Bergen Mono is the latest addition to Bergen font bundle. It's a monospaced 6 piece font family engineered to speak the language of monospaced world fluently, without losing it's legibility and distinctive personality of it's predecessors, Bergen Sans and Bergen Text. It is built to handle most demanding tasks, uncompromisingly, from print to digital. It has Extended Latin, Cyrillic (including Bulgarian character set) and Greek language support included.

Introducing North Storm Display new generation Decorative Typeface. North Storm Typeface created with the vision of to attract the audience to your brand. The finest details of this typeface are methodically and mathematically created. North Storm is created with all the tasks of a corporate font and also for the usage in a variety of projects, including branding, logos, titles, headlines, posters, screens, display, digital ads, and everything else.

The Tough Dude font is a confident, devil-may-care, tough-guy font with attitude that screams "I don't need no stinkin' penmanship." It conveys a self-assuredness that does not preoccupy itself with trying to be necessarily legible or easy on the eyes but rather pragmatic, fast-flowing, and interested in scribbling the message out fast and moving on to the next task. We're confident you will enjoy it.

Velocity Vipers Brush Font, a modern and stylish font style influenced by urban style and branded goods that can be used in a wide variety of ways by Lettercorner Studio Velocity Vipers font is ideal for branding, photo overlays, watermark, typography, greeting cards, posters, business card, branding projects, social media posts, magazines, book covers, invitations, weddings, photography, fashion, apparel, letter, stationery, or any tasks that need a signature taste.

Alwyn New is the refurbished version of Alwyn, originally released in 2005. Whilst the font has been completely re-drawn, re-spaced and re-kerned it retains its original, ‘squarish’, robush charm, and now has a wealth of features consistent with an Opentype font. Ranging from Thin to Bold, with Italics in all weights, Alwyn is a perfect choice for a variety of tasks ranging from text setting to signage systems.

Modet is a versatile and friendly humanist sans-serif prepared for all typographic tasks. It is quite readable in smaller sizes and shows its character in larger sizes. You can change the face of Modet through its many alternate characters and OpenType features. This versatility makes it a great performer in editorial and branding projects. Modet comes in 10 roman styles, from thin to 'ultra black' and speaks 289 languages.

Annexia is a serif font with a several styles from Light to Bold. Serifs and stretched letters connect two times the past and the future, creating a perfect present. This font doesn't have a specific mood. Depending on the tasks, it can show itself in different ways. The font is perfect for both text, headlines, and branding. The font was designed by Pavel Bruev and released by Koshemare studio in 2021

Introducing Varia Display, a font that emerged from the renowned challenge of 36 Days of Type. In the 2023's edition, I embarked on a journey to explore a wide variety of styles, leading to infinite possibilities for crafting unique letterforms. The result is a meticulously crafted variable font with a single weight axis, designed to push the boundaries of typographic aesthetics across all characters. With each letter and number embodying a distinct and innovative approach, this font offers a captivating typographic experience. With its distinctive and varied letterforms, this font is ideally suited for eye-catching main headlines and complementary typography. Whether you seek diversity or a touch of uniqueness, this font is sure to meet your creative needs. Embrace the world of possibilities it presents and elevate your designs to new heights. Key features: Meticulously designed Variable Font Single Weight Axis Multilingual support 374 glyphs Contact: If you have any doubts or questions please ask me via mail or Instagram hello@tomascastiglioni.com @tomtype

Voluta Script is the work of Austrian designer Viktor Solt, created for use in a guide to the Austrian Gallery at Castle Belvedere. A volute (Latin voluta") is a spiral or scroll-shaped ornament used in the Baroque architecture of Castle Belvedere, similar to the swashes in this typeface. The castle was the historic residence of Prince Eugene of Savoy, one of the great military commanders of the 18th century and a prominent figure in Austrian history. When asked to create a typeface based on the calligraphy of the period to illustrate Eugene's epic, Solt turned for inspiration to Kurrent writing, a cursive blackletter style. Solt created a hybrid style that embodies the rhythm and basic forms of its ancestors, with large capitals, dark vertical strokes, and flourished beginning and ending characters. The typeface was designed to be used in sizes of 24 points and greater. Voluta Script allows designers to evoke the Baroque era or to lend a hint of majestic grace to contemporary typesetting."

Grotters is a supercharged, urban styled font, with extra attention to quick strokes and sharp details, Grotters contains uppercase, lowercase and ligature. Grotters is ideal for logos, apparel, t-shirts, hoodies, quotes, product packaging, or anything that needs a typographic turbo-boost and you’ll get a unique swash to accompany the font. What's Included: Grotters Regular - The standard version of the font. Perfect for titles and logos. Grotters Swash - cool underline under your text or a splash of paint? This font set has you covered. Type any letter a-z using this font, and you'll get a unique swash to accompany the font and extra brush Language Support - We've added in a great deal of extra characters to support many different languages. Commercial/Extended License - This is in your design arsenal for life! Use on end products for sale is permitted with the standard license. If there is a problem, question, or anything about my fonts, don't hesitate to ask! Big Thanks Ergibi Studio

Melancoline is a brush font created with the original, handcrafted quick stroke technique! Consists of all capital letters, gives a very strong and confident impression. Melancoline also includes LA LE LI LO LU LH ligatures in it, for unique requirements for the word you want. You can use Melancoline repeatedly for your design needs such as branding projects, web banner, quotes, homeware designs, product packaging, headlines, simply as a stylish text overlay to any background image, etc.

Holly Jolly in a beautiful handwritten style. Equipped with 300 glyphs. Holly Jolly is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.

Yee haw! Send me a shot of sarsparilla and let's celebrate a new cowboy font! This time we're pleased to introduce a new, more legible counterpart to Chank's Drunk Cowboy font. The resultant new font has a bit less of a drawl to it and is known as Dry Cowboy. Now you have a choice for smaller text setting when using Drunk Cowboy as the headline font. Wrangle the two together and put a little giddyup in your designs.

Rensor is an three weight modern geometric typeface, designed to be an easy go-to for branding, web, and print design projects. Each form is pared down to its essentials, so it's extremely versatile and can blend in or stand out as much as you choose. With it, you can create logos, labels, use in advertising, branding, packaging, magazines and book covers, posters, banners, headings, descriptions and much more. This font is easy to use has OpenType features.

'Appetizer' is a casual marker font, this font is suitable for a variety of purposes, it is great for logos, craft, prints, text headers, web banners, writing quotes as well as for video editing, animation and other visual presentations. This font is equipped with ligatures and is supported by multi languages, making it worthy of your bringing to any part of the world. Fall in love with its incredibly versatile style and use it to create spectacular designs!

M Ellan HK is a soft yet robust typeface that strikes an appropriate balance between vertical and horizontal strokes (豎、橫). Finials of strokes are sharp but gentle, alluding to the appeal of calligraphy. It is elegant as well as contemporary. M Ellan Light features similar thickness in vertical and horizontal strokes (豎、橫) that together make it lucid and appealing, while thickness of strokes in M Ellan Bold are accordingly adjusted to maintain its friendly and graceful character.

From the remnants of an old freeware font by Ray Larabie comes Cardholder Dispute SRF. Thoroughly rebuilt from the ground up by Jeff Levine, this post-80s techno lettering can also double as a pop culture font evoking 60s or 70s rock concerts and hippie colonies or (as the name implies) credit cards. The net profits from my font sales help defer medical expenses for mysiblings, who both suffer with Cystic Fibrosis and diabetes. Thank you.

Stay Gracious in a beautiful handwritten style. Equipped with 300 glyphs.Stay Gracious is perfect for branding projects, home appliance design, product packaging, use in business cards, invitation cards, etc. Simply as a stylish text overlay onto a background image or anything that requires a touch of elegance. To enable OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or a later version.

Baraka - in Swahili - a blessing. It is a simple, block-like typeface closed in cuboids. It was created and designed in Tanzania, Africa. It contains 183 gliphs, which due to their simplicity, which consisted in cutting out letters from rectangles using as little light as possible, makes an impression and is in fact a very heavy display typeface. It was created primarily for posters and labels, where thanks to its modularity and form enclosed in a limited geometric figure

This South American grotesk font blends the functionality of an American grotesk typeface with that unique Latino rhythm and flair. Sure it can be quite serious, but more importantly, its two alternate sets allow you to bring flavor to your logos, brands and advertising designs. We would like to especially thank Alfonso García for his help with digital editing, the development of a fresh italic version, as well as the addition of Cyrillic and currency symbols.

This typeface was designed specifically for producing movie posters, as well as VHS and DVD packaging for them. The uppercase letters are ultracondensed, and the lowercase letters are small caps, approximately a third the size of the uppercase. Also included are various logos and symbols suitable for the intended use, including those for MPAA ratings, and various audio and video formats. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Winter Day is a strong and playful script with a streak and a solid version, as well as a fun handwritten sans serif in a regular and bold style. Inspired by winter beauty and Christmas mood. Fall in love with its charm and take any craft to a new level! Create templates with Winter Day, invitations, book covers, magazines, stationery, children's books, logo design, emphasize your individuality in the blog and social media and much more.

In 1994, Edward Benguiat designed ITC Edwardian Script, an emotional, lyrical, even passionate calligraphic typeface. Its appearance was influenced by the look of writing with a steel pointed pen, an instrument which can be pushed as well as pulled, and which produces stroke contrast when pressure upon it is varied. The delicate, sophisticated letterforms of ITC Edwardian Script font were drawn and redrawn until the connective elements of the letters were perfected to create the look of true handwriting.

The roly-poly serifs, inspired by West Banjo, designed by Dave West, add such irrepressible charm to this typeface that you just want to pinch its little cheeks, if you are so inclined. Equally at home in the 1960s, when it was originally released, as the 1860s, from which it drew its inspiration. The PC Postscript, Truetype and Opentype versions contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Is a recreational typography. Created from experimentation of the Slab Serif style with asymmetric lines. Bock is compact and stable, although having the quality of breaking the typographic rhythm, to benefit its use in short words as logotypes and lowering of text in editorials and publicity. The Fat variable was devised as an extension of the Bock concept, deleting the inner and outer space that surrounds a letter, creating a font with much weight and attitude.

Scrungy Picnic is my handpainted all-purpose typeface with a fresh and legible feeling to it. With all-purpose, I feel that the shapes and organic feeling of each letter, suits designs such as a headline, massive text, toys for kids, candy, posters, invitations, signs...well, the list goes on and on! I've added 4 different versions of each letter, and they automatically cycle as you type - or you can pick the individual letters from the glyph menu!

Clarins This is a beautiful font duo that includes a Serif and a Script font. These fonts are written by hand and perfectly match each other, serif leaves streaks from an uneven stroke and looks a little careless and attracts attention, It will fit perfectly into a project where this inaccuracy is necessary. The script written with a brush is perfect for any project and will decorate it, as well as it includes alternates for lowercase. Enjoy using!

Berrylina Script come with 320+ glyphs. The alternative characters were divided into several OpenType features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates. The OpenType features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts) so that all the alternate characters can easily be accessed in full by a craftsman or designer.

Axelentia is a natural brushed font with a dirty texture. This font will give you a design that looks fresh and edgy and will look beautiful with offers, fashion magazines, stationery design logos, quotes, brands, greeting cards, packaging designs, posters, and more. Axelentia has two weights: Axelentia Regular and Axelentia Slant. They are complete with upper and lower case letters, as well as multi-language support, numbers, punctuation. Ligature and some additional letter characters are also provided.

Denalova is a modern calligraphy font with a handwritten, sophisticated flow. It is perfect for branding, wedding invites and cards. Denalova includes full set of uppercase and lowercase letters, multi-lingual symbols, numerals, punctuation and ligatures. It also includes: short lowercase, beginning and ending swashes, lowercase ending swashes, long lowercase beginning and ending swashes. The font has smooth texture, so would be perfect for all types of printing techniques, as well as embroidery, laser cut, gold foil, and more.

XLeafMeAlone is a collection of leaf silhouettes from common Indiana trees based on actual leaves. Various leaves, selected for their good looks not their intelligence, were scanned and hand-traced. Some species, such as some oaks, are over-represented because they are more picturesque than others, such as apple or peach. LeafMeAlone was featured in the “Type Drawer” column of Personal Publishing (later renamed Business Publishing--I do not know if it still exists) in November of 1990.

Ashford is a bold serif type and its matching Italic. Ashford packs plenty of timeless charm and elegance. As a display style it works best in headlines, posters and as a logotype. Ashford conveys a message of style and inner knowledge. Ashford is equipped with several OpenType features: Keep Standard Ligatures and Contextual Alternates on to prevent certain characters from colliding and spice up with Swash, Stylistic or Titling Alternates. Both styles come with more than 50 alternate characters.

Chank created Zsazsa Galore as a fresh alternative to Mister Frisky, another jerky, hypercaffeinated interpretation of the traditional roman alphabet. The difference this time is that the new font has no descenders. Every letter comes to rest hard on the baseline. It sits there firmly rooted with branches wiggling around in the air. It was released as the Chank Font of the Month in October 1999 and it was named after Zsa Zsa Gabor because she is beautiful.

Garishing Worse is a multi-language font supporting the complete Latin/Latin-1 character range, as well as Latin-A (Central European), Greek, Cyrillic and Hebrew. In other words, this is more than just the usual line-up of glyphical villains. There’s even a few OpenType features to make things interesting. Just type in a bullet or a hyphen and you'll be presented with some interesting alternatives. A cool ligature or two might even pop up.

Rhaetic or Raetic (/ˈriːtɪk/), also known as Rhaetian, was a Tyrsenian language spoken in the ancient region of Rhaetia in the eastern Alps in pre-Roman and Roman times. It is documented by around 280 texts dated from the 5th up until the 1st century BC, which were found through northern Italy, southern Germany, eastern Switzerland, Slovenia and western Austria, in two variants of the Old Italic scripts. Rhaetic is largely accepted as being closely related to Etruscan.

Jason Uncial, a unicase font, was created by Dutch designer Coen Hofmann. Uncial hand writing began to spread in Europe at the time of the late Roman Empire (200 A.D.). It influenced both the Carolingian Minuscule as well as our present lower case letter forms. Uncial fonts are still very much in use. It is used for headlines, display, titles, certificates, and not surprisingly, very much in Ireland or for anything with a Gaelic/Irish or Celtic touch.

The typeface was designed after seeing a photocopy of some News Gothic text where the ink had faded on the bottom of each character. As character recognition is generally based on the top half of a character, readability was never compromised. Rather like Antique Olive the characters have a top heavy look when viewed straight on, however, as most type is read at an angle with the top further away than the bottom this top heavy look is diminished.

Catalina Shiba with alternative characters is divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternate, Contextual Alternate. The Open Type feature can be accessed using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop version of Corel Draw X, and Microsoft Word. And this Font has provided PUA unicode (custom coded font). so that all alternative characters can be easily accessed in full by a craftsman or designer. Thank You.

Jaroslav is a typeface that breaks down typical assumptions on the construction of a monolinear grotesque, but still maintains excellent readability and the recognizability of individual characters. The sensitively-balanced type family of five weights is accompanied by a distinctive italic, so it works well with both expressive titles as well as shorter texts. This is why all weights include small caps, nine types of figures, alternatives, a large number of ligatures, arrows and other ornaments.

Badr is a traditional-style Arabic text typeface with two weights: Badr Light and Badr Bold, and include Latin glyphs (Cochin Roman and Bold), allowing a single font to set text in both most Western European and Arabic languages. The two Badr fonts incorporate the Basic Latin and the Arabic character sets, which support Arabic, Persian, and Urdu. They include tabular and proportional Arabic, Persian, and Urdu numerals, as well as a set of tabular European (Latin) numerals.