Aqua Life is a pictogram font from the Monotype Design Studio. It contains 26 vibrantly drawn images of fish and other wildlife you might find at the seashore or in your aquarium. Some of the fish look out at you rather inquisitively! Don't miss the shark, the giant squid, the octopus, the happy slug, the diving seal, or even the old-fashioned deep-sea diver and coy mermaid! Each of these symbols is best used in a very large point size. Perhaps one of them will illustrate you next newsletter or classroom poster?

Order a platter of sizzling Pork Chop, a sans serif from Font Kitchen. Rounded squared contours and horizontal terminals give this serif typeface a futuristic feel, while still remaining readable at smaller sizes. 10 weights are available with obliques, weighing in at 20 styles, each fresh cut and farm-raised. This font family is served with sides of expansive ligatures, kerning pairs, stylistic alternates, proportional and tabular figures, and versatile fractions. Pork Chop is a great way to add a calculated, futuristic, yet still approachable feel to your next project.

Lasting Impression JNL was rendered from scans of a 1930s rubber stamp printing set. At small sizes it has the look of hand-stamped lettering. At larger sizes, the user will see jagged and angular lines giving the font a kind of retro-grunge look. This typeface was the model for the more cleanly-drawn Casual Friday JNL, also by Jeff Levine. There is a limited character set, and both the spacing and kerning have been intentionally omitted so that the results will more closely resemble the uneven letter spacing of rubber stamps on paper.

Academy was designed circa 1910 at the Berthold type foundry (St.-Petersburg). It was based on Sorbonne (H. Berthold, Berlin, 1905), which represented the American Type Founders rework Cheltenham of 1896 (designers Bertram G. Goodhue, Morris F. Benton) and Russian typefaces of the mid-18th century. A low-contrast text typeface with historical flavor. The modern digital version was designed at Poligrafmash type design bureau in 1989 by Lyubov Kuznetsova. Corrections and additions were done later in ParaType in early 2000th. Reworked version with Bold Italic style was released in 2009.

"Bolde Galde" is a cute display font characterized by thick and rounded letterforms, making it a great choice for design projects aimed at children, such as children's games, book covers, and any projects related to schools. With its playful and friendly appearance, this font adds a touch of whimsy and charm to your designs, making them more engaging and enjoyable for young audiences. The simplicity and clarity of "Bolde Galde" make it easy to read and understand, making it an excellent choice for educational materials and other projects aimed at young learners.

Vow is an incredibly stylised font, strutting its stuff on the typography catwalk. Vow does everything to excess, even when cutting down: where it’s curvy, it’s very curvy, but where it’s thin, it’s thin. Vow’s regular weight has a certain boldness at text size, but its ultra-thin alternative is much better used at larger sizes, managing to take up very little space even when scaled up. Using a mix of the two creates a subtle emphasis, especially when coloured, which helps to create stunning messages in elegant ways.

Four interchangeable all-caps typefaces, made specifically for designers to layer and play with. Here’s more at the designer’s site. It combines hard and soft, geometry and pattern. Layer and mix styles within a single word, retaining coherent visual tone. Havelock Solid operates as a background layer, Multiline sits nicely atop it, Inline frames Multiline’s center strokes, and Stencil lets details peek through. If you’re working with translucent color, the blending can be gorgeous. Please note, if you're also looking at Havelock Titling: both collections are included in Havelock Complete for a lower price.

Designed at Polygraphmash type design bureau in 1946-51 by Galina Bannikova, inspired by Russian Grazhdansky early- and mid-18th century typefaces as well as Roman Humanist typefaces of the Renaissance. With the archaic features of some characters the face is well recognized because of unique shapes. It is one of the best original typefaces of the Soviet typography. The typeface is useful in text and display composition, in fiction and art books. The revised, improved and completed digital version was designed at ParaType in 2001 by Lyubov Kuznetsova.

Suppose you were at a sandy beach and you wanted to write a message by making footprints in the sand. You might end up with letters much like those in Barefoot, a typeface made with bare feet. It is all caps but most of the letters on the lower-case keys differ from those on the upper-case keys. It looks best at large point sizes where the details of the feet are clear. It comes with a large assortment of accented letters to support most European languages.

Tucked inside the November 5, 1927 issue of a German signpainters' trade paper was a single sheet headed Der Schilder und Schriftenmaler, which featured an alphabet called "Neue Fraktur". An exuberant (if somewhat unconventional) combination of Art Deco sensibilities and blackletter forms, the font retains its freshness, even today. Included in this version are Deco bishops fingers at the bar and broken bar positions, and a styling, horn-blowing herald at ASCII circumflex and tilde positions. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Jarvis is a hybrid. Not a pure grotesque, not a humanist sans, but the best of both worlds. Its open counters and strong geometry, coupled with smooth curves and features give it a unique personality. Very legible even at small sizes, instantly recognisable at large sizes, it is an ideal candidate for corporate identity as well as print and digital communications of all kind. Its wide range of weights (from Thin to Black), extensive OpenType features, circled numbers, and extended character-set are the hallmark of the highest technical level.

"Back Jones" is a cute display font characterized by thick and rounded letterforms, making it a great choice for design projects aimed at children, such as children's games, book covers, and any projects related to schools. With its playful and friendly appearance, this font adds a touch of whimsy and charm to your designs, making them more engaging and enjoyable for young audiences. The simplicity and clarity of "Back Jones" make it easy to read and understand, making it an excellent choice for educational materials and other projects aimed at young learners.

Farewell Angelina is an elegant font family with a feminine flair. It includes: - a display font with 3 weights and 2 styles: regular, bold and black in serif and sans, which look great at large sizes; - a text font in 2 styles: regular and italic, which look great at small sizes and in longer texts. Each font includes: - A-Z, a-z, 0-9 - accents - punctuation and symbols - ligatures - stylistic alternates - small caps Farewell Angelina is perfect for magazine layouts, creating logotypes, social media posts, branding and packaging.

Kurdis Varibel Font Family is a modern sans serif family with six widths and five Weights Making 30 Set Styles and of course 10,000 more combinations when considering the Variable options. This Typeface is a real work horse for titles. At its condensed Width it is sophisticated and professional with well considered ink traps that help it really stand out at Large Sizes. the Regular width works well for longer bodies of text on websites or posters and the Wide Styles give an elevated look to your average wide sans serif.

Introducing the new 2024 font "Coffee Shop"! This is a strict and at the same time playful serif font. It will look great on any of your designs - T-shirts, posters, promotional materials. Introducing the new font "Coffee Shop"! This is a strict and at the same time playful serif font. It will look great on any of your designs - T-shirts, posters, promotional materials. The font contains many additional characters, there is multilingual support, as well as styles with support for layers - Shadow FX and Scratch Shadow FX.

This sans serif type was completed in 1985, a descendant of the earlier serifed Congress shown for the first time at the Association Typographique International Congress, which proved to be so popular in 1980 at Kiel; designed to present a style equally appealing in European languages. Many characters are more condensed than is usual, while others have been exaggerated. The concept being to bring an equality of importance to the whole, producing a collection of International characters working together in harmony on the page-a common aim that Europeans wish of any Congress.

The English roundhand has always occupied the central position in the group of faces appropriate to the social printing handled by engravers, and their contemporary imitators, thermographers. At the end of the nineteenth century when engraving was mechanised by the pantographic engraving machine, the traditional roundhands found their way onto pantographic pattern plates. Embassy is a traditional roundhand of vigorous contrast with straightforward capitals with ball terminals; it was transferred from such an engravers’ pattern plate to the Fotosetter at Intertype about 1955. Alphatype’s Yorktown is similar, but appears to have less contrast.

Surf and Turf JNL was redrawn from hand-lettering on a souvenir folder for an event believed to be sponsored by Miami Beach's exclusive Surf Club on March 19, 1938. Entitled "Steeplechase Pier March 19 Surf Club Stroller", it's now lost to time whether the event recreated some of the fun and games of Atlantic City's famed Steeplechase Pier at the Surf Club, or if this was a special event trip to the New Jersey venue. It's also highly possible that the Steeplechase Pier referred to in the title was the one at Coney Island.

The Teapot Dome scandal was a 1920s bribery scandal involving Secretary of the Interior Albert Bacon Fall. Fall leased Navy petroleum reserves at Teapot Dome in Wyoming [along with some California reserves] at low rates with no competitive bidding. The San Francisco Examiner for Feb. 20, 1924 ran the two line headline “U.S. Senator Named as Oil Stock Speculator; Whitney to Face Quiz Today on Slush Fund”. The headline was set in a condensed, slightly squared sans serif typeface. This is now available as Special Edition JNL in both regular and oblique versions.

The original sheet music for Ted (Is Everybody Happy?) Lewis’ signature tune, When My Baby Smiles at Me, inspired this whimsical wonder. The sheet music was discovered in the Library of Congress American Memory Collection, an incredible online resource. The typeface gets its name from a slightly loony early 1900s comic strip by Fontaine Fox. This new and improved version has beefed-up outlines, so it renders well even at smaller sizes. Both versions contain the complete Unicode 1252 (Latin) and Unicode 1250 (Central European) character sets, with localization for Romanian and Moldovan.

Ah, so you've noticed a typo! Mayonnaise - the sauce, is written with double 'n'! I know. This font was named after a Smashing Pumpkins song that I like very much. Mayonaise is a bit of an ugly duckling. It is strange, open and messy, and might not be love at first sight. BUT, when you spend some time with Mayonaise and get to know her, you might actually fall in love. Just like that song I mentioned earlier. Go on then, give it a try! At this price, you can't go wrong!

Alejandro Lo Celso’s tribute to Bodoni takes the form of a humorous fat face for display use, in both solid and engraved forms. Four years after Bodoni’s death, Margherita, Giambattista’s widow, published the two volumes of the famous Manuale Tipografico, a significant catalogue even today. Margarita’s curves are extremely sensual, it should be set only at huge sizes. The typeface includes several ligatures both standard and discretionary, and a set of contemporary ornaments to set nice frames and patterns. We hope you enjoy working with this fancy type. See more at PampaType.com.

Boutros Angham is a humanist-inspired, sans-serif typeface designed and created to work harmoniously with its Latin version whilst respecting Arabic calligraphic and cultural rules. Characterized by its modern appearance, with rounded edges and free flowing letterforms, Boutros Angham is highly legible at various angles, sizes and distances. Ascenders and descenders are very prominent and apertures are wide to easily distinguish letters from one another. Boutros Angham is suitable for headlines and sub-headings as well as body text at smaller point sizes. There are ten weights for each, Latin and Arabic, variant.

Malkone is a modern sans serif, simplistic, high-contrast sans that is at home in high-end fashion and cultural environments comes in nine weights with various width and weight that you can explore and combine. use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Trigly is an elegant sans serif, simplistic, high-contrast sans that is at home in high-end fashion and cultural environments comes in nine weights with various width and weight that you can explore and combine. use this font for any branding, product packaging, invitation, quotes, t-shirt, label, poster, logo etc. Feature Uppercase & Lowercase Number & Symbol International Glyphs Multilingual support Ligature Feel free to drop us a message any time and follow my shop for upcoming updates Shoot me on email at: dedukvic@gmail.com Hope you enjoy it.

Belvedere is an Italian word that translates as ‘beautiful outlook’ and describes a pavillion or summer house on high ground with commanding views. It has grace, style and a touch of class, all of which I've tried to incorporate in this font family. The snazzy graphics are by my friend and colleague Dan Austin.

COS Elfish is a typeface with stroke contrast and has a unique shape. It has a structure that is well suited for display purposes. It has small serifs throughout and features curvilinear elements in some letters. It is suitable for use in various media such as unique and individual graphic design or web design.

Samuel Welo’s “Studio Handbook for Artists and Advertisers” was a popular book of inspiration for sign painters, graphic artists and designers from the 1920s through the 1960s. Many digital revivals of Welo’s hand lettered typography have been made available. Formal Notice JNL is one such revival, and is available in both regular and oblique versions.

The pattern for this elegant, if slightly quirky, Art Deco typeface was drawn by Gustav Jensen for the 1931 classic, American Alphabets. Perfect for suggesting the exotic, the font also includes several graphic elements in Jensen’s inimitable style. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

With my dingbats and your favorite software, you can create elegant web graphics in minutes! All these fonts were created with the web designer in mind. Each font consists on 26 original shapes with endless possibilities: virtual jewelry, buttons, framing, interfaces, etc. For examples of what you can do with these fonts: Click Now!

Are you looking for an elegant font for digital use? Then this trendy Lektocy font is just right for you! The modern font is perfect for graphic design, flyers, web design, book covers, greeting cards, print on demand, posters, banners or business cards and much more that can be filled with a luxurious text.

Introducing "Tiger Chest" - Unleash Your Creativity with Urban Pop Vibes! With Tiger Chest, your creativity knows no bounds. Break free from the mundane and explore the wild side of design. Whether you're crafting social media graphics, YouTube thumbnails, event posters, or comic book covers, this font will give your projects the urban edge they deserve.

Quezal is a Modern Playful Calligraphy. Quezal embodies fun, playfulness and authenticity. This enchanting handwritten font will turn any creative idea into a true standout. Its perfectly suited for graphic artists to complete their design such as web design, advertisements, posters, logos, product signs, and many more. Quezal contains all standard glyphs and punctuations.

Rotwobot is a loveable modern typeface with a slight retro appeal. It comes with quite a lot of ligatures and also robots and musical instruments. The font features auto ligatures for duplicate letters, many connected letters, quite a few graphical elements that can be accessed by shortcuts (lowercase letter + number form 0-9) and smallcaps.

Jenifer Malvia is a script font created with love, sincerity, and patience. can be used to make invitation writing, lettering, and all graphic design needs. This font is equipped with 7 stylistic sets that will make your design look more attractive and beautiful. Thank you if you are interested in purchase and using this font.

Homrich is font designed by Fajar Ramadan, with design combination between urban street wear themes. Homrich comes with stylistic, alternates, ligatures and supports multilingual languages. Create unique & beautiful logotype, use it as an elegant solution for your next magazine layout, or choose Homrich for any graphics that require a sleek look with a elegant.

The Greater Neue font family is a modern collection consisting of 32 weights, 16 uprights, and matching italics. Condensed width consisting of 16 weights, 8 uprights, and matching italics. It is perfect for packaging, advertisements, headlines, and corporate identities. This font family is well-suited for graphic design and any type of display use.

Artime is a dynamic display font based on strong graphic elements with rectilinear forms. Artime came in two style forms; a solid one called Flat and a decorative form with crisscrossed of vertical lines called Deco. Artime comes with Open Type features and interesting ligatures. Both forms are ideal for creating logos and headlines.

Rollgates Luxury is a gorgeous sans-serif typeface that is both classically elegant and modern. Create beautiful wedding invitations, use it as an elegant solution for your next magazine layout, power point or choose Rollgates Luxury for any graphics that require a sleek look with a vintage flair. Create something beautiful today with Rollgates Luxury.

State Of Love and Toast is a retro typeface reminiscent of the early 90’s. It’s certainly the Seattle of fonts. The font features auto ligatures for duplicate letters, quite a few graphical elements & shapes which can be accessed by shortcuts (lowercase letter + number form 0-9) and smallcaps (alternate versions of the lowercase letters).