Ekberg is based on a sample of poster lettering by Samuel Welo. It's got a spare but stylish and rather modern look. It's a bit of a change from our usual fare, but a gap we need to fill. Ekberg features more than one version of a lot of the characters.

Alacant is a family of slab serif fonts composed of seven weights and their versions in italics. One of the most characteristic advantages of this font is its particularly square shape, very short descenders, open counter-forms and precise kerning that provides a very good visual impact and clear legibility.

Zinjaro is the work of English designer Carol Kemp. Its clever design captures elements of both African and Latin American art in its forms. A combination of decorated and solid capital strokes gives it an exciting, unpredictable appearance and an array of devices and border elements further enhance the font.

Timeless Wonderland is a captivating calligraphic handwritten script font that weaves a story of timeless beauty and enchantment. Each stroke of this font is a testament to the artistry of calligraphy, making it the perfect choice for creative projects that seek to blend elegance with an enduring sense of wonder.

It's another beautiful day in scenic Astro City, home of post modern gods and ordinary mortals alike. Look into the sky and perhaps you'll get a glimpse of everyone's favorite man of the hour, if not the man of tomorrow... SAMARITAN! See the families related to Samaritan Lower: Samaritan & Samaritan Tall .

Ornate Blackboards is a beautiful collection of ornaments from Intellecta Design, excellent for use in works of art and editorial publications, like book covers, headpieces to sections of books, magazines, packaging works, and many other solutions. Good to use with roman versals, chiseled fonts and many other different kinds of typefaces.

Dive into the mesmerizing strokes of Khatt Algharraf, an Arabic typeface that seamlessly blends the age-old beauty of Middle Eastern calligraphy with the dynamism of modern design. With every curve and contour, it tells tales of ancient deserts and bustling souks, yet its sharp, crisp features make it strikingly contemporary.

Eckhardt Fancy JNL was named in honor of Al Eckhardt (1929-2005), a talented sign painter and good friend of font designer Jeff Levine. The design was inspired by a vintage alphabet found within a collection of decorative display alphabets from the type collection of the late Dan X. Solo.

Yard Goods JNL is another typeface derived from a sign making outfit consisting of a series of stencils manufactured by the Display Material Company of St. Paul Minnesota. This clean and casual sans design embodies the hand-lettering of 1920s and 30s era show cards, price tickets and display signs.

Institut is an industrial-strength display face, with a no-nonsense feel of a research lab and audacity of a space mission control. Based on assertive geometric forms, it is suitable for a variety of on-screen and print uses. Designed by Vyacheslav Kirilenko with participation of Gayaneh Bagdasaryan in 2013.

British Stencil JNL was sketched from images of a vintage stencil set made by Reese and Sons of England that was being sold on ebay. In truth, this is a semi-stencil, as some of the characters are solid; lacking the breaks in the letter shapes so typical of stencil alphabets.

Ghiberti is a contemporary interpretation of the bold Florentine lettering style used with marble inlaid and bronze cast inscriptions of the fourteenth and fifteenth centuries. The font, consisting of caps and small caps, was designed by Paul Shaw and Garrett Boge in 1997. Ghiberti is part of the LetterPerfect Florentine Set.

Aguero Serif – Clean & Elegant Serif Font is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of Aguero Serif – Clean & Elegant Serif Font are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature.

Poetically Dark is a font created to recall a certain type of dark and romantic writing from another century. Well-groomed letters, but written instinctively, as if in the throes of a creative frenzy. In a clash between the refined taste of the past and the ever-present speed of communication.

Voter JNL is a collection of fifty-two vintage images selected out of the numerous dingbat offerings from Jeff Levine Fonts and many modified to fit the theme of elections and voting.

Polo is one of Ralph M. Unger's original designs, a very beautiful non-slanted script font, quite lively despite its upright characters. Polo is reminiscent of the wild brush typefaces of 1960s.

Examples of Australian brass stencils used for baling form the basis of Farming Stencil JNL. The hand-cut look of this typeface gives a more casual approach to a standard stencil design.

A revival of one of the popular sans serif wooden type fonts of the 19th century, narrow, rounded strokes at top and bottom, pointed horizontal devices in centers, no lower case designed.

Western Adventure JNL is based on a classic lettering stencil of the 1950s. Part of a growing series of such stencil fonts by Jeff Levine, it's a perfect complement to Buckdance JNL.

Soundstar is an original, cheerful, highly decorative typeface. It’s kind of geometric, but handmade. It’s kind of blocky, but not that straight. It’s kind of playful, and quite playful indeed. Have fun!

Cattle Drive JNL is based on some examples of a classic condensed wood type. Lettering of this period lends itself well to themes of Western life, carnivals, circuses or classic broadside posters.

RRollie is a typeface family inspired on the proportions of the Roman capital in the Augusto's age, some of them can be seen in inscriptions of Pompeii; in this particular case, it has taken an inscription from a tomb of the year 15 AD. The subtlety of the serif is hardly insinuates, helping to strut the terminals of the stems. Ascenders and descenders are very short. The thickness variation is presented quite delicate, highlighting the light-dark passage and even the agile counterblocks of the typeface. These fonts can be used in many kind of graphic works by its strong personality, visual impact and readability. This font family include OpenType features: Standard and discretionary ligatures, small caps, case sensitive from, old style figures, tabular, diacritics for western languages and many others. Roberto Rollie (1935-2003) was an outstanding professional of Graphic Design, Photography and Visual Artist. He was involved in the creation of the career of Visual Communication Design at the Faculty of Fine Arts (National University of La Plata, Argentina), in the late '60s; he was a pioneer and great teacher too, who loved the Roman Capitals for its subtle and balanced design, especially for high readability and clever design. Those who, like me, knew him as a person and teacher, we are deeply grateful for having received their warmth and enthusiasm for graphic design.

And the day in which I introduce my second typographic family has arrived. In order to do this, I borrowed several passages from this beautiful book by Maurice Maeterlinck, “Life and Flowers”. His poetic observation of Nature made me reflect about the small discoveries behind the flow of my pen on paper. About that quick, spontaneous, overwhelmed stroke, with some awkwardness as well as certainty in it. About the writing that looms line after line. About the mischievous stains of ink flooding my writing tool. Lady Dodó was born as a product of these drawings, pieces of writing and reflections. Following the steps of its ancestor and friend, Lady René, it takes advantage of the goodness of the Open Type technology to propose a systematized as well as a personalized writing font. Both friendly and challenging. Due to the large number of alternate characters (both for lower and upper case as well as for numbers) and to its precise programming, it proposes to design diverse and rich typographical sets with multiple strokes in a simple way. However, Lady Dodó is not just made of typographical signs; it also proposes a set of modules to make patterns and another one to design frames. From the combination of these modular signs, an infinite universe of possibilities for decoration arises. Here is Lady Dodó, ready to get started and write its destiny. July 2015.

Introducing the "Brick and Stone Victorian Typeface" – a timeless and elegant font that beautifully captures the essence of the Victorian era. This exquisite typeface is a masterful blend of intricate craftsmanship, vintage charm, and artistic flair, making it the perfect choice for designers, typographers, and creatives seeking to evoke a sense of classic refinement and sophistication in their projects. The Brick and Stone Victorian Typeface boasts a rich repertoire of design elements that truly set it apart. With meticulously crafted ornaments, graceful swashes, captivating ligatures, and versatile alternates, this font provides an extensive toolkit to elevate any typographic endeavor. Whether you're working on invitations, branding, packaging, signage, or any other creative pursuit, this typeface lends an air of prestige and distinction to your work. Each character of this Victorian typeface has been thoughtfully created to reflect the ornate and elegant aesthetics of the 19th century. The font captures the essence of engraved stone and brickwork, giving your text an authentic vintage touch. The ornamental details add an extra layer of opulence, making every word feel like a work of art. Whether you're designing for weddings, formal events, historical projects, or simply seeking to add a touch of classic sophistication to your work, the Brick and Stone Victorian Typeface will exceed your expectations. Embrace the elegance of the past and unlock a world of creative potential with this remarkable font.

Techarí comes from a commission in which the brief consisted of the creation of a typeface family to be used for the design of the third disc of the band called Ojos de Brujo based in Barcelona. This disc was called Techarí, which means “free” in Caló, the language of the Spanish gypsies. The starting point of the design was the music of this band, the meaning of the disc 's name, and three words given by the band as key concepts: ethnic, baroque and graffiti. Techarí is a mixture of lots of influences, which give it its unique personality. From its technical viewpoint designing Techarí was a challenge, on the one hand it had to have lots of personality, and on the other it had to work in text at 9 or 10 pt size. Its goal is precisely that, while keeping a strong personality it works in text size. The typeface also contains a Stencil version for use in display sizes which keeps Techarí's innovative spirit. The way it has been “cut" is unconventional, it has been carefully done to keep the freshness of the typeface by taking advantage of the letterforms' flow. Techarí extra complements the typeface by taking a classical typographic form, the ornament, and making it a contemporary graphic tool, vindicating this wonderful typographic element.

Four fonts entirely of decorative initials of which the uppercase basic letters of RMU Initials One are occupied by Walthari initials, the lowercase ones by Eckmann initials, both released first by Rudhard’sche Gießerei, Offenbach, Germany, about 1900. RMU Initials Two consists of Jubilaeumsinitialen in the uppercases and Augsburger Initialen in the lowercases. RMU Initials Three comes with floral ornaments, whereby the lowercase initials can be colorized by yourself due to non-joining elements. RMU Initials Four consists of hand drawn initials by Rudolf Koch and letters of a former Klingspor font called Queen.

The tale of Okiku Of The Nine Plates is an old Japanese story full of lust, deceit, murder and revenge. It tells of Okiku, a beautiful servant whose master lusts after her. After she refuses his amorous advances, he accuses her of stealing a costly plate and has her thrown down a well, where she dies. She then turns into an Onryō (a vengeful spirit). Okiku font is a thin, all caps, scratched typeface. Upper and lower case differ and can be interchanged. Okiku comes with an afterlife of diacritics.

Four fonts — found on a map of America, created by the spanish cartographer Diego Gutiérrez and the dutch engraver Hieronymus Cock anno 1562. From the start of the digitization by Sebastian Nagel in 2005, Tierra Nueva has gone a long way. On its journey of exploration it has grown to four members of a family (regular, bold, italic and script) with an overall count of almost 3.700 characters for different languages and purposes, extensively featured with useful typographic options. Over six years after the start of the expedition, it shall be launched. Land ahoy!

Ridtype Pro is a custom font for our brand, and later this font will work in all roles in the type of brand we use. both in units of typography, printing, and type texting. This font is equipped with a modern semi-classic category type, so this font can work in all lines of business, both for supporters of implementation in modern and classic business. This font has been designed as best as possible, both in terms of letter design and the type of weight that is made to be compatible in all roles.

Teorema. Well balanced Reading. Looking for a geometric yet flexible character? Teorema typeface combines different geometric shapes, according to a pragmatic approach that favors flexibility and ease of use. The font is distinguished by the contrast between perfectly circular shapes, and other, more angular ones in search of a formal balance aimed at optimizing the recognizability of the characters and finally the legibility of the text. Worthy of a geometric “theorem”? Try Teorema for free. Download a free version of Teorema Regular and Bold with a reduced character set. Check it out!

Jules Verne. Wild, Wild West. Tomorrowland. The Past’s extrapolation of the Future. So it was wrong, it’s still romantic. Steampipe is a font constructed of bits and pieces, reminiscent of the ironwork construction of the Crystal Palace or the inner workings of The Time Machine. Although it works fine as is, it comes alive with some Photoshop Layer Styles. Steampipe has the most extensive kerning of any font I've designed, just so (most) letters fit together as if they were constructed as a unit; use them in a program that supports special kerning.

The Swiss designer, Hans Eduard Meier, originally designed Barbedor for the Hell Digiset machine. Barbedor is based on handwritten humanist book scripts of the 15th century, and its chracters are typical of the style of those made by broad tipped pens. Tiny serif-like elements reveal the line of the writing utensil and emphasize the nature of this typeface. Classic and legible, Barbedor is a clear, harmonious typeface and an excellent choice for longer body texts. Its large choice of weights offers variety, which makes the typeface suitable for multiple design applications.

Squoosh Gothic is a serious new contender in the arena of headline fonts. Upright and condensed, Squoosh’s whimsical name belies its true nature. Though, that’s not to say it’s totally devoid of a sense of merriment – it just values a more orderly, regulated kind of tomfoolery. Mad-libs for instance, or The Times cryptic crossword. Its mature but unmistakably witty attitude can go a great distance to lending a sense of culture and an air of scintillation to your designs. Don’t miss out on this sanguine new font, Squoosh Gothic from Thinkdust, available now.

Linotype Compendio is a part of the Take Type Library, chosen from the contestants of the International Digital Type Design Contests from 1994 and 1997. Christian Bauer designed this font based on the basic forms of Transitional faces of the 17th century. The outer contours of the letters are purposely raw and irregular, much like alphabets printed on low-quality paper. The legibility of the font is thus reduced, making it necessary to use this font only for shorter texts or headlines, but it is exactly this characteristic which lends Linotype Compendio its distinctiveness.

BluHead Studio LLC is pleased to announce the release of 9 fonts from the Churchward Design family designed by New Zealand typeface designer Joseph Churchward. BluHead Studio is in the process of digitizing many of the fonts in Churchward’s extensive library of exciting and unique designs and will be releasing them in OpenType format on a regular basis. Churchward Design Lines is the latest addition to the Churchward Design family. The family now consists of nine unique fonts, all based on a classic, straightforward geometric glyph forms, with the addition of Churchward’s quirky details.

Linotype BioPlasm is a display face created by Italian design Mauro Carichini in 2002. It distorts and deletes parts of letters, creating the appearance of a living, typographic organism in pages of text. Lines set in Linotype BioPlasm seems bubble to the surface, and always hints at some sort of unrevealed secret. Although only parts of most letterforms are visible, the high x-heights of Linotype BioPlasm's letters make its text surprisingly legible for such a concept-font. For usage in products ranging from Sonic to Science, Linotype BioPlasm may be the font for you!

During the years of physically doing camera-ready paste-up work before the advent of the digital age, clip art books dominated the way stock art was added to a print project. Clip art books were eventually replaced by clip art CDs, DVDs and online download sites, just as the books themselves had replaced the stock photo engravings of the letterpress era. With the kind permission of Graphic Products Corporation, Jeff Levine Fonts offers up a sampling of images found within the pages of Graphic Source clip art books; aptly entitled Classic Clips JNL.

Comic books are filled with pages full of the daring adventures of crime fighters with colorful costumes, amazing abilities and wondrous powers. They have enthralled kids of all ages since the 1930s. Costumed Hero JNL emulates both the hand lettered cover titles of those vintage comics as well as the title credits from a 1960s television show based on one of these characters. With its non-conforming letter shapes and varying widths, the lighthearted look of classic comic title art can be yours. The font is available in both regular and oblique versions.