Blackletter is the classic “German” printing type. Starting in the 16th century and lasting well into the 20th century, most works in Germany were printed using blackletter types. Today, blackletter fonts are mainly used decoratively. If you want to communicate a feeling of old-world quality or nostalgia, blackletter fonts are the preferred choice – use them on signs, in brochures or on invitation cards. “Theuerdank Fraktur Pro” is a classic blackletter font of its epoch which inspires you to create vintage-looking designs with ease.

Inklination is a new grotesque that goes against the 'genre rules' and has a low x-height. It breathes quite better than larger x-height typefaces, with the sensation of air and more whitespace. This, combined with long ascenders and descenders, makes it look luxurious, elegant and refined. The family has two sets of italics, a regular one with 10º of inclination, and a more brutalist one with 20º. A monospaced version of five weights complete this versatile family. For more info visit emtype website.

This typeface is extrapolated from the ‘We the People’ calligraphy of the handwritten US Constitution Preamble which employed a style based on German Text and Square Text exemplars from George Bickham’s penmanship copy-books, the most celebrated being The Universal Penman published in 1743. The original Constitution document was transcribed onto parchment by Jacob Shallus, a Pennsylvania Assistant Clerk, over a weekend in 1787. Shallus’s biographer, Arthur Plotnik (The Man Behind the Quill, 1987), notes that he was paid $30, a modest monthly wage at the time. He also suggests that the calligraphic headings, ‘We the People’ and ‘Article’, may have been inserted by Shallus’s 14 year old trainee son, Francis, “The manner in which the ‘Article’ headings are squeezed into the space Shallus allowed for them suggests a second hand—and perhaps not a very experienced one.” The unconventional backslant of the headings would seem to support this contention, and at the end of the document there is perhaps a novice’s inconsistency in the structure of the letter n between that used for ‘done’ and those used for ‘In Witness’. However, one has to admire the elegant swagger of the wavy t, h and l which the K-Type font extends to the b, f and k. Also, the simpler, Schwabacher-style W, an enlarged version of the lowercase w, is a little less flamboyant than the capital W from the German and Square texts in Bickham’s manuals. For designers using OpenType-aware applications, the typeface includes some Alternates, including a Bickham-style W, the letters t, h and n with added flourishes, two simpler forms of the A, and a few roman numerals for numbering articles. Also some ornamental flourishes and a round middle dot/decimal point. Punctuation marks are drawn in square, calligraphic style, but an alternative round period/full stop, for use with currency and numerals, is available at the period centered position (though placed on the baseline), accessed by Shift Option 9 on a Mac, or Alt 0183 on Windows. The full phrase, ‘We the People’, has been placed at the trademark keystroke and can be accessed by Option 2 (or Shift Option 2) on a Mac, or Alt 0153 on Windows. For designers who find the backslant awkward or unpleasant, the licensed typeface also includes two additional fonts which have a vertical aspect that may be more conducive to graphic design layouts. ‘We The People Upright’ and ‘We The People Upright Bold’ both retain the distinctive style, and the heavier weight is only slightly emboldened, just enough to add some punch.

Introducing TF Gaelic, a vintage serif that heavily inluenced by the form of Gaelic letters. We incorporate some twist on the letters to keep this font relevant to todays designing needs.

Bigfoot K-Type is a whole font based on the slab capitals used by Victor Moscoso in his 1960s psychedelic rock posters. Capital A alternatives can be found at keystrokes ± and §.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

Mystery Writer JNL is based on the hand lettered title from the cover of a 1947 issue of “Ellery Queen’s Mystery Magazine”, and is available in both regular and oblique versions.

Plenti is the fat font to add to your visual communication toolbox. Friendly, square, and quirky all at the same time. It is itching to get used on posters and websites.

Blop77 is a geometric sans-serif type family, consisting of 3 weights. It is based on the Blop11, being its expanded version. Blop77 is well-suited to headlines and short text.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

A bold condensed caps-only cross-stitch font, based on an embroidery pattern from the middle of the 20th century. Use it in large sizes for advertising, posters, greeting cards, etc.

DB Pit Stop is a must have for this summer season! These DoodleBats make for great adornments or embellishments on your scrapbook page, or a fun card. The possibilities are endless!

Kalligraaf is an Arabic typeface and the main focus is on blending traditional and modern rules in the formulation and design of the typeface. Designed with powerful OpenType features in mind.

A handsome German art deco design that fits in well with other types of the 1920s and 1930s. Originally without a lowercase, so we drew one for it, extending its usefulness.

A cross-stitch font based on a classical pattern, including capital and lower-case letters. It is suitable for posters, signs, ads and greeting cards in the Thanksgiving and Christmas season.

Sweet, charming and full of authenticity: Harleyquin is a one-of-a-kind typeface with a personal feel. Use titling to give different letter effects, making your project even more elegant!

It's always holiday time with this frolicking bunch of penguins. Whether celebrating the end of year holidays or prancing around on vacation, these 52 Holiday Penguins are always having a blast.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

Based on the classic “Columbian” from the William H. Page Wood Type Company (circa 1870), Cherrywood JNL is a bold slab serif type design available in both regular and oblique versions.

I was working on an unrelated job with curls and wondered how I could apply them to a font. Well, here it is, all pair-kerned. A little silly but fun.

Bounded on its western flanks by the Peru-Chile frontier, Tacora is the northernmost volcano in Chile and is the youngest and most southerly of a twin system with Co. Chupiquina.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

Hey Sweety feels equally charming and elegant. It looks stunning on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and every other design which needs a handwritten touch.

Cattle Call JNL is reminiscent of Old West posters and broadsides. The design is based on an extra condensed antique wood type and is available in both regular and oblique versions.

Designed by Ewen Prigent, Shaking is a set of four expressive hand-crafted titling typefaces ideal for packaging, posters, children's books… and many other media! Shaking one, two, three and four!

RundigPencil has a semi-informal but very neat and rigidly upright handwritten look. It comes in three weights, each with italics. The calligraphic typeface Rundigsburg is based on similar letter shapes.

Old Russian is a fake Cyrillic alphabet, based on old Slavic characters universally adopted in the old days of the Russian empire. Offering an opportunity to create a unique historical look.

Loosely based on an early 20th century type from the Brussels foundry of Van Loey-Nouri. Many European foundries had fonts of this general design. Schelter & Gieseke of Germany had several.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.

The square icons focus on maximizing the meaning by minimizing the symbols. Let your viewers understand your data without disorientation. Use a metaphorical icon library, designed for fast, intuitive human recognition.