Next Time is an incomparable and simple handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Big Dreamer is a thin and tall display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Hello Everyone, introduce our new product Font Krakenstein This Is Horror Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 10 Alternate glyphs OpenType panel.

Northern Petal is a casual script font with a touch of naturally connected handwritten feel. It is perfect for eye-catching branding projects, text overlay to any background, social media, wedding invitations, greeting cards and more.

Christine is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Vadher is a very cool handmade brush font that is intentionally made with natural texture results, suitable perfectly for invitations, brand projects, logos, greeting cards, news, web, product packaging, posters, blogs, everything including personal charm etc.

Mariana is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Leytta is a sweet, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Funny Holiday is a thin and clean handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Hello. Arizona Futur is a pixel font with little pixel guys. Easy to use to make cool artworks. The little guys have the same size than the alphabet. So you can mix the words with illustration.

Youra is a simply beautiful, classy and elegant calligraphy font. Can be used for various purposes. such as logos, wedding invitation, t-shirt, letterhead, signage, posters etc. Features OpenType including alternates, ligatures and multiple language support.

this is a very special curving font, designed in such a way to add an old feel but still maintain a modern feel, there are several options that you can use and get creative with it

Quotes and Texts is a sweet handwritten uppercase font designed to look clear and chic in small formats like texts, quotes, and social media posts. Includes: Uppercase and lowercase caps characters, numbers and punctuation Supports Language

Lucky Skirt is a bold, fun, and playful display font. Its well-rounded and slightly chunky characters make this typeface an extremely versatile one! It can elevate the look of almost any of your beautiful creations!

Fatin Gengky is an authentic and neat serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc…This font is suitable for use on business cards, weddings, t-shirt designs, logos, magazines, quotes, fashion, watermarks, invitations, signatures.

Hello Everyone, introduce our new product Font SPOOKED This Is Horror Display Font.This is a Textured Natural Style and classy style with a clear style and dramatic movement. You can activate 8 Alternate glyphs OpenType panel.

Handy Organizer is a fun and friendly display font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

calington is a very charming, beautiful and elegant calligraphy font, there are several alternate characters that you can use, it is perfect for all types of your design needs, covers, branding, magazines, invitations and many more

Alveru is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Seaside Charm is an incomparable and simple handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Madelief is a sweet, soft hand-lettered handwritten font. Fall in love with its authentic feel and use it to create gorgeous wedding invitations, beautiful stationary art, eye-catching social media posts, and cute greeting cards.

Old styled Brushwork-Font. Poisoni Pro comes with many OpenType-Features. Three Styles of Numbers, Three Styles of Caps, many Ligatures and alternate Ends with Swashes. Also Ligatures for the Glyphes "Th", Td, Tk and more.

New Goal is a fun and quirky handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Blanday is a really cool handcrafted brush font deliberately created with a natural texture finish, it is perfect for invitations, brand projects, logos, greeting cards, news, web, product packaging, posters, blogs, everything including personal charm, etc.

CorkScrew - Quirky Handwritten Font by erlosDESIGN CorkScrew is quirky calligraphy script, with swash and extra doodle. It can be used for various purposes such as headings, logos, birthday invitation, t-shirt, letterhead, posters and much more.

Aulya Westeria is a thin and clean handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Too Much Information JNL is a dingbat font consisting of old-fashioned wall and door plates that can be used as part of a larger illustration or actually scaled up to print out helpful informational signs.

Introducing Fransen Typeface - a bold sans serif font that is very fresh and unique style handmade. Fransen Typeface is perfectly suited to logo, stationery, poster, apparel, branding, wedding invitation, card, tagline, layout design, and much more !!

Back Lot Stencil JNL is a hand lettered slab serif stencil design based on the titles and credits from the 1954 film “Human Desire” and is available in both regular and oblique versions. Caps only Font.

Melatea is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Under Weak is an amazing and bold script, suitable for a large number of designs. This font has two styles, clean and rough. With two styles, you can choose according to the project you're working on.

Conmersa is a minimal and neat sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Billa Brush is a thin and clean handwritten font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Dolphinero is a modern and adaptable sans serif font. It can easily be matched to an incredibly large set of projects, so add it to your creative ideas and notice how it makes them stand out!

Brobane is a clean and lining brush script. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

History Agnes is a beautiful modern calligraphy font. This font is available with several modern swirls that can make your work look elegant, sweet and perfect. Can be used for various purposes such as post, wedding invitations, brands, signatures, logos, t-shirts, labels, news, posters, and more. History Agnes includes changes in the OpenType language style and international support for most Western languages. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. History Agnes is coded with Unicode PUA, which allows full access to all additional characters without having to design special software. Mac users can use Letter Book, and Windows users can use Character Maps to view and copy any of the additional characters to be included in your favorite text editor / application. If you need help or have questions, let me know or send an email to lettersams@gmail.com. I am happy to help. Thank you & Happy Designing.

Lotter blackletter with Drop caps One fine day I found a vintage book, it called “A treatise by the Dominican friar-writer Marcus von Weida on the Brotherhood of the Holy Rosary”. It was printed in 1515 by Melchior Lotter in Leipzig. The text was illustrated by hand-colored engravings on religious and liturgical themes and beautiful initials I like. Lotter was the last name of a family of German printers, intimately connected with the Reformation. An innovation by the elder Lotter was his use of Roman types for Latin, reserving the Gothic types for German. I'm happy to present to you my new font family. Lotter font family has Drop cap and Regular styles. It's all you need to precisely imitate medieval style text. Use Drop cap style as a decorative element at the beginning of a paragraph or section, other part of the paragraph should be in Regular style. You’ll get: * Drop cap & Regular styles * Uppercase and lowercase * Multilingual support * Numbers * Symbols * Punctuation * Ligatures Please feel free to request any help you need: kaer.pro@gmail.com Best, Roman.

Bunyan Pro is the synthesis of Bunyan, the last face Eric Gill designed for hand setting in 1934 and Pilgrim, the machine face based on it, issued by British Linotype in the early 1950s — the most popular Gill text face in Britain from its release until well into the 1980s. Gill’s last face doesn't date itself anywhere near as obviously as Gill’s other serif faces, which were all really products of their time, heavily influenced by the richly ornamental and constantly changing aesthetic trends of the interwar period. When compared to Gill’s previous work, Bunyan seems like a revolution in the way he thought and drew. It’s as if he was shrugging off all heavy burden of what was popular, and going back to the basics of older standards. Bunyan had no bells and whistles, doesn't risk functionality with contrasts that are too high or too low, and didn't venture far outside the comfortable oldstyle rhythm Gill grew up with. By interbellum standards, this was utter austerity, a veritable denial of deco excess. Surprisingly, even without all the cloying trivialities, Bunyan still stood indisputably as an aesthetically pleasing, space saving design that could have been made only by Eric Gill. Bunyan Pro comes in three weights and their italics. The main font is intended for use between 8 and 14 points. The medium and the bold are great for emphasis but also have good merit in larger sizes, so can make effective display types as well. All six fonts include small caps, ligatures, alternates, six sets of figures, and three original Gill manicules. We tried to keep the best features of the handset (Bunyan) and machine (Pilgrim) versions while building a text face that can function in today’s immersive reading media. Deciding on which useful letterpress features to preserve for aesthetic importance was hell on our eyeballs — which lead to complex and painstaking ways of ironing out irregularities and inconsistencies related to metal technologies, in order to provide something with authenticity. The result is a unique typeface based on a Gill design that, to a much greater extent than any of his other faces, works well as a text face that can be used for entire books and magazines. For more information on Bunyan Pro’s character set, features, development process and some print tests, please consult the PDF in the gallery section of this page.

IMPORTANT – Please consider the superior Carrig Pro before making a purchase decision. Carrig started its life in 1998. I was working for a design agency in Cork, Ireland and was given a new brand identity project for a lakeside hotel in County Kerry. While visiting the hotel I made various sketches of the surroundings and upon returning to the studio, it was clear that my strongest ideas for the identity would be based on these freehand drawings. I wanted a classic, rough, hand-drawn typeface to complement this style but at that time, the studio didn’t have anything suitable, so I decided to draw my own. I found a Trajan-esque typeface that I really liked the look of in an old calligraphy workbook. I set about drawing my own version and then digitised it. Once the client had seen and approved my design, I began working on creating a complete all caps typeface to use for the hotel’s stationery. With ‘carrig’ being the Gaelic word for ‘rock’, my new typeface was all the more appropriate as it had the appearance of letterforms that had been carved into stone and weathered by time. With the project completed and the client happy, Carrig then sat in my unused fonts folder for several years... but there was always a nagging feeling at the back of my mind that I should do something more with it. So, in the autumn of 2014, I finally set about doing just that and created the font family you now find at MyFonts. Carrig’s form and structure was influenced by a hybrid of Classic Roman and Garalde typeface designs. The original calligraphic elements from the 1998 version of Carrig have been retained to add personality—as can be seen in the serifs, strokes, spurs, terminals and open bowls. Perhaps its most distinctive trait is a high x-height combined with relatively short ascenders. I wanted Carrig to immediately resonate with the reader and have designed it to be familiar and friendly. I imagine designers might choose Carrig as an alternative to such typefaces as Trajan, Garamond and Baskerville. I see Carrig as primarily a display typeface for titles/headlines in printed materials. I would also love to see it being used for branding, packaging and promotional material and am keen to hear from designers who use it in their own work.