Matura font was designed by the Hungarian wood engraver and type designer Imre Reiner in 1938 and released by the Monotype Corporation. Matura font is a bold upright script that looks as if it were written with a broad-edged pen. A set of vibrant near-flourished capitals, called scriptorial capitals, broadens the usual range of script faces. Matura's distinctive lines make it appropriate for advertising uses as well as text headings, and for informal work like cards, invitations, and announcements.

Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface's name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.

Odenburgh is a Medieval-style calligraphy typeface. Hand-drawn by Måns Grebäck during 2018-2020, this high-quality lettering is inspired by historical Gaelic, British and Irish handwriting. It comes as a regular, clean style as well as the additional Odenburgh Deco style. The typeface is perfect for calligraphic headlines, products and logotypes in Middle Ages projects. The font supports all European, Latin-based languages. In addition to that, it contains numbers and all punctuation and symbols you'll ever need.

ZAMOKA font is a display font of 2 weights Regular and Rounded, ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. ............................................................................ ZAMOKA font provides advanced typographical support with features such as ligatures, case-sensitive forms, fractions, super and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Tulda is a very lively lettering font originally drawn for a German calendar. The optional symbols feature over 72 festive renderings for just about any occasion. This font is also available as an OpenType font with over 500 characters. For the OpenType version: standard Opentype features such as ligatures & oldstyle figures are available through the features menu in programs such as InDesign or other applications that support OpenType. Additional ornaments and alternate characters can be inserted through the glyph pallet.

This font was created to look as close to a natural handwritten script, as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Pax is clearly a didone, using Vox classification. The contrast between the thin lines and the thicker ones is noticeable, as you would expect from a didone. The basic form is relatively narrow, therefore I designed another Pax, slightly wider and darker, and called it Pax #2. Otherwise they are more or less identical. Pax is Latin for peace, on everyone's want list in 1995 - as well as every single year before and after that. Pax was released in 1995.

Poarch is a clean and modern condensed font, the font well designed as a sans serif font with all caps. It has round tip angle and different style as a sans font in common. The font is perfect for any project such as Brochure/Magazine Header, Logo Tagline, Flyer Titles and it also can be a paragraph text font. Features: Uppercase and Lowercase Regular, Light and Italic Version Numeral and Punctuation Ligatures Multilingual Support Modern Look Thankyou for Choosing This font Regards, Grontype

Arab Brushstroke is a graceful, upright German calligraphic script. At first glance, Arab Brushstroke does not seem to have much in common with Arabic calligraphy. Yet the gracefulness of its letterforms remind the viewer that calligraphy is a global passion, one that can be seen in the Arab world as well. Perhaps that feeling was the inspiration behind this typeface’s name? In any case, Arab Brushstroke is a good choice for use in headlines, as well as other display applications.

German type designer Stefanie Schwarz created this display and sans FontFont in 2008. The family has 6 weights, and is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Polymorph provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, super- and subscript character, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Canadian type designer Martin L'Allier created this display and blackletter FontFont in 2005. The family contains 3 weights and is ideally suited for advertising and packaging, festive occasions, editorial and publishing as well as poster and billboards. FF Karo provides advanced typographical support with features such as swashes, ligatures, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

Linotype Inky Script is part of the Take Type Library, chosen from contestants of Linotype’s International Digital Type Design Contests of 1994 and 1997. This fun fon was designed by the German artist Thomas Schnaeble as a handwriting font with little stroke contrast. The lower case letters are broad with a low x-height. Texts presented in Inky Script have a light, personal touch. Linotype Inky Script is well-suited to headlines as well as short to middle length texts.

The Aquebella font was made because I had too much trouble finding a font that was unique but still within the serif standard, as a branding designer about finding a suitable font for a client who is looking for a luxurious and elegant design, and finally this font is finished which you can use as a designer or someone who need a serif font with a very unique style, elegant style and can be used as a logo, magazine header, poster, etc.

American type designer Guy Jeffrey Nelson created this script FontFont in 1994. The family contains 2 weights: Regular and Bold and is ideally suited for advertising and packaging, festive occasions, poster and billboards as well as web and screen design. FF Providence Sans provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional lining figures. This FontFont is a member of the FF Providence super family, which also includes FF Providence.

ITC Cancione is the inspired work of California calligrapher and illustrator Brenda Walton. She gave a rough texture to her tall, thin all caps alphabet and its ornaments, making them look as though they were drawn with a brush on stone and then left to withstand years of weather and wear. The graceful letters are complemented by a variety of ornaments and flourishes as well as alternates and even stylized words making ITC Cancione perfect for greeting cards and stationery.

Haymer stands at the apogee of legibility and clarity. Its design embodies symmetry, even stroke widths and a subtle rounded quality to give an instinctive appeal to the reader and to the designer. Haymer is modern yet characterful and is ideal for use as a text family, online and wherever instant easy readability is required. An extensive family is offered, in four weights, regular and condensed widths, lower case and capital (small and petite) forms as well as display inline faces.

French type designer Albert Boton created this serif FontFont in 2003. The family has 7 weights, ranging from Light to Bold (including italics) and is ideally suited for book text, film and tv, editorial and publishing as well as small text. FF Tibere provides advanced typographical support with features such as swashes, ligatures, small capitals, petite capitals, alternate characters, and case-sensitive forms. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

This font was created to look as close to a natural handwritten script as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Stem Text is a workhorse typeface, a geometric sans-serif with a semi-closed aperture and a large x-height. The design of Stem Text allows to use it in body text sizes as well as in headlines. Stem Text is fully compatible with Stem , so the styles of Stem can be used as display styles together with Stem Text in text setting. Design -- Alexandra Korolkova with the assistance of Maria Selezeneva and Isabella Chaeva. Released by ParaType in 2015.

Paralex is a complete typeface family of 12 fonts with geometric-slab style. The edges of shapes are rounded to give a smoother appearance. It contains several OpenType functionality, such as initial and final decorative forms, old style numerals and an extensive set of geometric style ornaments. The character set supports Central and Eastern European as well as Western European languages. Despite the robustness of its forms has a warm appearance, and good readability that make it useful for a variety of situations.

Inspired by late 18th century type specimens, Saltpetre is a grounded yet rustic typeface. His letters have been hand-inked with antique dip pens and playfully spaced for a charming, irregular look. In addition to a set of 26 upper case letters, the font includes a variety of period graphics, interlocking decorative borders, numerals, punctuation, currency figures and multi-lingual support. Saltpetre is extremely versatile and excels at display, as well as specialized uses such as cartography and historical reproduction.

Absolute Beauty is a happy family of a smooth casual monoline signature script and a high contrast elegant didone serif. The signature script comes in three weights to cover as much design needs as possible - from websites to brand design, from magazines to billboards. It compliments from OpenType features such as ligatures, swashes, stylistic and contextual alternates, and is fully unicode mapped. Absolute Beauty serif is an ideal partner for the script: it features the same elegance and comes in two weights.

This font was created to look as close to a natural handwritten script as possible by including alternates lowercase, swash lowercase, ligature and underlines. Built in Opentype features, this script comes to life as if you were writing it yourself. Comes with regular and italic. Also support multilingual.Perfect for any awesome projects that need hand writing taste. This is suitable for branding, quotes, invitations, stationery, wedding design, logos, watermarks on photography, signatures, advertisement, album covers, business cards, clothing, magazines, posters, and more!

Estimo is an unusual, yet elegant type family of three styles in five weights. Originally developed as upper-case-only family, Estimo was inspired by the works of Bulgarian type and graphic designers in 1980’s. It is characterized by its lack of diagonal strokes (wherever possible), thus experimenting with letterforms without losing legibility. This unique typeface is suitable for all kinds of creative and editorial works, creating impact for headlines of all sizes, as well as readability for text blocks.

Estebak is a textured brush font, a contemporary approach to design, looking natural thanks to an irregular baseline. Suitable for use in title design such as invitations, books tittles, apparel, stationery design, quotes, branding, logos, greeting cards, t-shirts, packaging design, posters and more. Estebak includes a complete set of uppercase and lowercase letters, as well as multi-language support, numbers, punctuation, ligatures. If you need help or have any questions, please let me know. I'm happy to help. Thanks & Happy Designing!

Pax is clearly a didone, using Vox classification. The contrast between the thin lines and the thicker ones is noticeable, as you would expect from a didone. The basic form is relatively narrow, therefore I designed another Pax, slightly wider and darker, and called it Pax #2. Otherwise they are more or less identical. Pax is Latin for peace, on everyone's want list in 1995 - as well as every single year before and after that. Pax was released in 1995.

Italian type designer Maurizio Osti and American type designer Jane Patterson created this display FontFont in 2003. The family contains 4 weights and is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Folk provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates.The font was based on the original alphabet created by Ben Shahn in 1940. It comes with proportional lining and tabular lining figures.

Inspired and after 20th century’s travel posters, Vintage Travel is a font duo with a monoline Script that has small x-height and a bulky vernacular Sans designed to play together. Script is equipped with several OpenType features such as Swash and Titling alternates as well as Small Caps for small capital letters. Sans comes with Stylistic Alternates that provides you with a selection of lowered accented characters that can be used to create more uniform text blocks and tighter leading.

Britnes is a textured brush font, a contemporary approach to design, created naturally with irregular baselines. Suitable for use in title designs. Such as clothing, invitations, book titles, stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters, and more. Britnes includes a complete set of upper and lowercase letters, as well as multi-language support, numbers, punctuation, Alternatives, ligatures and Underlines. Thank you so much for looking up and letting me know if you have any questions.

Tomkin font is an extra large super family of 54 fonts! Tomkin have such a big abundance of contrast, styles, weights, width. Typesketchbook consists of a very usable, clean and modern sans typeface with Semi-square struture. The complete Tomkin type family includes 9 weights with italic and 3 width (normal, narrow, condense) versions for each of them all in all 54 fonts for a multifunctional usage, especially for cooperative work, such as website, magazine, editorial, publishing , as well as packaging.

German type designer Ole Schäfer created this sans FontFont in 2002. The family has 6 weights, ranging from Light to Black and is ideally suited for advertising and packaging, editorial and publishing as well as sports. FF Turmino provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

British type designer Neville Brody created this display FontFont in 1994. The font is ideally suited for advertising and packaging, music and nightlife as well as poster and billboards. FF Dirty Four provides advanced typographical support with features such as ligatures, alternate characters, and case-sensitive forms. It comes with proportional lining figures. This FontFont is a member of the FF Dirty super family, which also includes FF Dirty One, FF Dirty Seven, FF Dirty Six, and FF Dirty Three.

Tavolga have the mood of brushed feeling and come across as friendly and gentle. The harmony of organic and smooth shapes makes Tavolga uniquely appealing for display and titling where special expression is required. It has 6 weights, ranging from Thin to Black is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries, poster and billboards as well as web and screen design. Tavolga includes alternates for every uppercase letter, plus a handful of ligatures.

Patches is a multi-faceted, victorian-era serif typeface for when you need something more than plain text. Get that extra attention while adding a genuine, original appearance to your message. Patches was designed from scratch to give a sense quality and depth. Its designer Mans Greback has created a typeface with a complex structure, yet one that will be easy to master. This work will suit every style, taste and skill level. It is a decorative and completely hand-drawn design in vintage lettering, with the perks and flexibility of present-day technology, which is exactly what you'd expect from a modern typeface. Whether you are making a decorative floral headline, drawing a cowboy logo, or creating a unique design based on this ornamental font, the hopes are that Patches can give you a set of tools and inspiration to bring out the best of your artistry. Standing on the shoulders of giants, it was inspired by a wide range of works, and will hopefully be able to continue to teach and inspire future artists. Or at least help you become a better designer when you're designing an elegant and classic headline. Set the coloring of Patches to light gold and cream tones to apply a luxurious look, or in dark tones for a more rugged impression. Bold, bright colors will make it appear In the mid-1800s, decorative design flourished in the Western major cities. Victorian style thrived and encouraged techniques such as enamelling, embroidery and calligraphy. From the 1880s onwards, there were a series of reactions to higher Victorian tastes, with Art Deco reaching the heights of the 20th century. However, the Victorian art persisted popularity, as it changed to more sophisticated designs which made it more attractive to specific professions and groups. The evolution of the Victorian style in the mid-20th century was a key factor in the succession of the movement. Classic shops and salons, sport designs and traditional festivals, and later Rock'n'Roll and Harley Davidson-themed graphics ​inspired the continued development of the art. Aspiring to carry on this tradition, this typeface family consists twelve different high-quality variations. The main ones are Patched and Patched In – an outlined variation – and each one provided in five weights: Thin, Light, Medium, Bold and Black. Additionally, the two rough fonts Hangaround and Prospects, that tries to grasp the rough, earthy atmosphere of a shady motorcycle club. The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Light and flexible, slightly retro, casual and readable, Hoofer combines 28 brush script, mono line script and sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way. The Hoofer Mega-Family of fonts can be divided into three sub-families: Hoofer BRUSH subfamily: An eclectic group of five fonts. These are mainly joined scripts. Hoofer LINE subfamily: Seven mono-line scripts with joined letters in a number of weights, widths and styles. Hoofer SANS subfamily: Sixteen casual, Sans-Serif fonts. They are very readable and in a variety of weights & styles The mood of the Hoofer mega-family is light and flexible, slightly retro, casual and readable. It combines script and many sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way. The Brush Sub-Family is designed for titling, packaging and display purposes, The Line Sub-Family can also be used for titling, packaging and display, however, it is less “showy”, and conveys an air of informality. The Sans Sub-Family is designed to shine as sub-heads and as body text. The wide range of Hoofline styles gives you, the designer, great flexibility in creating just the mood or impression that you want. Most of the fonts can use one or more OpenType Features. These can be accessed in a number of ways. The reason for this is that the major software producers provide different (and often conflicting) ways of accessing OpenType Features. In some cases such software manufacturers provide NO way of accessing certain OpenType Features. We have tried to remedy this by providing a highly flexible family of fonts. OPENTYPE (these OpenType features are only available in the “otf” fonts and not in the “ttf” fonts.) OpenType features that Hoofer makes use of are: Swashes (Word-Begin and Word-End Features); Alternate Numerals; and True Small Caps. ORNAMENTS In addition the Hoofer family has a font containing 94 ornaments. ALTERNATE NUMERALS You can access two sets of figures (numbers) in Hoofer Sans fonts. Both sets are tabular and lining but they differ in the height (but not the width) of the figures. The height of the alternate figures has been chosen so that they are compatible with the small caps. However, these alternate figures are available in ALL Hoofer Sans fonts, whether they feature small cap fonts or not. Hoofer has all the features usually included in a fully professional font. Language support includes all European character sets, Greek symbols and all punctuation. Opentype features include automatic replacement of some characters and discretionary replacement of stylistic alternatives.

Borrowed vernacular from African hair studio signs. manually drawn with drop shadow. Used first as cover and label lettering of a cd with music from Zimbabwe, and completed later as a full character set for the typographic issue 'National Typographica' of I-Juici Magazine, in South Afrika.

Beba is based on geometric structures, where the same formal characteristics are applied to as many letters as possible. It is a sans-serif monoline typeface. It has a modern, clean and minimalist image; ideal to use for advertising, printed or digital graphics and signage system design.

At first glance, Quigley might look like any ordinary font. Take a closer look. Quigley is reminiscent of an art deco font with a "twist", having unusual and amusing character shapes. Ideal for signage and as display type, but works nicely for body text as well.

Martita is an elegant, handwritten, fully connected script with ligatures to help with flow and readability. Martita can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Language support includes Western, Central and Eastern European character sets, as well as Baltic and Turkish languages.

Wood Condensed Grotesk JNL is a more condensed version of the type style found in Wood Type Grotesk JNL. The font was a popular sans used for large posters or broadsheets as well as newspaper titles where more copy needed to be fit into limited space.