Introducing Pupcat, the typeface that will take your design game to the next level. This display font is not your ordinary font. Inspired by the iconic movie posters of the 1960s, Pupcat’s unicase design is the perfect blend of whimsy and sophistication. With its unorthodox design, Pupcat will add a playful touch to any message you want to convey. Its flared strokes add an element of drama that will capture the attention of your audience. Plus, with its four weights and italics, you can create a hierarchy of text that is both visually pleasing and easy to read. Whether you’re working on a magazine spread, a movie poster, or a branding project, Pupcat is the perfect typeface for those who want to stand out. Its versatility and unique design make it an excellent choice for any project that requires a touch of creativity and fun. So, what are you waiting for? Get your hands on Pupcat and let your imagination run wild. With this typeface, your designs will never be boring again. Trust us, Pupcat is the missing piece you didn’t know you needed. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Welcome to the world of Inklea, where curves and creativity reign supreme! Our typeface is the perfect choice for anyone who wants to make a statement with their design. Inklea’s smooth curves and unique design will make your words pop off the page and demand attention. With each letter crafted using only one line and one junction, our font is as elegant as it is efficient. But that’s not all—with our Shine style, you can take your design to the next level! Simply layer it on top of the Solid style and watch your words come to life with a glossy, wet look. But don’t stop there—experiment with different color layers to create a truly unique design. And if you really want to make your words pop, add some emboss and drop shadow effects for a touch of depth and dimension. So whether you’re designing a website, creating a poster, or crafting a social media post, Inklea is the perfect choice. With its curvaceous design and endless possibilities, the only limit is your own imagination. Try it out today and see where it takes you! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Introducing Walnut—the graffiti typeface that packs a punch! This font was not designed for the faint of heart. It’s tough, rugged and unapologetic. Walnut’s gritty spray-painted look will add a raw edge to your designs that will have people taking notice. With its realistic style, Walnut looks like it just sprang off the wall, ready to wreak havoc on the unsuspecting public. It’s the perfect typeface for any design project that requires a touch of vandalism. From posters to album covers, Walnut will give your work that extra edge that will make it stand out from the crowd. But what really sets Walnut apart are its unique combos. With OpenType ligatures support, Walnut will create custom letter combinations that will appear like they were created on the fly with a can of spray paint. Each character has a distinct personality, making this font perfect for creating custom logos or headlines that demand attention. So why settle for a boring, predictable typeface when you can unleash the power of Walnut? It’s time to take your designs to the next level and make a statement with this tough and gritty typeface. Get ready to make some noise with Walnut! Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.

Resist Sans is a free-spirited neo-grotesque that embodies both the innate desire for revolt and a tendency towards uniformity. While Resist Sans preserves the neat, minimalist look which is associated with neo-grotesques, it also accentuates the tentativeness of each letter form. The name, too, hints at the rebellious character of the typeface. Resist Sans comes in 28 styles (14 uprights and matching obliques). Text vs Display Resist Sans comes in two versions: Display and Text, which serve different purposes but remain interchangeable and even complementary in some cases. Resist Text is equipped with deep ink traps and optical compensators, which really come into play at smaller sizes. The Display version is smoother and more consistent, so better for use in larger sizes and headlines. Styles/Weights Each of the two versions of Resist Sans comes in 7 weights (Thin to Black) and is equipped with matching Obliques, which brings the total number of styles to 28. Two trial styles (Text Light and Display Medium Oblique) can be downloaded free of charge. Each style contains 900+ glyphs, awesome OpenType features, and around 1500 kerning pairs. Language Support Resist Sans is truly multilingual. It supports most European and Latin-languages and features Extended Cyrillic, which gives access to such languages as Ukrainian, Bulgarian, Serbian, Russian, Macedonian and many more. Free Styles Two styles of Resist Sans can be downloaded for free on MyFonts. Type Specimen Resist Sans PDF Type Specimen can be downloaded here: Resist Sans PDF Type Specimen

In the typedesign industry the terms ‘nova’, ‘neue’, ‘next’, ‘new’ are often used to refer to a typeface that has been modified in different ways: redesign, technical readjustments, greater number of characters, etc. At Latinotype we are now starting to use the word ‘niu’ to refer to these kinds of typefaces. Niu is an adaptation of the original word ‘new’, i.e., we have adapted this English word to the phonology and spelling of our own language but keeping the original meaning. Race mixing, diversity, change and adaptation are part of the essence of Latin American culture and, at Latinotype, we are all constantly expressing these elements in everything we do. Latin Power! Hernández Niu was designed by César Araya and Daniel Hernández. The font is based on the design of Hernández Bold: the thickest weight has been adapted to fit small text better. Five new styles have been added, ranging from neutral to more expressive fonts. Hernández Niu is a display slab serif font of thickened serifs, functional expressive ink-traps and true italics. Detailed forms and counterforms allow this typeface to be used in very large sizes. Hernández Niu is well-suited for publishing, small text and headlines. A wide variety of weights make the font a perfect choice for hierarchical type-setting, branding, logotypes, magazines, etc. This font consists of 6 weights, ranging from Extra Light to Heavy, each with matching true italics. Hernández Niu comes with a set of 397 characters, making it possible to use the font in 212 different languages.

Introducing, Kandani. A retro bold script which will bring you back to 60s feel. This typeface has the extrude version so you can create your retro effect font in ease. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Introducing, The Bayland. A retro bold script which will bring you back to 60s feel. This typeface has the extrude version so you can create your retro effect font in ease. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : uppercase & lowercase numbers and punctuation multilingual ligatures alternates swashes PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/ Email us to letterhend@gmail.com if you need something! Happy Designing!

Slinky Chic, svelte and slinky, FS Sophie was inspired by and designed in partnership with ATTIK UK. With clean lines, simple, elegant curves and dynamic forms, it brings a feminine sophistication to text and headlines in publishing and advertising. Kinky FS Sophie’s engaging simplicity arises from its construction, using a modular set of core, rounded shapes and straight strokes, drawn and then repeated to create letterforms. An extra technical detail of occasional, short 45-degree diagonals adds a distinctive little kink to Sophie’s cool exterior. Alchemy By some kind of typographic alchemy, the combination of simple curves and lines with unexpected twists to the shapes of characters creates an unusually spirited and lively design in all three weights and their italic sets. Born for the spotlight, FS Sophie is a natural for big headlines, pull quotes and other high-profile text elements.

Kirillik is a hand-drawn font, based on early Russian cyrillic script (“Ustav”), elegant calligraphy written with flat ink brush. Traditional Slavic feel for ethnic Russia-inspired design. This is an all caps font that includes Latin and Cyrillic alphabet with extra characters (covering most European languages), numbers, punctuation and symbols.

Lutfey Arabic is new version of Lutfey with the addition of Arabic glyphs (Arabic, Urdu, Kurdish, Pegon and Farsi. It is a chunky & cute typeface, visually featuring bold, firm and gentle characters. It’s has smooth lines on each side, especially on the outside, with subtle ink-trap details at every corner.

Double Tracker is an inspiration for a font with paint strokes so that it has a texture that seems natural, done with an original ink stroke process.. The strong and sturdy design makes it ideal for eye-catching headlines, branding, packaging, magazines, sports, logos, and more. Happy Creating! Hanzel Studio

Kokomo is a beautiful handmade contoured font - which was drawn with an old-fashioned steel pen and Chinese ink. The open, shadowed letters are great for posters and ads. Kokomo comes with extensive language support and has an alternative lower case a, for those who don't like the one I used.

Dynamic and sportive. A well-balanced experiment for sparkling headlines. Glance Slab is an experimental design that plays on the tension between connection and detachment. In this typeface, serifs may be detached and some strokes may not connect to their stems. This creates a dynamic impression of balance and movement. The elegance of an ice skater and the determination of a quarterback: Glance Sans has it all. Where a curve meets a stem and where serifs seem to “hover” near their respective letters, the nonjoining elements create an impression similar to a stencil typeface. But here, the function of the gaps differs from strictly stencil designs: while the gaps provide a “sparkling” effect in Glance Slab that’s clearly visible in large sizes, they take on the role of ink traps when set smaller, making for surprisingly legible body copy. With its strong visual character, this font family is quickly recognizable, making it perfectly suitable for branding and any large-scale application, such as posters, billboards, and event signage. Glance Slab consists of seven weights from Thin to Black. Each style has a character set of about 570 glyphs, which includes circled numbers and arrows (positive and negative versions), ligatures, extended language support, and many other features.

Patrick Griffin's sister is a really annoying individual sometimes. Not only is she into theater, but she thinks everyone else in the universe is into it as well. So once in a while tickets to local or provincial Shakespearean plays get delivered to the mailbox or dropped off on the living room's table. And once in a while the tickets just cannot be "lost" or ignored. Three or four times a year, Patrick must be subjected to Olde Englishe Speake, umbrella dresses and squeezetops, featherhats and men in leggings, rhyme and treason, mortality and immorality, drama inflicted by some mama, and it never ends. Last June it was Hamlet. Again. Someone's (wink wink) idea of a good time. There he goes, the Prince of Denmark, holding that skull with the tips of his fingers like it's an alien egg. Alas, poor Yorick! Yadda yadda boop-bop-a-loo-bop. And so the idea of a font made of skulls was born. And what can we possibly be but conduits for such abhorring ideas? Where be our gibes, our songs, our flashes of merriment? Skullbats has more skulls than you'll ever see in your lifetime. At least we hope so. Scary skulls, funny skulls, evil skulls, strange skulls, pixel skulls, fiery skulls, surprised skulls, happy skulls, sad skulls, cow skulls, sketched skulls, profiled skulls, light bulb skulls, cartoon skulls, techno skulls, alien skulls, expressionist skulls, pirate skulls, horned skulls, and skulls with whacky headgear. You name it, it's there. There's even a disco skull there for you. We lost count at 90 skulls, but there's a few more in there. For a complete showing of the skulls in the font, consult the image in the MyFonts gallery. Patrick's sister didn't turn out to be so bad after all. After making this font, he couldn't help but notice that her skull was a bit small compared to his. So now he takes every opportunity to remind her that the size of the cranium is relative to what it houses. Her upcoming halloween present will be a shirt with guess-what on it. Shirts, now there's putting Skullbats to good use!

Noah’s Ark was designed to combine it with the bestiary animal series I designed. A simple font, well harmonized with the highly synthesized designs of animals and insects. So, it seemed natural to use them for posters. Noah's Ark is a stylized font with a constant stroke, which stands between writing and the typeface. Its design is inspired by the fonts used in the 1940s. It is made up of linked letters, excluding numbers and other signs.

Take a deep breath and tink in a deep and extrange galaxy where texts and signs are extrange for a first human look, with unrecognocible letters standing alone but readables all togheter... this font plays around this idea. Thin lines and simply curvatures define this rare group of characteres, ready to be used to challenge the capacity of adaptation and recognition of readable signs of the human brain. Are you ready to take the trip? Find it out!

Chapter Eight is a stylish signature font that is inspired by modern photography. It’s easy to use, to create a stunning watermark for your photos, invitations, branding. It also works great as a business signature or on other branding materials. - PUA encoded = Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. - PUA Encoded Characters - Fully accessible without additional design software. How to access alternate glyphs? you can see it on this link: http://goo.gl/1vy2fv

Aliykit Open a decorative OpenType font generated from geometry with parallel lines of open and closed forms, by the way they can fit inside the Art Deco style but is part of the design influence of Venezuela in the area of art and cinetic art, his set of characters includes letters for western and eastern European languages and Cyrillic, also provides several ligatures that link between them. It is ideal for decorative display headlines to large sizes.

Himmelblau is a Jugendstil font based on a poster from 1902 made by the 'Künstlerbund Hagen'. This group of Austrian artists was formed in the late 19th century and was named after the owner of Vienna inn, which the artists frequented. The group's most prominent members were Heinrich Lefler and Joseph Urban. Himmelblau is quite an elegant font - legible, organic and flowing, so it would be perfect for posters and display uses. Himmelblau comes with extensive language support.

Fast Rewind: A Timeless Handwritten Script Font A handwritten brush script with a versatile, relaxed and nostalgic feel. This illustrative brush script owes its inspiration to the 1950s art direction typical of mainstream magazines and book covers. A relaxed hand-lettered title was often paired with illustrations of handsome couples or escapist scenes, encouraging readers to settle into the latest gripping story from authors such as Ray Bradbury, Donald Westlake or Arthur Miller. Fast Rewind aims to repurpose this vintage look for contemporary designers with two handwritten fonts, drawn in ink and brush, and then digitally mastered to maintain those all-important human imperfections. Included are the Regular and Alternative designs, with a complete set of uppercase and lowercase characters, along with numbers, symbols and language support. Also included are a variety of underlines and illustrations as seen in these visuals. Each style also comes with its own selection of extra glyphs to helps you achieve the perfect flow between characters and avoid tell-tale repetition. Thanks to all the great photographers who provided images for these visuals.

Kasia™ is a unique contemporary sans serif family, full of character and originality. It's soft and rounded shapes give it warm, friendly, playful and dynamic feel. Special ink traps serve as ornamental details in bigger sizes, making Kasia™ a wonderful display font family. In small sizes, Kasia™ is very clean and legible. Its proportions and optimized kerning make it a versatile, friendly and organic text family, that features broad variety of OpenType features. Thanks to its various advantages Kasia™ is a great choice for all kinds of design work, both print and on-screen. It is a great choice for branding, logo design and advertising, as well as all sorts of paragraph text. Kasia™ consists of 20 fonts - 10 weights and their corresponding italics. It has extended language support including cyrillic and true italics, as well as OpenType features, such as small caps, case sensitive forms, ligatures, stylistic alternates, contextual alternates, lining, oldstyle, tabular, small cap and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Hafidz – Luxury Signature Font If you are looking for high-quality, cool, and luxury signature fonts, Hafidz is one of your best choices. Start your digital signature with this brand-new font, Hafidz. Hafidz will help you create stunning signature logos for you, your company, and your projects. With sharp diagonal lines and ink splatters in the background. Alternate letters appear in the beginning, middle, and ending positions of a word – optimal for signature typography. The added swash will give you an even more personal touch to your greeting cards or lettering. Hafidz will bring a sense of sophistication and elegance to your digital signatures. Made with love from us to you. Create wonderful signature typography with Hafidz today! Hafidz features: A full set of upper & lowercase characters Numbers & punctuation 48 Gorgeous ligatures Lowercase alternates characters Lowercase beginning swashes Lowercase ending swashes Multilingual symbols PUA Encoded Characters – Fully accessible without additional design software. Feel free to give me a message if you have a problem or question. Thank you so much for taking the time to look at one of our products.

Weisy Signature is a modern calligraphy font that is light, smooth, modern with original pen strokes. This script includes holes or spaces in strokes, because all handwritten strokes with brushes use the ink flow structure. Suitable for branding, signatures, wedding invitations, and cards. Weisy Signature includes a complete set of upper and lower case letters, numbers, various punctuation marks and binders. All lowercase letters include the beginning and end of swash, giving a realistic handwriting style. All uppercase letters include the beginning of swash, which makes the font look great! If you don't have the Glyph panel to use swash, don't worry. You can type -1 instead of swash. For example, if you type -1A, the initial "A" swash appears and the "a" swash ends. If you type-1, the initial "a" swash will appear. PLEASE NOTE: With a Standard License you are NOT permitted to sell digital goods using fonts in editable software such as Templates. Please, contact me for a license extension. Thank you and enjoy MIX.Jpg