inspired by Sino-Japanese and traditional Chinese hieroglyphic characters. As a result the font looks authentic and very friendly. It contains a wide range of features such as initials, finals, swashes, arrows, circled numerals. Fengo can cover all kind of graphic design project from packaging, signage, branding, titles… Fengo was designed in duo by Jean-Claude and Olivier Gourvat.

Hoyer Script™ is a fresh redesign of Hans Hoyer’s Schoenschrift, a slender vintage italic with a calligraphic touch. This font should be used like my blackletter fonts. It means that the s-key is occupied by the long s, and the round s lies on the #-key. By typing N, o, and period plus activating Ordinals feature you will get an old-style number sign.

It is a handwriting-style font for body text that emphasizes gentleness and solidity by using less curvature and making use of a straight feel. The handwriting feeling is emphasized through the style that makes use of the natural bending and stroke order. Softness was added in the shape of a gentle curve, and perspective was applied by setting a vanishing point in the lower left corner.

TpLlum is a typeface designed by TwoPoints for a festival in Barcelona called ‘Montjuïc de Nit’. Llum means light in Catalan. In the Montjuïc de Nit project the font was used in white over a dark grey background, letting the light of a backlit poster shine through. For this purpose the typeface had to be very bright, which was made possible by its heavy cut.

Based on the 1932 typeface Newport, designed by Willard T. Sniffin for ATF, this Art Deco standard packs a lot into multi-line heads and subheads due to its very short descenders, cleverly accomplished by “fudging the baseline” on the g, p, q, and y. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

This face was designed by Andre Guertler’s class in room 505 at the Kuenstgewerbeschule in Basel. It follows the principles of Frutiger’s Egyptienne, and won the first of the VGC type competitions.

Its one  of the modern Arabic fonts, a spontaneous free line characterized by beauty and speed of reading. To be used in advertisements, writing titles, magazines, cartoons, films, serials, comics and plays.

This quirky charmer is based on a typeface called "Les Catalanes", designed in 1952 by Enric Crous-Vidal for Fonderie Typographique Française. Appropriately, it is named for the king of quirky Cataláns.

Firefly was designed by Miranda Hopper during her time in Patrick Griffin's type design class of 2010 at Humber. It is a light, narrow alphabet that works well in casual, leisurely design.

Arepo is a display typeface inspired both by the Imperial Roman letter and the forms of Giambattista Bodoni. Together with Stone Print, SFPL, and Cycles it makes up a superfamily of typefaces.

Edessa JNL is a Greek-styled alphabet found in an old book used by sign painters. Its simple, angular lines and clean approach add a taste of the past to your work.

Roadway is an original typeface with an antique accent, inspired by Clarendon woodtypes from late 19th century. It comes in three matching varieties, with extended character sets and a lot of personality.

A vintage angry looking typeface named "Predators Cuspid". It has a grunge scratched texture effect. Protruding "fangs" can be achieved by using a capital letters. Thank you and have a nice day!

PipeDream is a thick, slab-serif typeface. It is perfect for short, attention grabbing headlines. Inspired by 1990's computer games this bold face is a force that refuses to be ignored.

Inspired by Paleochristian engravings and writings, this font has a timeless aspect while keeping a real monumentality. It was originally designed to serve as a visual identity for a group of museums.

The Initiales grecques were made by Firmin Didot ca 1800. When set at 22-pt, the AR font will match the size of the Corps Vingt-Deux from which it is derived.

Mariosa is an elegant font with a romantic appeal; this font is for those who are in need of an elegant and appropriately modern calligraphy script. Get inspired by its bold swashes.

In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since. A few years ago I developed a font. Boris Bencic used it when he was redesigning L’Officiel magazine in Paris. I took these initial forms and developed them into the font Mommie when I started my own foundry. Although I usually design text typefaces, working on Mommie taught me how complex it can be to create a script headline font. The biggest challenge in this process has been to keep it alive and fresh. The Regular weight is only made for very big headlines. The thin lines with the bold drops are very elegant. For smaller sizes use the Medium and Small weight. It won the TDC 2008 award and was Judges Choice of Christian Schwartz.

Boyers – The Adorable Bubble Font Bubble-Inspired Cuteness Boyers radiates the delightful embodiment of bubble-inspired cuteness, making it the perfect choice for all your display needs. Its playful charm captures the essence of balloons and whimsical awn, creating a font that’s both fun and endearing. Imaginative Playfulness Going beyond mere cuteness, Boyers showcases an imaginative playfulness that makes it a versatile choice for a wide range of creative projects. Whether you’re designing greeting cards, posters, or children’s book covers, Boyers adds a touch of whimsy to your creations. Versatile for Various Creations Boyers boasts impressive versatility that seamlessly enhances designs. No matter the project, Boyers brings a playful and charming flair, making your content engaging and incredibly memorable. In Conclusion In summary, Boyers – Bubble Font, with its inspiration drawn from balloons and awn, offers endless creative possibilities. Its playful versatility guarantees that your projects stand out, accessible to a diverse audience. With Boyers, your designs come to life with a charming, bubbly flair.

Brecksville is a condensed grotesk typeface that takes inspiration from early German designs of the mid-19th century. It was designed as part of my current research into grotesk typefaces and different letterforms, as part of my dissertation research, “Perfected Letters: German Grotesk in the Nineteenth Century”, which focuses on the role of German design in typography. The Brecksville font family provides a wide range of weights, ranging from light to bold for both its rounded display style and more rugged sharp style. Both its styles feature the same horizontal proportions and metrics so they can freely be combined with no spacing issues. Brecksville's visually punchy condensed style and sharp edges, allows it to stand out on the screen – at almost any size. Its black composition also brings out the details needed in magazine and tabloid headlines, while maintaining readability throughout. The rounded display version is ideal for posters and other uses where you want something eye catching but not too hard on the eyes.

From the lab of Open Window comes Farm Girl. Farm Girl was inspired by old Art Nouveau posters from Toulouse Lautrec and others. Farm Girl utilizes the same 'loosey-goosey' quality as those posters. Farm Girl consists of 3 different styles which are designed to be used in combination with each other. Many different variations are possible. It's fresh cut and contemporary. It's ideal use is as a display font.

ScraptScript is a classic casual script typeface inspired by signpainter and autotechno typography, developed with a little bit bold and contrast on horizontal stroke. Comes with a lot of opentype features, ScraptScript also supports multilingual covering Latin based language (Latin Extended-A & Latin Extended Additional), including Celtic, Sami, Maltese, Turkish, England, USA, Germany, France, Italy, Poland & etc. ScraptScript would be nice on logo design, posters, etc. with any design characteristic.

It’s a Towering Inferno of a Font! It’s a Poseidon Adventure, an Earthquake and a Sharknado of Devastating Proportions! Don’t Look Up -- these cracked and chunky letterforms are signifiers of a Magnificent Disaster! A Perfect Storm of Tip Top Type by Comicraft's Starkings & Roshell with artist Lisa Davighi. Dante’s Peak has exploded and the Deluge has begun. Don’t save this font for the Day After, when worlds collide — Armageddon is Now!

Introducing Werd - a modern stylish serif font inspired by elegant and luxury typography. With its unique and beautiful design, Werd is perfect for adding a professional touch to your designs. This versatile font can be used in various design projects, such as headings, flyers, greeting cards, product packaging, book covers, printed quotes, logotypes, apparel designs, album covers, and more. Werd features alternative characters that are divided into several OpenType features, including swashes, stylistic sets, stylistic alternates, contextual alternates, and ligatures. These OpenType features can be accessed using software programs that support OpenType, such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop, Corel Draw X version, and Microsoft Word. This allows you to customize your typography and create unique compositions that suit your design needs. In your zip package, you'll receive the Werd font files in otf, ttf, and woff formats, providing flexibility for different design projects. The font includes uppercase and lowercase letters, numerals, punctuation, and symbols, ensuring that you have all the essential elements for your designs. Werd also supports multilanguage characters, making it suitable for designing in different languages. Whether you're creating designs in English, Spanish, French, or any other language, Werd has got you covered. In summary, Werd is a modern stylish serif font that offers elegant and luxury typography for various design purposes. With its OpenType features and multilanguage support, Werd provides versatility and customization options for your designs. Thank you for choosing Werd from our collection. Happy designing!

Typeface Laborat™, designed by Kristína Jandová, is a Grotesk typeface that combines the geometry of a circle and a square. The visual message of geometry is applied to stylistic sets and modified by special characters, including abstract forms or symbols, that turn the typeface into a visual “graphic” language. The basic character of the typeface lies in the default set based on the circle-like shapes of letters. The stylistic sets 01 to 03 are characterized by different geometrical modifications of the growing character and the idea “from circle to square” applied on the letters a, f, g, l, r, t, u, y. By using these different alterations of consistent letterforms, it offers a playful space for everyone. The first inspiration of the typeface origins in Paul Renner’s Futura sketches, that were a celebration of geometrical playfulness of modernism meeting constructivism. It is modified into a new contemporary “wave” of typography as a graphical method. Laborat comes in six weights, from Hairline to Heavy.

Designed by Daniel Hernández and Paula Nazal with digital editing by Elizabeth Hernández. Corrections and review by Alfonso García and Rodrigo Fuenzalida. Boston is a slightly rounded-edged typeface, which is inspired by “Trenda”—a geometric sans serif based on the uppercase of “Trend”(a Latinotype font, released in 2013, that was very well received). This new typeface comes with a wider character set that offers a complete family of uppercase and lowercase in different weights. Boston is a versatile, easy-to-use, functional display font with a strong personality, especially its uppercase, which makes the designer’s work easier. Boston’s lightest and heaviest variants are ideal for display use while its middle weights work well with short and mid-length texts. This typeface has been designed especially for corporate projects, logotypes and publishing. Boston comes in 8 weights, ranging from Thin to Heavy, and includes matching italics as well as small caps and alternates. The family contains a 634-character set that supports 206 different languages.

Infusion is a type family designed by CFCG & Fabio Godoy for andinistas.net. The creative process of Infusion evolved throughout a myriad of experiments supported by my font gluten This is why its expressivity comes from the addition and subtraction of its parts by mixing and combining, resulting in a great variety and new versatility of uppercase, lowercase, multiple and different numbers to be applied at the beginning, middle or end of the word. Infusion is used to write sentences in craft contexts that require organic graphic design, with meticulous imperfect look. Infusion offers typographic solutions out of the limits, or out of borders that divide the mechanics of the drawn by hand. Infusion has 6 decorative and legible fonts to write casual messages with organic, friendly and natural personality. Infusion “Script, Mix, Roman, Shadow, Extras, Dingbats” contain unconventional visually appealing ideas to work independently or in group in the design of logos, packaging, presentations, headlines or editorials.

Black Optimus is a natural handwritten font. It is a tough-looking font with a strong brush touch, ready to rock every design you want to create. It is perfect for logos, quotes, posters, clothing, and so much more! Add it to any of your creative projects, and be amazed by the generated outcome!

Black Rolade is a handwritten display font. It is a tough-looking font with a strong brush touch, ready to rock every design you want to create. It is perfect for logos, quotes, posters, clothing, and so much more! Add it to any of your creative projects, and be amazed by the generated outcome!

The name says it all: here's a faithful revival of a Schelter und Geiseck release from 1911, designed by Moritz Greishaber and originally called Monos. Although it predates the Art Deco era, it has a Deco vibe. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Distancia is a super-extended sans family of six weights. Inspired by stunning 70's sports cars advertisement, this typeface is designed for sheer elegance and casual experience. Distancia has its own particular friendly and warm appearance of modern touch. With its extensive and open proportions, it makes a grand appearance for your projects.

Something Shine is a natural and display font. It is a tough-looking font with a strong brush touch, ready to rock every design you want to create. It is perfect for logos, quotes, posters, clothing, and so much more! Add it to any of your creative projects, and be amazed by the generated outcome!