Contempora is a modern sophisticated font family that contains one block condensed sans serif with elegant ink traps, and a set of signature scripts in 4 different styles: Regular, 2 Rough styles (for authentic handwritten look and feel) and Bold (ideal for small text). Both Script and Sans Serif weights benefit from OpenType features. The Script fonts contain a lot of alternates, end-of-word swashes, and ligatures.

Agave a sans-serif family with 14 styles and 4 weights. The Light, Regular & Semibold contain Italics and Condensed styles, the Bold comes only in its' upright and Italic styles. A text family designed to easily be read in lower point sizes as well as larger display sizes. Providing a legible print, web or e-book family suitable for reading and not calling attention to its' letter-graphics.

Sagasti is a font family that contains two weights: Regular and Bold, with their corresponding Italics style. These fonts are characterized by a straight and generous serif that provides consistent stability. We have focused on controlling vertical, horizontal and oblique strokes thicknesses, as well as curved strokes. All glyphs were carefully drawn and precise kerning control has been made, providing optimal readability for texts and the beauty of the headlines.

Kaufmann font was designed in 1936 for the American Type Founders by Max R. Kaufmann, a letterer, typographer, and one-time art director for McCalls magazine. Kaufmann is a connecting script typeface with a smooth, slightly whimsical look. Its monoweight is unusual in a script type but allows for a nice texture on the page when it is combined with sans serif text type. The bold Kaufmann is fine display type.

Tilda is a sans serif typeface with big potential. It’s gonna be your daily font, because it perfectly fits to different tasks. Tilda is good as long text but also cool as eye-catch title. This font can be like human ages: childhood, adolescence, youth, adulthood and maturity: stylish THIN, fancy LIGHT, great REGULAR, golden BOLD, brilliant HEAVY And beautiful Isabella Bersellini created illustrations, say her hello! http://www.isabellabersellini.com

Romagna is a modern and highly versatile sans-serif typeface designed for readability without sacrificing aesthetics. There are 8 included styles to pick from including regular + bold weights plus italics and 2 different uppercase styles so you can either go with a classic look or a modern futuristic theme. Features Modern design Easy to read characters Great for both headlines & large chunks of text Multilingual support Great versatility 8 Included styles

Alwyn New is the refurbished version of Alwyn, originally released in 2005. Whilst the font has been completely re-drawn, re-spaced and re-kerned it retains its original, ‘squarish’, robush charm, and now has a wealth of features consistent with an Opentype font. Ranging from Thin to Bold, with Italics in all weights, Alwyn is a perfect choice for a variety of tasks ranging from text setting to signage systems.

Visigoth font was created in 1988 by Arthur Baker for AlphaOmega Typography. He designed it specifically for setting the text of A Dante Bestiary published in 1989 for Ombondi Editions in New York. Highly expressive and unusual letter shapes make Visigoth unique among script faces: it has bold, pen written lines, a slight incline, and a distinct variation in stroke weights, making it ideal for advertising and other display work.

Annexia is a serif font with a several styles from Light to Bold. Serifs and stretched letters connect two times the past and the future, creating a perfect present. This font doesn't have a specific mood. Depending on the tasks, it can show itself in different ways. The font is perfect for both text, headlines, and branding. The font was designed by Pavel Bruev and released by Koshemare studio in 2021

The sans serif Angro was designed in the weights light and bold by Erwin Koch. The figures are based on the form of a rectangle which along with the high xheight and short ascenders and descenders gives the forms a static character. Lines of text in Angro are very compact and close set. Due to the reserved ascenders and descenders Angro can be set with very close line spacing.

EKUHOT Racing Font is a font that is designed with a precise shape and has many alternate variations and various ligature styles that make every word beautiful when written, make this font for various titles and text in your special projects so that your project looks beautiful. dignified character, bold and sporty. This font is perfect for headlines as well as others, what are you waiting for, use this font now.

Bring a little tropical island vibe to your next project with Kuloko (Hawaiian for 'Inline')! Kuloko features offset handwritten characters with a bold marker like aesthetic, which gives the font a nice tropical tiki appearance. Kuloko's funky look is sure to capture attention in headlines on websites, social media graphics, logos, branding and so much more! Also included is a handwritten inline version of Kuloko for greater design variety!

The Sketchnote typeface was born of necessity: designer Mike Rhode needed a series of hand-drawn fonts to illustrate and produce his book, “The Sketchnote Handbook.” Because of its origin, this typeface was designed to be practical and convey the human character and quirks of his normal handwriting and hand-drawn lettering. The family is comprised of five fonts: Sketchnote Text in Regular, Bold, and Italic, the somewhat compressed and bold Sketchnote Square for headlines, and the playful Sketchnote Dingbats. Sketchnote Text is a casual script with a slightly bouncy baseline. In order to mimic the differences present in natural handwriting, OpenType features are built-in that automatically switch between multiple versions of each letter or number. In total, over 240 alternates in each of the text fonts are employed, making for a more authentic appearance. The warm texture of Sketchnote is the result of actual ink-spread on paper captured in the scans of written letterforms and was intentionally left intact during the digitization process to preserve that feeling. Rhode created Sketchnote Square as a display type to complement Sketchnote Text. Drawn instead of written, the letters often have neat little happenstance voids within the strokes. Sketchnote Dingbats features a selection of icons, rules, and arrows to provide some functional and fun tidbits, handy for bringing additional life to any design.

This vintage typeface named "Classic Heritage" has a steampunk look and was inspired by old-school lettering styles. The 13 stylistic alternate letters can help you to create a unique and interesting text composition.

Jaferon is a display font that comes with a stunning superhero style. Ready to take the lead in projects that call for a bold, bold touch and a bold look. What’s Included : File font All glyphs Iso Latin 1 Alternate, Ligature Simple installations PUA Encoded Characters – Fully accessible without additional design software. Fonts include Multilingual support

Nezue is our first font family consisting of neat and elegant lowercase and uppercase letters, comes with 9 styles (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, and Black) Formed in a modern style that can help your visual branding look younger, detailed letterforms for optical contrast can make this font even more attractive

Introducing Mixoma, a combination of Serif and Sans strokes gives Mixoma a stylish look. The available stylistic alternates are designed to make your typography look more unique and help bring out your inner Mixologist. Mixoma is available in 9 weights, Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black each having an italic version. Enjoy!

Treasure Stones is a display typeface which is inspired by vintage lettering sign and art. While this font has a victorian touch, it still looks bold and solid. Very suitable for for headline, logotype, apparel, invitation, branding, packaging, advertising etc with old school / vintage theme. We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Thanks for purchasing and have fun! Regards, Ironbird Creative

In a classic logotype style, Indiana Script is a sharp and steady typeface created by Måns Grebäck. With its bold brush strokes and vintage tilt, this typeface works great in old-style logos and headlines. It contains ligatures and alternate characters, and supports a very wide range of languages. Write _ after a word to get a swash. Example: Indiana_ With ligatures activated, write _ and a number for more swashes. Example: Visual_2 Music_6

Kanzaki is a display typeface sculpted with special curves inspired by old typography combined with semi-reversed contrast. A semi-serif font that has a classic and elegant feel, yet warm and friendly. To beautify your creations, Kanzaki is equipped with various opentype features such as disrectionary ligatures, alternates, swashes and stylistic sets. Available in 5 weights: Thin, Light, Regular, Medium, Bold and its matching italics. Perfect for branding, packaging, logotypes, labels and posters.

Bertham Pro Family (4 fonts) is a revival of Frederic W. Goudy’s Bertham typeface. Steve Matteson produced this unique typeface and added bold, italic and openface styles. The fonts include a variety of OpenType features including swash capitals, small capitals and old style figures. It is unmistakably American in appearance recalling a day of quality craftsmanship and hard work. Publishing, branding and packaging materials will draw inspired attention due to its grace and distinctive appearance.

Contax Pro is a contemporary design based on generous proportions and clean, crisp lines. Forget about 'Helvetica'. Look out 'Univers'. Contax Pro is the new geometric sans typeface series for the 21st century. Contax Pro makes for easy reading and is ideal for long lines of copy. Contax Pro includes true drawn small capitals and old style figures. The family comes in 6 weights: ultra light, thin, light, regular, medium and bold.

Morthern is inspired by the work of charming lettering artists with a combination of Old Style Display Bold. Each letter is modified so that the distance, width and weight can give the beauty of the alternates given. A passionate curve gives a touch of beauty to this font. With both weights you have two different shapes in terms of uppercase letters that aim to distinguish between title of the letter and the paragraph.

Routemaster is a hand-drawn condensed title font by the graphic designer Daniel Thomas. Found under the stairs, hand painted on a dusty rolled up bus route canvas. Re-created and refined with additional glyphs, Routemaster is old, bold and unique. A characterful font. Pleasant for posters, lovely for a logo, brilliant for branding, tasteful for t-shirts, playful for packaging and becoming for book cover design. Enjoy your design journey with Routemaster

Online auctions continue to be a surprising wealth of font design inspiration. In this instance, a number of silk embroidered Art Deco initials inside inverted triangles inspired Deco Pennant Initials JNL. The uppercase version is white lettering on a black background – similar to the originals. On the lowercase keys is a set of initials that are black on white with a black border. Since the inverted triangles resemble pennants, there’s a solid black blank on the left parenthesis key and a outlined blank one on the right parenthesis key. In this way, the initials could be used for monograms or interspersed with the blanks to form short banner messages.

Azkanio is a sweet and charming script with a unique style. Get inspired by its bold feel, and turn any design idea into a true standout with this bold script!

Nevaeh which also stands for Heaven if read backward, it is a unique rounded and stylized font family. Nevaeh has a futuristic and minimalist look, and the creativity depends on the use of the font set. Nevaeh includes; Nevaeh Light, Nevaeh Light Italic, Nevaeh Regular, Nevaeh Italic, Nevaeh Bold, Nevaeh Bold Italic, Nevaeh Extra Bold, & Nevaeh Extra Bold Italic. The font has a simple and minimalist factor with all main characters, the font is specially made for those who are in the printing and branding fields.

YAPARI is a font inspired by a street typography located in a Makassar city 2005, this writing is poured into a font and then made several variations of width which are Wide, Extended, and Expanded kind of stretched font then have thickness ranging from Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold, Ultra. This font is suitable for use for design projects that have a bold impression and can also be used for all lines of media as well as formal and informal

With True Mama Cyrillic Greek Typeface Duo, you can recreate old-school lettering tattoo-inspired graphics on the spot! Not only this typeface duo includes one monoline typeface with uppercase and lowercase characters, but also one bold version with only uppercase characters. In fact, the typefaces are so easy to use because they complement each other. Also, this duo is perfect for recreating vintage old-school graphics. Of course, both typefaces support diacritics and an extended set of Latin, Greek, and Cyrillic character set. In addition, both typefaces have a set of 4 vintage illustrated tattoo extras, that you can find in the PUA section of the font.

Flavery is a vintage slab serif font that is perfect for creating a rustic and rugged aesthetic with its hand-drawn slab serif style. This font is ideal for evoking the old-fashioned cowboy era or the classic vintage vibes era and is great for display purposes. Flavery features alternate glyphs and supports multilingual Latin characters to enhance your designs with a touch of old-world charm. Its bold and distinctive style will make your designs stand out and give them a unique character. Whether you're working on a poster, packaging, or branding project, Flavery will add a touch of vintage authenticity to your work.

Cajoun is a bold serif face from German designer Hans-Jürgen Ellenberger. The letters sit visually low on their baseline, in part due to their small x-height. Also, the curved portions of the letterforms have an old-style distribution of weight, which pulls the eye downward. This font has a contemporary feel, however, with crisp edges, and some pointy terminals. The typeface also contains old style figures. Cajoun is recommended for use in larger applications, where the eye can get a change to dance along its wide curves. Cajoun was designed in 2002, and is part of the Take Type 5 collection from Linotype GmbH."