Best Regardz is a casual, quirky handprinted font. A headline font that is kerned to be used at 24 pt or larger. This is the latest font in the Love Letters Series. Others in that series include Dearest John , Yourz Truly and Sincerely Yourz . Best Regardz was in the 2011 Typodarium Page-A-Day Calendar on 10-4-2011.

Freud is a sans family of 9 weights ranging from hairline to extra bold (also available as a 5 styles Economy Pack). It’s a legible face with straightforward geometry spiced with lovely humanist terminals. Some strokes are cut at an angle to enhance its identity. Freud provides a strong partner both for screen and print projects.

LORCAN MIST is a powerful super modern editorial unicase font with vintage vibes, designed with love and care for amazing projects. It's great for social media, headlines, large-format print, editorial, branding, posters, fashion designs and websites — it's designed not to take too much attention but at the same time be a powerful accent. It's mysterious, elegant and sexy.

Here is a "Decorative Braille font". The initial design was indeed drawn on a K.I.S.S digital sketchpad, the Windows default drawing tool (Microsoft Paint, classic version). A. Glyph Concept The Braille 2x3 dot matrix is weaved around a diamond-shape. a.1. Each "dot" is represented by a "right-angle isocel triangle". a.2. Braille dots in Diamond Braille a.2.I. "Dots" are outside the diamond for first Braille row (Braille dots 1, 4) and third Braille row (Braille dots 3, 6). a.2.II. "Dots" are inside the diamond for second Braillle row (Braille dots 2, 5). a.3. Diamond lattice Glyphs are connected horizontally (to/bottom diamond's corners) and vertically (left/right corners) to each other (see poster 5). a.4. Special Glyphs - Space: its is either empty ("Empty cell") or a "non Braille shape" { _, ° } depending on your display needs (as explained in b.3.II) - 6 dots: { £, =, û } - 6 empty dots: { ç, ¥ } B. Font user guide b.1. Lowercase glyphs { A..Z } In these glyphs the "dots" are represented as a white right-angle isocel triangle filled with a smaller black triangle. b.2. Uppercase glyphs { a..z } In these glyphs, the "dots" are represented as an empty triangle (this is an "empty dot"). b.3. 'Space' vs 'Empty Cell' b.3.I. 'Space' - 'Space' glyph is an empty shape - '¶' glyph (at the end of each line in Microsoft Word) is also an empty shape b.3.II. 'Empty cell' glyphs: _ (underscore), ° (degree). In these glyphs there are 2 "empty dots" at top and bottom corners of the diamond, which differentiates them from regular Braille glyphs (which dont have a "dot in the middle"). b.4. Diamond Lattice To display text as a 'diamond lattice', replace each 'Space' by an 'Empty cell' (as explained in b.3.II, see poster 5) b.5. Connectors The connector glyphs allow the creation of "circuit like" designs (see poster 1). Here are the connector glyphs: { µ, à, â, ä, ã, è, é, ê, ë, î, ï } b.6. Domino feature Some Glyphs represent numbers 1..6 in a way which is similar than on dominos (see poster 6) C. Posters Poster 1: the "Font Logo", it displays "Diamond Braille" text together with the Connectors feature. Poster 2: a pangram which is published on pangra.me ( "Adept quick jog over frozen blue whisky mix" ). Poster 3: an illustration of the Domino feature. Poster 4: a DiamondBraille version of the Periodic table. Poster 5: illustration of the Diamond lattice using only 6 dots ( û ) and 6 empty dots ( ç ) glyphs.

Latin music was all the rage in the United States from the 1930s through the 1950s and songs with a “South of the Border” or “Old Mexico” theme were plentiful. The 1940 sheet music for “Make Love with a Guitar” evoked the idea of serenading one’s lovely lady on horseback while strumming the guitar. ..at least if you went by the by the illustration under the song’s name. As the hand lettered title was rendered in an Art Deco design, it became the basis for Jazz Guitar JNL [which seemed a more befitting name], and is available in both regular and oblique versions.

Introducing Midelyne – Lovely Script Adorable Elegance Step into the enchanting world of Midelyne – Lovely Script, where adorable elegance reigns supreme. This font is the epitome of cute and girly, perfect for adding a touch of charm to your designs. Playful Charm Midelyne’s playful charm sets the stage for a delightful and whimsical journey. It’s an excellent choice for a myriad of creative endeavors, infusing each project with a joyful spirit. Versatile Usage Beyond its cute facade, this font is incredibly versatile. It effortlessly adapts to various design contexts, from invitations to branding, enhancing the visual appeal of every project. Expressive Typography Midelyne doesn’t just stop at being cute; it’s also wonderfully expressive. Its lovely script style adds character and warmth to your content, leaving an unforgettable impression. In Conclusion In a nutshell, Midelyne – Lovely Script is the font that seamlessly marries girly charm with understated elegance. Its playful yet versatile nature ensures your content is not only cute but also highly engaging. Whether it’s invitations, branding, or a diverse array of creative projects, Midelyne infuses them with a unique, expressive touch that appeals to a wide audience, leaving behind a lasting and lovely impression.

The type family in four basic styles was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger. Frutiger font was originally designed for use on signs at the new Charles de Gaulle Airport at Roissy. The straightforward sans serif shapes are suited well for both text and display setting. Six additional styles were added in 1998-2000. Multilingual versions of 6 styles (Light, Demi and Extrabold) include Armenian alphabet designed by Manvel Shmavonyan in 1997. Two condensed Cyrillic styles (Demi Condensed and Bold Condensed) designed by Manvel Shmavonyan in 2005.

Grunge at its best, Mosketa looks real good typing any word, and adds a beautiful chaos without losing the balance. Try alternating uppercase with lowercase according the words to get the best of it.

PREFACE Lontara typeface shape is originally created by freehand technique, without modify other exist digital typeface. It purely inspired by traditional Lontara manuscript, South Sulawesi. Lontara typeface is dedicated for originality of Indonesian Cultural. ORIGINS The La Galigo that written in traditional Lontara script is widely believed by people Buginese as a bible of sacred and should not be read without a certain ritual preceded.It tells the story of hundreds of descendants of the gods who live at a time for 6 (six), hereditary generation, the various kingdoms in South Sulawesi and the surrounding islands. The Lontara script is an Brahmic script traditionally used for the Bugis language, Makassarese language, and Mandar languages of Sulawesi in modern Indonesia. It is also known as the Buginese script. It was largely replaced by the Latin alphabet during the period of Dutch colonization.

NoExit is an industrial vernacular type system with multiple widths. Originally designed for the Chicago Athletic Association Hotel, its inspiration was an old sign that said “STAIRWAY” found the hotel’s old building. A pointed uppercase letter A stood up against the mechanic aspect of the rest of the letters, and that discrepancy was love at first sight. From that, we developed a type system in multiple widths and weights that looks best at large sizes. It’s an ideal typeface for signage systems, magazine headlines, posters and packaging.

Have you seen that new font from Comicraft it's lovely isn't it all soft and spongy it fair warms the cockles of me heart Mrs Robinson at number forty three she has one she got it down at the store on the corner you know the Indian convenience open all night my Albert gets his Heineken down there late of an evening and you know what I saw all manner of strange people down there last week super heroes I think they were Blimey!

This all started with a love for Minister. This is a font designed by Carl Albert Fahrenwaldt in 1929. In the specimen booklet there’s a scan from Linotype’s page many years ago. They no longer carry the font. I’ve gone quite a ways from the original. It was dark and a bit heavy. But I loved the look and the readability. This came to a head when I started my first book on all-digital printing written from 1994-1995, and published early in 1996. I needed fonts to show the typography I was talking about. At that point oldstyle figures, true small caps, and discretionary ligatures were rare. More than that text fonts for book design had lining OR oldstyle figures, lowercase OR small caps—never both. So, I designed the Diaconia family (using the Greek word for minister). It was fairly rough. I knew very little. I later redesigned and updated Diaconia into Bergsland Pro —released in 2004. It was still rough (though I impressed myself). In 2006, I found myself needing a readable sans serif. So I went to Bergsland Pro, and eliminated the serifs. I named the font Brinar. I kept a flare in place for the serifs and cupped the ends. I was stunned. People loved it. It’s remained my bestseller until very recently. So, at the end of 2016 I decided that Brinar really needed some help. The flares were basically random. The stem width and modulation variances all needed to be fixed. My old OpenType feature code was quite limited and clumsy. So, I created the 6-font Biblia family. I cleaned up or redesigned all the glyphs. I updated the fonts to the 2017 set of features: small caps, small cap figures, oldstyle figures, fractions, lining figures, ligatures and discretionary ligatures. These are fonts designed for book production and work well for text or heads.

Introducing a vintage look label font named "Hawaii Beach". You can see all available characters in the posters. This font has 6 styles (including layered shadow effect style) and will do well on any retro design like poster, t-shirt, label, logo etc. For using shadow effect layer: Type your text in Regular. Copy that and paste at the same position. Change the style to Shadow FX (for example).

Squat may be vertically challenged but hey, even the vertically challenged need love too! And you know what? Squat is worth much more than Diddley Squat! It gets the tough jobs done in half the vertical space with its sturdy, low profile. Randy Newman may not care for it, but Squat shows that short fonts got plenty of reason to live! So there.

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

Each style includes 6 fonts of 100 characters each of circle, square, and diamond in positive and negative. For ordering purposes, each style (6 fonts) counts as 1 font.

Povetarac Sans font family is part of Povetarac Superfamily together with Povetarac Didone and Povetarac Didone. Available in 6 weights with matching italics, Povetarac Sans relays on lively uppercase proportions that took inspiration from vintage typefaces. It is well balanced, elegant and fully recognizable sans serif family. With sharp overhang, Povetarac Sans works pretty well in all situations – from editorial use to branding, websites or just titles. Comes with Fractions and extended Latin character map.

Presenting Weigela! A Beauty Script Font 6 alternates and extra. This font made with the perfect combination of each character. You can combine with Alternates and Extra to get a unique combination. It looks original and can be used for all your project needs. Each glyph has its own uniqueness and when meeting with others will provide dynamic and pleasing proximity. This font can be used at any time and in any project. You can see in the presentation picture above, Weigela looks beautiful and versatile on design projects. So, Weigela Font can't wait to give its touch to all your design projects such as quotes, wedding invitations, wedding theme designs, poster design, personal branding, promotional materials, website, logotype, product packaging, etc. WHAT'S INCLUDED? Weigela Regular • It comes with uppercase, lowercase, ligatures, numeral, punctuation, symbols, Many Ligatures, Alternates, and Standard Latin Multilingual Support (Afrikaans, Albanian, Catalan, Danish, Dutch, English, French, German, Icelandic, Indonesian, Italian, Malay, Norwegian, Portuguese, Spanisch, Swedish, Zulu, and More). Weigela Stylish Alternate • It comes with the lowercase of ending swash. Weigela Alternate One • It comes with the lowercase of beginning swash. Weigela Alternate Two • It comes with the lowercase of ending swash Weigela Alternate Three • It comes with the lowercase of love connecting swash. Weigela Alternate Four • It comes with the lowercase of love connecting swash. Weigela Alternate Five • It comes with the lowercase of love connecting swash. Weigela Alternate Six • It comes with some lowercase; b, d, f, k, and l. Extra Swashes • Included 15 Underline Swashes. You can feature all with typing c_1 until c_15 (Opentype Feature) or using Characters Map Tool. A Million Thanks Colllab Studio

Some typefaces are staid, somber design tools. Then again, there's ITC Cinderella from Patricia Lillie: a typeface that's light-footed as a ballerina and joyful as a child at play. “There is a group of display faces that I simply love. Type that just seems to dance, type that makes me smile, designs that, when I see them, I say, "Boy, do I wish that was one of mine" says Lillie. “Although I never wanted to imitate these designs, when Cinderella started to emerge, I felt like it was the closest I've come to that quality.” ITC Cinderella projects gaiety and freedom. Capitals harmonize with a lowercase that bounces along with a lively, carefree attitude. Stroke weight stress is, well, all over the place. Curlicues abound. This delightful design is just that: brimming with delight.

Beautiful Kisses surely is an extraordinary script and perfect to express your love. “Love must always be worthy of happiness”. It has an amazingly beautiful and elegant style. What’s included: 1. Works both on Mac & PC 2. Simple installations 3. With Extras 4. Alternates (A-Z, a-z), Swash (A-Z, a-z), Titling (a-z), and Ligature 5. Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, CorelDraw, even work on Microsoft Word. 6. Support multilingual; ä ö ü Ä Ö Ü ß ¿ ¡ 7. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign, and CorelDraw. More information about how to access alternate glyphs, check out this link (http://goo.gl/ZT7PqK) To stay up to date for my latest work, follow me and let’s be friends because there will be many promos.

Originally I wanted to call this font Chewy Caramel, because I love caramel. But that name was already taken, so I deleted two letters in the name and ended up with Chewy Camel instead. I know that the designer of Chewy Caramel don’t mind - because that is my good friend, David, who made that one! :) Chewy Camel was made with a slightly blurry and inky pen, and is suitable for most things that need a true organic hand lettered font. I have added 6 slightly different versions of each letter, and there is multilingual support as well

FT Drobbs is inspired by the Didot font group, known for its neoclassical style reminiscent of the Age of Enlightenment. The font includes a combination of very narrow and very wide lines. FT Drobbs features increased contrast between wide and narrow lines and includes rich teardrop endings. I love to watch how the lines bend, how they move, expanding or going into the thickness of the hair. I love their graceful beauty. FT Drobbs is not alphabetic, but it contains numbers, a set of basic currency symbols, and a few typographic characters. It is suitable for use as accents in labels, posters and infographics.

Inspired by a love of geometry, combined with an obsession with all things stencil type! HAZMAT is a distinctive stencil, using angular characters to give the font an energetic look and feel. Created with the intention to be different from other stencils, the cut of the font has been designed to create eye catching and intriguing displays. HAZMAT works very well at small sizes for legible and detailed typesetting and is equally successful when used at bigger sizes for creating large format, powerful graphics. The font is available in two styles - Regular & Oblique.

Allencon is a lovely font based on freehand calligraphy. It has a bold, decisive look, with various aspects of the characters regularized to give a consistent appearance in print while preserving the personality of the lettering. It includes variant versions of many of the characters, particularly elongated characters for the ends of words at the ends of lines - great for poetry.

At the apex of the 1960s-70s Hippie movement, San Franscisco's Haight-Ashbury district was the epicenter of the Love Generation, and the Fillmore (East and West) were the city's musical venues. Inspired by a 1970 concert poster, the Art Nouveau influence was strongly felt in the hand lettering from that poster, which is the basis for Flower Children JNL.

Now showing at your local picture house is the latest romantic comedy coupling featuring Matinee Idol and Matinee Idol Bold; famous faces you've come to know and love in features like Warners' "Hush" and Columbia's "The Evil That Men Do." Stop by our lobby and check these fonts out. Oh, and please remember to refrain from smoking and talking during the show!

Beat Poet JNL is a throwback to the late 50s and early 60s when Beatniks hung out at coffee houses to listen to poetry and folk songs and live the Bohemian lifestyle of the Pre-Hippie generation.

This Typeface family include 6 Uprights and 6 Italics. This font family can be used as Display as well as text font. The font family includes Armenian, Cyrillic and Latin alphabet systems.

Introducing, The Kindamana Handwritten Display Font. This type of font is carefully made to give the fun and cute feeling and to fit perfectly for quotes, branding, packaging, logotype, headline, books, novels, etc. This font have up to 6 alternates set that you can mix and match! Features : uppercase & lowercase numbers and punctuation multilingual alternates PUA encoded If you have any other question please feel free to hit us at rillatype@gmail.com Happy Creating!

Nexgen SLD font family is a modern sans serif font. The family includes 6 fonts, 3 weights each with 2 styles; regular and italic. The fonts are designed to be clean and easy to look for readability. The straight lines and diagonal cut at the corners of each character give the fonts their solid modern tech look. The family works great in all kinds of themes especially in tech, science and sports themes.

A practical font family with 4 weights for all your day by day design needs: headlines, body text, signage etc. High legibility at small sizes. An extended sans serif typeface that provides unique softness appearance without losing legibility.

It starts slowly, gently drawing you in... you're introduced to a number of strangely interesting and compelling characters. The plot seems at first to be satisfyingly predictable, then -- suddenly -- the narrative takes a completely unexpected turn! The protagonist is thrown into a series of devastating and alarming twists and turns! The antagonist triumphs -- evil trounces good, mass hysteria seizes the city streets! Our Hero is separated from his One True Love, and it seems that she has fallen for The Villain of the Piece! Will Good Prevail? Will Evil Perish? Will Love Conquer All?!? I don't know yet -- that's as far as I've got. Don't worry, it has a Great Ending.

Veotec is a classic humanist sans that skilfully works for both screen and print due to its steep and precise angles enabling more negative space. Not only does this methodical approach improve legibility and readability at small sizes, it allows the bolder weights to feel harmonised and consistent without the compromise of this legibility. Angles are refined and considered with a balance between sharp and round curves adding a unique feature to this font. This also gives a modern and appealing feel at large sizes. Details include 6 well constructed weights, manually edited kerning, which is more open for on-screen devices, ligatures and alternatives.

Temet Nosce - Serif font family - Multilingual - 6 Styles Temet Nosce Serif font family help you develop your creative projects with its 6 styles and multilingual supports. It was inspired by the famous saying from ancient Greek mythology. The characters that make up its structure were influenced by the carved letters in the old stone inscriptions. According to ancient Greek and Roman authors, there were three maxims prominently inscribed upon the Temple of Apollo at Delphi: "know thyself", "nothing too much" and "give a pledge and trouble is at hand". Their exact location is uncertain; they are variously stated to have been on the wall of the pronaos (forecourt), on a column, on a doorpost, on the temple front, or on the propylaea (gateway). The date of their inscription is also unknown, but they were present at least as early as the 5th century BC. Although the temple was destroyed and rebuilt several times over the years, the maxims appear to have persisted into the Roman era (1st century AD), at which time, according to Pliny the Elder, they were written in letters of gold. This font comes with uppercase, lowercase, punctuation, symbols and numbers, ligatures and multilingual supports. Ideal for books and magazines, editorials, headlines, websites, logos, branding, advertising and more. This font family can meet your needs in all creative projects, modern and classic. With this font you can create your unique designs. Have a good time.

This font was created in honor of my husband for our 12th wedding anniversary. 14 years ago, I met this tall, skinny guy from Indiana in the lobby of a hotel in Hong Kong. We talked. The next day, we had lunch together. And that night we had dinner together. And the next day. And the next. We met just before my 19th birthday, and on my birthday he took me to the top of Victoria Peak, where we looked out over the city of Hong Kong- such a beautiful place to begin a lifetime of love! We spent 4 months together in Hong Kong, falling in love with each other and with the beautiful city we were privileged to call home for that short time. We married the next year. We've lived in Indiana, Texas, China, Kentucky, and Florida over those 12 years of marriage and have welcomed 2 daughters into our lives. I know beyond a shadow of a doubt that he completes my life in a way I didn't know was possible. And I know that I'm blessed beyond words to have a supportive, wonderful, encouraging husband who is also a loving, involved, caring dad to our daughters. This font is for you, Keith!