Firm and resolute, the sharp, triangular wedge serifs of the new Aviano Wedge stamps your copy with the confidence of late 19th century luxury, wealth, and power. Indicative of banknotes and financial strength, the large, elegant Aviano Wedge is composed in the Latin style. Aviano Wedge takes its original footing from period signage found on a building in Asheville, NC. While shaped largely by engraved faces, the elegant Aviano Wedge maintains the extra-wide comfort and ease found with the rest of the Aviano series. Aviano Wedge comes in six different weights and is packed with OpenType features. As a complement to these characters, Aviano Wedge includes 40 discretionary ligatures for artistic typographic compositions. To see these features in action, please see the informative .pdf brochure. OpenType capable applications such as Quark or the Adobe Creative suite can take full advantage of the automatically replacing ligatures and alternates. Aviano Wedge also includes support for all Western European languages. This new face has also been designed to pair well with the rest of the Aviano series, including our best-selling Aviano, Aviano Serif, Aviano Sans, Aviano Didone, Aviano Flare, Aviano Contrast, and Aviano Slab. Use it alone, or combine Aviano Wedge with any of these other fonts to build the strong presence you’re looking for.

Geodeco font family brings to you the recovery of the typographic forms from the beginning of the 20th century, with a strong ArtDecó flavour but from a new point of view: modernity and geometry. Modernity in the visual contrast between lowercase and capital letters, where rounded shapes are opposed to the breaks and graphic tensions of the strokes of the capital letters. which gives it an enormous originality. Generous doses of internal whites, assure a powerful legibility even with the spite of its short ascending and descending strokes. What we get is a coherent and martial look where fluidity and homogeneity is the main note. Soft and rounded minuscule, with large internal whites for super legibility, bombproof, especially on screens, where Geodeco lives with an astonishing naturalness. The capital letters, used alone as display, or as companions of the minuscule characters, give the family a touch of originality and exotic flavor. Like the spices in the food; a brief but intense note. Breaking the rectangular shapes so that the appearance of the letter comes out benefits from enlarging the internal whites and making them consistent with the white of the lower case. GeoDeco works very well in plain text with the obvious limitation that it is not a type for small bodies, but exceptionality weldon for plain text and signage. Maximum visibility, total beauty on screens. A family of this new century with the flavour of that epoch of experimentation that were the years 20. Extensive multilanguage support and almost all Opentype functionalities. Try it and it will convince you - for sure!

Dolsáb was designed from scratch with uniqueness in mind. The subtle movement from thick to thin and the variants of sharp to rounded make this cutting edge san serif a must have. The inspiration for Dolsab was a simple pairing of a rhombus and calligraphy. While neither of those two elements can be seen in their entirety in any instance, the influence of both is strong. The rhombus can be notice on most ascenders like on the lowercase t & l, for example. And the calligraphy inspiration is most easily captured on the descenders such as the lowercase y & g. The most beautiful characteristics of Dolsab is definitely the calligraphy-influenced movement. These features really stand out on the lowercase a & e. It's almost amusing to let your eye follow the contours of those two letter forms as they travel from thick to thin, sharp to rounded and back again. Users are welcomed to try all font styles of Dolsab in any applique of their choosing. However, it will be quickly noticeable that only Dolsab Air & Demi (the thiner of the styles) will be best suited for body copy. Personally I like to see these letterforms as large as they can be to really showcase the subtle movement, especially in Dolsab Heavy where these movements become much more dramatic. You'll never know what really works best unless you experiment. Dolsab surely isn't the answer to all projects, but it's certainly worth trying. No other typeface moves quite like Dolsáb.

EUROPEAN SOFT PRO VARIABLE ABOUT FAMILY: What makes "European Soft Pro Variable" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Soft Pro Variable" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Soft Pro Variable" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Soft Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimited fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

I fell in love at the age of twelve in Wales, recalls Bernard Philpot. "My father brought me to a small graveyard in the Welsh hills to show me two headstones carved by the great Eric Gill. I instantly fell in love with the beauty of the carving and the perfection of the letterforms. I still go back to marvel at these works of art." However, the ITC Bolthole™ design, Philpot's first commercial typographic endeavor, is quite unlike the works of Eric Gill that first captured his heart. Bolthole is a craggy sans serif with a definite grumpy attitude. It's not terribly legible, and, if more than a few words are set in the design, it's not very readable. To round out its cranky personality, Bolthole does not like to be set in small sizes. Like Cheez Whiz® and bullfights, you either love or hate this typeface. But whichever emotion dominates, there is no denying that Bolthole has a personality to be reckoned with - one with ample magnetism to ensure reader attraction. If used to set brief blocks of display copy, the typeface makes a powerful statement. Bolthole was originally designed to complement a whimsical ad for the Royal Society for the Prevention of Cruelty to Animals. As Philpot recalls, "although the ad didn't win any awards, the type attracted some very positive comments for its original look and feel." Philpot studied graphic design and typography at the London School of Printing, and soon after graduation found himself working in a large advertising agency in London. According to Philpot, "After designing type for everything from packaging to ads, I thought it time to convert one of my designs into a complete font - and Bolthole was born." ITC Bolthole could very well be the Shrek™ of typeface design - which might not be such a bad thing."

EUROPEAN SANS PRO VARIABLE ABOUT FAMILY: What makes "European Sans Pro Variable" elegant, friendly and contemporary is its very rounded curves with very open terminals. "European Sans Pro Variable" has been designed with a higher "x-height" than other fonts in its class to make tiny readability more obvious in any use situation. It will be ideal for use in small sizes such as business cards or mobile applications. This typeface is also equipped with powerful OpenType features to satisfy the most demanding professionals. It has solid features like case sensitivity, small, true capitals, full ligatures, tabular figures for tables, old style figures to elegantly insert numbers into your sentences and more alternative characters to give personality to your projects. The extended, "European Sans Pro Variable" supports around 85 languages in the Latin, Cyrillic and Greek scripts, and its non-Latin components were developed with native consultants. With over 1200+ glyphs per style, "European Sans Pro" cares about localised letterforms and has the OpenType features to match. FEATURE SUMMARY: - 9 weights: Thin, ExtraLight, Light, Book, Regular, Medium, Bold, ExtraBold, and Black. - 4 widths: Normal, Narrow, Condensed, and Extra Condensed. - Matching italics (12º) for all weights and widths . - Matching small caps for all weights and widths. - Lining and old style figures (proportional and tabular). - Alternate characters (A, G, M, N, R, U, a, g, l, m, n, u, y). - Unlimeted fractions. - Automatic ordinals (1st, 2nd, 3rd, etc.). - 24 Dingbats + 19 Social Media and Block Chain icons. - Extended language support: Most Latin-based scripts (including Vietnamese), Cyrillic, and Greek. - Extended currency support. You can contact me at buyuksel@hotmail.com, pre-purchase and post-purchase with questions and for technical support. You can enjoy using it.

Sharung, our newest font family, is now available! This font family is opulent and one-of-a-kind. This collection includes 18 various styles, making it ideal for a wide range of projects. Each style was built from the ground up to optimize beauty and personality. This font was created specifically for a wide range of display design and branding requirements. Sharung has everything you’ll need to create stunning graphics, including titles, texts, banners, posters, and more. Get a unique design look with this font right now! of course, your various design projects will be perfect and extraordinary if you use this font because this font is equipped with a font family, both for titles and subtitles and sentence text, start using our fonts for your extraordinary projects.

BR Sonoma is a new geometric grotesque built for the 21st century with a finely tuned modern aesthetic. BR Sonoma builds on the foundations laid by the classic Swiss grotesques such as Helvetica and Univers but combines their features with a stronger geometric base usually found in other early classics such as Avant Garde, Futura and Avenir.

Fine and Dandy JNL comes from the hand lettered title of the 1929 movie "Isle of Escape"; found on the sheet music for its theme song "My Kalua Rose". An engraved and fancy Roman, the style combines elements of Western, Art Nouveau and Art Deco into one attractive type design; available in both regular and oblique versions.

This idea of "wrong way weights" was originally called French Clarendon by the Americans, Italienne by the French, and American by the Italians. Sounds like nobody wanted to own up to it. When it was revived by ATF in 1933, it was given the name P. T. Barnum. Many variations have appeared. Dime Museum is an old wood type.

Schoolyard Blues JNL is based on the hand lettered title found on the sheet music for the 1938 song "I Was Late for School". A condensed sans serif with chamfered corners, it reflects the Art Deco influences of the day in some of the letter forms. This type design is available in both regular and oblique versions.

This stylish stout script was originally issued in the 1930s under the name “Fulgor” by the spanish foundry Fundición Gans. Cursory research suggests that Saks-Fifth Avenue found it suitably snooty to use extensively in its newspaper ads of that period. Perhaps somewhat ironically, this version takes its name from one of comedian W. C. Fields' many odd aliases.

Inspired by a chunky character, we present to you Chunky Rosie, a handwritten with chunky characters comes with alternates and multilingual glyphs to help people around world with that unique accent. Chunky Rosie is very suitable like as text, cover book, poem, handwritten style, and more.That way easily change the glyphs to make more unique glyphs

Handmade Dropshadow JNL was modeled from lettering found on a vintage silk screened metal sign used for point-of-sale marketing. Before the advent of computers and modern techniques, silk screens were hand cut using material called frisket and knife tools, and the lettering reflected the human inconsistencies of cutting these lettering into the template surface for transfer.

Eyeballs was designed at Bitstream by designer David Robbins. Its beginnings can be found in Bitstream’s Old Dreadful No. 7, where Mr. Robbins first conceived the capital I. He was later asked by Bitstream to develop the entire character set. The result is a humorous meld of cartoon and typography. A word of caution: Watch how you use it!

Wood Sans Narrow JNL is based on examples of an extra condensed Hamilton Wood Type. The design was cleaned up a bit to provide more uniform stroke widths, but still retains the nostalgic feel of a tall, narrow type face found on broadsides and posters of the late 1800s. It is available in both regular and oblique versions.

Visual Arts JNL is a classic Art Deco typeface based on the hand lettering found on a 1930s-era WPA (Works Progress Administration) poster for Women Artists. The exhibit took place in the Federal Art Gallery in Boston, and was part of the arts project underwritten by the WPA to keep many creative people working during the Depression years.

It’s surprising - it can take more time and effort to make something deliberately and artfully imperfect than it does to make a more conventional design. We certainly found this to be the case when designing ‘SpeedSketch’. Perhaps a more accurate name would have been ‘SlowDraw’ but that wouldn’t really capture the essence of the finished design.

Clufy is an editorial serif typeface inspired by neoclassical serif style typography. Clufy is perfect for headlines, editorial design, monograms, branding, logos, poster design, and more. Clufy includes approximately 601 glyphs support with features such as ligatures, alternate characters, old-style figures, fractions, numerator/denominator, superior/inferior, and various symbols, also support around 200 languages in Latin.

The interesting hand lettered sans design of Music Nouveau JNL was found as the title of a vintage piece of early 20th Century sheet music for a song written by famed composer Irving Berlin and called "They Were All Out of Step but Jim". Judging by the cover art, it was a novelty song about a soldier.

Birch Beer JNL comes from lettering spotted on a European business sign found in some stock footage that was used for an old black and white film about World War II. The name is derived from a popular root beer-like soda sold by the Royal Castle Restaurants that were popular in Florida from the 1930s through the 1970s.

The same monograms found on a 1930s-era business card that inspired Golden Beach JNL are reproduced as Art Deco Monograms JNL. Left-side monograms are on the upper case A-Z, while the lower case a-z are the right side monograms. A vertical bar is on the period key for a centerpiece between the two initials.

Reminiscent of the hand-lettering found in mid-century children’s books, Akemi Aoki’s MVB Grenadine is a quirky sans, broken free of its geometric roots. Letterforms bounce along the baseline in a jolly dance, yet remain clear and legible, whatever the reader’s age. MVB Grenadine is available in a broad range of six weights, each with italics.

Dragons, pirates, magic, and all that is gothic was the inspiration for this design. Blackstone was one of ten winners in The 1988 Chartpak Typeface Design Competition and is now available in two styles with additional characters, alternates and dingbats. Several alternate caps can be found using alt keystrokes, so try using different combinations of all caps.

Procerus was designed to achieve maximum impact on a narrow ground with ultra compressed letterforms. The idea was to explore the beauty in perfectly integrated straight shapes to maximize the use of space while keeping the empty space to a minimum. The result was a stunning display family that makes the type interesting, engaging while still being readable.

Emeritus is born from the carved letters found on buildings and monuments in Washington, DC. Muscular and low contrast but with assymetrical flared serifs that soften its stately presence. Small caps, inline caps, chiseled characters, and multiple weights and numerals offer an array of typographic voices. Notably academia, military, monumental, automotive, logos, signage, and so on.

The Gadabuursi alphabet, also known as the Borama alphabet Borama is an alphabetic script for the Somali language. It was devised around 1933 by Sheikh Abdurahman Sheikh Nuur of the Gadabuursi clan. Though not as widely known as Osmanya, the other major orthography for transcribing Somali, Borama has produced a notable body of literature mainly consisting of qasidas.

Alber New is the revamped version of Alber originally released in 2006. While retaining its original appeal Alber New has been overhauled from the ground up with improved outlines, spacing and kerning. Alber New also boasts an extending character set including small caps, subscript and superscript allowing it to cope with the most demanding of jobs.

DINosaur is the typographical mise en scène of a calligraphic standard for technical writing, found in a 1967 manual. Although its base is a regular grid and its main reference is the DIN norm, it is full of a multitude of small original features. The microtypographic details refer to the tools originally used for its reproduction.

ITC Freddo is the work of New York designer James Montalbano and was inspired by a sign lettering manual from the 1930s. Montalbano liked the character shapes illustrated in this manual but found many of the proportions odd. So he reinterpreted them to produce capitals and lower case letters which, according to today's standards, better complement one another.

Reading is fun; legible with a playful wiggle, a bit of texture, and a lively set of double-letter ligatures. Reading wants to be read aloud and sounded out - lightened by comic relief and sweetened by a bit of style. The upper case is relatively straight, the lower case - slightly jumbled, and Reading’s numbers have excellent curls.

MVB Bossa Nova is based on unattributed hand-lettering found in an old book, circa 1946. Yet unlike many scripts based on a vintage source, it feels fresh and dynamic. This is due to the skilled hands of Holly Goldsmith, who gave the forms a contemporary vigor despite their age. Alternate glyphs with extended ascenders offer extra flair.

This is an experimental type, something of retro-futurism and modern robotics in one package, with letters of unexpected proportions and forms. It was inspired by the glorious imagination of the past, but it holds in itself themes that are bound with the future. The DBL Cheque family consists of incredible 22 styles, filling every need for demanding designers.

A quirky and unusual Art Deco monoline typeface can be found within the pages of the Esterbrook Drawlet Pen instruction book [circa the 1940s]. Drawlet was the direct competitor to Speedball Lettering pen nibs. This unusual type design of varying width and character shapes is now available digitally as Oddly Deco JNL, in both regular and oblique versions.

Based upon classic typefaces such as Bodoni, you might find Rookie Heat familiar. However, the rough outline and handmade look and feel makes it perfect for your craft products. All in all, Rookie Heat is reflecting the beauty of decorative objects. Play around with the swashes for upper- and lowercase to make your designs stand more out.

Cookie Kit is just like that easy recipe for that delicious cake that you probably know - easy to make and it tastes absolutely fabulous - Cookie Kit has the same effect with designs: It's easy to make cool effects with the 4 layers. Play around with your favourite colors and you get great results at the go!

Modal is a sans serif type family intended for corporate, editorial and web design. Each weight comes with around 800 glyphs and supports a large variety of features such as ligatures, small caps, figure sets, case sensitive glyphs and so on. With its two italics, Modal offers new possibilities for designers and creates an additional tool for distinct typography.

There are many Uncial types in the type catalogues around the world, but most of them have a rough and stiff appearance. The Roman Uncial ND by Ricardo Rousselot stands out for the realism of its strokes, which look as if they are handwritten, bringing freshness and authenticity to its applications. Uncial Romana is a Trademark of BauerTypes SL

Ornata G is the seventh of a series of old ornaments that I am trying to save from oblivion. I am completely redesigning the ornaments from scratch. These ornaments have been designed around 1890, I think by someone at the Enschede foundry in Holland. These have a lot of nice swings. Your digitizing type-designing savior, Gert Wiescher