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  1. D3 Euronism italic - Unknown license
  2. D3 Globalism italic - Unknown license
  3. D3 CuteBitMapism TypeA - Unknown license
  4. Becker - Unknown license
  5. D3 LiteBitMapism Bold - Unknown license
  6. D3 Superimposism Outline - Unknown license
  7. D3 Spiralism Outline - Unknown license
  8. D3 Superstructurism Outline - Unknown license
  9. D3 DigiBitMapism type A - Unknown license
  10. D3 CuteBitMapism TypeB - Unknown license
  11. DDD Pipe - Unknown license
  12. D3 Egoistism - Unknown license
  13. Gemerald - Unknown license
  14. D3 Superimposism Inline - Unknown license
  15. D3 DigiBitMapism type C - Unknown license
  16. D3 Skullism Katakana Bold - Unknown license
  17. D3 Superstructurism Inline - Unknown license
  18. D3 DigiBitMapism type B - Unknown license
  19. D3 Roadsterism Wide - Unknown license
  20. D3 Spiralism - Unknown license
  21. Reeperbahn - Unknown license
  22. D3 Petitbitmapism - Unknown license
  23. D3 Petitbitmapism - Unknown license
  24. D3 Digitalism - Unknown license
  25. D3 Skullism Alphabet - Unknown license
  26. D3 Roadsterism Long - Unknown license
  27. D3 LiteBitMapism Selif - Unknown license
  28. DUST - Unknown license
  29. As of my last update in April 2023, the font named Knife Fight, crafted by the talented Damien Gosset, stands out as an intriguing typeface within the realm of graphic design. Though not extensively ...
  30. Allerlei Zierat by Intellecta Design, $14.90
    Ornaments family with four different sets plus a decorative capitals font from the rare, valuable and amazing Allerlei Zierat book from Schelter & Gieseck (1902). A research and free interpretation by Intellecta Design. This encyclopedic specimen book of the Leipzig, Germany type foundry and printing supply house J.G. Schelter & Giesecke features, as the title indicates, all kinds of decoration for supplying printing of every type. On the title page, the firm boasts winning grand prize in 1900 in Paris (presumably at the Exposition Universelle). It is hard to do justice in a short description to the variety of styles (traditional, Jugenstil, etc.) and categories (certificates, letterheads, borders, ornaments, exotic motifs, flowers, animals, silhouettes, menus, greeting cards, vignettes humorous and otherwise, images of bicyclists, occupational symbols, portraits, Classical figures, religious art, heraldry, ships, trains, athletes, etc., etc.) offered in this volume. Some of the examples are printed in color, most are in black-and-white. The Jugenstil cover of this copy shows minor wear and soiling. The plate of “Gust. Carlsson & Co., Stockholm” is attached to the front pastedown. A small fraction of pages show minor soiling, a pencil notation or a short closed tear. Two of the fold-outs at the back have a little more damage-one is missing a 1x2 inch piece along the margin, the other has a 3-inch closed tear and an edge which is crumpled. A rare specimen from the Intellecta rare books library.
  31. The font GlitzyCurl, envisioned and designed by the talented Robert Schenk, is an epitome of creative flair and whimsicality woven into the realm of typography. This font is a delightful representati...
  32. The Janda Happy Day font, crafted by the talented Kimberly Geswein, is a delightful embodiment of joy and whimsicality, designed to bring a smile to your face and warmth to your heart. Its playful cu...
  33. Quarter Braille by Echopraxium, $20.00
    Presentation QuarterBraille (Abbreviated as "QB" thereafter) is a decorative, steganographic and lattice font. Its core design concept is that Braille dots are represented as "quarters of a square"[1]. This is illustrated by posters 1 and 2 (NB: these glyph parts will be called "QB dots" thereafter). The other glyph parts (see poster 3) are purely decorative and meaningless in terms of Braille dots encoding[2]. All glyph parts are meant to generate a wide variety of patterns from horizontal and vertical combinations of glyphs. There is also a graphic convention to differentiate uppercase from lowercase letters with the presence or absence of shape subparts (in the "endings", "quarter of a circle with a ring" and "quarter of a diamond with a small square in the middle") like shown by poster 4. This font is suitable for very short texts (e.g. logos, acronyms, quotes, ambigrams, pangrams, palindromes, etc...) but on the other hand it may be used for steganographic purpose like geocaching as well as fictive alphabets (e.g. Alien/SciFi/Fantasy/Antique civilizations). Posters 1. Font Logo: the displayed text is " Quarter " followed by " Braille". There's a rainbow layer above the text to highlight the "QB dots", this is achieved by A..Z glyphs with "only QB dots" (codes 230..255) 2. Anatomy of a Glyph (L) and "QB Dots" (quarters of a square) 3. Glyphs Parts: Square and Cross (Inverted square), Circle and Inverted Circle (with or without the small circle in the middle), Diamond (with or without the small square in the middle), Inverted Square and Circle, Shape combos, Ending 4. Uppercase vs Lowercase (tiny shape subparts are shown in red) 5. Sample 1: Bathroom sink with QB tiles on the credence 6. Sample 2: Hands knuckle tatoos: "LOVE/HATE"[4] 7. Sample 3: Poker Hand: pocket Aces. It's an Ace of Hearts (Ah) on the left and an Ace of Spades (As) on the right. Like in regular cards, the card value (e.g. Ah) is displayed twice: at the top and rotated by 180 degrees at the bottom. This poster also illustrates that QB could be used to print embossed playing cards with tactile and visual display of card values. 8. Sample 4: Pangram: "Adept quick jog over frozen blue whisky mix" 9. Sample 5: Latin Magic Square: "SATOR AREPO TENET OPERA ROTAS" (NB: for compensation of the 2/3 glyph ratio, letters on each line are separated by a space: "S A T O R", ...). 10. Sample 6: Quote of Mahatma Gandhi: "Learn as if you will live forever, live like you will die tomorrow.". This is also a demonstration of border glyphs combinations. 11. Sample 7: Steganography use case: the text is a sequence of 64 aminoacids (1 Letter notation), this protein was described in a research paper "The complete Aminoacid sequence of an amyloid fibril protein AA of unusual size (64 residues) 1975". 12. Sample 8: Border Glyphs with the provided styles and mixed styles. The words are the same than in poster 9 ("SATOR AREPO TENET OPERA ROTAS"). Despite the 2/3 glyph ratio, the "TENET cross" was achieved by both inserting spaces in horizontally ("T ENE T") and by using the "thin borders glyphs". Notes a. Border glyphs[3] are meant to enhance the esthetics of text samples displayed with QB b. Special characters (e.g. *$()[].,;:&@# ...) are provided and follow the NABCC (North American Braille Computer Code) convention. c. A..Z Glyphs with only the "QB dots" are provided as demonstrated by posters 1 and 2 (A/N: this was very useful to create them). d. Glyph Map: 32..64: Special characters - 161..187: "Thin variant" of Border glyphs, 192..229: Border glyphs, 230..255: A..Z with only the "QB dots" - Codes 176 an 181 are "regular SPACE" (empty glyph). Footnotes 1. There is indeed two shapes which represent the braille dot: the "quarter of a square" and the "quarter of a cross". It's because a cross may be considered as an "inverted square" because the square corners are merged in the center. 2. That's why the SPACE glyph is only made of decorative/meaningless glyph parts (i.e. no "QB dots"). 3. For other fonts with border glyphs, please take a look at my other "decorative Braille fonts" (GoBraille, HexBraille, KernigBraille, StackBraille, MaBraille, DiamondBraille, LorraineBraille). 4. LOVE/HATE knuckle tatoos are inspired by the anthology scene from "The Night of the Hunter" movie (Charles Laughton 1955), it also appearead in "Do The Right Thing" movie (Spike Lee 1989). Disclaimer This font is not appropriate and not meant to print text documents in Braille for the blind readers audience.
  34. Yanone Kaffeesatz is a distinctive and versatile typeface that carries a unique blend of modernity and nostalgia. It was first created by Yanone, a German type designer, in 2004. The inspiration behi...
  35. Brave New Era (outline) G98 by GemFonts | Graham Meade is an intriguing font that embodies the spirit of exploration and innovation. Designed by the adept font artist Graham Meade under the banner of...
  36. As of my last update in April 2023, the Organo font represents a bold and playful excursion into the world of typeface design, specifically tailored for those looking to infuse a touch of organic whi...
  37. Bionic Type Expanded Italic, crafted by the renowned Iconian Fonts, is a font that leaps off the page with its futuristic dynamism and sleek contours, embodying the perfect blend of technology and ar...
  38. The font Chicago House_trial by The Original 19 evokes a sense of nostalgia while simultaneously embracing modern design sensibilities, making it uniquely versatile and appealing. This font, with its...
  39. Bubbble Gum by VP Creative Shop, $15.00
    Introducing Bubbble Gum - sans serif typeface - 9 fonts Bubbble Gum is modern, rounded typeface with 9 fonts, regular, italic and multilingual support. It's a very versatile font that works great in large and small sizes. Bubbble Gum is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, Lowercase numeral, punctuation & Symbol Hairline Light Regular Bold Black Italic ( Hairline, light, regular, black ) Ligature glyphs Multilingual support Feel free to contact me if you have any questions! Mock ups and backgrounds used are not included. Thank you! Enjoy!
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