Primavera is a fresh and spirited take on casual handwriting. The usual playfulness and expertise of Angel Koziupa's forms, along with the smooth, crisp outlines of Alejandro Paul, provide a humorous and lively typeface in two styles that fit perfectly on food packaging labels, greeting cards, journals or wherever a design needs to convey freshness, young spirit, and a cool spring breeze.

ฟอนต์วันวาน อักษรแบบตัวเขียนอ้างอิงจากสไตล์การเขียนแบบพู่กันให้ความรู้สึกพริ้วไหว มีสไตล์ให้เลือกใช้ 9 สไตล์ตเป็นตัวเอียงทั้งหมด และเพิ่มความน่าสนใจด้วยการไฮไลท์ตัวอักษรที่ต้องการจากนั้นเปิดใช้งาน Stylistic Set 01-09 (ss01-09) หรือ Access All Alternates (aalt) จะมีป็อปอัพเด่งขึ้นมาให้เลือกอักษรทางเลือกอื่นๆ ฟอนต์วันวาน เหมาะสำหรับการผาดหัว ข้อความสั่นๆ หรือจัดวางเป็นกลุ่มคำสั่นๆ - Wanwan, a calligraphy font based on a brush writing style. There are 9 styles with italic. Comes with Stylistic Set 01-09 (ss01-09) or Access All Alternates (aalt). Wanwan suitable for headline wedding cards and other graphic work.

Store Tags JNL is a collection of vintage-style store price tags that are great for a multitude of purposes. Print them with a color fill and overlay them on product photos in ad fliers. Enlarge them and print them out on card stock to create pre-printed tags, or print them out poster-size and use them for point-of-sale displays.

Glamoria is a Modern Monoline Script Font. Glamoria Script is an enchanting handwritten font. This versatile script font has a wide spectrum of applications ranging from greeting cards to headlines and is guaranteed to add a romantic feel to your next project. Glamoria also multilingual support. Enjoy the font, feel free to comment or feedback, send me PM or email. Thank you!

Allison Tessa is gorgeous signature font and sans serif font with three variation regular, rough and stamp, as well as swashes. Allison Tessa perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, and quote designs and more. If you need anything else or you require an upgraded license please contact dedukvic@gmail.com

Romantis Script is a handmade font script, designed to convey elegance and a bold natural style. Romantis Script will function perfectly for fashion, brand e-commerce, trend blogs, or any business that wants to look classy and elegant. This font is ideal for upper-class types of logos and headlines, but don't forget greeting cards, invitations, posters, advertisements, and various web uses.

Make your instant X-mas and Winter Holiday Greeting cards with the HF Xbats dingbats. 26 regular (capitals, A-Z) and 26 inverted (lowercase, a-z) images with the upcoming Winter Holiday Season as a theme. 7 instant Holiday Messages (numerals, 1-5 and inverted on 6-0 for English; ¡, !, ¿ and ? for Spanish) will make your Greeting complete in any combination.

Introducing, Margoline script font. Margoline is a swash handwritten font that is perfect for branding, packaging, wedding invitation, card, etc. Features : uppercase & lowercase numbers and punctuation multilingual alternates and ligatures swash PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Really excited to introduce Sweet Harley Script, a beautiful hand lettering font! Sweet Harley is perfect for poster design, book covers, merchandise, fashion campaigns, newsletters, branding, advertising, magazines, greeting cards, album covers, quote designs and more. Features UPPERCASE lowercase Number & Symbol International Glyphs Alternative lowercase Ligature If you need anything else just shoot me on email at: dedukvic@gmail.com Happy designing.

Celsius Flower attracts a typeface that is smooth, clean, unique, elegant, modern, feminine, sensual, glamorous, simple and very easy to read. Classic style is very suitable to be applied in various formal forms such as invitations, labels, menus, logos, fashion, make up, stationery, letterpress, romantic novels, magazines, books, greeting/wedding cards, packaging, labels. Celsius Flower has alternative, Ligature and multilingual support.

Prestons signature is made with a medium-sized marker pen with a casual groove. Feel the sensation of natural handwriting. This font is a great choice for digital signatures, brand names, logos, banners, headlines, wedding invitations, business cards, book titles, movies, podcast texts and craft work. we complement with alternate and ligature to strengthen the natural impression on your design

Introducing Ameda: A modern, stylish sans-serif font with high contrast that radiates sophistication. Elevate your designs with Ameda's attention-grabbing style, infusing an exhilarating flair into your creative projects. This typeface is ideal for greeting card, packaging, brand identity, poster, or any purpose to make your design project look eye catching and trendy. Feel free to play with this typeface!

Crem is a big Slab Serif font family with gentle minimalistic forms. Variability of styles allows you to experiment very widely with moods Crem reflects. Perfect for use​ in magazines, posters, logotypes, quotes, invitations, flyers, greeting cards, product packaging, book covers, etc. Crem Slab consists of 14 styles total, has wide language support and dozens of ligatures. Hope you'll enjoy using Crem Slab!

Signature One is new modern script font with a handwritten monoline style make this font looks elegant, natural, stylish and perfect for any awesome projects that need handwriting taste. Signature One would perfect for photography, watermark, social media posts, advertisements, logos & branding, invitation, product designs, label, stationery, visiting card, wedding designs, product packaging, special events or anything that need handwriting taste.

First released by the Woellmer Foundry, Berlin, in 1910, Goethe Fraktur is a strong and legible blackletter font which has been now revived and carefully extended for modern use. To get access to all ligatures, it is recommended to activate both standard and discretionary ligatures. You will find the longs by typing option + b or by using the OT feature historical forms.

A revival of “Gras Vibert”, a French fat face originally cast by the Didot typefoundry in Paris. It was cut in 1840 by Vibert, an engraver employed by the foundry. The capitals are heavier than the lowercase letters, and the characters g, k, y and & are rather peculiarly shaped, exaggerating the vertical stress. The font is designed for large sizes.

A heavy font made by Minor Praxis. Inspired by blocks toy design. Ideal use for headlines, medium and large prints format, displays, and posters. Built by a quite heavy structure and dense kern which can make a hefty and solid impression. It can be matched with basic sans serif fonts as a body copy. Available in 4 styles with multi languages support.

Cascabel was built on a modular harmony and creates visibly maze-like geometric structures. When typeset in complete words, it conveys an unmistakable architectural approach to a design project. Ideal for magazines, posters or flyers, Cascabel is an alphabet functionally defined by a concept similar to that of building blocks. Designed by Ariel Di Lisio and digitized by Ale Paul.

Friedrich Bauer’s Senatsfraktur, coming in two styles, regular and bold, released by Genzsch and Heyse, Hamburg, in 1912, has come to life again. Both styles contain the traditional long s which can be accessed by either the OT feature historical alternatives or by typing [alt] + b. To get access to all ligatures, it is recommended to activate both Standard and Discretionary Ligatures.

Metropolis Bold was commissioned by Publish magazine for their 1990 redesign. Although other digital versions exist, I think this was the first one and is characterized by extremely pointy serifs. It is well to remember in laying out copy for Metropolis to allow plenty of white space in the layout. Metropolis is based on the 1932 Stempel cut as designed by W. Schwerdtner.

Flaminia is a typeface family of 4 members designed by Carlos Fabián Camargo G. The central idea started as Dingbats and titles labeled with fine-tipped brushes and flat tip for graphic design related restaurant menus, instructions, packaging, food containers and labels. Thus began the process of drawings and letters integrated by shapes and counterblocks that seem inaccurate yet but at the same time clean and attractive. For this reason each variable suggests fresh brushstrokes that combine ideas from Roman and italic calligraphy. Flaminia members work separately or together by solving needs in different scenarios. This will enhance its properties in order to control and diagram titles, subtitles and short paragraphs with an effusive and manuscript character. Flaminia is useful for generating a flavor of "hand lettered by skilled artists lettering." In conclusion, Flaminia Regular and Italic are used to write short paragraphs. His ascending and downs are lower that the X height. Its width is imperceptibly condensed to save horizontal space. Its smooth lines and finishes simulating a crescent moon have been made with fine-tipped brush. The contrast between thick and thin has medium intensity. Its complement is an ideal italic to emphasize words and phrases. Its conceptual characteristics are similar with foundation's handwriting, except for his companion who takes ideas from the ornamental italic calligraphy. Flaminia Black is compact and ideal for ranking information such as words and titles. Its personality is based on ornamental penmanship italics mixed with humanistic ideas outlined with contrast-type, flat-tipped brush thickness. Its overall width is slightly condensed, rising and falling are short compared to an exaggerated X height. Its smooth lines and terminations as in a crescent moon simulate the path of a broad brush. Its amount of contrast between strokes have average intensity. In brief, push to the limit parameters such as the type and amount of contrast, size, backward, forward, overall width, etc. And finally, Flaminia Dingbats offers three sets of different illustrations, a total of almost 90 drawings useful in communications related to: Food, Clothes and Sketchy. Each carefully wrought through research, testing, analytical design, visual strategy and high-definition of Bezier paths, optimizing time and work to their users. And in conclusion, I have plans to continue expanding the family with more complete versions in the future.

Bigfoot is the fattest font ever made. It began as a simple exercise given to students in a design course: Most people don't appreciate type because they don't really know what it actually is. One way to understand it is looking at it like a combination of sculptures that have to work together to achieve a certain harmony, where each letter form is one of those sculptures. Most people understand and appreciate that a sculpture starts from a rock of an incomprehensible form, which is manipulated by someone into becoming the recognizable or abstract work of art it eventually is. Consider type design a kind of two-dimensional sculpting. You have a rectangle. Take away as a little as possible from it until it is recognizable as the letter A. Repeat to get the letter B, and so on. After all 26 minimal letters are made, do they actually function as an alphabet to build words and sentences that are recognizable to the human eye? This exercise can trigger thoughts and theories about the overall subjective nature of identifying abstract yet somewhat familiar shapes. It can go into the psyche of art in general. But one thing for certain, this exercise has so far helped a few people find a new appreciation for finely crafted typefaces. If you are a design educator, your students' typographical perspective and arguments would benefit from it. And if you are a designer, well, fat faces are all the rage these days, and this is as fat as it can get. Please note that that this typeface, due to its minimalistic nature, does not include accented characters. It does however support the full C0 Controls and Basic Latin Unicode set. All proceeds from this font go to support the Type Club of Toronto.

I hate the idea of revivals. I have publicly said I choose not to do revivals because they make me uncomfortable. This is as close as I have been to crossing my own line. To be direct, Rhythm is based on the ATF typeface, Ratio (I just recently learned the foundry of origin). I came across this typeface from a printed specimen years ago when I was in school and held onto it. It was unique and I loved how well integrated the inline worked within both the flourish and serif of the glyphs—it was old, but not, reminiscent, but fresh. My specimen was limited in the glyph offering (it was c. 1930ish) and I realized a lot would need to be done to ‘finish’ it and bring it to contemporary expectations. I didn't want to do ‘retro’ and tried to avoid the visual trappings associated with it. What I did want to do is interpret what I had in the specimen and reinterpret it digitally, refining its construction and extending its typographic equity along the way. The ‘One’ and ‘Two’ (and their matching ‘Solids’) styles diverge providing various elaborations that coordinate well between rigid bracketed serifs and compact tails. I further expanded the glyph offering to include a full diacritic set, old style numerals, fractions, stylistic alternates, swashes, titling alternates and controlled flourishes that adhere to the efficient framework of the script. And yes, I refer to it as a ‘script’ because calling it a ‘cutesy serif’ seems wrong :) I hope this is seen less as a slavish revival and more as a championing of a really unique typeface. The Original Typeface was Adastra, designed by Herbert Thannhaeuser for the Foundry D. Stempel AG in Frankfurt, Germany.

Magola is a creamy flavor font family whose purpose is to season with emotions the reading of words and phrases formed by puffy glyphs coated with a caramel of empty spaces external and internal. Independently or in groups, members of the family serve to decorate and organize packaging or advertising material in letters apparently crafted for food or entertainment contexts. Its starting point was to draw letters like a ballon fish evolved into a black version with empty areas and microscopic contrasted with colorful inflated and filled areas. Then the challenge was based on the sum transferred between full and empty into a lighter caliber. In that vein, its overall design adapted skeletons of italics and Roman calligraphy. Therefore, its regular, bold and black files have great height "x" with upwards and downwards extremely short and large internal counterblocks to facilitate reading. In this regard, to strengthen its objective and capture the reader's attention, its kind of contrast and simulated auctions flat tip brush strokes, and amount of contrast between thick and thin in the black version is slightly inverted. Its sizes, smooth strokes and irregular lines reinforce its traditional spirit, so it is favorable to shine the information on posters or large-format media. In short, its optical conformation based on a non-literal way, in metrics similar in all family members to be easily exchanged without changing the ìxî height. It is therefore a striking and versatile tool, that besides being useful in large sizes, can be used in small sizes as well. And more importantly, its general concept is more profitable when its members are mixed to nest headings, subheadings and short paragraphs, designed according to size, position, color and location in logos, covers, posters, ads and flyers.

Introducing Astro, a charming serif font designed to bring an elegant and classic touch to your designs. Crafted with meticulous attention to detail and inspired by mid-millennium Serifs, Astro seamlessly blends traditional sophistication with contemporary elements, making it suitable for a variety of design projects, both print and digital. Enchanting Letter Shape Designs: Astro exudes charm with its letter design that is heavily inspired by the mid-millennium Serifs often found in European and American designs. Each letter is carefully carved to create a charming and luxurious impression. Unique Alternative Glyphs: Astro is not just a font; it is a standout typographic masterpiece. By offering several unique alternative glyphs, such as the letters a, g, and k, Astro gives designers the freedom to express their creativity in a unique and personal way. Mid-Millennium Serif Elegance: Astro features smooth lines and proportions, creating an elegant impression characteristic of mid-millennium Serifs. This design provides a timeless classic touch making it suitable for a variety of design needs, including books, magazines, posters and other printed materials. Ease Readability: While the Astro exudes striking elegance, its design also prioritizes readability and comfort. Each letter is created with balanced proportions and optimal contrast, ensuring text appears clear and easy to read, whether on a large or small scale. Flexible Use: Astro is designed to provide flexible use across a variety of design platforms. From the logo design to the magazine layout, Astro adapts beautifully, maintaining a consistent feel that enhances the aesthetic quality of the design. European and American inspiration: Astro creates a bridge between European and American typographic styles, combining the best elements of both traditions. This makes it the perfect choice for projects that combine elements from both continents. Astro is more than just a font, it is an artistic statement that leaves an unforgettable impression on any design project. Suitable for designers who appreciate classic beauty and modern uniqueness, Astro brings a special and charming feel to every character it creates.

Crayon Crumble is exactly what it reads on the package: it was made using cheap crayons, since the cheapies crumble a lot. It is a fun, kiddie font, with a grown-up look to it. Of course it comes with all the accents.

Mysterious is a bit of an unusual font. It looks old fashioned, but it comes with cool stylistic alternates, it could be a didone, but it is not (really), it looks formal, but it is rather scary. Mysterious was more or less based on the titling pages of 17th century atlases and my own twisted imagination. It comes with a whole bunch of ligatures and stylistic alternates, plus extensive language support.

Are you waiting for Autumn? I’m pleased to introduce my new handwritten floral font Autumn Embrace. Autumn Embrace comes in three styles: Floral, Regular and Extras. Autumn Embrace Floral is an elegant, decorative, feminine font. Floral uppercase letters are ideal for your wedding monograms and logos. Use this font for wedding invitations, branding, packaging, magazines, florist shops, social media, restaurant menus, greeting cards, headers and many more. Autumn Embrace Regular is a modern calligraphy font. It's perfect for design projects, instagram, invitations, signatures, watermarks, logos, letterpress address, titles, birthday invitations, handwriting and more. Autumn Embrace Extras is a symbol font (includes 52 hand drawn elements). You can use these characters either separately or in combination with Autumn Embrace Regular and Autumn Embrace Floral (or any other fonts). The symbols are perfect for creating your own logo, greeting cards, photo overlays, scrapbooking, writing letters and just for fun :)

Marithonia is a beautiful modern calligraphy script font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The font has PUA Unicode (Private Use Areas - font specific code). That all the alternative characters (with flourishes and swirly lines) can be easily accessed in full through Windows and Mac and you can load them into applications such as Cricut Design Space and Silhouette Studio. To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me. Thanks for your visit.

Melissa Gweny is a beautiful modern calligraphy script font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The font has PUA Unicode (Private Use Areas - font specific code). That all the alternative characters (with flourishes and swirly lines) can be easily accessed in full through Windows and Mac and you can load them into applications such as Cricut Design Space and Silhouette Studio. The ZIP file are include: Melissa Gweny.otf To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). Thanks for your visit.

Welcome to Quaint Garden! I’m pleased to introduce my new handwritten floral font Quaint Garden. Quaint Garden comes in three styles: Floral, Regular and Extras. Quaint Garden Regular is a modern calligraphy font. It's perfect for design projects, social media, invitations, signatures, watermarks, logos, letterpress address, titles, birthday invitations, handwriting and more. Quaint Garden Floral is a smooth, decorative font. Floral uppercase letters are ideal for your wedding monograms and logos. Use this font for invitations, branding, packaging, magazines, florist shops, social media, restaurant menu, greeting cards, headers and many more. Quaint Garden Extras is a symbol font (includes 62 hand drawn botanical elements). You can use these characters either separately or in combination with Quaint Garden Regular and Quaint Garden Floral (or any other fonts). The symbols are perfect for creating your own logo, greeting cards, photo overlays, scrapbooking, writing letters and just for fun!

Introducing Breeder Font Duo it's a handwritten script. Enjoy this playful font in your designs with Breeder Script & Breeder Small Caps! This playful font consists of a natural handwritten and signature style, so this font is perfect for logos, menu design, social media posts, packaging, poster, name card, birthday card, etc. Breeder Script has a natural flow handwritten signature containing upper & lowercase characters, numerals, and punctuation. This font also has a ligature, stylistic alternate, swashes, multi-languages support, and doodles art for the bonus of this font. Breeder Small Caps comes with a natural & simple handwritten all-caps font. Complete with a-z letters, very charming handwritten font, and perfect for combining with Breeder Script. This font also includes multi-language support. Thank you for checking and visiting our store, and feel free to drop me a message if you had any questions! Visit our Instagram :) www.instagram.com/scratchdesignbali

Bertholina is a beautiful modern calligraphy script font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The font has PUA Unicode (Private Use Areas - font specific code). That all the alternative characters (with flourishes and swirly lines) can be easily accessed in full through Windows and Mac and you can load them into applications such as Cricut Design Space and Silhouette Studio. To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me Thanks for your visit.

Demiela Script is a beautiful modern calligraphy script font that is suitable for branding, wedding invitations, greeting cards, posters, name card, quotes, blog header, logo, fashion, apparel, letter, stationery and other projects. The font has PUA Unicode (Private Use Areas - font specific code). That all the alternative characters (with flourishes and swirly lines) can be easily accessed in full through Windows and Mac and you can load them into applications such as Cricut Design Space and Silhouette Studio. To access all OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator, Adobe Photoshop, CorelDraw and Microsoft word. If you don't have a program that supports OpenType features such as Adobe Illustrator and CorelDraw X Versions, you can access all the alternate glyphs using Font Book (Mac) or Character Map (Windows). If you have any question, don't hesitate to contact me. Thanks for your visit.

Nokian11 is a font inspired by an old Nokia phone display. It was created in 2001 and named Nokian. Nokian11 is a new, improved version with full set of glyphs and covers most of European languages.

BluHead Studio continues its collaboration with British designer Roy Preston by producing Krete, Roy’s latest text family. This first release of 12 weights includes Light, Book, Regular, Medium, Bold, and Black, each with a drawn italic.

That's a special horrific font with an intricate pattern of bones. All letters are put together of nonrecurring elements drawn individually by hand. The classical forms as we see it sound afresh with the bones attire.

Canadian Animals is a picture font with highly detailed illustrations drawn by hand. Comes in outline and silhouettes, it is easy to colour in photoshop. These detailed vector illustrations will help you create your ultimate design.