Chalky Letters is a multilayered font collection, created for the chalk-lettering lovers. Letters and ornaments are carefully hand-drawn to resemble the authentic chalk effect. 4 different vintage typographic styles along with a variety of decorations and shadow effects make endless combinations. The collection gives the designer the freedom to use it in any typographic project he can imagine: greeting cards, labels, large scale prints, branding, packaging, signage, editorial design. Typographic styles: Chalky Letters Heading: All caps, old fashioned, serif, with 2 styles of decoration and shadow effects Chalky Letters Label: All caps, heavy, serif, vintage, solid and outline, with 4 styles of decoration and a shadow effect Chalky Letters Script: Simple modern calligraphic with terminal forms and 2 alternate styles of descenders. Combined with a shadow effect. Chalky Letters Note: All caps, simple, thin, old fashioned, with a shadow effect Chalky Letters Extras: 2 styles of ribbons, frames and ornaments. The font collection supports Central, Eastern, Western European, Baltic, Turkish and Greek languages.

Rosewood font, like its relatives Zebrawood, Pepperwood and Ponderosa, was created by the designer trio K.B. Chansler, C. Crossgrove and C. Twombly, and has its roots in the slab serif style. The first weight displays the simplicity typical of display typefaces at the end of the 18th century. The other weights are playful variations on this theme. The tendency toward display and ornametal typefaces began with the English Industrial Revolution. The introduction of new machines made mass production possible in the print industry, a technique meant to constantly produce new and unusual products to sell to more and more consumers. Many of the typefaces created in this time were meant simply to catch attention and to advertise products. The two ornamental weights of Rosewood reflect this tendency and never fail to catch the reader's eye. Rosewood, like Zebrawood and Schwennel, is a bicolor font, meaning that the weight Rosewood fill can be used as a decoration for the inner spaces of Rosewood regular.

Dudley Castle - Hand Written Script Font is a beautifully crafted font with a hand-drawn script style that exudes elegance and luxury. Designed to resemble handwritten text, this font adds a personal touch and a sense of authenticity to your designs. With its abundance of alternative characters and flourishes, Dudley Castle offers versatility and allows for creative exploration. It is a perfect choice for titles, names, branding, headlines, logos, and various other design applications. The hand-written script style of Dudley Castle brings a unique and personalized feel to your projects. It captures the essence of beautiful handwriting, giving your designs a human touch and an intimate connection. The font's elegant and luxurious appearance elevates the visual appeal and adds a touch of sophistication to any text it is applied to. Whether you're creating a title for a magazine, a name for a product, or a logo for a high-end brand, Dudley Castle will help you achieve a refined and stylish look

Alexander Lettering is a handwriting font that captures the wild and choppy essence of a sloppy signature. With its childish and fast-paced strokes, this font gives off a sense of spontaneity, making it perfect for projects that require a less formal and more playful touch. This typeface was created by exploring the unpolished side of handwriting, drawing inspiration from the hurried notes and scribbles that often accompany our everyday lives. Alexander Lettering embraces the imperfections of the human touch, giving your designs an authentic and relatable feel. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures, and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Based on a Monotype 1930s condensed poster typeface, Placard Next is bursting with personality. Unexpected details appear throughout the design, from its wedged diagonals and single storey a to its round tittles – which would more ordinarily be square, and mechanical. The warmth and quirkiness of its character really shines through when set at larger sizes, making this a typeface for posters, headlines, and anywhere else designers need to make a statement. Designer Malou Verlomme has paid particular attention to the typeface's 'word images', further amping up its impact, and added some vintage flavor with Placard Next Round. As well as a striking display typeface, Placard Next's four widths and six weights – hairline to bold - mean it's a versatile design, that can be adapted for use in almost any environment. The complete family contains 48 fonts: 24 in Placard Next and 24 in Placard Next Round. It includes a large multilingual character set.

Domani from CounterPoint is a faithful digital revival of an old photo-typositing face called ITC Didi. Originally designed by Herb Lubalin and Tom Carnase, Domani brings to life a font that has been somewhat neglected by the digital era until now. Brought to the attention of Jason Walcott by graphic designer Rob King, this font immediately captured Jason with its 1970s high contrast Didone style, typical of that time period. It has some unique design details that set it apart from other didone style typefaces. “Domani” is the Italian word for “tomorrow”. The name was suggested by Rob King, and Jason felt it was perfect for this revitalized design. Walcott has created a professional quality digital version that is both faithful to the original design while expanding the character set to make use of OpenType features. A full set of swash capitals and several swash lowercase, designed by Walcott, has been added, as well as support for Latin-based and Eastern European languages.

Welcome to the world of Anowy, where handwriting seduces with impressive display dynamics. This font offers seven font styles including Regular for a classic look, Slant for a dynamic slanted touch, Blur for a natural ink writing effect, Smooth for softness, and Shadow for a dramatic feel. The specialty of the Anowy font is Seven Tiered Styles: Explore a variety of seven Anowy style variants to create a unique and attractive design according to your wishes. A Touch of Handwritten Vulnerability: Every character in Anowy provides a touch of seductive handwriting, creating an air of authenticity and humanity in every detail. Anowy is an ideal choice for projects that require a beautiful handwritten touch and a diversity of styles. Whether you're designing promotional materials, greeting cards, or other creative works of art, these fonts bring an unmatched personal element. Do not miss this opportunity! Get Handwritten Fonts for Anowy Looks now and watch how each word becomes a special artistic expression.

Roberto is a charming and magical hand-lettered script font. The playful rounded characters make it the perfect font for creating stunning calligraphy results. Roberto comes packed with beautiful swashes, that will allow you to add a decorative touch within seconds. Get inspired by its authentic feel and use it to create greeting cards, branding materials, business cards, quotes, posters, and more! What’s included: • Works both on Mac & PC • Simple installations • Alternate, Swash & Ligature • Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even works on Microsoft Word. • Multi-lingual Support: ä ö ü Ä Ö Ü ß ¿ ¡ • To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK) To stay up to date for my latest job, follow me and let’s be friends because there will be many promos.

Mansheen is a simple and sweet display font. Authentic beautiful & delightful touches make it the perfect partner to present funny and childish feelings in any design. It's perfect for children's books, funny greeting cards, meal package designs, logos and many others, where simple abstract cartoons or graphics are used. But clearly, its use can be more extensive. I did a few design examples, so you can see how it works. WHAT YOU GET - Uppercase and lowercase letters are full - Numbers, Punctuation, Multilingual Accents - Alternates glyphs I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations. We really hope you enjoy and are interested in our offer. If you want to upgrade or need a license or ask questions, you can send me a message and you can immediately start your service doratypefoundry@gmail.com. Thank You

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

“Queen Kelly’s Sword” - new elegant luxury bold serif from Julia Visht. Classical font serif with stylish decorative elements! Romantic and elegant, “Queen Kelly’s Sword” – is a luxury bold serif with both modern and vintage curves. “Queen Kelly’s Sword” is a must-have for your collection of fonts. Main features: Ligatures. Set of OpenType ligatures allows to make your design truly unique. Alternates. Set of stylistic alternates allows you to create even more authentic custom-feel text. OpenType Style Set. Open Type Style Sets allow to create many perfect styles of your text. Multyfunctionality. It's perfect for: elegant modern branding, web-design, posters, headers, advertising, wedding stationery, book cover designs, classy packaging, album covers, greeting cards, wall art, websites, photos, and so much more. Multylangual support. English, German, Italian, French, Danish, Norwegian, Swedish, Italian, Spanish, Filipino, Scottish Gaelic, Indonesian, Irish, Swiss German, Portuguese. Stylish font for your stylish projects! Happy creating! Designers: Julia Kruk Publisher: Julia Visht

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Introducing Costiera – Elegant Handbrush is a brush script that is written casually and quickly. Letters are made with brushes on paper. Then scanned and carefully drawn into vector format. That is why Costeria has charming, authentic and relaxed characteristic,has 2 styles of regular and slant variations with a more natural look to your text with a more natural look to your text. You can activate Ligature OpenType panel to make these two styles. It also has many alternatives and underlines that make your text and design more interesting. Costiera is perfect for homeware designs,branding projects, Logo design,Quotes roduct packaging Works on PC & Mac Simple installationsAccessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word. PUA Encoded Characters – Fully accessible without additional design software. Fonts include multilingual support Image used : All photographs/pictures/vector used in the preview are not included, they are intended for illustration purpose only. Cheers! Thank You

Let it be known that this font is named for Excalibur, King Arthur's Magic Sword. The font is derived from a note that Arthur hastily penned to his Queen, Guinevere, during a lull in one of his many battles against the Saxons. Arthur's armour was so hefty that he could not easily seat himself, and so to pen his letter to Guinevere he plunged his legendary sword Excalibur into the marshy soil on which he had been fighting and thereby steadied his writing hand with the hasp of his magical sword. This ancient and battle-weary font is based on the writing from a fragment of that original document. It has been heralded by modern scholars as "grunge" writing of great antiquity. The font Excalibur SCF contains a full character set and it is professionally letterspaced and kerned. Use this font to create a feeling of haste, of authentic ancient history, of magical times, of chivalry, of dragons and of brave battles fought.

Reilief is an elegant font, timeless and sophisticated choice that adds a personal touch to any design project. With its flowing strokes and graceful curves, this typeface captures the artistry and fluidity of a skilled calligrapher's pen. Each letter is thoughtfully crafted to convey a sense of elegance and refinement, with delicate flourishes and tapered strokes that lend a sense of movement and grace. With many available ligatures, joining certain letter combinations it creates more legible and pleasing appearance, with the letters appearing to dance across the page. Whether used for wedding invitations, branding, or editorial design, Reilief Fonts brings a touch of intimacy and personality to any project. Its warmth and beauty create a connection with the reader, conveying a sense of care and attention to detail. With its timeless appeal and ability to convey emotion and personality, an elegant handwriting font is a versatile choice for any designer looking to add a touch of sophistication and style to their work.

PAMORS typeface is a bold and daring blackletter font that exudes a sense of strength and power. The mix of regular and italic styles provides versatility, making it suitable for a wide range of design applications. With 799 characters, Pamors typeface offers extensive multilingual support and includes PUA unicode for easy access to special characters. One of the standout features of this font is its use of ligatures and swashes, which add an extra touch of elegance and sophistication to any project. Whether used in headlines, logos, or body text, Pamors typeface is sure to make a bold statement that commands attention. Language Support : Latin, Basic, Western European, Central European, South European,Vietnamese. In order to use the beautiful swashes, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. but if your software doesn’t have Glyphs panel, you can install additional swashes font files.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

This is the one and only Neil Bold, designed by Wayne Stettler in 1966 and originally published as a Typositor typeface. An award-winner and instant celebrity upon its release, Neil Bold became synonymous with magnified modernism for a whole generation. It was a jazz record packaging favorite, especially at Blue Note records, and made regular appearances on science fiction book covers during the last stretch of the genre's golden age. This digital version greatly expands on the film type one. New small caps and biform styles were added to the authentically revived main face (for a set of three fonts), and language support has been extended to include all Latin-based tongues. Neil Bold Pro, the OpenType version, comes in a single font that combines all three fonts into a single file, with programmed features for small caps, stylistic alternates (for biform shapes), a few extra alternates, class-based kerning, and additional language support for Cyrillic and Greek scripts.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Enjoy is a font family designed by CFCG. Its 5 fonts work in groups or independently. When used to complement illustrations or spontaneous projects requiring organic fonts, in Enjoy you will find expressive attributes reflected in uppercase, lowercase and numbers written with brush and fluid ink. Its strategies were carefully written providing greater handcrafted realism in its bonds and alternatives to create with eloquent letters at the beginning, middle or end of the word without losing order and readability. Enjoy contains many special textures to maximize its typographical benefits activating opentype buttons. Enjoy contains an authentic worn texture reflected in a variety of alternate characters and ligatures. Due to its maximum and coordinated cursive logic, captivates the interest in graphic design or advertising for cafeterias, sales of plants, bakeries, etc. When complement illustrations or spontaneous projects requiring organic fonts, with Enjoy you will find expressive attributes reflected in uppercase, lowercase and numbers written with brush and fluid ink.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Introduced by Timurtype Studio! Jasmine Century is a Handbrushed Font This fonts are a beautiful and artistic type of font that mimics the look of letters created by hand using a brush or paint. Each character in a handbrushed font is carefully crafted with fluid brush strokes, resulting in a unique and natural handwritten appearance. These fonts add a touch of authenticity, creativity, and a sense of personalization to any design project. Whether used for logos, branding, invitations, or social media graphics, handbrushed fonts bring a charming and organic feel that can convey a wide range of styles, from casual and playful to elegant and sophisticated. With their versatility and ability to evoke emotions, handbrushed fonts have become a popular choice for designers looking to add a touch of artistic expression to their artwork. Jasmine Century Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

Introducing "Locked Puzzle," a captivating and bold font designed to elevate your creative endeavors with a playful twist. This unique typeface defies the conventional sharp angles, opting instead for a smooth and curvaceous form that seamlessly interlocks, embodying the essence of a puzzle waiting to be solved. Locked Puzzle's characters are imbued with a sense of whimsy and charm, making it a perfect choice for titles, posters, murals, and various works of art that demand attention. The absence of corners in this font contributes to its fluidity and friendly demeanor, creating a visual experience that is both engaging and approachable. What sets Locked Puzzle apart is its ingenious interlocking ligatures. These ligatures provide a dynamic and cohesive flow between letters, adding an element of surprise and coherence to your text. Whether used in digital or print media, PuzzleLock transforms ordinary words into visual puzzles, sparking curiosity and leaving a lasting impression on your audience. **Uppercase

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Inspired by butcher shop and supermarket window advertising, Beefcakes™ emulates "big brush” style lettering – with a contemporary twist. Not for the typographically timid, this is a design that makes a powerful and friendly statement in print and on screen. Advertising headlines, posters, cover art, menus and packaging are all in Beefcakes’ wheelhouse. While it would be a little crowded on small screens, big type in web sites and games are also part of Beefcakes kit-bag. Drawn by Jim Ford, Beefcakes’ big, sassy and playful shapes are sure to grab attention. Its letterforms are dense and sturdy – yet soft and welcoming as your mom’s old couch. The suite of Beefcakes fonts is available as all-caps designs with small caps, in roman, italic and shadow flavors. As a nod to the typeface’s inspiration, Beefcakes fonts also include a set of decorative abbreviations (lb, oz, kg, in, etc.) for bold signage and showcard-style displays.

Richtive Script is a sharp brush typeface. This calligraphy font's vivid style and strong movements instantly gets the attention of its spectator, and the lettering has a powerful motion while maintaining clarity. Drawn and created by Mans Greback and Toni Studio in 2022, this handwritten lettering has a wild appearance and a vigorous personality, perfect for a cool handwritten logotype. Write ¤ # < after any word to make a tail. Example: Signed¤ Use underscore _ to make a swash. Example: Super_man Use multiple underscores for different swashes. Example: Love______letter (Download required.) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from Northern Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Nick Curtis's love affair with typography began when he was barely past adolescence, in a neighborhood alley of East Dallas. On a routine patrol for tossed treasures, he came across a type specimen catalog: a big, fat green binder displaying hundreds of fonts! He was hooked. Curtis's career has taken him from production art to graphic design to art direction, but type has always remained his graphic passion, especially the provocative designs produced from the late 19th through the early 20th centuries. Curtis's inspiration for ITC CuppaJoe comes from Art Deco lettering, but not from the typical sources. Depending upon your age or your interest in early twentieth-century package design ITC CuppaJoe might look familiar. Its foundation is the label art for Bokar, A&P's premium coffee during the 1930s. Curtis built on the gently sweeping curves and bold angular strokes of the original coffee-can lettering to create a distinctive typeface that commands attention. Rich, full-bodied, satisfying - now that's a ITC CuppaJoe!

Introducing Kronix, a geometric, futuristic font that embodies the essence of technology in the digital age. Kronix combines sleek lines, precise angles, and contemporary design elements to create a visually striking font perfect for technology-themed projects. Its clean and minimalist letterforms embody the essence of modernity and sophistication, capturing the attention of tech-savvy audiences. With its crisp edges and precise spacing, this font creates a harmonious visual rhythm that adds a touch of elegance to any design. Kronix is versatile and adaptable, making it suitable for a wide range of applications, including websites, mobile apps, and branding materials. Its modern aesthetic aligns perfectly with the fast-paced advancements in technology, allowing your design to stay relevant and visually impactful. Whether you're designing a tech magazine cover, creating a sci-fi movie poster, or developing a high-tech product packaging, Kronix is the ultimate choice for adding a geometric, futuristic flair that captivates the imagination and elevates your design to the forefront of modern technology.

Hastafi is a classy serif typeface. It is naturally bold, with contrasting, hairline thin horizontal strokes, and a confident character. Use it for any project that needs that extra bit of elegance and personality, without losing the thoughtfulness and authenticity of a serious serif font. The Hastafi family consists of eight beautiful styles: The Regular, for a medium and normal variety, and the flowing Italic version. It also contains a swash style for decorative additions to the letters, and each of the styles as an emphasized Bold. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Introducing Melvins - Font Set. The font combination which inspired by the vintage design. Includes 4 fonts with different styles that have unique looks, and are perfect pairs when combined. This font set is carefully designed with high attention to give a feel of vintage, old-school, and classic. Melvins consist of Condensed, Light, Expanded, & Script styles that are versatile to be used for many design purposes. Melvins Font Set including with 50+ vintage illustrations that will ease you to make a design in a sec and is also equipped with swash and alternate characters that you can mix and match to get a more vintage look. The perfect choice to be used to create logo, label, badges, logotypes, decals, shirts, posters, flyers, and etc.' Fonts featured : All capitals character set Lowercase (script) Numbers Symbols & punctuation Stylistic Alternates Swashes (script) Multilingual support PUA Encoded (no need for special software to access special characters) Thank you for your support! I hope you enjoy using Melvins Font Set.

When I first approached this design back in 2003 I wrote myself a design brief that called for a simple sans serif "avec serifs" (with serifs). Its emphasis needed to be on text usage but to be at home in display sizes. A range of weights with a controlled step from one weight to the next, uniform character sets, spacing and kerning throughout the range. Attention to openness of counter spaces would be paramount to work in text sizes. Matching italics should be true italics not merely slanted - with a cursive feel. During extensive testing I decided to include a suite of ligatures to eliminate the hairline gaps that occur between slab serifs at display sizes. The user may activate "Discretionary Ligatures" or "Stylistic Set 1" for ligatures that are not included in the Standard Ligatures (ff, fi, fl, ffi and ffl). A concise User Guide can be downloaded at this link.

Introducing “RABOKA Font” – Where Playful Typography Takes the Lead. RABOKA Font is a celebration of playful design. With its whimsical theme, this font infuses a delightful and lighthearted touch into your creative projects. Whether you’re crafting invitations, posters, or branding materials, RABOKA Font effortlessly grabs attention and brings a sense of fun to your designs. Created with meticulous craftsmanship, RABOKA Font radiates the joy and creativity of playful typography, instantly captivating your audience. Its versatility knows no bounds, making it a perfect fit for a wide range of applications, from children’s book illustrations to party invitations. RABOKA Font enhances both readability and style with its quirky, eye-catching characters, providing a unique and engaging look to your text. Plus, it supports various languages, ensuring it resonates with a diverse audience. Elevate your creative projects with the exuberance of RABOKA Font. Explore this exceptional typeface today and let your designs dance with the spirit of playful typography. – PUA Encoded Characters – Fully accessible without additional design software.

The Wonky Font family is a set of 3 handmade fonts, made using three different materials: a pencil, a thin fineliner and a bold marker. Each font includes 3 variations for each letter and number, accessible through contextual alternates, for extra realism and fun. The pencil font is a SVG font, which allows for the texture of the pencil to be captured in a more authentic way, and is complemented with an extra doodles font. Wonky Font looks good at small sizes and will also look great in all caps texts. Use Wonky Font in designs such as postcards and notes, posters, logotypes, social media posts, branding and packaging. This font includes: a Wonky Pencil SVG font, with a vector alternative that preserves the texture a Wonky Thin font a Wonky Bold font a Wonky SVG Extras font, with 26 pencil doodles Software requirements for the SVG font: Photoshop CC2017+ // Illustrator CC2018+

Menara is a captivating vintage serif font that effortlessly blends elegance and charm with a touch of nostalgia. This condensed typeface showcases the beauty of traditional letterforms, infused with a contemporary twist. Its italic variant adds a dash of dynamic flair, creating a truly versatile font that is perfect for both classic and modern design projects. With its refined and sleek appearance, Menara exudes a sense of sophistication and refinement. The condensed letterforms allow for maximum impact, making it ideal for headlines, titles, and branding materials. Whether you're designing a vintage-inspired logo, packaging, or editorial layouts, Menara delivers a timeless aesthetic that commands attention. The italic style of Menara introduces a subtle sense of motion and playfulness to the font. It adds an expressive quality that can bring emphasis and character to your designs. Perfect for adding an extra touch of elegance to wedding invitations, book covers, or product labels, the italic variant of Menara lends a unique personality to your typography.

The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.

Ligatures FS Rufus is an outgoing, likable sort of font with an eccentric streak. Wide letterforms and curious ink-traps make for an engaging personality, and a set of discretionary ligatures make FS Rufus irresistible to designers wanting to play. Not a small set, either: there are some 80 different options available. Wide The decision was made early on to make the letterforms of FS Rufus luxuriously wide. This generates a distinctive visual texture when the font is used for text. With other weights available for headlines, FS Rufus brings a curiously engaging look to editorial, magazine covers and advertising. Just look at my ink traps Ink traps are normally the preserve of fonts intended for printing at small sizes, in newspapers or directories – extra notches necessary to prevent ink from pooling. FS Rufus turns the ink trap into a beautiful eccentricity, flaunting it in both its lowercase and capitals. Take a look at the “h”, “a” and “k”, and the “B” and “N”. Attention-seeking? Moi?

Introduction to Amigie – Display Serif Amigie – Display Serif is a unique display font that stands out with its distinctive serif design. Its bold and innovative shape makes it perfect for eye-catching displays and powerful branding. This font captures attention, offering a fresh take on traditional serif styles. Design and Innovation Each character in Amigie – Display Serif boasts a unique serif shape, blending classic elegance with modern creativity. The font features sharp, clean lines, and its unique serifs add a touch of sophistication. Furthermore, its balanced proportion ensures that each letter is clear and impactful, perfect for making a statement. Versatility and Functionality Amigie – Display Serif is not just visually striking but also highly versatile. It’s ideal for a wide range of applications, from editorial designs to bold advertising. Additionally, it works exceptionally well for headlines, logos, and packaging, where its unique character can shine. This font is also highly legible, making it suitable for both digital and print media.

Looking for a font that will make your branding stand out? Do you sometimes have an appetite for a bit more wholesome typography? Looking for a fabulous, retro, and adventure font? We've got what you want. The Vintage Town- A Script Font The Vintage Town is a script font that has a varied base line, fine lines, retro, and fun touches. This font features thick and angular letters that easy on the eyes and nice to look while it’s also easy to read. It is becomes more special with extruding version option. Fall in love with it's authentic feel and use it to create gorgeous titles., beautiful poster designs, eye-catching social media posts, cute logos, and many more. Our font always includes Multilingual Support to make your branding reach a global audience. Features: Ligatures Stylistic Set Swashes PUA Encoded Numerals and Punctuation Thank you for downloading premium fonts from Natha Studio

Intelo was created with the single idea of redefining what makes a functional grotesque typeface nowadays. Its large x-height and letterforms with subtle elliptical finish create a distinctive look that can help brands cater to an increasingly design savvy audience. To top it off, Intelo comes in two versions - an attention-grabbing original cut and an additional version with flat endings for a more streamlined effect. The family weights range from thin to extrabold with matching italics making it a versatile choice and perfectly suited for digital applications including web and interaction design as well as printed media such as editorial and corporate materials. When it comes to Opentype features, Intelo is loaded with stylistic alternates, tabular figures, fractions, ligatures, and more. In addition, the font family has an extended language support featuring Western, Eastern and Central European languages. To sum it up, the friendly and inviting letterforms of Intelo came as a solution to the need for more human fonts in our technology-oriented environment.